Calendar of Events

Come and see how far YOU’LL GO!

This thrilling and heartwarming coming-of-age story follows the strong-willed Moana as she sets sail across the Pacific to save her village and discover the truth about her heritage. Moana and the legendary demigod Maui embark on an epic journey of self-discovery and camaraderie as both learn to harness the power that lies within. With empowering messages of bravery and selflessness, Moana JR. is sure to bring out the hero within each of us.

Camp features: acting and improv classes, music and choreography, prop building, theatre games and more!

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Find fresh, local produce and handcrafted goods each Thursday through
October in Flat Rock.  This market is made of a diverse group of local produce farmers, makers, bread bakers, wild crafters and
merry makers.  You will love the friendly, informative, creative vendors that set up for the market.  Be sure you stop by each one to
introduce yourself and ask questions, Free, Pinecrest ARP Church, Hendersonville, [email protected],

We are shamelessly drumming up attention for our exciting new program at Lake Julian Park. Starting Thursday, March 31, Buncombe County Recreation Services is hosting a drum circle on the last Thursday of every month from 5:30-7:30 p.m. The only thing you need to bring is yourself and a drum, and then just let the rhythm and beautiful scenery do the work as you enjoy the beat and comradery of fellow percussionists.

All experience levels are welcome, and registration is not required. If you have any questions, please contact Park Ranger Zach Hickok at (828) 684-0376.

: Every Last Thursday until -Sept. 29 from 5:30-7:30 p.m.

Park shelter number 2, Lake Julian Park, 26 Lake Julian R

We are a group of women who love to sing a cappella harmony in a variety of styles. We are seeking Leads but welcome other parts too—Baritone, Bass, Tenor.
Because we care about quality, we require user -friendly auditions.

We meet weekly.

Check us out!

Bizet’s smoldering drama Carmen is one of the most popular operas of all time. With some of opera’s most iconic melodies, this tale of seduction and obsession promises to thrill both the seasoned opera lover and the opera-curious!

PERFORMANCE & ARTIST DETAILS
Janiec Opera Company of the Brevard Music Center
Brevard Festival Orchestra
Conductor, Joseph Mechavich

GEORGES BIZET Carmen

Sung in French with English supertitles

Auditorium seating is reserved.

To celebrate America’s Independence Day, the Chorale will join the Furman Lakeside Band for an uplifting, entertaining evening of music.

Fresh off of her leading role in “Hedwig and the Angry Inch” at Warehouse Theatre, Delighted Tobehere is bringing her show “Hello, Daddy!” to the Proud Mary stage. Part musical theatre tribute and part heartfelt memoir, “Hello, Daddy!” celebrates 20 years of delighting drag audiences (including competing on America’s Got Talent!).!

Rich Nelson is a rock musician originally from Detroit. He has been making music and art in the mountains of North Carolina since 2004. After playing in many bands for many years, Rich Nelson recorded his first solo album in 2018, his second in 2019, and the third in 2020-21.

The fourth album ‘Lucky Bounce’ will be released in June 2022, with an accompanying film documenting its recording.

Check out the recent ‘Fret And Wail’, the second record ‘Twenty Twenty Hearing’, and the first one ‘Ever Since Now’ at RichNelsonBand.com, at Dark Corner Records, or on iTunes, Spotify, etc. There’s also some fun stuff on YouTube.

The band features Rob Driscoll on drums and Jeff Manson on bass, and the band is excited about their new music and getting back out to play!

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

Hip Hop Dance Camp Week 2 – June 27 to July 1. Hip Hop Dance Camp is for rising 1st through 6th graders. This camp will be led by LEAF Master Resident Teaching Artist Otto Vazquez and will introduce students to the stylings, history, and culture of hip hop dance. Mr. Otto is sure to teach your kiddo some smooth moves!

Camps runs from 9 am to 5 pm at LEAF Global Arts Experience Downtown Asheville. Morning drop-off is between 8:30 am and 9 am and pick-up is from 5 pm-5:30 pm. Snacks will be provided, and students should bring a bagged lunch and a water bottle to camp every day.

Come and see how far YOU’LL GO!

This thrilling and heartwarming coming-of-age story follows the strong-willed Moana as she sets sail across the Pacific to save her village and discover the truth about her heritage. Moana and the legendary demigod Maui embark on an epic journey of self-discovery and camaraderie as both learn to harness the power that lies within. With empowering messages of bravery and selflessness, Moana JR. is sure to bring out the hero within each of us.

Camp features: acting and improv classes, music and choreography, prop building, theatre games and more!

Our Summer Arts Camp is a one-week encounter with music, visual as well as performing arts. Our campers will be given the flexibility to choose their own art experience. They may want to dabble in the performing arts or take part in the visual arts or perhaps do a bit of both.

• Origami: Susie Walker will teach you all the ins and outs of the folding world of Origami. In this hands-on class, you will not only learn the methods but you will learn all the practical applications of this ancient old world art. Time: 9:00 PM.

• Drawing: Sharpen your skills with artist Ben Sellers. He will show us the how’s and why’s of pen and ink. Giving you the tools you need to be a better artist. Time: 9:00 AM.

• Theater Camp: Lights, Camera, Action!!                                If acting is your thing or something you would like to explore theater camp will give you an opportunity to act live on stage. We will learn all the mechanics of the live stage.  On the first day, we will assign parts and begin practicing for our play that will be performed on Friday. Every child will have a speaking part, learn about blocking, and all the other aspects of stage performance. Teacher: Clara Rogers – Time: 9:00 AM-12:00  PM.

• Selfies, portraits, and collage: For a total emersion into all the elements of the facial features and then sign up for this class. Teacher, Kendal Stoney’s expert know-how will make it easy to create wonderful portrait artwork. Time: 10:45 AM.

• Mural Painting: Ben Sellers, our hometown professional artist, will lead our young artist in a group effort to create a mural. This colorful experience will be a wonderful creative adventure. Time: 10:45 AM

• Music Camp: Our favorite musical teacher and entertainer, Woody Cowan, will be ready and willing to give you a fun-filled singing experience that will have you toe-tapping and hand-clapping all week long. On Friday afternoon you will join all the other performing artists to show what you know.Time: 1:00 PM.

• Wild & Wonderful Abstract Art: Abstract artist Tina Durbin will impart her love and knowledge of abstract art through her favorite abstract artist- Kandinsky, Piet Mondrian, and Jackson Pollack to name a few. Just have fun and let the world of color and line help you create your masterpiece!Time: 1:00 PM.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

The Saluda Tailgate market features growers from both Polk and Henderson counties. It is an agriculture-only market meeting every Friday from May through October, 4:30-6:30 p.m. in the city’s West Main Parking lot. Local producers are connected with consumers to keep food dollars in the community and support regional fresh food and family farms, thereby protecting the flourishing of beautiful ridges, fertile fields and clean watersheds. Cash, credit/debit, and EBT cards are all accepted with a Polk County Community Foundation grant often doubling EBT value.

The market has been a spring to fall Saluda tradition since 2010, with neighbors gathering to meet growers and purchase a complete and balanced array of meat, fish, poultry, eggs and cheese, seasonal vegetables and fruit, baked and preserved goods, flowers, herbs, and plants for the home gardener.

Visiting Asheville soon and looking for a fun way to fill your Friday night? The Asheville Drum Circle is a tradition unique to the area. While locals usually begin the beating of drums, tourists are welcome to join, dance, or simply take in the incredible atmosphere at any point.

If you’re looking for things to do in the area during your stay, this is a must! Here’s everything you should know about the Drum Circle.

The Asheville Drum Circle is a free event that’s open to all.

Magenta Sunshine laces danceable rhythms, horn-driven soundscapes, and poetic lyricism into genre-defying arrangements. The sextet’s sound synthesizes well-crafted songwriting into a brass inspired, funky psychedelia suited for hip shakers and wallflowers alike.

Music on Main is the annual Friday evening summer concert series at the Hendersonville Visitor Center. Each week, bring a chair, sit back and enjoy free live music! Every concert showcases a different band performing diverse line-up ranging from pop, oldies, rock, to contemporary music. The family-friendly event offers concessions such as hot dogs, ice cream, pretzels and lemonade for sale. Every Friday evening, the Carolina Mountain Car Club hosts a classic car show in conjunction with Music on Main. The car shows are located in front of the Wells Fargo between Barnwell and Caswell Streets, which will be closed to traffic.

This week, enjoy the music of DeanO and The Dreamers, a dance party band that plays all of your favorite from the 50s, 60s, 70s, 80s & 90s.

In case of inclement weather, the concert will be postponed until 8pm. If the weather does not improve by 8 pm the performance will be canceled.

This Concert Series is sponsored by Burger King, Kathy Watkins of Preferred Realty, Firehouse Subs, Blue Ridge Hospitality and Mast General. This event is hosted by the Henderson County Tourism Development Authority.

While Barber’s style of American Romanticism is lyrical without restraint, Shostakovich’s Symphony No. 5 is complex and issues the perfect invitation to read between the notes of a composition written during an era of political strife and war. Kirill Gerstein brings his ferocious technique, discerning intelligence, and imaginative musical presence to Bartók’s lyrical 3rd Piano Concerto, one of the composer’s very last works.

PERFORMANCE & ARTIST DETAILS
Brevard Music Center Orchestra
Keith Lockhart, conductor
Kirill Gerstein, piano

SAMUEL BARBER Second Essay
BÉLA BARTÓK Piano Concerto No. 3
DMITRI SHOSTAKOVICH Symphony No. 5

Auditorium seating is reserved.  Lawn seating is general admission.

Proud Mary Theatre Company presents the Upstate premiere of the bold new musical comedy Head Over Heels by The Go-Go’s, the Musical Comedy of the Summer for seven performances only June 24-July 2, 2022.

This laugh-out-loud love story is set to the music of the iconic 1980’s all-female rock band The Go-Go’s (2021 Rock and Roll Hall of Fame Inductee), including the hit songs, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” “Head Over Heels,” and Belinda Carlisle’s “Heaven is a Place on Earth” and “Mad About You.”

This is the 43rd year for this weekly tailgate market, where vendors sell fresh-picked seasonal vegetables and fruit, local honey, cut flowers, plant starts and more!