Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Held in Chapel of The Transfiguration, Kanuga’s musician-in-residence Rev. Simon Ruth de Voil leads a contemplative service with chant, poetry and prayer, with pauses for quiet reflection. This free event can be enjoyed in person or online. Learn more at kanuga.org/celtic.
Geology of the Blue Ridge I with Anton DuMars
ON-SITE | Wednesday, March 19 | 12 – 4 pm
Blue Ridge Naturalist – Geology of the Blue Ridge Core Credit
This is the first class of a two-part Geology course that explores the geologic history of the Southern Appalachian Mountains with lecture presentations, discussions and self-guided explorations in the field. The course begins with a discussion of the earth’s interior and plate tectonics, progresses to a model for the formation of the southern Appalachians and then describes the surficial processes that generate the current mountain topography. Discussion will also include an overview of geologic processes that affect these mountains today: earthquakes, mass movements and floods.
Winner of the 2018 Tony Award for Best Play
Weaving together nearly two centuries of family history, this epic theatrical event charts the humble beginnings, outrageous successes and devastating failure of the financial institution that would ultimately bring the global economy to its knees.
Performances of The Lehman Trilogy will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.
March 13 – April 6, 2025
Wednesdays, Thursdays and Saturdays at 7:00pm (please note, the 7pm start time is earlier than for other shows)
Sundays at 2pm
Friday 3/14 and 3/21 at 7:00pm
Friday 3/18 and 4/4 at 2pm
The Grey Eagle and Worthwhile Sounds Present: Nefesh Mountain: “Beacons” Album Release Show
Doors: 7pm // Show: 8pm
ALL AGES
Prepare to be transported to a time when rock ruled the world! You will surely agree that Stairway To Zeppelin is the #1 Led Zeppelin Tribute you’ve ever seen performed by four amazing musicians. Stairway To Zeppelin performs a show with visual effects and the latest in sound technology at low decibels with an unparalleled attention to a mix of the original recordings and live performances of the iconic Led Zeppelin. The charisma and musicianship in STZ is world-class bringing goose-bump-excitement to audiences around the world.
Event Times: 2:00 PM & 7:30 PM
Ticket Prices: $48 / $58 / $68
Child Pricing Available (17 & under)
Acclaimed author and retreat leader Renée Trudeau leads an embodied spiritual experience exploring ways to connect with the Divine in everyday life — including through song, gentle movement, meditation and more. Part of Kanuga’s Lunch & Learn series, the Thursday, March 20 event begins with a nature immersion gathering (weather permitting) at 10 a.m. Trudeau’s “Soul Tending” presentation will begin at 11 a.m., followed by a buffet lunch in Kanuga’s dining hall. Bring a journal, pen and an early childhood photo of themselves. Registration and more info at kanuga.org/events.
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Come meet up with members of the Junior League at Taco Boy in Biltmore Park on Thursday, March 20th from 5:30 – 7:30pm. This event is open to members, friends, and potential new members who want to learn more about everything the League is doing. Stop in anytime, casual attire.
The Spring Equinox Concert, held on Kanuga’s labyrinth, ushers in the season of renewal with music to soothe the soul and nourish the spirit. As dusk falls to starlight and birdsong gives way to the frog chorus, Kanuga’s musician-in-residence Rev. Simon Ruth de Voil invites guests to honor the balance and energy of spring while immersed in nature under the open sky. The buffet-style dinner begins at 5:30 p.m., and the concert follows at 7:15 p.m. Tickets are $30 for the concert and buffet or $10 for the concert only.
Come check out the Charlotte Hornets at the Spectrum Center.
Winner of the 2018 Tony Award for Best Play
Weaving together nearly two centuries of family history, this epic theatrical event charts the humble beginnings, outrageous successes and devastating failure of the financial institution that would ultimately bring the global economy to its knees.
Performances of The Lehman Trilogy will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.
March 13 – April 6, 2025
Wednesdays, Thursdays and Saturdays at 7:00pm (please note, the 7pm start time is earlier than for other shows)
Sundays at 2pm
Friday 3/14 and 3/21 at 7:00pm
Friday 3/18 and 4/4 at 2pm
In this bold reworking of Chekhov’s Uncle Vanya, a group of old friends, ex-lovers, estranged in-laws, and lifelong enemies gather to grapple with life’s thorniest questions—and each other. What could go wrong? Incurably lustful and lonely, hapless and hopeful, these seven souls collide and stumble their way towards a new understanding that LIFE SUCKS! Or does it?
Thursday, 3/20 at 7:30 pm (pay what you can available on 3/6)
Fridays at 7:30 pm
Saturdays at 3 pm
Sundays at 3 pm
The Grey Eagle and Worthwhile Sounds Present
THE MOTH Presents: Asheville StorySLAM – “BEEF”
All Ages
Doors: 6:30pm // Show: 7:30pm
$18.45
The Moth StorySLAM is an open-mic storytelling competition in which anyone can share a true, personal, 5-minute story on the night’s theme. Sign up for a chance to tell a story or sit back and enjoy the show!
Kiss Country Guitar Jam Benefiting Valley Strong Disaster Relief
Craig Campbell
Kelsey Hart
Bryce Leatherwood
Dylan Schneider
Meghan Patrick
All Ages
Prepare to be transported to a time when rock ruled the world! You will surely agree that Stairway To Zeppelin is the #1 Led Zeppelin Tribute you’ve ever seen performed by four amazing musicians. Stairway To Zeppelin performs a show with visual effects and the latest in sound technology at low decibels with an unparalleled attention to a mix of the original recordings and live performances of the iconic Led Zeppelin. The charisma and musicianship in STZ is world-class bringing goose-bump-excitement to audiences around the world.
Event Times: 2:00 PM & 7:30 PM
Ticket Prices: $48 / $58 / $68
Child Pricing Available (17 & under)
Learn more at https://www.wavesdancecompetition.com/ashevillenc
Rev. Simon Ruth de Voil is an ordained interfaith/inter-spiritual minister, trained to be a sacred presence outside the conventions of traditional religion. As a sacred musician, spiritual mentor, and worship leader, he incorporates chant, ritual, poetry, storytelling, and mindful practice to create a space for profound connection and sacred witness. Simon provides music for worship, ceremony, and prayer in a wide variety of churches and non-religious spiritual communities. He particularly loves to create music for meditation, healing services, and rites of passage.
Simon is also an experienced workshop and retreat leader, drawing on 15 years of study, training, and practice that grew from his time living and working in Iona Abbey. Although influenced by many traditions, Simon’s spiritual path and teaching are deeply rooted in Celtic Christianity, the wisdom of the earth, and the Scottish land where he’s spent most of his life. simondevoil.com
Join Simon for his spring residency at Kanuga for this special retreat. With Kanuga’s beautiful forested landscape as our sanctuary, each day will include a blend of wisdom teachings in the Celtic tradition, contemplative practices including song, chanting, and silence, and personal time for reflection.
Other retreat highlights include:
*Daily Birdsong Vespers, an inclusive outdoor worship that welcomes the evening with song and prayer, online and in person
*Tools and practices to support finding our place in the web of creation
*Spring Equinox Concert in celebration of spring equinox: Thursday, March 20, 7:15 p.m.
As evening falls and birdsong gives way to starlight and the frog chorus, welcome the return of spring with music to soothe the soul and nourish the spirit. Rain location: Chapel of The Transfiguration.
TICKETS & LODGING INFORMATION
Inspire your future generation of creative thinkers with a show unlike anything they’ve seen before: a truly unique, intra-active theatrical dance work where reality and fiction intertwine.
Reservations for individuals (9 people or less): $12 each; groups (10 people or more): $11 each. Recommended for grades 6–12. The Student Series is open to school groups, homeschoolers, community groups and families.
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Leading a Nature Hike 101 with Lauren Lampley
ON-SITE | Friday, March 21 | 1 – 4 pm
Blue Ridge Naturalist – Capstone Credit
Leading a group on a hike in nature comes naturally to some people but for others it is a skill developed over time. In this class we will talk about best practices for how to safely and efficiently lead a group on a hike in nature as well as what planning is necessary before the day of the hike. We will discuss possible hazards to keep an eye on and what to do in case of an emergency in “front country” hiking areas such as many trails in the Asheville area.
This program takes place both indoors and out. Please come prepared to walk on gentle, yet uneven terrain, and dress appropriately for the weather.
“The Charlestones have taken the Holy City by storm.” This a cappella ensemble sings everything! From Renaissance to spirituals, country, jazz, pop, and Broadway, the Charlestones sing it.
Lead singer William Purcell started singing early; he was a member of the Charleston Youth Company and the Middleton Singers, earning a scholarship to the College of Charleston.
Baritone Stephen Spaulding is bass trombonist with the Charleston Jazz Orchestra, teaches brass instruments to private students, and is Assistant Band Director at Moultrie Middle School.
Bass Todd Monsell is the son of a soprano and drummer who directs the Upper School Concert Choir in Greenville and teaches Upper School music at Christ Church Episcopal School.
Tenor Brink Norton directs Upper School Choirs at Porter-Gaud School and has performed all over the Southeast as ensemble singer and soloist.
Harlem Globetrotters 2025 World Tour Presented by Jersey Mike’s Subs returns to the ExploreAsheville.com Arena at Harrah’s Cherokee Center – Asheville on March 21, 2025.