Be sure and mark your calendars for SAFF 2025!

There are classes on Thursday. No shopping, no selling.  We are setting up.

Friday, October 24- (9 am – 5 pm)
Saturday, October 25 – (9 am – 5 pm)
Sunday, October 26- (9 am – 4 pm)

The event is located at the WNC Agricultural Center, in Fletcher, NC, across Hwy 280 from the Asheville Regional Airport. (Exit 40 off I-26).

Admission will be $5/person per day. $10 pass for 3 days. Youth under 13 yrs. old will be free. Bring cash! Only at gate..no early ticket sales

After having to pivot to an online format for last year’s sale in the wake of Hurricane Helene, we’re thrilled to share that the brand’s coveted Seconds Sale is returning in-person to Asheville this month.

For two days, Saturday, 10/25, and Sunday, 10/26, from 10 am – 3 pm, East Fork will be offering pottery “seconds” at 40% off retail price. Drop by the warehouse at 144 Caribou Road (Asheville, NC 28803) for deals you just can’t miss – the entire Seconds inventory will be available for purchase.

Stop by the sale and grab a free cup of coffee, courtesy of Counter Culture Coffee, to fuel your shopping!

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Asheville Vaudeville and special guest, Danbert Nobacon of the legendary anarcho-punk band, Chumbawamba, will collaborate in the upcoming installment of Asheville Vaudeville’s seasonal brunch time entertainment. The performance will feature Danbert Nobacon’s original acoustic music whilst a ragtag group of clowns and freaks come together to create an amusing array of mayhem and maybe even rescue democracy from the threat of a nefarious fascist regime by using their superpowers of comedy, comradery, common sense, sensuality, and an earnest exercising of their collective free-speech muscles. This is an 18+ show.

Asheville Vaudeville and special guest, Danbert Nobacon of the legendary
anarcho-punk band, Chumbawamba, will collaborate in the upcoming
installment of Asheville Vaudeville’s seasonal Sunday noon spectaculars. The
performance will feature Danbert Nobacon’s original acoustic music whilst a
ragtag group of clowns and freaks come together to create an amusing array of
mayhem and maybe even rescue democracy from the threat of a nefarious
fascist regime by using their superpowers of comedy, comradery, common
sense, sensuality, and an earnest exercising of their collective free-speech
muscles.

Asheville Vaudeville is WNC’s largest and longest-running variety show, known
for bringing together a revolving lineup of WNC’s best comedy, juggling, magic,
belly dance, burlesque, acrobatics, aerialists, clowns, short plays, sideshow,
puppetry, music, and more into entertaining Vaudeville revue-style
performances. The ever-evolving group of artists has been collaborating under
this banner since 2002, with notable long-time staples including Toybox,
America’s Favorite Cartoon Witch; Rigel the Clown; Claire Dima, Barefoot
Bellydancer Extraordinaire; and others.

Enjoy an evening of community and music with An Evening for All Souls: A Gathering of Song and Spirit, Sunday, Oct. 26 at Kanuga. The evening begins at 4 p.m. at Kanuga Lake with a community choir workshop, followed by dinner and luminaria making on the Rocking Chair Porch Lawn at 5 p.m., and concludes with a concert by musical artist Roots Grown Deep at 6 p.m., with a luminaria release on the lake at dusk. Bring your own lawn chair or blanket. Cost: Concert only, $9.94; Concert & Dinner, $21.33. Location: 471 Kanuga Chapel Dr. in Hendersonville. Registration and more info at kanuga.org/events.

Bassoonist Rosalind Buda and Northumbrian smallpiper Dick Hensold perform a rollicking blend of traditional Celtic tunes and original music–all delivered with technical flair and joyful ease. Enjoy duets for smallpipes, songs with whistles, dance tunes on Scottish Border pipes and bombard, and the wonderful pairing of pipes and bassoon!

Rosalind Buda Scottish smallpipes, bassoon, bombarde, whistles, voice
Dick Hensold Northumbrian smallpipes, Scottish reel pipes, whistles, voice

As ever, PAN HARMONIA offers Donation-based, Pay-as-You-Can Community

Concerts. All are welcome! panharmonia.org

The critically acclaimed bestselling novel WATER FOR ELEPHANTS comes to “thrilling, dazzling” life (Time Out New York) in a unique, spectacle-filled new musical! Hailed as a Critic’s Pick, The New York Times calls it “stunning, emotional, heart-filled and gorgeously imaginative.”

After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Originally formed in Byron Bay, Australia, back in 2014, Parcels now operate in a dual-location setup, with members scattered between Australia and Berlin, Germany. The band’s line-up consists of keyboardist Louie Swain, keyboardist/guitarist Patrick Hetherington, bassist Noah Hill, drummer Anatole “Toto” Serret, and guitarist Jules Crommelin.

With over a billion streams and a sold-out performance at the iconic Red Rocks Amphitheatre in Colorado in 2024, Parcels are continuing their journey without missing a beat, always expanding the scope of their influence. 2025 promises to be even more exhilarating as the band hits the road again, showcasing their astounding and unique live prowess to audiences around the globe, accompanied by a wealth of new music. This fall, they embark on a significant North American tour, performing at major venues, reflecting their ever-growing impact.

With Special Guest Johnny Mullenax 

THE INFAMOUS STRINGDUSTERS

The Infamous Stringdusters are a celebrated American progressive bluegrass band known for their virtuosic musicianship, innovative arrangements, and genre-blending style. The GRAMMY® Award-winning Americana quintet—Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]—have musical influences that truly run the gamut, but their common denominator is certainly bluegrass— the sound that has in essence defined the course of their career.

The Infamous Stringdusters stand out as the rare group who can team up with contemporary artists on late night television one night and headline the legendary Red Rocks Amphitheatre the next, and have recently emerged as proprietors behind their newly found independent record label, Americana Vibes.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Songbird Holler is a captivating folk trio featuring three generations of mountain women dedicated to preserving and sharing the rich musical traditions of the Southern Appalachians. Award-winning banjo player Bayla Davis, fifth-generation ballad singer Donna Ray Norton, and veteran Songbird Holler is a captivating folk trio featuring three generations of mountain women dedicated to preserving and sharing the rich musical traditions of the Southern Appalachians. Award-winning banjo player Bayla Davis, fifth-generation ballad singer Donna Ray Norton, and veteran Appalachian old-time singer Cary Fridley have come together to share folk harmonies, ballads, and banjo tunes, weaving stories and melodies rooted in mountain heritage and authentic Appalachian spirit. Appalachian old-time singer Cary Fridley have come together to share folk harmonies, ballads, and banjo tunes, weaving stories and melodies rooted in mountain heritage and authentic Appalachian spirit.

Tickets at
https://whitehorseblackmountain.org/product/songbird-holler/

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Asheville. Get your tickets now to discover music inspired by Halloween at Asheville Masonic Temple under the gentle glow of candlelight.

Spooky season is almost here! Halloween special concerts are selling fast. Get your tickets before they fully SELL OUT!

Duration: 60 minutes (doors open 45 mins prior to the start time and late entry is not permitted)
Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult
Accessibility: this venue is ADA compliant
Seating is assigned on a first come first served basis in each zone

Tentative Program

Thriller – Michael Jackson
Funeral March of a Marionette – Charles Gounod
String Quartet No. 8 in C Minor (Dresden Quartet), Op. 110: II. Allegro Molto – Dmitri Shostakovich
Tubular Bells (Theme from The Exorcist) – Mike Oldfield
Stranger Things (Theme) – S U R V I V E
Beetlejuice (Theme) – Danny Elfman
The Addams Family (Theme) – Vic Mizzy
Halloween (Theme) – John Carpenter
Prelude from Psycho – Bernard Herrmann
Ghostbusters (Theme) – Ray Parker Jr.
Danse Macabre – Camille Saint-Saëns
Night on Bald Mountain – Modest Mussorgsky
Time Warp from The Rocky Horror Picture Show – Richard O’Brien and Richard Hartley
Medley from The Nightmare Before Christmas – Danny Elfman

WHERE: Third Room
WHEN: Friday October 31, 2025
DOORS: 8pm SHOW: 9pm
GENRE: jam / rock
TICKETS: $20

Join us on Friday October 31st at Third Room in Asheville for a night of sound, visuals and Halloween fun you won’t forget!

Kicking off the night: The J. Lloyd Mashups’ Tribute to Ozzy, a dark and groovy homage to the Prince of Darkness.

Then, Asheville’s own Auspicious Golden Fish takes the stage with their high-energy instrumental psychedelia, wrapped in immersive visuals, lights and Halloween magic.
Come dressed to impress for our Ozzy costume contest! We’re giving away prizes for the most epic, over-the-top Ozzy looks of the night. Think leather, eyeliner, crosses, bats… go wild. 🦇”

Auspicious Golden Fish:

Swimming in an ocean of sound, Auspicious Golden Fish weaves together searing guitar riffs, hypnotic synth textures, and deep funk grooves into a transcendent musical experience. Guitarist/producer Jamie Hendrickson (The Fritz/ElectroLust) assembles a revolving lineup of all-star musicians that bring his compositions to life. The result is a sonic journey—one that invites listeners to dissolve the ego, embrace the present moment, and dance into higher states of consciousness.

J. Lloyd Mashup:

The JLloyd MashUp explores different genres of music including Acid Jazz, Funk, Soul, Afro Beat, Reggae, Break Beat, and Latin. Led and curated by Jonathan Lloyd (The Fritz/ Dubconscious/ Cadillac Jones), the band is made up of some of Asheville’s busiest and hardest working musicians on the scene.

The Sheep Dog Club of WHHS is having this event for the community to earn money for our scholarship at the end of the year to a Senior who is entering Law Enforcement Training, Fire, EMS, or the military. We have secured food trucks to be available beginning at 10 am and craft vendors to sell their goods. Please join us to help our community of future leaders. The event is free to attend and purchase goods, and vendor tables are $25 each for up to two tables. Alternatively, you can bring your own tables and rent a space for $40.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

🎉 Calling All Young Entrepreneurs! 🍅
We are so excited to partner with UNC-Asheville Men’s Soccer Game for a day of goals and great ideas!

🌟 Got a kid with a big idea? Whether it’s homemade crafts, baked goods, lemonade stands, or creative services—this is their chance to shine!

🍅 Visit kids markets.com

Sign up your child’s booth 🌽
Explore upcoming children’s markets 🎨
Support young local entrepreneurs 💼

Come support the Bulldogs on the field and young entrepreneurs on the sidelines as kids run their very own businesses—selling everything from handcrafted goods to tasty snacks.
It’s a fun, family-friendly event that celebrates local talent and community spirit!

Sat, Nov 1 • 8 pm

One of the finest singer-songwriters of her generation, Bonoff’s ballads became hits for legends like Linda Ronstadt and Bonnie Raitt. Her live shows—spare, moving, and transformative—showcase a voice that works timeless magic and continues to captivate audiences around the world.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.