During his days in middle school, Roger’s favorite pastime is to daydream about life as a pirate. One day during history class, Roger notices outside that his crush, Lila, has gotten caught in a nasty storm that came out of nowhere. Roger’s knowledge of the confidence and bravery it takes to be a pirate leads him to run out and save her. The storm gets the best of him though, and he collapses on the ground. When he wakes up, he finds himself on a beach. Confused as to why he is here, he begins to investigate. He notices he is surrounded by people who an evil ruler seemingly leads.

Interestingly enough, this ruler looks a lot like his middle school principal. Still trying to grasp what is happening around him, he notices Lila has become a princess and has been captured by the evil ruler. He decides to try and rescue her and everyone under his rule. Suddenly, another storm breaks, and Roger finds himself once again back in his classroom. Confused by all that has happened, he wonders if it was all just a dream or if he really was a pirate saving his princess.

International Recording Artist, Grammy Member, and American Idol Golden Ticket Winner, Blake Ellege is a generational talent whose unparalleled vocals have transported and enthralled audiences around the world. Join Blake and his showband: “Saddletramp” on a journey through Country Music’s Greatest Hits.  Come see for yourself why Blake has been named one of the most prominent and charismatic entertainers on this side of the Mississippi.

By John Logan
Directed by Julie Kinter
Fangmeyer Theatre

Starring Lyn Donley as Sue Mengers

Step into the glitz and glamour of Hollywood’s golden age with I’ll Eat You Last: A Chat with Sue Mengers! This captivating one-woman show, penned by acclaimed writer John Logan, invites you into the opulent world of legendary talent agent Sue Mengers. Set against the backdrop of 1981 Beverly Hills, this intimate and revealing performance offers a front-row seat to Mengers’ life, career, and the tantalizing secrets of the stars she represented. Get ready for an evening of laughter, scandal, and behind-the-scenes tales that will leave you hungry for more. Bette Midler originated the role and now its back on its feet with the one and only Lyn Donley!

Rated PG-13, strong language.

Immerse yourself in the extraordinary world of Matilda: The Musical, a delightfully imaginative adaptation of Roald Dahl’s beloved children’s book. This Tony Award-winning musical weaves the story of Matilda, a young girl with a sharp wit, unbounded imagination, and psychokinetic powers. Despite the indifference of her shallow parents and the tyranny of the oppressive headmistress Miss Trunchbull, Matilda discovers the strength within herself to change her story. Infused with dark humor, whimsical storytelling, and dazzling performances, Matilda: The Musical is a testament to the power of imagination, resilience, and the transformative magic of learning. A must-see for audiences of all ages who love heartwarming tales of triumph against all odds.

A talkback with the cast & crew of Matilda: The Musical will be held following the performances on April 14th and 21st.

Directed by Philip Kershaw

CAPTIVATING | HISTORICAL | BIODRAMA

From his landmark victory in Brown v. Board of Education to becoming the first African American to serve on the Supreme Court—Thurgood Marshall devoted his life to the pursuit of a more just world. This captivating one-man play explores his work and life with riveting and inspiring storytelling.

“All bio dramas should be as vivid and entertaining as THURGOOD. A story rich in history, humanity and humor.”

–New York Daily News

Content advisory: strong language, use of racial slurs, and descriptions of violence

Asheville’s #1 show!

DOORS 7:30PM | SHOW at 8PM

Enjoy an evening of mind blowing entertainment that will leave your jaw on the floor. It’s 70 minutes of highly interactive experiences that you won’t believe. Limited seating. 18+ please. Use the show as an excuse to dress up, have a date night, and we’ll see you soon.

ABOUT THE MENTALIST:

Jonathan Pritchard is an Asheville-area native who has toured all over the world for the past 15+ years. By day he uses his communication & persuasion skills to work with Fortune 500 clients at conferences, trade shows, and sales launches. By night he entertains audiences with his unique mixture of applied psychology, storytelling, showmanship, and moxie.

Couples Therapy is a theatrical show unlike any other. It is a unique and clever combination of theatre, stand-up comedy, and improv that is as funny as it is insightful. Audiences go on a hilarious and interactive ride as a pair of married relationship experts attempt to help couples with their relationships but as the show wears on we see that they have more problems than their patients!

On a magical night at Nectar’s in Burlington, Vermont in December of 2018, three musical masters—Russ Lawton, Scott Metzger and Ray Paczkowski—came together with alchemical synthesis, and created a fresh, so-tight-it’s-free sound, permeated with technical prowess and a deep-pocket punch. The packed house fortunate enough to be in attendance that night witnessed the birth of something very special.

The following spring, the trio took the name LaMP by combining the first letters of each members’ surname, and reconvened back in Vermont at Sugarhouse Soundworks for an intense recording session with sound engineer Roger Stauss laying down tracks that would become their eponymous debut EP.

Metzger, described by The Village Voice as “…an ace guitarist of a thousand styles,” and a full-time member of the beloved Joe Russo’s Almost Dead, tested the decades-strong synergy between Lawton and Paczkowski forged from their time playing with Trey Anastasio Band and their duo project Soule Monde. It resulted in seven tracks crackling with energy and soul. The melodic and harmonic interplay between Paczkowski’s swirling organ and clavinet dancing with Metzger’s acrobatic melodies on telecaster, driven by Lawton’s unflappable backbeat, produced a record that will stand the test of time.

Ever since—as the three members busy schedules have allowed—LaMP has prioritized bringing the music to the people with shows across the East Coast. As word has spread and crowds have grown with each subsequent tour, it’s become clear that LaMP will be a musical force to be reckoned with for the foreseeable future.

Natalie Brooke is a funk and rock brought to you by a powerful 4 piece from the DC area – female fronted with Natalie on keys, keytar and vocals and always backed by a stellar band. The music was once said to be the mashup of Rick James and Rush: a fiery blend of fast tempos, totally danceable grooves and some sloshy rock element, too. Natalie’s keyboard playing is exceptionally unique because it is just as percussive as it is melodic and pianistic. Every performance from this band is electric.

Couples Therapy is a theatrical show unlike any other. It is a unique and clever combination of theatre, stand-up comedy, and improv that is as funny as it is insightful. Audiences go on a hilarious and interactive ride as a pair of married relationship experts attempt to help couples with their relationships but as the show wears on we see that they have more problems than their patients!

And fear not guys, this is not one of those beat down sessions on men. Instead we equally explore, appreciate, and laugh at the differences between men and women. The show offers endless humor packed with practical relationship advice rooted in science and psychology. So strap in and enjoy!

This high-flying musical has been thrilling audiences of all ages for close to 70 years and is now being brought back to life in a new adaptation by celebrated playwright Larissa FastHorse, directed by Emmy Award-winner Lonny Price and choreography by Lorin Latarro. The adventure begins when PETER PAN and his mischievous fairy sidekick, Tinker Bell, visit the bedroom of the Darling children late one night. With a sprinkle of pixie dust and a few happy thoughts, the children are taken on a magical journey they will never forget. This extraordinary musical full of excitement and adventure features iconic and timeless songs including “I’m Flying”, “I Gotta Crow”, “I Won’t Grow Up” and “Neverland”. PETER PANembraces the child in us all so go on a journey from the second star to the right and straight on ‘til morning – your entire family will be Hooked!

Peter Pan‘s run time is 2 hours including intermission.

The man in the tree has a guitar, he’s gonna sing. But the sun shining through the branches— are those rays yellow or hazy gray? What day is today? When are you not going to feel this way again?

“Hello, Hi”: welcome in to a new room to play the styles and feels that lie under Ty Segall’s fingers, easing fresh air into acoustic space with an assortment of love songs flowering in righteous unconsciousness. Plaintive and wistful, but unafraid. Like rain washing away yesterday, “Hello, Hi” pushes open the door, inviting the new to pass through all the old shades and degrees of hot and cold. Dark paths turn off abruptly into absurd darkness, then wind back through the broken rocks, ecstatic again. Absurdity again. It happens everyday.

“Hello, Hi” is expansively rendered by Ty, mostly by himself, at home. The isolation suits the songs: you’re only ever as “at home” as you are with yourself in the mirror. Ty’s acoustic and electric guitars and vocal harmonies layer self upon self, forming a spiny backbone for the album. Textures at once gentle and dissonant root the songs as they make their move: melodic arcs convulsing in doubt and bliss and rage. Busting out of the endless gridlock into open space, these spirits pass on through.

“Hello, Hi”’s flickering awakening to this trip: the opening three tracks’ train of sweet and salty reflections, before the abrupt crunch of the title track electrifies the senses. Good morning’s turned to good mourning in nothing flat, but there’s still a way up from the doldrums, to try again. Why can’t it be just as simple as “Hello, Hi”? What to do with yourself when love triggers loathing? How many more times do you have to go back there again? Pulling at the scratchy wool threads of an old sweater favored for warmth, comfort, protection, rejection, denial, blindness etc, Ty Segall dives from a clear, open sky, down through the marine layer and the shimmering waves of all the years.

Radiating from the same mind fields as Goodbye Bread and Sleeper, mixed with shard edges of contrast and contradiction from things like Freedom’s Goblin, Manipulator, and First Taste, “Hello, Hi” is Ty’s most relaxed and complete production to date, an ebb-and flow fusion of words and music offering abstraction and acceptance as it wrestles itself through a fucked-up time. Your life and what you make of it — throughout “Hello, Hi,” Ty Segall charts a passage through its enduring tangles honestly, with clarity and confusion.