Calendar of Events

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Class cost: $150

Min students: 6

Max students: 12

Class Dates: Saturdays, July 22 – September 9 (8 weeks)

Time: 1 pm to 2 pm

Must be 18+ to attend

The last day to receive a full refund is June 22, 2023. After June 22, 2023, no refund will be issued.

Class Description:
Does tap dancing seem a little daunting? Is it something you always wanted to try but didn’t have the time to commit to months of classes at a time? Whether you are preparing for a show that has tap involved or you are just interested in a new skill for fun, this class is for you. Allison Starling will break down the basics of tap into easy to catch on to moves that build the foundation of any tap number. This 8 week class is a comprehensive basics course that you don’t want to miss!

Let us help you create a meaningful retirement that matches your values and priorities at the Paths to Creative Retirement (Paths) workshop. This highly interactive three-day workshop helps you achieve your desired personal goals in retirement. With guidance and support from facilitators and other participants, you will discover your values, identity and long-deferred dreams. In the process, you will gain valuable insights and inspiration to create tangible next steps.

Dates

• September 8-10, 2023

If you are unable to attend the upcoming offering of Paths but would like to be informed of future workshop dates and details, please complete the Future Paths Interest Form.

About the Paths Workshop

Paths focuses on the non-financial aspects of life’s second half; decision-making exercises and thought-provoking discussions reveal stimulating opportunities. Transform anxieties about your next chapter of life into a reassuring learning process—Paths is truly a unique retirement workshop.

We invite you to consider questions such as:

• When should I retire?
• How will I spend my time after I stop or reduce my work?
• How will I find purpose and meaning after I retire?
• How will my identity change in retirement?
• How will retirement affect my relationships with family and friends?
• How do I investigate work and volunteer opportunities?

The oldest and most common advice poets hear is “show don’t tell.” But what does that mean, exactly? What is the difference between showing and telling? Why is “showing” better? Most of us write poems to tell readers something, to share our ideas. Many poets—from as far back as John Donne to as recent as Stephen Dunn–do a lot of telling in their poems. So why are we always advised not to tell? In this workshop we will discuss these questions. In the process, we will look at a few well-known poems to see how–or if—they show rather than tell, and we will do some writing exercises that may help us arrive at some conclusions about this persistent advice.

This workshop is open to writers of all skill levels and is a fun way to find inspiration from a new prompt or revise current work. It is hosted by the Friends of Carl Sandburg at Connemara and will use Microsoft Teams for the virtual connection. Sign up to attend the workshop at workshop link

Eric Nelson’s most recent poetry collection, Horse Not Zebra, won both a Da Vinci Eye Award for cover art and an Honorable Mention in Poetry from the 2023 Eric Hoffer Book Awarda. His poems have appeared in many journals, including Poetry, The Sun, The Oxford American, and The Missouri Review. Among his awards are the 2014 Gival Press Poetry Book Award for Some Wonder; the 2004 X.J. Kennedy Poetry Award for Terrestrials, chosen by Maxine Kumin; the Arkansas Poetry Award for The Interpretation of Waking Life (1991); the Split Oak Press Chapbook Award for The Twins (2009); the Georgia Author of the Year Award (2005), and fellowships to the Hambidge Center for the Arts and the Virginia Center for Creative Arts. He taught writing and literature courses at Georgia Southern University for twenty-six years before retiring in 2015 and moving to Asheville, where he lives with his wife, Stephanie Tames, and teaches in the Great Smokies Writing Program. www.ericnelsonpoet.com.

DJ SPENCE & DJ CAMARO

Virgos get in free

Ages 18+ (under 18 must be accompanied by a parent)

Imagine this: it’s 2001 and you’re seeing No Doubt’s video for Hella Good for the first time. Maybe you’re sitting on a carpeted floor eating pop tarts and watching cable TV when it happens. Your aesthetic ideals have shifted since the matrix came out a couple years back and you find yourself wondering what it takes to become a badass. Quickly you determine that it has a lot to do with motorcycles, jet skis, wet looking hair and wearing black. You don’t even know about Evenescence yet but pop music is about to take some real dips into heavy riffs and darker themes. You’re for it—it makes you feel alive. Let’s run that one back, shall we?

⚡️Saturday, September 16th⚡️

☠️10pm-1am☠️

🏍️DJ Lil Meow Meow🏍️

⛓️at @littlejumbobar ⛓️

♥️$5 suggested donation♥️

This life-saving, two-hour
workshop is open to everyone in
our WNC community, free of
charge. Wednesday, September
20, 11am – 1pm (over lunch).
We’ll provide the pizza to all
participants.
If you are an employer please talk to your employees
about attending. If you are and employee, please talk to
your supervisor about attending. Suicide, while
disproportionately affects our Veteran population, the
entire country is in crisis.

Just like CPR, QPR is an emergency response to someone in
crisis
TRAINING WILL COVER
• How to Question, Persuade, and Refer someone who
may be suicidal
• How to get help for yourself or learn more about
preventing suicide
• The common causes of suicidal behavior
• The warning signs of suicide
• How to get help for someone in crisis
QPR is the most widely taught Gatekeeper training in the
world.

Chef Corso will host a premiere of his new show, Outdoor Eats TV, at 7:30 p.m. on September 27th at WNC Outdoor Collective in Black Mountain, NC. The show takes viewers on adventures following a professionally trained chef as he whips up actually good meals for backpacking with items from your local market. Enjoy the episode and a backcountry cooking workshop following.

Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.

Join us in The Solarium for a powerful workshop led by Rachele Scevola aka The Breath Nurse. Rachele will guide you through a transformational breathwork session to help tap into your inner beauty, allowing you to bloom into our most vibrant, abundant, and radiant version of yourself—from the inside out.

Ballet Hispánico is the largest Latine/Latinx/Hispanic cultural organization in the United States and one of America’s Cultural Treasures. Through its exemplary artistry, distinguished training program, and deep-rooted community engagement, Ballet Hispánico champions and amplifies Latinx voices in the field. As it looks to the future, Ballet Hispánico is pushing the culture forward on issues of dance and Hispanic creative expression.

This electrifying combination of theatre, dance, and technology brings classic tales to new light.

We begin with Aesop’s classic fable of The Tortoise and the Hare but continue the story — which finds them 10 years down the road, now with children of their own and exploring modern day distractions. Smart phones and video games create a new landscape of lost connections to life experiences. The Next Gen features Tortoise Junior and Li’l Hare in a whole new kind of race, where their adventures lead them into unexpected territory. Old Man Tortoise and Big Daddy Hare must come together despite their differences to find and save their children. What hurdles will they have to overcome to make it to the finish line?

With dazzling visuals, poignant storytelling and the creative use of music from classical to pop, this production brings this tale into a new brilliant light. Recommended for grades K-5. Connect with the artists in a post-show Q&A.

The Student Series is open to school groups, homeschoolers, community groups and families.

*This production contains lasers and strobe lights.

This electrifying combination of theatre, dance, and technology brings classic tales to new light.

We begin with Aesop’s classic fable of The Tortoise and the Hare but continue the story — which finds them 10 years down the road, now with children of their own and exploring modern day distractions. Smart phones and video games create a new landscape of lost connections to life experiences. The Next Gen features Tortoise Junior and Li’l Hare in a whole new kind of race, where their adventures lead them into unexpected territory. Old Man Tortoise and Big Daddy Hare must come together despite their differences to find and save their children. What hurdles will they have to overcome to make it to the finish line?

With dazzling visuals, poignant storytelling and the creative use of music from classical to pop, this production brings this tale into a new brilliant light. Recommended for grades K-5. Connect with the artists in a post-show Q&A.

The Student Series is open to school groups, homeschoolers, community groups and families.

*This production contains lasers and strobe lights.

Come Join us this Sunday for our Spooky Drag Brunch at Little Louie’s! We are super excited to Host Katarina Synclaire. We have Josie Glamoure, Leo Scott, & Nova Jynah.

This workshop is for anyone who wants to bring their real-life stories to the page, whether for publication or simply to record stories for family and friends. Through focused prompts, we will revisit and write about important moments from our lives. Our session will include timed writing exercises, group discussions, and an opportunity to read one’s work aloud in a supportive setting. Please bring paper and a writing implement and come ready to write!

Space is limited, so registration is required.

Lori Horvitz’ first collection of memoir-essays, The Girls of Usually, won the 2016 Gold Medal IPPY Book Award in Autobiography/Memoir. Her creative nonfiction has appeared in a variety of journals including Hobart, South Dakota Review, The New York Times, The Guardian, and Hotel Amerika. Professor of English at UNC Asheville, Horvitz has been awarded fellowships from Yaddo, Cottages at Hedgebrook, VCCA, Ragdale, Blue Mountain Center, and Brush Creek. She holds a Ph.D. in English from SUNY Albany, and an MFA in Creative Writing from Brooklyn College.

Still from McCall’s Bauhaus Dances, Formentanz (Form Dance), photo by Debra McCall.

The Lecture and Film: Bauhaus Dances

As Master of the Theater Workshop at the Dessau Bauhaus in the 1920s, Oskar Schlemmer delivered a series of avant-garde lecture dances on the body in space, his lifelong opus. Schlemmer’s revolutionary ideas for a humanistic theater in the new technology age were transported to the US  with the arrival of Bauhauslers Josef and Anni Albers and Xanti Schawinsky, a Theater Workshop performer, to Black Mountain. Their ideas impacted the work of Robert Rauschenberg, John Cage, and Merce Cunningham at Black Mountain, who in turn disseminated Schlemmer’s emphasis on  pedestrian movement and “chance composition” to shape work of the Judson Dance Theater and New York’s downtown performance scene.

Believing Schlemmer’s Bauhaus lecture dances to be the tabula rosa of avant-garde performance art and dance of the late 1960s-70s, Debra McCall set out to East and West Germany in 1981 in search  of Schlemmer’s original notes and sketches for the dances, and to walk the stage of the then recently restored Bauhaus. She was challenged to complete these two tasks by the only surviving performer of Schlemmer’s pieces at the time, Andreas Weininger, and by Ise Gropius, Bauhaus founder Walter Gropius’s widow, who insisted McCall could only understand the architectonic nature of Schlemmer’s work by walking the stage Gropius designed for him. A series of fortuitous and occasionally harrowing events led to the premiere of her reconstructions, “Oskar Schlemmer’s 1920s  Bauhaus Dances,” at The Kitchen in New York in 1982. With the addition of more reconstructions, a second premiere occurred at New York’s Solomon R. Guggenheim Museum in conjunction with  the exhibition, “Kandinsky: Russian and Bauhaus Years 1915-1933.” Critical acclaim and sold-out houses led to tours of major museums and venues in the US, Europe, and Japan, including the first International Biennale de la Dance in Lyon, France, and a return to the original Dessau Bauhaus stage in 1994.

A narrative within a narrative, McCall will present the story of her reconstruction followed by a screening of a film of the reconstructions, premiered at New York’s Goethe House in 1987, featured  in American Dance Festival’s First International Festival of Film and Video Dance, and presently  residing at the New York Public Library for the Performing Arts at Lincoln Center.

Debra McCall is a dance historian, choreographer, Certified Movement Analyst, and performer best  known for her reconstructions of Oskar Schlemmer’s 1920s Bauhaus Dances. Recipient of  fellowships from the National Endowment for the Arts and the National Endowment for the  Humanities, she also received the Rome Prize in Design from the American Academy in Rome and a Fulbright-Nehru Professional and Academic Excellence Award for her documentation of medieval  reliefs of sacred dancers at the Thillai Nataraja Temple in Chidambaram, Tamil Nadu. McCall served  on the graduate faculties of New York University and Pratt Institute where she was Mellon Lecturer. Her Bauhaus work has been presented in a variety of venues including Performa 09, Artissima 17  Torino, and Harvard University’s “The Bauhaus and Harvard: 100 years.” She also directs  Performing Matters (www.performingmaters.org), an organization dedicated to the preservation of  endangered dance and dancers’ rights.

Watch a recording: vimeo.com/142663982

https://www.blackmountaincollege.org/film_screening/bauhaus_dances/

RiverLink, Land of Sky Regional Council, and the Town of Weaverville are hosting a hands-on workshop on invasive plant management techniques. Participants will remove invasive plants from Weaverville Main Street Nature Park.

This is a family friendly event where you can bring the whole crew to dance-it-out with DJ Virtuous at The Regeneration Station! All are welcome to attend this “Glow Dance” and support one of your local nonprofits.

Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.

Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música  del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.

About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.

This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.

Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.

In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.