Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
UNC Health Pardee is hosting weekly open house hiring events at our Human Resources office in Hendersonville!
This event is open to all candidates who are interested in Pardee as a career destination. Candidates may walk in to apply for jobs.
Our recruiting team will be available to you one-on-one to answer any questions, help with applications, and share more about what it’s like to be part of Pardee’s one great team.
Tryon Arts and Crafts School is pleased to announce that our next exhibition hits very close to home with a lively presentation of painted wooden toys made circa 1915 through the 1930s by the Tryon Toy-Makers and Wood-Carvers. In a special addition, the exhibition will be complemented by a display of handcrafted wooden toys by Younger Brother Woodworking, the studio of local artisan Ray Buckmaster. Together, these two exhibits celebrate both Tryon’s historic and contemporary traditions in toy-making craftsmanship.
This exhibition reflects the enduring spirit of craftsmanship that has long defined Tryon, connecting past and present in a celebration of artistry, history, and community.
The dual exhibition will run May 2 through June 26. Mon-Fri, 9am-4pm; Sat, 9am-1pm
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
Elderflower Care Community, a local nonprofit organization dedicated to caring for dementia patients and their families, alongside the Arby’s Foundation will celebrate its grand re-opening with the Asheville community on Thursday, June 26. Elderflower will host an official ribbon-cutting ceremony beginning at 4:00 p.m. with food and music for guests to follow.
Kanuga is thrilled to announce the return of its Summer Day Camps for rising first through sixth graders, with five weeklong sessions planned for June and July 2025, at its Bob Campbell Youth Campus. Registration is now open.
In the serene mountains of Western North Carolina, campers will find fun and adventure in action-packed sessions staffed by well-trained, compassionate adults who specialize in keeping young children safe, entertained and engaged. Kanuga’s wooded campus offers children the opportunity to play, explore, swim in mountain lakes, hike to scenic vistas, paddle canoes, create arts and crafts and so much more.
Mondays through Fridays, 9:30 a.m. to 4:30 p.m. each day. $400–$460.
Day Camp A: June 9–13
Day Camp B: June 23–27
Day Camp C: July 7–11
Day Camp D: July 14–18
Day Camp E: July 21–25
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
Join us in this hands on class where you will make a hammered sterling silver wide band ring. One of Ignite’s talented instructors will take you through the process step by step including soldering, shaping, hammering, and finishing your ring.
These also make great wedding bands!
You’ll leave with a beautiful ring made to size in our downtown Asheville metalsmithing studio.
$120 person *All Materials Included
*Class times and avialbalility are subject to change. SIgn up in advance online to ensure your time and space.
This is a Weekly Recurring Event
Runs from May 23, 2025 to Jun 27, 2025 and happens every:
Fridays: 1:15pm – 3:30pm Timezone: EDT
Saturdays: 1:15pm – 3:30pm Timezone: EDT
Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!
The Art League of Henderson County invites you to join us in celebrating the Official Grand Opening of The Art Place Gallery in the heart of the Historic 7th Avenue District of Downtown Hendersonville. Friday, June 27th 5:00 – 7:00 PM 730 Locust Street, Hendersonville Be among the first to experience our beautiful new gallery space.
This special exhibit includes the juried work recently shown at the LaVie en Rose’ Fine Art and Music Festival plus work by many of our talented artist members. Enjoy light refreshments, and help us mark this exciting new chapter for the Art League and our community.
We look forward to celebrating with you!
The photographs on view in this exhibition maintain James Henkel’s commitment to aesthetic pleasures while embracing melancholia and the disruption of the preciousness of still-life imagery, allowing space for humor, absurdity, and the exploration of mortality.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
SoulCollage® is a playful and transformative method that helps us acknowledge all aspects of self. The process helps us discover our unique inner/outer guides and challengers in life. Together we will explore and express ourselves by making our own personalized deck, sharing cards, journaling, and consulting our cards about our own life questions. We will use simple tools—images, 5×8 cards, scissors, and glue, so no artistic experience needed!
Open Studio is a time when supplies and space will be available to create cards for your deck. You can drop in for a little while or stay the entire time. New and experienced practitioners welcome! While this is mainly time for independent creation, Michelle will be there to chat, answer questions, provide tips, and guide you through the process. If you’ve been curious about SoulCollage® this is a great way to get started.
Bring your water bottle and something to journal with. All other supplies will be provided.
Materials Fee Contribution: $5.00/Card
About Your Guide: I’m Michelle, an avid SoulCollage® Creatrix and lifelong educator who knows we are a network of connected humans. I believe we each have the capacity to improve our world by intentionally directing our individual and collective energies. I spend my time and energy expanding ideas, people, and communities that are lighting up the world with their precious energy. I’m excited to create with you!
Sonic Spheres
The Sphere Of Mystery
Join us for an immersive sound journey into the mystery of vibration and resonance. More than just sound waves traveling through air, sound is the invisible thread weaving together all of existence – connecting stars to our beating hearts, and speaking directly to the soul.
“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” – Nikola Tesla
You will be gently guided through layers of harmonic tones and resonant frequencies designed to calm the mind, open the heart, and awaken profound inner balance. Each sound becomes a gateway, carrying messages beyond words and inviting you to journey inward, beyond thought and time.
This is the first, inaugural Sonic Sphere. They each will have a theme, a specific instrumentation and/or carry their own unique quality. Each one offers a sacred space where every vibration holds a secret, every silence hums with possibility, and every tone helps you reconnect to the universal rhythm that connects us all.
Be the first to experience ✩ The Sphere of Mystery ✩
Please bring any comfort items you might want: a pillow, blanket, eye mask, etc. We have a limited number here to offer.
The energetic exchange starts at $20. Please be generous and give more if you can to support both facilitator and host. Spaces are limited.
Reserve your place HERE or RSVP through Meetup.
Note: If the number of participants is less than 4, the event might be canceled.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Quantum Energy Healing: Group Session & Journey
The medicine is inside of you.
Waiting to be awakened & activated.
Repair the nervous system, release limitations, clear trauma, resolve imbalances, restore health, expand your gifts, find deeper alignment to spirit, align to your divine purpose & embody more of your light.
Each person in group receives an entire hour of energy work and the specific codes to support them on their unique path.
This will activate the body’s self healing capabilities leading you towards your unlimited potential.
Make a cozy nest, sit or lay in meditation & be guided on a journey to activate your potential while clearing what’s in the way. Allow yourself to be transported into your inner world where messages, clarity & inspiration are found while alignment & transformation is experienced.
Quantum Activations*
Breathwork*
Guided Journey*
Energy Work/Clearing*
Light Codes*
Healing for mind, body, spirit*
Sweet community vibes & a time for you to receive, release, realign & recalibrate. Space after for optional connection & sharing.
Sliding Scale $20-$40: Cash, Venmo, PayPal
The LightEn Center of Consciousness & Action (LCCA) is hiring!
Please join us for our Job Fair on June 30 at the Draftsman in the Restoration Hotel in Asheville from 10:30am-3pm!
Our team is collectively working to deliver on an ambitious and world-changing mission, providing a world-class culture through a purpose-driven lens and we are hiring 30-40 new team members in advance of our launch in Fall 2025.
Roles we are recruiting for include: Administrative staff, Cooks, Drivers, Gardeners, Maintenance Workers, Porters, Security Guards, Servers, Spa Attendants.
Join us on June 30 to learn more, meet the team, and enjoy some light bites, a few games and the chance to win a tee shirt!
The LightEn Center of Consciousness & Action (LCCA) is a new 489-acre retreat center in Marshall, NC (~30 minutes north of Asheville) set to open in September 2025. LCCA will serve as a soul-focused sanctuary and learning center for individual and collective growth. The Center will host current and emerging leaders to cultivate and deepen the inner work needed to be more effective change agents in the world. The center will feature five teaching spaces, an 8,000+ sq ft spa, fitness center, auditorium, event hall, dining hall, reception building, administrative building, horticultural complex, and 76 guest cabins. Find more at https://www.light-en.org
Use this link to pre-register or share your info with us if you are interested but unable to attend so we can stay in touch: https://forms.office.com/pages/responsepage.aspx?id=i7eBBV-TQEGnpzWJJD_6CE4EqLhX-t5OgUlv-VfffpdURVRSRzhROEVHMTZXOVFCS0VSNlRXNkNNRC4u&route
Feel free to email us with any questions!