Artists are invited to create artworks with the theme of “Red, White and Blue.“  Apply these patriotic colors at the center of your subjects, however there are no limits to your creativity, your artworks don’t need to be primarily patriotic theme, but viewers should be able to spot the use of recognizable amount of red, white and blue colors.

Located on the second floor until September 18th, the show continues the historical relationship between the Southern Highland Craft Guild and Haywood, an educational center of the Guild. This new generation of craft is led by instructors Amy Putansu in fiber, Brian Wurst in wood, Emily Reason in clay, and Robert Blanton in metals & jewelry. Students of the Haywood program come from all over, with or without prior experience of craft, and sometimes pursuing it as a second or third career. The course of study is challenging, combining craft concentrations with supplemental classes in design, drawing, craft history, business, marketing and photography.

Haywood Community College and the Southern Highland Craft Guild share a history that documents the role of craft education in preserving traditional culture, creating economic opportunity and fostering professional practice. All of the artists represent the vitality and creativity of craft practice today, which is the ultimate purpose of both institutions. Many Haywood graduates have become individual members of the Southern Highland Craft Guild and have served the Guild in various capacities.

Instructor Brian Wurst of the Professional Crafts Wood program says, “Our programs have thrived for nearly five decades, and our relationship with the Craft Guild has been a key part of that. We’re always thrilled to have work showcased at the Folk Art Center, and in turn scores of our alumni have gone on to become active Guild members. The Graduate Show is the capstone of two hard years by these students, and it’s a delight to share it in this beautiful space.”

Haywood Community College is located in Clyde, North Carolina, just west of Asheville. The college’s Professional Crafts Program began in recognition of the region’s strong craft heritage. It was envisioned that students would learn the basics of craft media and how to transform that craft into a business. The clay studio was the first to open in 1974. With the addition of jewelry, wood and fiber studios, a comprehensive curriculum was in place by 1977.

Anyone interested in taking courses at Haywood Community College can contact the success coach, Farrah Rodriguez [email protected] 828.627.4505.

The Haywood Community College Professional Crafts Program, Graduate Show, Class of 2024 is a free exhibit at the Folk Art Center on the Blue Ridge Parkway in East Asheville. For more information, visit www.craftguild.org or call 828-523-4110. For more information about the Professional Crafts Program, call 828-627-4674 or visit creativearts.haywood.edu.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

Robert Turner (1913-2005) arrived at Black Mountain College in 1949 to establish the first studio pottery program at the College. He worked with student architect Paul Williams to design the Potshop and stayed until 1951 as a teacher and potter. There he formed lifelong friendships with M.C. Richards, Joe Fiore, and Natasha Goldowski Renner, and was part of the lively mix of art and ideas generated by Clement Greenberg, Katherine Litz, Kenneth Noland, Theodoros Stamos, and many others. Turner’s education prior to his arrival at Black Mountain included Swarthmore College, Pennsylvania Academy of Fine Arts, The Barnes Foundation, Penland School of Crafts, and Alfred University.

After Black Mountain, Turner and his family moved to Alfred Station, NY where they bought a farm, and he established a successful studio pottery practice and actively exhibited his work in galleries across the U.S. In 1958 he began teaching pottery and sculpture at Alfred University where he would lead the ceramics program until his retirement in 1979. In addition to his influential teaching position at Alfred, Turner taught at Penland, Haystack, and Anderson Ranch helping a new generation of artists and potters develop their work and establishing his own reputation as a gifted teacher.

Robert Turner’s travels to Africa and to the American Southwest proved to be important life experiences and important to his growth as an artist. Over his lifetime he received many awards for his work, but his humble, gentle demeanor and Quaker background helped keep him centered while also remaining open to exploration and discovery in nature and life.

The exhibition will include work by some of Turner’s students and colleagues at BMC, Alfred University, and Penland as well as work by contemporary ceramic artists whose work fits within the context of the show. Artists include: Meredith Brickell, Cynthia Bringle, Marjorie Dial, Cynthia Homire, Bill C. Jones, Bobby Kaddis, Karen Karnes, Eric Knoche, Jeannine Marchand, Neil Noland, Daniel Rhodes, M.C. Richards, Gay Smith, Tom Spleth, Adele Suska, Lydia C. Thompson, Xavier Toubes, Jerilyn Virden, Peter Voulkos, David Weinrib, and Kensuke Yamáda.

I wanted to work with clay so that the way it moved, the vitality of clay, is not meeting something that’s been on the drawing board. It’s using clay with abstraction to start with and then seeing what it’s going to do, how it will move and change, and always surprise you.

Curated by Alice Sebrell, Director of Preservation

Asheville Swarm 2024 Pre Show Fan Meetup!! Come hang out, get a drink, and have some food before the show and check out artists and creators’ @kinggizzard inspired merch at @thewhale. There will also be two amazing psych bands playing: Heath Monger and Impending Joy! The Whale is located in West Asheville, a short 5-minute drive to the venue. Hope to see you there!!

Buncombe County Public Library is thrilled to announce The Hop Ice Cream as a proud supporting partner of this year’s Summer Reading Program to encourage youth literacy in our community. The Hop will provide free ice cream at the Summer Library Fest on Saturday, June 8 from 10 a.m.-noon at East Asheville Library. For added fun, The Hop owner Greg Garrison will collaborate with Secret Agent 23 Skidoo to provide a special dance performance to families in attendance.

Any kid or teen who visits a Buncombe County library to pick up their summer reading activity sheet will also receive a 10 percent off coupon redeemable at any Hop location or at Pop Bubble Tea. Return your completed activity sheet to any branch and receive a bookmark for a free kiddie scoop of ice cream at any Hop location. You must complete 10 or more activities on your sheet to be eligible for ice cream – and you can also select a free book of your choice!

Summer Reading runs from June 1 to  August 31 and is open to anyone from birth to age 18.  If you have any questions, just contact your friendly neighborhood library.

Music at the Vineyard – Sandy Herrault

Join us Friday, August 30 from 3-6 pm for live music at the vineyard with fiddler and violinist Sandy Herrault! Sandy is a classically trained violinist who performs regularly at area venues, weddings, and other events. Her greatest pleasure is performing at some of the area’s most vibrant venues. From breweries to wineries, at weddings, corporate events, artist events, she puts her own flair into the songs she covers, from the modern pop/rock of Coldplay, to classic songs of the Beatles, to country songs like “Take Me Home Country Roads”.

Sandy’s influences are wide, which inspires her to create her own interpretations of well-known songs on the violin. Her style is original and unmistakably her own, encompassing Pop, Classical, Celtic, Gypsy, and others. Sandy has a passion for multiple genres, including popular music from the 60s to today. One moment, she may be deep in a Bob Marley reggae trance and the next tenderly playing Adele or entrenched in Lynyrd Skynyrd. Sandy feels a kinship to all these songs as she brings them to life on her fiddle. Come on down to the Burntshirt Vineyards Winery and Tasting Room on Friday from 3-6 PM for an afternoon of fantastic musicianship, food, and wine! We can’t wait to see you here!

Downtown on Fridays, discover a delightful assortment of quality handmade goods from skilled makers at Asheville’s weekly street party. The Pack Square Artisan Market is produced by Places For Makers, an Asheville, NC based non-profit organization.

Plan to collaborate with other musicians at Sideways Farm & Brewery in Etowah. Bring your instruments and voices and enjoy making music and networking with other artists, while enjoying the beautiful scenery. Food truck is on site and beverages available for purchase from Sideways (small
batch craft beers, hard jun, ciders, wine, and non alcoholic drinks). Family, fans, friends, and leashed dogs are all welcome!
During winter months enjoy playing under the covered, sheltered, heated porch! And during the summer months enjoy
collaborating in the fields, on the stage, or under the patio

Artists are invited to create artworks with the theme of “Red, White and Blue.“  Apply these patriotic colors at the center of your subjects, however there are no limits to your creativity, your artworks don’t need to be primarily patriotic theme, but viewers should be able to spot the use of recognizable amount of red, white and blue colors.

Located on the second floor until September 18th, the show continues the historical relationship between the Southern Highland Craft Guild and Haywood, an educational center of the Guild. This new generation of craft is led by instructors Amy Putansu in fiber, Brian Wurst in wood, Emily Reason in clay, and Robert Blanton in metals & jewelry. Students of the Haywood program come from all over, with or without prior experience of craft, and sometimes pursuing it as a second or third career. The course of study is challenging, combining craft concentrations with supplemental classes in design, drawing, craft history, business, marketing and photography.

Haywood Community College and the Southern Highland Craft Guild share a history that documents the role of craft education in preserving traditional culture, creating economic opportunity and fostering professional practice. All of the artists represent the vitality and creativity of craft practice today, which is the ultimate purpose of both institutions. Many Haywood graduates have become individual members of the Southern Highland Craft Guild and have served the Guild in various capacities.

Instructor Brian Wurst of the Professional Crafts Wood program says, “Our programs have thrived for nearly five decades, and our relationship with the Craft Guild has been a key part of that. We’re always thrilled to have work showcased at the Folk Art Center, and in turn scores of our alumni have gone on to become active Guild members. The Graduate Show is the capstone of two hard years by these students, and it’s a delight to share it in this beautiful space.”

Haywood Community College is located in Clyde, North Carolina, just west of Asheville. The college’s Professional Crafts Program began in recognition of the region’s strong craft heritage. It was envisioned that students would learn the basics of craft media and how to transform that craft into a business. The clay studio was the first to open in 1974. With the addition of jewelry, wood and fiber studios, a comprehensive curriculum was in place by 1977.

Anyone interested in taking courses at Haywood Community College can contact the success coach, Farrah Rodriguez [email protected] 828.627.4505.

The Haywood Community College Professional Crafts Program, Graduate Show, Class of 2024 is a free exhibit at the Folk Art Center on the Blue Ridge Parkway in East Asheville. For more information, visit www.craftguild.org or call 828-523-4110. For more information about the Professional Crafts Program, call 828-627-4674 or visit creativearts.haywood.edu.

Saturdays from 10:30 AM – 12 PM

1-On-1 weekend pottery lessons! This service caters to groups of 1-2 people and runs from 11am – 4pm on Saturdays & Sundays. Be sure to check our weekend time slot availability on our website.
You come in, make a pot or two, have some fun, and we will take it from there. We will guide your beautiful creation through the multistep process of firing and notify you when your work is complete and ready for pickup / shipping. The process takes a few weeks to finish to ensure nothing blows up in the kiln, but we will get work sent out to you asap!
The 30 minute offerings will run from 11am – 4pm at a cost of $75 per person per lesson. If you want more 1 on 1 time with one of our knowledgeable instructors we can book you multiple lessons in a row. If you are coming with one other person, we can now accommodate group lessons for 2 individuals at a time. $25 non-refundable cancellation fee.

Odyssey Clayworks’ first ever Collector’s Sale will feature a diverse array of one of a kind pieces made by premier artists from around the globe and brought to you by your favorite local potters. Come see what inspired and brought joy to our artists who are now ready to pass on their pre-loved pieces to you. Free and open to the public, all Labor Day weekend long.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.