Most of us have days when we feel helpless, overloaded, or unappreciated. But what does it mean when we have more of those days than not?

In our November Biz and Bites we will explore burnout. What is burnout and how to identify common causes. We will discover ways to heal and deal with burnout and develop a plan of action to work through burnout.

After spending 10 years in the corporate, tech world and leading a global Customer Service team for one of the largest coworking spaces (WeWork), Erica found herself burnt out. For years, she climbed the ladder and achieved “success” but still felt empty. She valued her worth based on her work and no matter how many achievements she had, she was not fulfilled. In 2019, she took a leap of faith and quit her job, knowing she wanted to be in the holistic health / wellness space. This led her to earn a certification in life coaching and identify herself as a Burnout Coach. She now helps high-achieving, creative professionals activate their values and more deeply align their purpose with their career and beyond.

$1 off draft beers every Thursday!

Speaker(s): Nick Hawks

Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce

Webinar info forthcoming

Join us as we celebrate the love of a pet and the winners of our annual Pet Photo Contest.

Contest submissions are accepted through February 6th, with winners notified by February 11th. This year’s contest is sponsored by Wag! A Unique Pet Boutique, who will also be providing award prizes!

For complete contest details, check out the contest page here!

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• 6:00pm – 8:00pm

  Open mic comedy every Thursday from 6-8pm at Ginger’s Revenge Tasting Room.

  Rotating hosts each week Clay Jones, James Burks and Katy Hudson

  No cover
  Signup starts at 5:30, and signup order will not necessarily be show order. Each comic gets 5 mins of stage time

Songwriter, musician and performer Mitski has released five full-length albums. The most recent of which, 2018’s Be The Cowboy, was named Album of the Year by the likes of Pitchfork, Vulture, Consequence, ESQUIRE, and FLOOD, and the #2 Album of 2018 by The New York Times (Jon Pareles), NPR Musicand SPIN. It launched Mitski from cult favorite to indie star, landing her an extensive profile in The New Yorker and performances on Austin City Limits and Jimmy Kimmel Live! (she played The Late Show with Stephen Colbert following the release of 2016’s Puberty 2). After being off the road since September 2019, Mitski makes a daring return with new single/video “Working For The Knife,” which signifies a new intensity we haven’t yet seen from her yet. She’ll tour in 2022, playing theaters throughout the country, including Radio City Music Hall in New York, Shrine Exposition Hall in LA, Ryman Auditorium in Nashville, and more.

Listening to Buffalo Rose is like driving on the open road with the windows down, letting the breezes of various musical styles wash over you. Buffalo Rose commandeers the shimmering and electrifying riffs of the mandolin (Bryce Rabideau), the cascading guitar arpeggios of folk and bluegrass (Shane McLaughlin), the ringing purity of the dobro (Malcolm Inglis), and the steady percussive thrum of upright bass (Jason Rafalak), providing a effervescent blanket of sound under and around which the ethereal harmonies of Lucy Clabby, Rosanna Spindler, and McLaughlin float. There’s a singular beauty in every Buffalo Rose song, whether the group is covering Madonna’s “Borderline” or delivering their stirring original material.

While their following grew in the Pittsburgh area, they gained national attention opening for bands such as the Infamous Stringdusters, Dustbowl Revival, and Dangermuffin. In March 2018, the band gathered the music they had been playing on the road and released their first full-length album, The Soil and the Seed. After Spindler replaced Reid in the fall of 2018, the band released their Big Stampede EP in November 2019, followed by Borrowed and Blue: Live Around One Microphone in May of 2020.

Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.

You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.

Proof of Vaccination or Negative Covid Test w/i 48 Hours :: Masks are Required

All ticket sales are final.

A staple throughout Black culinary history, pie recipes are often a closely-held secret only handed down when the time is right. Contestants can bake any pie of their choice at this contest open to the public. Call 828-350-2062 to sign up.

Jesse Daniel Edwards is an acclaimed songwriter and radio charting artist hailing from the small mountain town of Cuyamaca, CA (pop. 60). As a child, Jesse and his 6 siblings grew up without television, internet, or significant exposure to the outside world- they went without electricity until he was age 12. He spent his time learning to sing harmony to gospel tracks and tinkering on hand-me-down instruments with his grandpa. Leaving home at 16, he spent his late teen years busking on street corners around the US and abroad. He eventually grew to perform upon the festival and university circuits full-time after a chance encounter with Al Bunetta (John Prine), sharing the stage with Morrissey, Lucinda Williams, and John Prine. His songs have been featured in radio, TV, streaming movies, video games, and 2 independent films.

He spent the lockdown working odd jobs, moving back to the American South. There, he picked up the guitar again after a near 2 year hiatus. He began reinventing his music, writing and recording in his home studio profusely, and ultimately planning to hit the stage again as the world reopened. Now he appears for a limited engagement with his 3-piece band of A list players.

Over the last half a dozen years or so, John Moreland’s honesty has stunned us––and stung. As he put hurts we didn’t even realize we had or shared into his songs, we sang along. And we felt better. But there has always been far more to Moreland than sad songs. Today, his earthbound poetry remains potent, but in addition to his world-weary candor, Moreland’s music smolders with gentle wisdom, flashes of wit and joy, and compassion. And once again, as we listen, we feel better.

“I can’t dress myself up and be some folk singer character that I’m not really,” Moreland says. “I figured, I can’t dress up these songs and try to sell them that way. All I can do is be me.”

Out February 2020, his latest album LP5 proves John Moreland has gotten really good at being John Moreland––thank God. A masterful display of songwriting by one of today’s best young practitioners of the art form, LP5 is Moreland’s finest record to date. The album’s experimentations with instrumentation and sounds capture an artist whose confidence has grown, all without abandoning the hardy roots rock bed and the lyrics-first approach Moreland’s work demands. “I feel like just this year, in the past few months, I’ve reached a point where I feel like I know what I’m doing here now,” he says. “And I feel comfortable with it.”