Calendar of Events

Visiting Asheville soon and looking for a fun way to fill your Friday night? The Asheville Drum Circle is a tradition unique to the area. While locals usually begin the beating of drums, tourists are welcome to join, dance, or simply take in the incredible atmosphere at any point.

If you’re looking for things to do in the area during your stay, this is a must! Here’s everything you should know about the Drum Circle.

The Asheville Drum Circle is a free event that’s open to all.

ALEX KRUG COMBO

In their 6th year of writing, performing, and creating art together, the Alex Krug Combo brings their latest single, “My Best” to a dynamic existing collection of music. Along with the newest member, Tina Collins (of Tina and her Pony) the 5 piece band recorded the single at Echo Mountain Studios in Asheville, North Carolina, and had it produced and mixed by Michael Selverne.

As with many songs, “My Best” had a unique way of making it to the finish line which included taking a deeper look behind the meaning of the song and its place in the Alex Krug Combo catalog.

“The chord progression and melody were written fairly quickly, but I had to come back and ask the song what it was really about before it all came to me” stated Alex Krug, Founder of the Combo. With Bill Berg on Drums, Kyle Samples on Electric Guitar, Zack Page on Upright Bass, Jackson Dulaney lap steel, Tina Collina with vocal harmony “My Best” has a dynamic soundscape of strings, harmonies, and bass, as well as peaks and valleys that pull your body side to side while you lean in closer, trying to feel and hear the music just a little bit deeper.

“My Best” in a way, signifies the idea that life, love (and the music industry) will always have their ups and downs. But more importantly, it signifies that even in those hard moments there is still a reason to wear your best and to find enjoyment in the cards that are spread out before you.

There was no way that in January of 2020 that we couldn’t have predicted the hand any of us would have been dealt, including members of the Alex Krug Combo. And now, over a year and a half later- with a new song, a creative business concept on the horizon, and the dream of hugging as many music lovers as possible, the Alex Krug Combo, proudly presents to you, their best for today.

As part of the Cider, Wine & Dine Weekend, enjoy live music by Brian Ashley Jones Duo on the lawn at Appalachian Ridge. Brian is a Nashville-based performer playing the best Blues and Country tunes. Bonfires will be going, and s’more kits will be available for you to purchase and roast as you sit back and enjoy the view and music. The food truck will be on-site with dinner and snacks. Appalachian Ridge’s ciders, wines and beer will be available for you to enjoy. This is an outdoor event, dress for the weather, but we will have fires going to keep you warm and to toast your marshmallows!

Over the past decade, The String Cheese Incident has emerged as one of America’s most significant independent bands. Born in 1993 in Colorado’s Rocky Mountains, SCI has since released 10 albums, 5 DVDs and countless live recordings from their relentless tour schedule. Their 20 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. They have been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.

When The String Cheese Incident’s growth first started gaining momentum over a decade ago, when the internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.

Since then, The String Cheese Incident has gone on to carve out a completely different approach to the business of music; they are truly pioneers of a new way of “making a band.”  With the World Wide Web as their tool, SCI was among the first artists to disseminate information via the internet, such as tour dates, release information, and other news, to their growing fan base.  Rather than doing business on such terms as “the bottom line,” The String Cheese Incident put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On the Road” series, where every show the band plays is made available for download on the internet.  Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development.  Today, literally hundreds of bands are using some version of this same approach to building a band.

The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours.  SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance, Rock the Earth, and Head Count. In 2002, when the band’s right to sell tickets to their own shows became threatened by ticketing giant Ticketmaster, the band stood strong for the independent music community and filed a lawsuit against the company.  All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances.  The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Horning’s Hideout, and holiday shows such as New Year’s and Halloween, have helped redefine the concert experience and has garnered the band a reputation as live music vibe innovators.

Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

Little Women embodies the complete theatrical experience, guaranteeing a night filled with laughter, tears and a lifting of the spirit. Little Women features plenty of great opportunities for female actors and singers ranging in age. The powerful score soars with the sounds of personal discovery, heartache and hope – the sounds of a young America finding its voice.

World-renowned cellist Yo-Yo Ma was first introduced to the instrument he’s now become famous for when he was four years old. His multi-faceted career is testament to his enduring belief in culture’s power to generate trust and understanding. With partners from around the world and across discipline, he creates programs that stretch the boundaries of genre and tradition to explore music-making as a way to not only share and express meaning, but also as a model for the cultural collaboration he considers essential to a strong society.

At the age of five, Kathryn Stott made friends with the upright piano in her living room and by the age of eight, she found herself at a boarding school for young musicians. It was there that she developed a passion for French music that continues to propel much of her playing today. In 1978, she was thrusted into the life of a professional musician via the Leeds International Piano Competition where she met Yo-Yo Ma. Since 1985, the two have enjoyed a collaboration with has taken them to many fascinating parts of the world and led to musical adventures with artists from various cultures.

Yo-Yo Ma’s Official Website
Kathryn Stott’s Official Website

Maia Sharp has had her songs recorded by The Chicks, Bonnie Raitt, Trisha Yearwood, Keb’ Mo’, Cher, Lisa Loeb, Art Garfunkel and more. Through it all, Sharp has continued to record her own albums, including eight solo releases, one collaboration with Art Garfunkel and Buddy Mondlock and her duo project Roscoe & Etta with Anna Schultz, her writing and production partner. Each release has been embraced by press and radio, leading to extensive touring and appearances on Mountain Stage, World Café, NPR’s “All Things Considered,” and “The Today Show” to name a few. Her latest album Mercy Rising is out now featuring the single “Backburner.”

Rissi Palmer’s gift lies in reaching across all music boundaries. While she made her mark in country music, she is equally at home in R&B, bringing the entire spectrum of popular music to bear on her own sound – Southern Soul. In 2007, Palmer released her debut album, full of charting singles like “Country Girl,” “Hold On To Me,” and “No Air.” Since then, her musical career has taken her across the country, sharing stages with Taylor Swift, The Eagles, Chris Young and more as well as features on two Grammy-nominated albums. Palmer is a passionate voice for country artists of color and those who have been marginalized in mainstream country music. She hosts her own radio show and connects with fans and artists alike to work toward equality in the genre.

Asheville’s LARGEST vaudeville show featuring WNC’s best comedy, juggling, magic, burlesque, acrobatics, aerial arts, short plays, puppetry, sideshow, music and more!

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Led by Stewart/Owen Dance Co-Directors, Vanessa Owen and Gavin Stewart, this open level adult contemporary dance class gradually awakens the body and senses through guided improvisation and a follow along warm-up, followed by foundational across-the-floor exercises and center-work combinations. All experience levels welcome!

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots. They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

shame / V**gra Boys Tickets | Asheville, NC | The Orange Peel (etix.com)

Saturday – October 22
Use code PEELSHAME
Code valid 4/22 10am – 4/24 10pm

Led by Stewart/Owen Co-Directors, Vanessa Owen and Gavin Stewart, this class begins with full body conditioning followed by a series of technical modern exercises, and culminates in either phrase creation or Stewart/Owen repertory. Dancers are encouraged to modify for their own bodies and spaces! We recommend this class to experienced dancers who are looking for a fast-paced contemporary class that pushes their physical and mental boundaries.

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots.They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

Come join us for our second annual Hemp Festival!

Fun for all ages! Located downtown Asheville in front of the court house at Pack Square Park for April

Wed 4/20 – Sat 4/23. We will be hosting a 4-day event with live music on 2 stages.

Pack Square Amphitheater

&

Instant Karma Bus Stage

One of our main goals is to make something accessible and engaging for the whole community.

In honor of the Hemp Plant, we are getting our community together to celebrate and inform about all the wonderful benefits Hemp has to offer!

In collaborating with local hemp farmers, musicians, community activist and educators, including diverse talent from live glassblowing, fire spinning, live painters, visual arts, and so much more.

This is one you dont wanna miss.

For volunteer, Vending, sponsorship, or more information about involvement visit.

AshevilleHempFest.com

STAY TUNED FOR MORE DETAILS

Dance competition in Asheville, NC

Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

Little Women embodies the complete theatrical experience, guaranteeing a night filled with laughter, tears and a lifting of the spirit. Little Women features plenty of great opportunities for female actors and singers ranging in age. The powerful score soars with the sounds of personal discovery, heartache and hope – the sounds of a young America finding its voice.

Based in Asheville, the Feels are a female-fronted, soulful, rootsy 5-piece group, with a new-throw-back sound & captivating female harmonies. Their original music is a unique fusion of R&B, Groove, Soul, and Americana. Singer-songwriters Lange Eve and Sarah Roberts bring their spunky and engaging energy as they showcase their tunes, backed by the talents of Matt Gardner on lead guitar, Brian Grasso on bass, and Matthew Roberts on drums. If you’ve been in the WNC area long enough, you’ve seen these musicians around the music scene- including The Afromotive, Menage, Plankeye Peggy, and High Flying Criminals. Check out this newer musical formation: The Feels!

Indelible Sauce is performing at the Flood Gallery Fine Art Center for the Mystic Photography of Adam Lurie exhibit opening! Fun and eclectic, both subtle and smooth and also wild and hectic! This kooky two piece is very original and dynamic, balanced and stable while also unfiltered and manic, while delivering powerful messages of positivity and engagement! With elements of rock, funk, jazz, punk, experimental, spoken word, hip hop, soul and mo’…

The art exhibit features a collection of photographic prints by Adam Lurie, inviting you to explore the amazing things happening in everyday objects, surfaces and spaces, Close examination may reveal extraordinary scenes, meaningful symbols and mystic visions.

By open donation.

Welcome to a new world! In this collection of photographic prints, Adam Lurie invites you to explore the amazing things happening in everyday objects, surfaces and spaces, Close examination may reveal extraordinary scenes, meaningful symbols and mystic visions. All images are real shots that have only been enhanced in color, contrast, and other straightforward adjustments, but all details and imagery are present from the original source, no stitching together of visuals.

The evening will feature live music by the dynamic duo, Indelible Sauce! Fun and eclectic, both subtle and smooth and also wild and hectic! This kooky two piece is very original and dynamic, balanced and stable while also unfiltered and manic, while delivering powerful messages of positivity and engagement! With elements of rock, funk, jazz, punk, experimental, spoken word, hip hop, soul and mo’…

Free & open to the public, but please donate as able to!
Exhibit open through May 28.

Over the past decade, The String Cheese Incident has emerged as one of America’s most significant independent bands. Born in 1993 in Colorado’s Rocky Mountains, SCI has since released 10 albums, 5 DVDs and countless live recordings from their relentless tour schedule. Their 20 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. They have been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.

When The String Cheese Incident’s growth first started gaining momentum over a decade ago, when the internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.

Since then, The String Cheese Incident has gone on to carve out a completely different approach to the business of music; they are truly pioneers of a new way of “making a band.”  With the World Wide Web as their tool, SCI was among the first artists to disseminate information via the internet, such as tour dates, release information, and other news, to their growing fan base.  Rather than doing business on such terms as “the bottom line,” The String Cheese Incident put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On the Road” series, where every show the band plays is made available for download on the internet.  Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development.  Today, literally hundreds of bands are using some version of this same approach to building a band.

The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours.  SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance, Rock the Earth, and Head Count. In 2002, when the band’s right to sell tickets to their own shows became threatened by ticketing giant Ticketmaster, the band stood strong for the independent music community and filed a lawsuit against the company.  All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances.  The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Horning’s Hideout, and holiday shows such as New Year’s and Halloween, have helped redefine the concert experience and has garnered the band a reputation as live music vibe innovators.

The 5th Annual Greenville Blues Festival is returning to Bon Secours Wellness Arena in Greenville at 7 p.m. on April 23. The festival is set to feature a blues honor roll of performers and legends alike, including Tucka, Ronnie Bell, Pokey Bear, Nellie Tiger Travis, Lebrado and Calvin Richardson.

The 5th Annual Greenville Blues Festival is presented by North American Entertainment Group Inc., one of the leading independent promoters of entertainment tours and live events in the United States.

ABOUT TUCKA

Tucka James is a songwriter and amazing artist. He’s in a lane of his own coming out of New Iberia, LA. Tucka James hit the scene in 2010 and never looked back. The ladies love his swag and style. Along with the charming voice. Tucka James has set standards that have never been set, he has performed in many states and cities. He has a unique flavor of music. You can never get enough of his hits such as “Candyland,” “Don’t Make Me Beg,” “Country Road,” “Sweet Shop,” “Booty Roll,” and so many more. He has collaborated with many other artists. They don’t call him Tucka for nothing. He’s a force to be reckoned with. There’s no stopping Tucka James.

ABOUT RONNIE BELL
Ronnie “RnB” Bell grew up in the small town of Walker, Louisiana. Since the age of five years old he sang in his church choir at Gloryland Church of God in Christ in Walker. RnB quickly became popular due to his extraordinary vocal ability at such a young age. At the age of fifteen he began to sing alongside his mother, uncles, and his late Great Uncle George Perkins as a member of “George Perkins and the Voices of Harmony”, a gospel-recording group based in Hammond, Louisisana. A year later after growing restless of quartet singing, he joined Kenneth Mitchell and the Voices of Praise. In college, he became a member of the world-renowned Southern University Concert Choir directed by the great Charles Lloyd, Jr. While under the instruction of the Legendary Dr. Issac Greggs and Mr. Lawrence Jackson, RnB performed at the Bayou Classic Battle of the Bands in the New Orleans Super dome in 2004, 2006, 2008, & 2011 as a guest soloist with the Southern University Marching Band. At Southern University, RnB opened for Juvenile and 112 while performing at the annual homecoming 2006 in both the halftime show and the annual concert. In 2008, RnB opened for Erykah Badu and Bun B in the Spring Fest at Southern University. Currently Ronnie Bell has transformed himself into a new genre of music with two Hit Singles: “Cotton Candy” and “I’ll Pay The Shipping Cost.” Both at one point number one Blues/Southern Soul/Swing Out songs in Louisiana, South Carolina, North Carolina, Alabama and sweeping over the Southern Region. Ronnie’s new label R.E.E.L. Entertainment Group has joined forces with Worldbeat Entertainment to take the Blues/Southern Soul/Swing Out genre by storm with his highly anticipated debut album “Ronnie Bell 365” released on May 5, 2020. But he has not forgotten his true love and genre of R&B and Soul. He plans to release a series of EP’s showcasing his talents so all the fans can experience his flavor of music.

ABOUT POKEY BEAR

Wardell “Pokey Bear” Brown was born on February 2, 1970 in Baton Rouge, Louisiana. He is known for his soulful sound of music in the Blues/Southern Soul genre; however he did not start out that way. Pokey Bear began his career as a rap music artist, but after doing it for a while decided to try other styles. His venture off into other styles of music would lead him to be the soulful singer that he is today. He was first recognized in music for his first two projects produced by Beat Flippa. Particularly his songs entitled “They Call me Pokey” and “Side Piece,” The song “Side Piece” happened as a result of a hook that was written by Heavy in which he asked Pokey to write lyrics to. He has worked with artists such as Tyree Neal, Adrian Bagher, Ms. Pat, Veronica Raelle, and Cupid.

ABOUT NELLIE TIGER TRAVIS

Nellie Tiger Travis couldn’t be more destined to sing the blues. Born deep in the delta in Mound Bayou, Mississippi, Nellie grew up singing gospel music. During the mid-eighties, Nellie was lead vocalist for the Mississippi based group “SSIPP,” opening for acts from Dee Dee Warwick to Ray Charles. Since relocating to Chicago in 1992 Nellie has been an undeniable force in the Chicago Blues Community. Koko Taylor was a major influence, mentor and friend to Nellie. Koko took Nellie under her wing after she witnessed an extremely emotional performance immediately after Nellie’s mother had passed away. Nellie has headlined at the Chicago Blues Festival and performed at numerous national and international festivals and clubs. Nellie has performed in Japan, Greece, Italy, Germany, Brazil, as well as her hometown in Mississippi. She has shared the stage with such greats as Buddy Guy, B.B. King, Koko Taylor, Glady’s Knight, Ronnie Baker Brooks to name a few. Nellie’s latest release “I’m Going Out Tonight” was released on March 18, 2011 with a star-studded release party at Buddy Guy’s Legends.

ABOUT LEBRADO

Lebrado Wilson first broke out into the music industry with his guest vocal appearance on his older brothers’, K-Ci and Jo Jo’s single entitled “Suicide” from their year 2000 album “X.” Continuing and expanding on his brother’s legacy, Lebrado’s released his debut album, Try Me, in 2006, which included his first hit single “Missing You, Babe.” His highly anticipated sophomore LP entitled Fire was subsequently released in 2009; its popular single “Fire” featuring his brother K-CI.

ABOUT CALVIN RICHARDSON

Born and raised in Monroe, North Carolina, Calvin Richardson is the fifth of nine children and the son of a Gospel singer. His life as a performer goes back to childhood: as a kid, Calvin’s mother led a Gospel act called The Willing Wonders and Calvin was the group’s youngest member. His first solo album, Country Boy, was released in 1999 by Universal Records and featured the singles “True Love” (featuring Chico DeBarge) and “I’ll Take Her” (featuring K-Ci Hailey). After being dropped by Universal, Calvin eventually rebounded and landed another record deal, this time with Hollywood Records. In September 2003, he released his second album, 2:35 PM.

The album, which was named after the time that his son Souljah was born, featured the Grammy-nominated hit “More Than A Woman,” featuring Angie Stone. Other singles from the album were “You’ve Got Me High” (featuring Slum Village) and “Keep On Pushin’.” Most recently, Calvin signed with Shanachie Records. His first Shanachie album, When Love Comes came out May 27, 2008. It was followed by the Grammy-nominated Bobby Womack tribute album Facts of Life in 2009 and an all-new album, America’s Most Wanted, in 2010.

Join us for a night of unforgettable original music by Black Mountain’s own David LaMotte.

David LaMotte is an award-winning songwriter, speaker, and author. The Boston Globe writes that his music “pushes the envelope with challenging lyrics and unusual tunings, but he also pays homage to folk tradition,” while BBC Radio Belfast lauds his “charm, stories, humor, insightful songs, sweet voice, and dazzling guitar ability.” David has performed well over 3,000 concerts on five continents.

The story of Giselle is one of young love and betrayal; of a philandering Count Albrecht and a trusting peasant girl, Giselle.

The Story – Act I

Despite having a weak heart, Giselle loves to dance and her beauty enchants Count Albrecht. On the day of the village festival, Albrecht disguises himself as a peasant. Unaware of his noble birth, Giselle first resists Albrecht’s advances but ultimately succumbs to his romantic persistence. She trusts his pledge of eternal love, and she too falls in love. The arrival of a hunting party in the villages includes the Duke of Courland and his daughter Bathilde, to whom Albrecht is already engaged. Hilarion, a gamekeeper in love with Giselle, discovers Albrecht’s true identity and reveals his lie to Giselle. Learning of this deceit, Giselle loses her mind, and the first act ends with her untimely death.

The Story – Act 2

Act II is set deep in the forest where Giselle was buried and has become a wili. The wilis are ghostly apparitions – girls who have died betrayed by their faithless lovers on the eve of their weddings. Mourning at Giselle’s grave, Hilarion tragically encounters Myrtha, Queen of the Wilis, and her maidens, who haunt the forest, luring those who pass by to dance with them until they die, which he does. Full of remorse, Albrecht also comes to Giselle’s grave. Myrtha commands Giselle to come from her grave and entice Albrecht to join her in dance. Giselle dances with Albrecht through the night. And although she was betrayed by Albrecht, she helps him to stay alive until the dawn when the wilis lose their power and cannot destroy him. At dawn, Giselle disappears into her grave, and Albrecht’s life is spared by Giselle’s love.

CREDITS

Choreography Marius Petipa, Jean Coralli, Jules Perrot

Staging Vlada Kysselova

Music Adolphe Adam

Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

Little Women embodies the complete theatrical experience, guaranteeing a night filled with laughter, tears and a lifting of the spirit. Little Women features plenty of great opportunities for female actors and singers ranging in age. The powerful score soars with the sounds of personal discovery, heartache and hope – the sounds of a young America finding its voice.