The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

Featured Artists: Guild Members from the WNC Fiber Handweavers Guild

We want to hear from you, Asheville. Please take this brief 2-question survey about how you receive news and information about City of Asheville initiatives, actions and projects.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

West Buncombe Elementary PTO is starting to plan for our silent and live auction event
scheduled for April 29, 2022. At this fun event we have a meal followed by a silent auction and
ending with a live auction of 10-15 big items. This event is typically attended by about 300
community members. Another highlight of the night is our raffle basket drawing. The event
proceeds will help pay for much-needed materials for our teachers and students.
We would greatly appreciate any donation to make our annual fundraiser a success. Should you
make a donation for the silent or live auction your business will be recognized on the auction
display as well as event flyers. We will also provide a donation receipt letter with the PTO’s tax
exempt ID number for your records. A list of needed items or ideas can be found at the bottom
of this letter.
If you have any questions or need further information please contact us via email
[email protected] or call 828-232-4282. On behalf of the students, parents, and
faculty of West Buncombe Elementary, we thank you.
Sincerely,
West Buncombe Elementary PTO
Raffle Basket Items needed for
1. Gift Card Basket (any gift cards to make this basket great)
2. Local Business Basket (Local business items that promote our community)
3. Family Fun Basket. (New Board Games, Sports Equipment, Movie Tickets. etc..)
Silent Auction Items:
New or Like New Items with a value of $25 to $100. (Popular items from the past.
1. Photography Session 2. Fishing Equipment 3. Small Appliances 4. Spa Services 5. Sporting
Event Tickets 6. Handmade Items from Local Craftsmen.)
Live Auction Items:
New or Like New Items with a value of $100 or more. (Popular items from the past.
1. Bicycles 2. Vacation Packages 3. Jewelry 4. Furniture 5. New Appliances 6. Musical
Equipment) 7. Monetary Donations will also be accepted.

April 1st through May 26th, 2022

We are currently accepting applications for four positions at a RiverLink. If you or someone you know is looking for an opportunity to make an impact on the French Broad River then we encourage you to apply. However you identify or whatever your experience with the river is, please apply if you see a position that sparks your passion for the environment. Regardless of background, anyone can make a tangible impact on the river and promote it’s health and beauty to the community. Come join us and help create a thriving watershed where everyone feels welcome. These are the positions we’re hiring for at the moment:

• RiverCamp Counselor | Temporary full-time | $18/hour
• AmeriCorps Watershed Coordinator | 11 month service term with living stipend
• AmeriCorps Education Coordinator | 11 month service term with living stipend
• AmeriCorps Stewardship Coordinator | 11 month service term with living stipend

The three AmeriCorps positions are part of the AmeriCorps Project Conserve program in which members serve for 1,700 hours over the course of 11 months.

ARTSVILLE Collective at Marquee opens its first public exhibition showing guest artist Micah Mackenzie’s mixed media and Rhona Polonsky’s ceramics, along with the work of founding artists Daryl Slaton’s pop animation and Louise Glickman’s mixed media. Between the Lines will be on display from February 1 through April 24 at 36 Foundy in the RAD (Booth D11). The styles of each artist differs greatly but connect through thoughtful storytelling, coming alive in a mix of mediums, paint, clay, textiles and animation. The viewer is encouraged to consider how they come together, to read “between the lines.”

Micah Mackenzie mixes media with mark making into imposing layered abstracts mimicking memories from childhood: playfulness and whimsy with splashes of color, seemingly with abandon. A closer look reveals balance and harmony within the chaos. Coatings of storytelling lead us to consider the human condition from the subversion of mythology to the magic of science. He invites us to see inside to what is intrinsically beautiful and empowering.

Rhona Polonsky’s pottery uses the language of lines and spaces that merge and connect to reveal their meanings: lines as boundaries to be crossed or parallels to read between. Her doodling since childhood grew in expression as she traveled the world, teaching young international students for over thirty years in Asia and Africa, from Indonesia to India. Her sgraffito vessels, lively and offbeat, evoke amusement, playfulness, whimsy and enthusiasm. They speak to us in a special language that warm our hearts with both simplicity and sophistication.

Daryl Slaton’s work is overtly whimsical as he introduces his newest anthropomorphic character Gallagher, a playful tiger cub who entertains us through animation and augmented reality. Over twenty panels speak to us through the digital powers of augmented reality and the eyes and antics of Gallagher, a character staunchly loyal to people and place. These narratives bring both smiles and amazement evoking warm memories for adults with their own stories to tell their families.

Louise Glickman’s storytelling is revealed through weaving of nets and textures where lines move over, under and around using bits of fabric, paint and plant materials. Her highly textural works are largely connected through her own life experiences and a love of nature and travel. Select pieces reveal her special interest in understanding the yin and yang of countries and cultures that have informed her worldview, from her childhood in New Orleans to travel with the Penland School to Cuba, Japan and Denmark.

Get in a video audition for your chance to join us ALL SEASON LONG! There are auditions for THREE of our upcoming shows all going on RIGHT NOW! We want you to be a part of our 50th Season, so we hope you’ll come out and bring us your talent! Actors should submit initial audition information online through our website at https://www.montfordparkplayers.org/about-us/volunteers-page/ and may do so at any time. The Montford Park Players is committed to gender-neutral and race-conscious casting. ALL are welcome and invited to participate! Please note all dates and deadlines: For auditions for The Little Prince, directed by Jason Williams, the submission deadline is midnight Friday, April 8, 2022. Callbacks will be held in person at the amphitheatre on Saturday, April 23. The director will contact each pre-selected actor with specific times. The Little Prince will be performed Fridays through Sundays, June 10 – Saturday, July 9 at 7:30 pm. For auditions for Much Ado About Nothing, directed by Dwight Chiles, the submission deadline is 11:59pm Sunday, April 24, 2022. Callbacks will be held in person at the amphitheatre on Friday and Saturday, April 29 & 30 from 4:30 to 8:30 pm. The director will contact each pre-selected actor with specific times. Much Ado About Nothing will be performed Fridays through Sundays, July 15 – Saturday, August 13 at 7:30 pm. For auditions for The Three Musketeers, directed by Rodney Smith, the submission deadline is midnight Sunday, May 1, 2022. Callbacks will be held in person at the amphitheater on Saturday, May 7, with a rain date of Saturday, May 14. The director will contact each pre-selected actor with specific times. The Three Musketeers will be performed Fridays through Sundays, Aug. 19 – Saturday, Sept. 17 at 7:30 pm. Submission deadlines for Hamlet will be announced later, through our newsletter and social media. Specific instructions for audition submissions: On the website above, click on the link below “Actor Season Audition Form” Sign in to your Google account (required as most information will be shared in Google documents) Fill out and submit the form – if you have a headshot and/or resume (not required), please upload them as part of your application. Record a short (90 second) video – you can do so on your phone. For As You Like It, a Shakespearean monologue is preferred. IMPORTANT: please name your video with your name, not the default title; ex. “Smith, John Video” On the website, click on the link below “Actor Season Video Upload Link” and upload your video. Directors will review each application and video, and will contact prospective actors for callbacks. Important: This season, the Montford Park Players will require that all persons involved with any show must be fully vaccinated, or present a request for exemption, stating the reasons. The Executive Director, in consultation with the director, will make the final decision on the selection or non-selection of any person who is not fully vaccinated. Anyone who is interested in a technical role only (stage management, lights, sound, etc.) should sent an email to [email protected] and include your background, if any. We welcome all volunteers!

Featured Artists: Judi Harwood (clay) Colin Richmond (clay) Cori Saraceni (mixed media) Lyn Lyndall (leather) Lauren Faulkenberry (paper)

David Grant will be demonstrating wheel-throwing and discussing various glazing and firing techniques in the lobby of the Folk Art Center on the Blue Ridge Parkway.

Call ahead for the latest updates: 828-298-7928.

shame / V**gra Boys Tickets | Asheville, NC | The Orange Peel (etix.com)

Saturday – October 22
Use code PEELSHAME
Code valid 4/22 10am – 4/24 10pm

Volunteer at TFAC events this spring! Email Sharol at [email protected] or call 828-859-8322 T-F 10AM – 4PM Ushers & Bartenders needed for the following events. EVENTS April 16:      Livingston Taylor concert on main stage April 21-24: Enchanted April community theater on stage April 28:      Amphitheater concert (outdoors) May 8:         Ranky Tanky concert on main stage May 5:         Amphitheater concert (outdoors) May 12:       Amphitheater concert (outdoors) May 19:       Amphitheater concert (outdoors) May 26:       Amphitheater concert (outdoors)

Y-Splash

What: Teach water safety skills, prepare children for drowning emergencies, decrease the number of deaths due to drowning in children and youth. Volunteer in the water or on land.

When: Shifts available from February 23 – April 22, Tuesday thru Friday from 10 AM – 12:30 PM.

The world is 70% water. Children are 100% curious. In an area with so many natural bodies of water, drowning prevention isn’t a luxury. It’s a necessity.

Y Splash is a volunteer-led program that challenges the startling childhood drowning statistics. Between the months of February and April, every public school second grader comes through the Y to participate in critical drowning prevention skills. We are searching for volunteers with a passion for water safety,

working with youth, and serving our local community.

The Asheville Mall Walking Club walks, talks, and window shops on Friday mornings from 10:30-11:30 a.m. Just meet outside Barnes & Noble Booksellers

As part of the Cider, Wine & Dine Weekend, check out all the fun that Bold Rock Hard Cider has to offer! We will have hard cider tastings as well-as pints, flights and locally crafted beer. The Bold Bites Mobile Kitchen prepares fresh food daily and features an expansive Cider Garden ensures plenty of space for guests to spread out and relax. Since a delicious food truck is on-site, outside food is not allowed. We are dog and kid-friendly!

Cook teams of 4-6 individuals are invited to bring ingredients and prepare meals onsite or bring meals that have been prepared elsewhere.  To meet our dietary standards, we ask that each meal provides a meat, vegetable and starch.

Requirements:

• Background Check
• Brief orientation prior to service
• Ability to Multi-Task
• Friendly Demeanor

Health & Safety:

• We are asking volunteers to wear/bring their own face mask if you have not been fully vaccinated
• Temperatures will be checked and a COVID-19 disclosure will be signed at the volunteer entrance

• Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

  Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.

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  ABCCM Transformation Village provides up to 100 beds of transitional housing and will provide emergency shelter beds, post Covid-19.  Transforming lives is through four developmental phases called Steps to Success including stabilization, life skills, education and reintegration.  We are honored to report that 8 out of 10 leave us with a living wage job and permanent housing.

  Transformation Village gives hope, healing, health and a home to single women, mothers with children, and female Veterans experiencing homelessness.  We provide residents a fresh start and a place to heal surrounded and supported by Christian love, trust, education and companionship.

  We are seeking energetic volunteers to prepare and serve meals for our residents for lunch and dinner. This opportunity provides you with the chance to prepare meals in our commercial kitchen alongside our trained staff while serving the women and children of Transformation Village. 

Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.

American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.

In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.

Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.

Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?

Southern Rites is curated by Maya Benton and organized by the International Center of Photography.