Call for Artists for a New Art Deco Masterpiece –
Part of the Urban Trail

Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m. 

Call Summary:

• The City of Asheville and Public Art and Culture Commission (PACC) seek a qualified artist(s) or designer(s) to submit their qualifications for a piece of public artwork that reimagines and replaces Station #7, the Art Deco Masterpiece, part of Asheville’s Urban Trail.
• Responses to this Call for Artists (CFA) will be reviewed by an Artist Selection Panel and up to three semi-finalists will be asked to submit proposals. Semi-finalists will be paid a $500 honorarium.
• Artwork will be integrated into the existing Outdoor Dining Area in front of the historic S&W Building, located at 56 Patton Avenue, Asheville, NC.
• The budget is $80,000 to engage with community stakeholders, design, fabricate and install the piece.

To Apply:

• More information and the Call for Artists can be found on the City of Asheville’s Bid page at ashevillenc.gov/bids under “Other”.
  • Project Number: 298-CFA-ArtDecoRedesign-24

We’ve heard your valuable feedback, and now you don’t have to hear us! Beginning May 4, 2021, the period between 8 and 10 a.m. on the first Tuesday morning of every month will be reserved for “Meditative Mornings,” a pause for quiet time in our gardens and on our trails. During this time, our working garden crew will abstain from using leaf blowers, mowers and other equipment so you can be sure to enjoy the sounds of birds and the wind in the trees.

Take advantage of half-price parking on the first Tuesday of every month and come out to the Arboretum to enjoy a Meditative Morning!

Baker Exhibit Center

In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.

Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.

Buncombe County Parks & Recreation is announcing the launch of its new online reservation system for park pavilions.

ACTIVENet, the new online reservation system, allows for a hassle-free user experience for Buncombe County park visitors. With just a few clicks, visitors can make and cancel reservations from the comfort of their home, in addition to checking real-time availability of the pavilions. Park pavilions are located at Lake Jullian, Charles D. Owen, and the Buncombe County Sports Park. Field rental is also available through this new portal.

Key takeaways of the new reservation system include: 

Seamless Interface: The user-friendly layout of the reservation system allows for hassle-free bookings and cancelations.

Real-time Park Pavilion Availability: Users are able to check the availability of the park pavilions at their favorite park, and on their preferred date and time.

Secure Payment: ACTIVENet’s secure payment portal ensures data protection and encryption with Payment Card Industry (PCI) compliant technology.

Email confirmations: Once a reservation is made or canceled, users will receive a confirmation email with the details of their booking.

Click here to view a tutorial on how to book a park pavilion. 

To access the new park pavilion reservation system, please visit www.buncombecounty.org/parks. There is a “Reserve & Register” button that will take users directly to the reservation portal. Please note that users must create an account prior to booking a park pavilion. For any inquiries or additional information, please contact [email protected] or call (828) 250-4260.

Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.

Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

First Tuesday of the month gathering for People With Parkinson’s (PWP) and all those who support them. This month PWP’s and Support Partners will meet in separate areas. These smaller groups will be able to share life strategies, experiences with adaptive gadgets, and inspiring moments. It is a reminder that although you live with Parkinson’s Disease, you are not alone.

A balanced diet is a foundation of good health. For people with Parkinson’s Disease (PD), a balanced diet is even more important. With PD, there are some foods that may help to ease symptoms and help brain health, while others can affect the way medications work. While there are many things about PD that cannot be changed, the informed choice of diet can help people to live better with the disease.
The Parkinson’s Support Group of Asheville will explore diet and nutrition at its May 7 meeting. Kendra Miller, a registered dietitian nutritionist, and co-owner of Fueling Life Nutrition in Asheville will talk about how good eating habits and a balanced diet can help people with Parkinson’s feel their best and maintain their energy.
According to the Parkinson’s Foundation, while there is no prescription for a PD-specific diet, one that includes a variety of whole grains, vegetables, fruits and protein-rich foods can improve health. The Parkinson’s Foundation recommends people with PD consider including nuts, olive oil, fish and eggs to your diet, for their beneficial fats.
Nutrition adjustments can also help ease some of PD’s most common symptoms, both of a motor and a non-motor nature. People with Parkinson’s often experience digestive difficulties, especially constipation. Certain fluids and high-fiber foods can help alleviate the problem.
Fatigue and sleep difficulties are also common symptoms of PD. The culprit of these problems often is sugar. When eaten during the day, sweets briefly boost energy, but make you sleepy later. When eaten in the evening, they may keep you awake.
Another benefit of dietary changes can be improvement in the effectiveness of PD medications. Taking medications at mealtime can affect how quickly they are absorbed into your system, and the rate at which your body uses, or metabolizes them. If you take carbidopa/levodopa (Sinemet) for PD symptoms, you may find that protein-rich foods such as meat, fish, eggs or dairy products, or high-fat foods, lengthen the time it takes for the medicine to kick in, or make the medication less effective.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

• READERS THEATRE SHOWCASE

  For Readers Theatre Showcase auditions, there’s no need to make an appointment – we will get you signed in when you arrive! Expect to read from the script. Prepare for your audition by reading the script beforehand.

Enchanted April

Performance Dates: May 31-June 2, 2024
Auditions: May 7, 2024 from 10:30 AM to 2:30 PM
Directed By: Anita Chapman
Production Assistant: Christina Dubuc

About Enchanted April: To escape the cold rain and melancholy of Post WW1 London, four unlikely traveling companions share the cost of renting a seaside castle in Italy. In this romantic comedy, the women open up to the unexpected and experience a magical month of discovery and renewal.

May 3 – June 26, 2024 MON – SAT 11 – 6SUN 11 – 5

Artists: Caleb Clark, Bryant Holsenbeck, Bill Killebrew, Inigo Navarro, Isaac Payne, Amy Putansu, Daniel Robbins, Peggy Root, and Deborah Squier.

This group exhibition features paintings, collages, and sculptures that embody the alluring ambiance between sunrise and sunset. Plein air paintings capture the scattered, sleepy light of Dawn; Collaged drawings depict sidewalks blanketed by moonlight; Mixed-media sculptures portray nocturnal animals. Each artist reminds us of the recurrent and striking period of time when the atmosphere is neither totally dark, nor completely lit.

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

For information about upcoming meetings, agendas, and how to view this event, please visit the City of Asheville’s Civic Center Commission web site.

The Civic Center Commission consists of nine voting members; seven voting members shall be appointed by the City Council and two voting members shall be appointed by the Buncombe County Board of Commissioners. The term of office is three years. The Commission reviews and makes recommendations on programming goals and objectives; long-range plans; proposals for changes in the fees and charges; and encourages promotion of sports, recreation, entertainment, and cultural events and activities at the Harrah’s Cherokee Center – Asheville, formerly known as the U.S. Cellular Center Asheville and the Asheville Civic Center.

 

The MADE X MTNS (Made By Mountains) Partnership is working to expand the outdoor industry and economy across North Carolina’s Appalachian region and catalyze rural development by building vibrant outdoor communities, growing outdoor businesses, and amplifying outdoor culture. This work is funded by Appalachian Regional Commission, Dogwood Health Trust, and Mountain BizWorks. Join the Building Outdoor Communities Program Specialist, Bradley Spiegel to learn about the 7-month capacity building program that 19 WNC counties have completed to holistically and proactively plan for outdoor assets that balance conservation and community development. FREE virtual presentation.

Spring Musical

Finding Nemo KIDS

2nd-4thGrades

Tuesdays

2:30pm-4:00pm

2/6, 2/13, 2/20. 2/27, 3/5, 3/12, 3/19, 3/26, 4/9, 4/16, 4/30, 5/7, 5/14

No Class: 4/2 Spring Break, 4/23 Early Release

Dress Rehearsal: 5/7 2:30-4:00pm

Performance: 5/14/2024 3:30pm

Tuition: $300

Students will learn all about teamwork as they work together with their classmates and a professional Teaching Artist to perform scenes and songs from a short musical. Each actor will receive their own part with lines and songs to learn. Class time will be used for rehearsal and a performance complete with costumes and props will take place on the final class day.

In Person at Glen Arden Elementary School

50 Pinehurst Cir, Arden, NC 28704

Join us every Tuesday for some sweet sweet deals as a way for us to thank you and all of our fellow service industry friends!

Join us for a lively language enrichment story time designed for children ages 4 to 18 months.

Who should attend this event? Newly elected precinct officers and officers who want to repeat this training.

Precinct officers are tasked with many leadership responsibilities and deserve effective training to be successful. I will share an overview of the Democratic organization, who’s on your team and resources to support your leadership going forward. This workshop includes engagement activities, best practices, along with strategies to activate volunteers, grow your precinct, and motivate voters to vote. By the end of this workshop, you will leave with greater understanding of your leadership role and action steps for the year ahead.

With John Simmons This event airs live and will be recorded. Tickets are $5 for members and $10 for general admission. Museums have changed greatly since the emergence from the modern museum around 1800, and have diversified into an amazing variety of institutions adapted to diverse cultures around the world. This presentation will examine how museums have evolved and how this has affected institutional missions, what is collected, how collections are managed, and the audiences that museums serve, while the association of objects and learning has remained at the heart of the museum. Today’s museums face many new and complex challenges, including which objects should be acquired, how collections are interpreted, the need for deaccessioning, the problem of preserving digitized information, and responding to calls for decolonization, repatriation, and restrictions on what should be exhibited.