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Spring 2023 Amphitheater Series $45.00 An eclectic mix of music in TFAC’s popular Peterson Amphitheater awaits you this spring! From folk-rock to alternative country to bluegrass to jazz swing, TFAC’s lineup of 90-minute, outdoor concerts will fill the air with music and have you singing & dancing.
All concerts begin at 6:30 PM. Beverages will be available for purchase. |
Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Tuesday, May
9, 2023
Voivod
Tickets at Voivod Tickets | Asheville, NC | The Orange Peel (etix.com)
Ages 18+
Wednesday, May
10, 2023
TBA Reschuled Robert Plant + Alison Krauss: Raising The Roof
ROBERT PLANT + ALISON KRAUSS – RAISE THE ROOF
“These are songs that have gone into our hearts way back in time, but got lost in the twists and curves of the passing years,” says Robert Plant. “You hear them and you go ‘Man, listen to that song, we got to sing that song!’ It’s a vacation, really—the perfect place to go that you least expected to find.”
In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. It entered the Billboard 200 at Number Two and was certified platinum, and it won six Grammy awards, including both Album and Record of the Year.
Now, after fourteen years, the two icons return with Raise the Roof. Nominated for Best Americana Album, Best American Roots Song (“High and Lonesome”) and Best Country Duo/Group Performance (“Going Where The Lonely Go”) at the 2023 GRAMMY Awards, these dozen songs span a range of traditions and styles, extending this remarkable collaboration in new and thrilling directions.
Thursday, May
11, 2023
Cinderella Magic Package
TBA Reschuled Robert Plant + Alison Krauss: Raising The Roof
Asheville Amadeus Festival Kickoff + Beer Release
BLUEY’S BIG PLAY THE STAGE SHOW
Amphitheater Concert Series: Fancy and the Gentlemen
Fancy + the Gentlemen
Jazz Jam
THE MICHAEL RABINOWITZ JAZZ QUARTET
The FABBA Show
We are excited to bring this special package to you and your loved ones. It’s super easy!
- Pick your show date – June 14, 17, 21, 24 (Evening only)
- Choose 2 Adult Seats and 2 Student Seats
- At Checkout, discount will be applied
Bibbidi-bobbidi-boo!
Your wish is granted!
If you have any problems, our Box Office is happy to help!
828.693.0731
ROBERT PLANT + ALISON KRAUSS – RAISE THE ROOF
“These are songs that have gone into our hearts way back in time, but got lost in the twists and curves of the passing years,” says Robert Plant. “You hear them and you go ‘Man, listen to that song, we got to sing that song!’ It’s a vacation, really—the perfect place to go that you least expected to find.”
In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. It entered the Billboard 200 at Number Two and was certified platinum, and it won six Grammy awards, including both Album and Record of the Year.
Now, after fourteen years, the two icons return with Raise the Roof. Nominated for Best Americana Album, Best American Roots Song (“High and Lonesome”) and Best Country Duo/Group Performance (“Going Where The Lonely Go”) at the 2023 GRAMMY Awards, these dozen songs span a range of traditions and styles, extending this remarkable collaboration in new and thrilling directions.
Raise a glass and join the Asheville Symphony in celebrating the long-awaited return of the Asheville Amadeus Festival. We are kicking off the festival in style at Cursus Kĕmē with the release of an exclusive brew — Das Horner Bier. Das Horner Bier has a special connection to our festival’s namesake, Wolfgang Amadeus Mozart; a known favorite of his, the beer-loving composer even mentions this beer in a work from 1782! This light and dry oat-based brew has a slightly sweet, citrusy taste with a hint of spice and malt — perfect easy drinking for an early-summer Mozart festival. Join us as we launch the festival with a glass of Das Horner Bier and a snack from a local food truck — cheers to ten glorious days of Amadeus festivities!
WELCOME BACK TO ASHEVILLE AMADEUS
The festival began in 2015 as a week-long event, and in 2017 and 2019 was expanded to a grand 10-day festival bringing together some of Asheville’s most talented musicians, artists, brewers and entertainers for a schedule of performances, education programs, collaborations and social events. Headlining artists have included Emanuel Ax, Midori, Warren Haynes and Garrick Ohlsson.
Building upon the success of our rock-themed Festival in 2019, the 2023 Festival moves in another exciting new direction, this year celebrating all things Americana with theater, art, music, culinary arts, and more. Featuring banjo superstar Béla Fleck as our Festival Headliner, Kishi Bashi as our Festival Opener, and 25+ partner organizations offering 40+ events throughout this extraordinary ten-day Festival, this is the most ambitious Amadeus in Asheville Symphony history!
Bluey’s Big Play is a brand-new theatrical adaptation of the Emmy® award-winning children’s television series, with an original story by Bluey creator Joe Brumm, and new music by Bluey composer, Joff Bush. Join the Heelers in their first live theatre show made just for you, featuring brilliantly created puppets, this is Bluey as you’ve never seen it before, brought to real life.
“A glorious celebration of everything you love about the show.” – The Guardian
Based out of Asheville, NC, Fancy and the Gentlemen brings an eclectic mix of honky tonk, blues, southern gothic, rock, and classical roots to this americana band. Sensitive and rich harmonies weave through the tapestry of original compositions and carefully curated covers that celebrate the roots of American southern music. Fancy Marie, Katie Leigh, and Craig Kellberg enjoy performing as a full groove-infused band, while staying true to the core that is the artistry that is the songwriting trio.
Based out of Asheville, NC, Fancy and the Gentlemen brings an eclectic mix of honky tonk, blues, southern gothic, rock, and classical roots to this americana band. Sensitive and rich harmonies weave through the tapestry of original compositions and carefully curated covers that celebrate the roots of American southern music. Fancy Marie, Katie Leigh, and Craig Kellberg enjoy performing as a full groove-infused band, while staying true to the core that is the artistry that is the songwriting trio.
Our jazz trio with Thommy Knoles on keys, Felix Pastorius on bass, and Paul Gladstone on drums will perform an opening set from about 7-8:15 pm.
An open jam session follows. Drop-ins are welcome and encouraged for a suggested donation of $10.
Jazz Jam will feature a diverse array of music from jazz’s rich history, ranging from 1940s bebop up to 1970s jazz fusion, as well as material from prominent present-day composers. Bring your instruments and jam with us, or just come and enjoy!
Whether blowing bebop over a Mingus tune or freely improvising with Anthony Braxton, Michael Rabinowitz’s contributions have changed the conception of what the bassoon can do. Since graduating with a BFA in music performance from SUNY at Purchase in the late seventies Michael’s improvisatory skills opened the door for the bassoon to enter a variety of musical environments not traditionally associated with the instrument.
He has recorded with Ira Sullivan, Red Rodney, Wynton Marsalis, John Hicks, Dave Douglas, Chris Potter and Joe Lovano. His festival appearances include Chicago, Montreal, Berlin, Tri-city, Tanglewood, San Francisco and Hollywood Bowl. Michael is a founding member of The Charles Mingus Orchestra which can be heard regularly at the Jazz Standard in NYC. His quartet Bassoon and the Wild has performed at the The Vanderbilt Planetarium, Frick Museum, JVC Jazz Festival, , Penn State, Kavehaz and other venues in NYC. Ocean Eyes is Michael’s 5th CD and documents the development of his quartet with mostly original compositions. The Buffet Group USA has been Michael’s sponsor for the past fifteen years and has supported his participation in performances and master classes at the IDRS most notably the Jazz at June Festival in Oklahoma with oboist Paul McCandless
Michael Rabinowitz is joined by the three of the top jazz musicians in western North Carolina; Michael Jefry Stevens, Zack Page, and Rick Dilling. It promises to be a rare opportunity to hear great world-class jazz music without traveling to New York or Chicago.
The FABBA Show – Tribute to ABBA comes to The Orange Peel on Thursday, May 11 at 8:00 pm. Tickets are $20/$22 and may be purchased by phone at 828.398.1837, at the box office or online at www.theorangepeel.net. The Orange Peel is located at 101 Biltmore Ave, Asheville, NC 28801. The show is appropriate for all ages.
Friday, May
12, 2023
TBA Reschuled Robert Plant + Alison Krauss: Raising The Roof
Circle ‘Round the Music with Kindermusik and the Asheville Symphony— Skyland/South Buncombe Library
Circle ‘Round the Music with Kindermusik and the Asheville Symphony– Pack Memorial Library
PATIO: IMIJ OF SOUL (TRIBUTE TO JIMI HENDRIX)
LAZOOM Tours: BAND AND BEER TOUR
Celebrity Roast of Dean Trakas
OUTPOST: THE PINKERTON RAID
George Birge Live in Concert
Departure A Journey Tribute Band
Departure with Pandora’s Box
Slippery When Wet The Ulitmate Bon Jovi Tribute Band
ASIAN IDENTITY IN AMERICA FEATURING KISHI BASHI
DRIVE-BY TRUCKERS
TUMOKOHRS and B.J. LEIDERMAN
ROBERT PLANT + ALISON KRAUSS – RAISE THE ROOF
“These are songs that have gone into our hearts way back in time, but got lost in the twists and curves of the passing years,” says Robert Plant. “You hear them and you go ‘Man, listen to that song, we got to sing that song!’ It’s a vacation, really—the perfect place to go that you least expected to find.”
In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. It entered the Billboard 200 at Number Two and was certified platinum, and it won six Grammy awards, including both Album and Record of the Year.
Now, after fourteen years, the two icons return with Raise the Roof. Nominated for Best Americana Album, Best American Roots Song (“High and Lonesome”) and Best Country Duo/Group Performance (“Going Where The Lonely Go”) at the 2023 GRAMMY Awards, these dozen songs span a range of traditions and styles, extending this remarkable collaboration in new and thrilling directions.
In May the Asheville Symphony will once again present their annual Mozart festival, Asheville Amadeus. The Library will host three kindermusik events at Pack Library, West Asheville and Skyland Libraries in conjunction with the Asheville Amadeus Festival.
Kindermusik educator, Yvette Odell, will present Circle ‘Round the Music for kids, a music and movement program for preschool age children. “Ms. Yvette” — as she is known to many young children in the Asheville area — will introduce a live string quartet at each informal event, a special opportunity for very young children to get an up-close experience with music-making. Ms. Yvette will lead families with babies, toddlers and preschoolers in singing and dancing along with the string quartet.
These events are free and no sign up is required. This program is presented by Weetunes, an education program of the Asheville Symphony, and Buncombe County Public Libraries. Recommended for ages birth to five.
In May the Asheville Symphony will once again present their annual Mozart festival, Asheville Amadeus. The Library will host three kindermusik events at Pack Library, West Asheville and Skyland Libraries in conjunction with the Asheville Amadeus Festival.
Kindermusik educator, Yvette Odell, will present Circle ‘Round the Music for kids, a music and movement program for preschool age children. “Ms. Yvette” — as she is known to many young children in the Asheville area — will introduce a live string quartet at each informal event, a special opportunity for very young children to get an up-close experience with music-making. Ms. Yvette will lead families with babies, toddlers and preschoolers in singing and dancing along with the string quartet.
These events are free and no sign up is required. This program is presented by Weetunes, an education program of the Asheville Symphony, and Buncombe County Public Libraries. Recommended for ages birth to five.
ImiJ of Soul (pronounced image) is a celebration of all things Jimi Hendrix! A psychedelic juggernaut playing Jimi with authenticity and reverence. Already noticed by the man who played Jimi’s parts with Billy and Buddy in Band of Gypsys (Andy Aledort) and literally wrote the book on Hendrix, ImiJ brings the Jimi experience live to you.
“ImiJ of Soul play Jimi Hendrix’s music with a truly authentic vibe and attitude, check them out!” – Andy Aledort…Guitar World Magazine, Band of Gypsys
“Some folks just get it, these guys GET it! ImiJ of Soul bring the music of Jimi Hendrix to life, no impersonations, no tricks just rockin the tunes we all grown to love, if you love Hendrix you need to see ImiJ of Soul” – Dustin Brayley…Trans Siberian Orchestra
Bill Altman …guitar and vocal
Fatty Be …bass guitar and vocal
David Cohen …drums
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
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ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
The Pinkerton Raid is “a towering forest of indie rock with a timbre of folk that shadows Langhorne Slim, Cold War Kids and The Killers,” says THE SPILL. 2022’s THE HIGHWAY MOVES THE WORLD begins two decades ago in Jesse James DeConto’s childhood basement, where he learned The Beatles and first turned a songwriter’s eye on his own rich and complicated family life. “Radiant,” says AMERICAN SONGWRITER. “Poignant,” says ROLLING STONE. “Anthemic,” says AMERICANA-UK. Since the lockdowns, Jesse is back on the road with a totally new lineup, but, as always, a gang of friends with a full-band sound. The Durham, NC-based band has played at festivals from Georgia to Ohio, sharing stages with Liz Cooper, The Bones of JR Jones and The Nude Party. “A sound for dreamers around a campfire,” says GHETTOBLASTER. “Folksy indie rock,” describes FLAGPOLE MAGAZINE, “threads of the quilt of American folklore.”
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Annabelle’s Curse is an electrified indie-folk band from Bristol, TN/VA. The band has developed a reputation for high energy live shows and immersive studio albums. They have released five full-length albums and one EP. Since forming in 2010, Annabelle’s Curse has toured extensively throughout the southeast and mid-Atlantic, developing a devoted fan base. They have had the privilege of supporting acts such as Blues Traveler, Sam Bush, Langhorne Slim, Anderson East, Paul McDonald, The Hackensaw Boys, and Birds of Chicago. The band has been a staple at Bristol Rhythm and Roots Reunion, most recently taking the stage for their 10th year, and have been featured at numerous other music festivals including Floydfest, Rooster Walk, Fall for Greenville, Rhythm N’ Blooms, and North Carolina Brewers Fest. The band has also appeared on PBS’s Music City Roots and Song of the Mountains.
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Hailing from North Carolina, two sisters and friends of the Maggie Valley Band came together in the town they now identify themselves with. Each member learned their trade of music in the beautiful mountains of Maggie Valley, NC. Sisters Whitney & Caroline Miller grew up in a home where playing the piano was a daily requirement. Daily requirements turned to passion as they hit the streets to street busk. After years of busking, The Maggie Valley Band was officially formed and decided to take it inside-to venues. TMVB released their album “The Hardest Thing” in 2018 under under the direction of Grammy & Emmy nominated producer, David Mayfield. TMVB comes together to produce a sound affectionately referred to as “Dark Appalachian”, ranging from folk rock to indie rock.
Support your firefighters and paramedics of North Carolina by coming to see the Hottest new artist out of Nashville TN. George Birge with “Give me that drink” song is sweeping the radio stations. Get your tickets now!
The HALL at Spartanburg Memorial Auditorium’s RELIVE THE GLORY DAYS concert series presents, Departure A Journey Tribute Band May 12 at 7:30pm. Tickets on sale NOW
The HALL at Spartanburg Memorial Auditorium’s RELIVE THE GLORY DAYS concert series presents Slippery When Wet The Ultimate Bon Jovi Tribute on May 12 at 7:30pm. Tickets on sale NOW
Join us for a conversation with multi-instrumentalist Kishi Bashi and filmmaker Liz Sargent about minority identity and racism towards Asians in America. Using songs, film, and photography, we’ll look at a history of Asian representation in media and culture. Kishi Bashi will be sharing clips from his upcoming film release, Omoiyari, a Japanese word which means to have sympathy and compassion towards another person.
A universal concept in human interaction that is required for a sustainable society, Kishi Bashi explores how empathy and the lack of it has played key roles in our modern quest for social equality.
About Kishi Bashi: Kishi Bashi is the pseudonym of singer, multi-instrumentalist, and songwriter Kaoru Ishibashi. Born in Seattle, Washington, Ishibashi grew up in Norfolk, Virginia where both of his parents were professors at Old Dominion University. As a 1994 graduate of Matthew Fontaine Maury High School, he went on to study film scoring at Berklee College of Music before becoming a renowned violinist. Ishibashi has recorded and toured internationally as a violinist with diverse artists such as Regina Spektor, Sondre Lerche, and most recently, the Athens, Georgia-based indie rock band, of Montreal. He remains based in Athens.
https://www.kishibashi.com/
About Liz Sargent: Liz Sargent is a Korean American Adoptee whose award-winning work explores themes of adoption, disability and family. As a Writer/Director she incorporates her background as a choreographer into visual storytelling that channels complex human emotions that are an extension of her experience as the middle child of eleven and recognizing her intersectional identity as an adult.
www.sargentliz.com
Ages 18+
On the title track to Welcome 2 Club XIII, Drive-By Truckers pay homage to the Muscle Shoals honky-tonk where founding members Patterson Hood and Mike Cooley got their start: a concrete-floored dive lit like a disco, with the nightly promise of penny beer and truly dubious cover bands. “There were no cool bars in town and Club XIII was the best we had—but it wasn’t all that good, and our band wasn’t particularly liked there,” says Hood, referring to the vocalist/guitarists’ former band Adam’s House Cat. “From time to time the owner would throw us a Wednesday night or let us open for a hair-metal band we were a terrible fit for, and everyone would hang out outside until we were done playing. It wasn’t very funny at the time, but it’s funny to us now.” The 14th studio album from Drive-By Truckers—whose lineup also includes keyboardist/guitarist Jay Gonzalez, bassist Matt Patton, and drummer Brad Morgan—Welcome 2 Club XIII looks back on their formative years with both deadpan pragmatism and profound tenderness, instilling each song with the kind of lived-in detail that invites bittersweet reminiscence of your own misspent youth.
Produced by longtime Drive-By Truckers collaborator David Barbe and mainly recorded at his studio in Athens, Georgia, Welcome 2 Club XIII took shape over the course of three frenetic days in summer 2021—a doubly extraordinary feat considering that the band had no prior intentions of making a new album. “We had some shows coming up and decided to get together and practice, since we hadn’t even seen each other in a year and a half because of the pandemic,” Hood recalls. “We started demoing song ideas, and pretty soon we realized we had a whole record. It was all sort of magical.” Featuring background vocals from the likes of Margo Price, R.E.M.’s Mike Mills, and Mississippi-bred singer/songwriter Schaefer Llana, Welcome 2 Club XIII was recorded live with most songs cut in one or two takes, fully harnessing the band’s freewheeling energy. “For us it’s always about just getting together and having fun, but this time there was the added feeling of being set free after a long time of wondering if we’d ever get to do this again,” notes Cooley.
Arriving as the band enters its 26th year, Welcome 2 Club XIII marks a sharp departure from the trenchant commentary of The Unraveling and The New OK (both released in 2020). “All our records are political to some extent, but after making three overtly political records in a row we wanted to do something much more personal,” says Hood. A hypnotic introduction to the album’s sprawling autobiography, “The Driver” kicks off Welcome 2 Club XIII with a seven-minute-long, darkly thrilling epic punctuated with lead-heavy riffs and Llana’s unearthly vocals. “Around the same era of Club XIII, I spent a lot of time driving around late at night when I couldn’t sleep, listening to music loud and often having a beer or two,” says Hood. “Sometimes during those drives I’d have these epiphanies about what to do with my life—like listening to Tim by The Replacements not long after it came out and deciding to drop out of school to try and make this whole band thing work.”
The album’s swinging centerpiece, “Welcome 2 Club XIII” spins a sublimely gritty portrait of the spot Cooley sums up as “part disco, part honky-tonk, part place to score cheap cocaine.” With its litany of inside jokes and references to Foghat and The Jim Carroll Band, the track unfolds as a joyful piece of anti-nostalgia, a sentiment perfectly captured in its sing-along-fueled outro (sample lyric: “Our glory days did kinda suck”). Meanwhile, on “Every Single Storied Flameout,” Cooley shares a far more pensive recollection of his younger years. “I wrote that song when my son was turning 16 and going through a rough patch for a bit,” he says. “Luckily, he’s turned it around and he’s doing great now, but it was a tough time for a while. Part of my way of dealing with it was to take ownership of the example I might’ve set, in the hope of leading him out of it.” Graced with the radiant melodies of a three-piece horn section, the result is a spirited anthem merging Cooley’s unsparing self-reflection with a bit of rambling wisdom (e.g., “That part of you that feels alive is wired and can’t be severed from the damage-seeking part of you that runs it/Just don’t embrace it with a vengeance before you’ve even shaved with a razor that you bought with your own money”).
Although Welcome 2 Club XIII has its moments of real-time observation (including “Maria’s Awful Disclosures,” on which Cooley connects the dots between early-19th-century anti-immigrant agitprop and the noxious paranoia of QAnon), much of the album serves as a free-flowing coming-of-age memoir. “Cooley and I have been playing together for 37 years now,” Hood points out. “That first band might have failed miserably on a commercial level, but I’m really proud of what we did back then. It had a lot to do with who we ended up becoming.” And while Drive-By Truckers never shy away from illuminating the many shades of grief that come with getting older, Welcome 2 Club XIII ultimately embodies a certain world-weary joie de vivre—an element beautifully encapsulated in one of its final lyrics, from the softly stunning “Wilder Days”: “As the sun gets dizzy watching us as we go spinning around/I find it best to laugh at the absurdity of life above the ground/There’s no comfort in survival, but it’s still the best option that I’ve found.”
Tumo Kohrs, is Mark Tuomenoksa and Sarah Kohrs, two extraordinarily talented musicians whose synergy and skills provide a sophisticated sound that exponentially exceeds what you would expect from any duo. While they principally perform on electric keyboards, they both are multi-instrumentalists and their repertoire includes the entire saxophone family as well as guitars and flute. While their playing skills are impressive, what separates them from the pack are the intimate original compositions of Kohrs combined with the powerfully evocative arrangements of Tuomenoksa. Sarah is a master of words, expressing nuanced emotions of love as well as the blunt realities of the pain that loving entails.
There are no pulled punches in Sarah Kohrs. And while her words spin the narrative, Mark’s arrangements bring the songs to life, alternately hugging and caressing, or forcefully spitting and biting, to magnify and amplify the experience. With Tumo Kohrs you don’t just tap your fingers. You cry, you laugh, you sit in stunned silence, or you jump out of your seat yelling, “Wow!” This is emotional hardball in the big leagues. You can’t hide; you’re going to feel it.
One of the beautiful things about Tumo Kohrs is the ease with which they switch gears – veering from sad to happy, serious to irreverent – and cross genres, all the while maintaining a delightful easy banter with the audience. In the end you realize that you’ve just ridden a roller coaster through many of life’s most powerful forces – love, trust, friendship, relationships – and you’re somehow better for the journey.
Sarah Kohrs and Mark Tuomenoksa aren’t following anyone, they are blazing a new trail forged entirely out of their indomitable spirits. And they are just getting started.
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BJ Leiderman isn’t following anyone either. He blazed his trail in the world of music and public radio decades ago.
For over 40 years, award-winning composer BJ Leiderman has enjoyed a multifaceted career as composer, lyricist, producer, copywriter and voice talent.
He is best known as composer of the Public Radio themes for Morning Edition, Weekend Edition, Car Talk’s ‘Stump The Chumps’ theme, NPR Science Friday, Wait, Wait, Don’t Tell Me! and Marketplace.
Leiderman has scored TV and radio commercials for clients including Coca-Cola, ExxonMobil, US Air, Corporation For Public Broadcasting, US Environmental Protection Agency, US Chamber of Commerce, General Mills and General Electric, Nickelodeon, Cartoon Network, The Annenberg/CPB Project and Christian Broadcasting Network
Saturday, May
13, 2023
Asheville Performing Arts Academy Summer Theatre Workshops Registration Open
Cinderella Magic Package
Pan Harmonia | Concoction 5
ASHEVILLE AMADEUS Mozartissimo
Blue Ridge Orchestra: Asheville Amadeus: Mozartissimo
Milton Crotts, Conductor
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We’re offering TWO grade levels this summer for our workshops:
- Younger Ages (Rising First – Third Grade) and
- Older Ages (Rising Fourth – Tenth Grade)
Pricing
First Student: $350 per week
Sibling & Multiple Week Camp Discounts are available
Madagascar Workshop
June 12-16 & July 17-21
Get read to MOVE IT, MOVE IT!
Join Alex the Lion, Marty the Zebra, Melman the Giraffe, Gloria the hip hip Hippo and, of course, those hilarious, plotting penguins in this crack-a-lackin’ adventure from New York City to Madagascar.
Matilda Workshop
June 19-23 & July 24-28
It’s time to act like REVOLTIN’ CHILDREN!
Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. Matilda’s school life isn’t completely smooth sailing, however – the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils’ saving grace!
Shrek Workshop
June 26-30 & July 31-August 4
Come and let your FREAK FLAG FLY!
It’s a “big bright beautiful world” as everyone’s favorite ogre, Shrek, leads a cast of fairytale misfits on an adventure to rescue a princess and find true acceptance. When Shrek sets off with a wisecracking donkey to confront Farquaad, he’s handed a task — if he rescues feisty princess Fiona, his swamp will be righted. Shrek tries to win Fiona’s love and vanquish Lord Farquaad, but a fairytale wouldn’t be complete without a few twists and turns along the way.
The Little Mermaid Workshop
July 10-14 & August 7-11
Discover what it means to be PART OF YOUR WORLD!
In a magical underwater kingdom, the beautiful young mermaid, Ariel, longs to leave her ocean home — and her fins — behind and live in the world above. But first, she’ll have to defy her father, King Triton, make a deal with the evil sea witch, Ursula, and convince the handsome Prince Eric that she’s the girl whose enchanting voice he’s been seeking.
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We are excited to bring this special package to you and your loved ones. It’s super easy!
- Pick your show date – June 14, 17, 21, 24 (Evening only)
- Choose 2 Adult Seats and 2 Student Seats
- At Checkout, discount will be applied
Bibbidi-bobbidi-boo!
Your wish is granted!
If you have any problems, our Box Office is happy to help!
828.693.0731
ASO Amadeus Festival
Visit the Asheville Art Museum Atrium for Music Mixology!
Music on the hour from Noon to 5 pm
The music begins with Flute at Noon, adds Bassoon at 1 pm then Clarinet at 2 pm; Oboe at 3 pm and finally mixes in a French horn at 4 pm to concoct a woodwind quintet!
Gorgeous music featuring: Kare Steinbeck, flute; Rosalind Buda, bassoon; Taylor Massey, clarinet; Michael Jones, oboe; Anneka Zuehlke, French horn
Each musical portion is 20-25 minutes long. Drop in for any part of the afternoon. Walk-ins are welcome. Reservations are encouraged, as seating is limited.
The Blue Ridge Orchestra’s contribution to the 2023 Asheville Amadeus Festival begins with Mozart’s Sinfonia Concertante in E-Flat for Violin, Viola and Orchestra, some of the last and possibly the best music he wrote before leaving Salzburg for Vienna at age 25. In keeping with the festival’s Americana theme, the second half of the program features the Blue Ridge Orchestra Winds performing classic works by several of the best-known American composers.
Milton Crotts, Conductor
Emily Schaad, Guest Conductor
The BRO plans to wrap up this season with a program paying homage to the ever famous Wolfgang Amadeus Mozart! We will be joining the “Asheville Amadeus”campaign as we highlight one of his works, “Concertante Sinfonia” with Violinist Rachel Handman and Violist, Emily Schaad. Emily will also be doubling as Guest Conductor for this piece! You will not want to miss this incredible talent and unique delivery!
Program:
Mozart – Sinfonia Concertante in E Flat Major
Soloists: Rachel Handman, Violin
Emily Schaad, Viola, Guest ConductorCopland- The Tender Land Suite
Gould- Symphonette No. 2