The curious thing about being a fan of brasshouse? You’re pretty much talking about being into one solitary but extremely unforgettable band: the amusingly monikered Too Many Zooz.
The musical style was “branded” by drummer King of Sludge, who recognized that there was no worthy existing classification for the New York trio, whose other two members are the equally unclassifiable Leo P (saxophone) and Matt Doe (trumpet).
“Brasshouse is a high energy musical conversation,” Matt insists. “Though I honestly don’t think there is a good way to describe it in words. It’s about many different feelings and sounds and emotions.”
Or as KOS so decisively puts it, “I don’t really care about what’s happening in music — I just make art that I enjoy making.”
It’s exactly this indifference to convention and trend that has garnered Too Many Zooz a fanbase that KOS describes as “wide-ranging and fanatical.” One of those fans? In 2016, Beyonce asked them to perform with her at the Billboard Music Awards…and it’s quite possible they got just as much attention as did she.
After two years, a gazillion live performances and four EPs, their debut album Subway Gawdz (an unsubtle reference to their birth in the underground stations of NYC), was released to enthusiastic acclaim in 2016. Its sound was truly like nothing else, with inescapable grooves that take in dub, soul, funk and ska, utterly exhilarating horn blasts that shoot right up your spine, and, of course, equal doses of fun and attitude.
And right now, TMZ are riding higher than ever, surely poised for the leap into genuinely widespread international recognition that was likley inevitable since they first set foot in an NYC subway station. Indeed, following a deal with Ministry of Sound, their single “Warriors” racked up major play on Radio One (if you think you haven’t heard it, when you hear it, you’ll quickly realize you already have), followed by high-profile remixes from the likes of Armand Van Helden and KDA.
Then, UK sensation Jess Glynne penned lyrics and added vocals to morph the song into “So Real (Warriors),” which has been generating massive buzz while climbing the European charts. In the meanwhile, a live video for “Car Alarm” has furtively racked up more than 500K views in one week.
But surely signaling their mainstream “arrival”? A Canadian KFC commercial featured the band and their songs — so don’t be surprised if listening to their music suddenly makes you hungry.
Though they’ve also been up to more serious matters. Leo, in fact, was asked to play at the BBC Proms Charles Mingus tribute at a sold-out Royal Albert Hall in August 2017 — certainly no small honor.
Yet for all this, the forward plan for Too Many Zooz, is, as ever, constant touring. The reason is simple: it’s their outrageous, electrifying live performances that consistently continue to add the numbers to their growing worldwide legion of fans. Autumn 2018 will take them coast to coast, from Seattle to Houston to Philadelphia, and across Europe, with stops in Krakow, Strasbourg and Marseille, amongst others.
“I don’t think there’s any recording that can do a live performance justice,” reckons Matt. “You’ll see people of all different colors, creeds, genders, ages, sexuality at our shows. I really can’t find a constant between them…besides liking our music — haha.”
But for everything that’s happened in the last couple of years, the trio aren’t actually all that surprised by their success.
“I always knew we had something special,” Leo enthuses. “Thousands of people everyday loved our music…and I knew it would just continue to spread.”
KARINA RYKMAN
In 2016, Karina joined Marco Benevento’s band on bass, replacing Dave Dreiwitz (Ween /Joe Russo’s Almost Dead). In the many U.S. tours, trips to Japan and the UK since then, Karina has developed a permanent and powerful presence in the band, playing headlining shows, festival sets, and opening for bands such as Vulfpeck, Dispatch, The Claypool Lennon Delirium, Guster, and many more.
Aside from her gigs with Benevento, Karina’s musical résumé has almost grown too large to keep track of, but includes highlights we’d be remiss to exclude: a performance on the Today Show with Julia Michaels, a now-famous soundcheck at Madison Square Garden with Phish, playing in the backing band (in front of Howard Stern and co. at Radio City Music Hall) on America’s Got Talent with a flame-spewing helmet on her head, gigs with the Everyone Orchestra alongside members of moe., The Disco Biscuits, Soulive, Robert Randolph, + many more) and finally, the formation of her own band.
Karina put out two singles in 2019: Plants and Elevator, as well as two more in 2020 (City Kids & Dirty South) – the songs have garnered six-figure streaming numbers + air time on Satellite radio. A few live highlights include opening for Khruangbin at The Capitol Theatre, playing moe.down and Hulaween, and a plethora of headlining shows for ravenous fans. The group has welcomed special guests including Nels Cline, Robert Walter, Skerik, + more. And this is just the beginning for the young NYC-based bassist.
