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Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Opening Reception for the Artist Nov. 3, 6-8PM.
Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.
This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.
A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.
A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?
In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.
Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.
Kids Storytime at Barnes and Noble
Save your shopping for Museum Store Sunday and join us on November 26 to find the perfect treasure for your holiday list!
Museum Store Sunday is the global annual day to Be a Patron. Online and in-store visitors can look forward to shopping conscientiously and supporting museum stores and their missions worldwide.
MUSEUM STORE SUNDAY 2023 FUN
- Receive a raffle entry for every $25 spent in-store. Prizes include a Family Membership and an Asheville Art Museum branded bundle!
- Take advantage of a special 20% off select items. Use code SupportMuseumStores.
- Enjoy complimentary coffee, holiday music, and a live performance at 2:40pm by Café String Quartet.
- Free Asheville Art Museum tote bag for every $100 spent in-store.
- Free domestic shipping on orders more than $100. Shop online at shop.ashevilleart.org. Offer available midnight–11:59pm on Sunday.
- Museum Members receive 10% off Museum Store purchases year-round (excludes consignment items).
Shop the Museum Store Now
Find perfect treasures for your holiday list this Sunday
Just in time for the holidays—find local, unique and memorable gifts filled with inspiration and educational value. Through your purchases, you will also help support small businesses, independent suppliers, and artisan makers whose products are featured in the Asheville Art Museum Store.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.
The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.
Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
It’s beginning to look a lot like…you got it! Keep the family tradition going. Same great quality, all new show! Come celebrate the season here on ‘The Rock’ with the always popular A Flat Rock Playhouse Christmas! Join in and sing along to some of your favorite holiday tunes like, “The Most Wonderful Time of the Year,” “Jingle Bells,” “O Holy Night,” and many more. With an incredible cast
featuring dancers from Pat’s School of Dance and the Flat Rock Playhouse Chorus, there is truly no better way to kick off your holiday season!
Proudly serving the Weaverville community since 2009
The official 2023 Gingerbread display begins on Monday, November 27, 2023 and will continue through Tuesday, January 2, 2024. Explore an array of exquisite gingerbread houses meticulously crafted by talented competitors from across the nation in the grandest gingerbread house competition of all.
Guests not staying at the Resort are invited to view the display after 4:00 p.m. on Sundays or anytime Monday through Thursday, based on parking availability and excluding holidays and the following dates: December 23, 24, 25, 30, 31 and January 1. All Fridays and Saturdays are reserved for registered resort guests and those that have confirmed dining reservations. Display access is subject to hotel capacity, including pedestrian traffic. Please note that only Registered Resort Pets will be permitted. No outside pets will be allowed. Before travelling to the property, visit our Facebook page to verify display access is open for public viewing. CLICK FOR LIVE PROPERTY UPDATES
Since the inception of the Holiday Parking Partner program in 2013, we have been honored to contribute over $923,000 to not-for-profit partners in Buncombe County, North Carolina. During the Fall & Holiday season, there is no complimentary parking on property. From October 1, 2023 – January 2, 2024, parking rates are as follows:
It all began with a small group of gingerbread houses built by community members in 1992 as another way to celebrate the holiday season with no plans to continue the following year. There was no possible way to know that more than two decades later The Omni Grove Park Inn National Gingerbread House Competition™ would be one of the nation’s most celebrated and competitive holiday events.
As the event grew, so did the caliber of judges and competitors. Our panel of judges represents nationally renowned food and media professionals and the level of competition has attracted the highest quality of design, artistry and pastry expertise. The competition has merited broadcast coverage by NBC’s TODAY Show, ABC’s Good Morning America, the Travel Channel, and the Food Network.
The Gingerbread Display has grown in more than just entries; it has become a true family holiday tradition. From the very young to the very young at heart, the reaction to this magical experience is the same – one of wonder, awe and delight.
Join the talented ladies of Verde Design as they guide you in crafting the perfect festive floral arrangement for your table on November 29th from 4-6pm.
For $90, Verde Designs will provide all the materials needed to create a stunning centerpiece. This arrangement will be centered around a beautiful amaryllis bulb, set to bloom just in time for Christmas. Placed in a round clear glass low vase measuring 10” wide and 3” tall, the arrangement will feature a lush green base of moss.
Enhance your creation with seasonal embellishments, choosing from small ferns, festive plants with red leaves, holly adorned with red berries, pine cones, and various other options. Feel free to bring any additional inspiring items to personalize your arrangement.
Please note that the class has a capacity of 12 participants, and we require a minimum of 6 participants for procurement purposes. If the minimum is not met, all purchases will be fully refunded, and notification will be sent out by November 28th. Don’t miss this opportunity to add a touch of floral elegance to your holiday celebrations!
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Puptart is a tail wagging robot dog who sits and stays, pants when listening, and responds to someone talking to and petting it. It will not jump up or run away, plus it’s fur free, so no sneezes and runny noses coming your way! Every Wednesday afternoon, Puptart will be available for reading practice in the children’s picture book room. Help establish a joy of reading and develop early literacy skills. Sign up at the front desk, pick a book and practice reading for up to 15 minutes. |
Are you yearning for a more intimate and personalized yoga experience? Look no further! Happy Body, your haven for pilates, yoga, and massage, is excited to introduce our exclusive small yoga classes tailored just for you!
🌈 What Sets Us Apart: ✨ Intimate Setting: Enjoy the tranquility of a small group setting with classes limited to 6-8 people, fostering a sense of community and connection. ✨ Personalized Attention: Our experienced instructors can focus on your individual needs, ensuring a more tailored and effective practice. ✨ Serene Studio Space: Immerse yourself in a peaceful and inviting environment designed to enhance your yoga journey.
📅 Reserve Your Spot: https://www.ashevillehappybody.com/yogaclasses
🌟 Come, Find Your Happy Body! 🌟
Winter Lights is a spectacular open-air walk-through light show made from over one million lights! Located at the North Carolina Arboretum in Asheville, North Carolina, this year’s event features favorites like the famously tall 50-foot lighted tree and the Quilt Garden, along with enchanting new details designed to delight and surprise.
To keep both visitors and pets safe, pets are not permitted at Winter Lights at the Arboretum. Service animals are always welcome.
Winter Lights is The North Carolina Arboretum’s largest annual fundraiser and supports many parts of its mission driven programming.
Our members are committed to meeting each week because
steady progress
requires
steady practice.
Our motto:
When you show up
You speak
Every meeting
Every week
So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.
Please Click here to let us know you are coming.
Guests are always welcome. We look forward to speaking with you!
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Join us after hours for this gala event featuring six award-winning poets: Keith Flynn, Kathy Ackerman, Caleb Beissert, Greg Lobas, Pat Riviere-Seel and Lee Stockdale. Books will be available for purchase. Refreshments will be served. |
A book club for home cooks, foodies, industry folks, and anyone in-between. We will be focusing on all sorts of food writing. Somethemes will be (but not limited to): food critics, chef memoirs, wine, food history, and food politics.
The Foodie group meets virtually on the last Wednesday of every month at 7 p.m. (EST), beginning in June 2022. Please email [email protected] for the Zoom meeting info.
$20 | All ages, advance registration required
The popular series that helps make fabulous crafts from low-cost items brings a seasonal twist with workshops to create Christmas countdown calendars and gold leaf tree ornaments.
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Every Wednesday
Trivia Night
Trivia Night at Hickory Tavern
*Please note, this performance is NOT included in the 2023-24 Season Pass*
tickets are, however, available at a 10% discount with the purchase of a season pass
Join us for an holiday presentation of Jeeves Takes a Bow! The British upper crust meets the New York mob in this witty play. Everyone’s favorite hapless hero, Bertie Wooster, embarks on an American adventure armed only with his handsome fortune, his talent for trouble, and his remarkable manservant, Jeeves. In less than a New York minute, they’re knee-deep in trouble with vengeful gangsters, chorus girls, and a new Broadway musical.
New Orleans icon Big Freedia is dreaming of the future of bounce music. Over the past two decades, the Queen of Bounce has expanded the booming sounds of Southern rap on a string of high-energy, twerk-inducing projects, while showcasing her inimitable charisma on blockbuster hits by Drake and Beyoncé. But where some might rest on their laurels, the Queen Diva still sees plenty of opportunity to expand her empire.
“Bounce has been through many iterations—from Triggerman to Sissy to Cash Money Bounce—but my new single is something I call Bigga Bounce,” says Freedia, heralding this new chapter for the genre. “Welcome to Central City, y’all, where I pay homage to my city, my roots, hip-hop, and to the art of creating a new sound.”
The tireless mogul broke into television in 2013 with Fuse’s Big Freedia Bounces Back, released her memoir Big Freedia: God Save The Queen Diva in 2015, launched a cannabis line called Royal Bud in 2022, and is on track to open her very own Hotel Freedia in New Orleans in 2024.
In addition to promoting Central City Freestyle, and $100 Bill Ft. Ciara, the Queen Diva is gearing up to launch a new original series, Big Freedia Means Business, which will explore her prolific entrepreneurial endeavors. Visuals and even more new music are already in the works too. But in the greater scheme of things, Big Freedia hopes her voice and platform as an unapologetically authentic artist will inspire, especially at a time when the rights of LGBTQ+ people are under constant attack.
“We gotta keep pushing, and I hope this album speaks to my community and everyone who feels they don’t have a voice,” she adds. “I am living proof of why you don’t let yourself get dragged down. We keep going. We keep fighting.”
Asheville’s longest running comedy open mic happening every Wednesday night. The show starts at 8:00, and there is no cover. Anyone wanting to perform can sign up starting at 7pm and will get four minutes on stage. Anyone skill level from professional to first-timers. So you’ll see great, not-so-great, and hilariously awful comedy all in the same night. Always fun though. Always free.
Put those random facts and obscure obsessions to use at Trivia Night, every Wednesday at The Draftsman! Bring friends and make new ones while you fuel your brain with specials on signature cocktails and bar bites at our laidback basement bar. Bragging rights for the title of Trivia Champion are always up for grabs!
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NOTICE OF BUNCOMBE COUNTY PROPERTY TAX LISTING PERIOD
Property Tax Listing forms must be completed and returned by
5 p.m. on January 31, 2024 to avoid late listing penalty.
Notice is hereby given, that all persons who own personal or business property subject to taxation in Buncombe County on January 1, 2024, must list such property no later than January 31, 2024. Any person who fails to do so will be subject to penalties prescribed by law. Per North Carolina General Statute 105-296(c), the regular listing period is January 1 through January 31. If the regular listing period begins or ends on a day other than a business day, the period for such filing shall be extended through the next business day.
The listing period for 2024 will begin Tuesday, January 2, 2024, and end Friday, January 31, 2024, at 5 p.m. Listing forms will be mailed in December 2023 to persons or businesses who have requested a listing form or filed a listing last year. Download a listing form at buncombecounty.org/propertyassessment or contact the Property Assessment office at (828) 250-4920.
Real Property
*All persons who own real estate must list any new additions, changes, or deletions that have been made since January 1, 2023. Please contact the Property Assessment office at (828) 250-4940.
*According to the North Carolina General Statutes, all property that is not defined or taxed as “real estate” or “real property” is considered to be “personal property.”
Personal Property
*All persons who own personal property such as un-tagged motor vehicles, permanently tagged trailers, manufactured homes, boats and boat motors, airplanes, rental personal property or farm machinery used for income purposes, must file a listing form annually. Download a listing form at buncombecounty.org/personallistingform.
Business Personal Property
*Business personal property is taxable whether it is owned, leased, rented, loaned, or otherwise made available to the business.
*All businesses are required to file a business personal property listing form annually during the listing period stated above, which includes: machinery and equipment; furniture and fixtures; computers; improvements to leased property; manufactured homes; aircraft; international registration plan (IRP) plated vehicles, supplies, etc. used in connection with the business. Download a listing form at buncombecounty.org/businesslistingform. This also includes all furnishings within a dwelling that is used as a long- or short-term rental. Download a Rental Listing form at buncombecounty.org/rentallistingform.
Extensions
*Listing extensions may be granted on request and for good cause shown. Extensions must be requested no later than January 31, 2024. Request an extension at businessextensions.buncombecounty.org. If you are a new businesses that has not listed before, email [email protected] to request an extension prior to January 31, 2024.
*Extensions cannot be granted beyond March 15, 2024. If you are a new business for 2024, and have not filed a previous listing form, please contact our office for information at (828) 250-4930.
Tax Relief
*Property tax relief may be available for Veterans, anyone 65 and older, or anyone permanently disabled under NCGS 105-277.1. Call (828) 250-4915 to see if you qualify or download an application at buncombecounty.org/taxrelief.
Reminder: Listing forms will be accepted January 2-31, 2024. Property Assessment is located at 155 Hilliard Ave, Asheville, NC 28801, and is open Monday – Friday, 8 a.m.-5 p.m. except for holidays. Call (828) 250-4920 for more information. Instructions and forms are available at: buncombecounty.org/propertyassessment.
The County of Buncombe does not discriminate on the basis of race, color, religion, sex, age, national origin, handicap, or disability in admission or access to, or treatment or employment, in its services, programs, and activities, in compliance with applicable federal and state laws.
Spread Joy this Holiday Season: Support a YWCA Family Through Angel Tree.
Our Virtual Angel tree is up for this holiday season. This gift tree provides our broader YWCA community a path to join us as we aim to support our program participants and their families with a holiday season full of love and support. If you would like to support a family this holiday season please click here or email Holly Olsen, Director of Women’s Empowerment to get the details of how you can fulfill a family’s holiday wish.
MotherLove
YWCA’s MotherLove program supports pregnant and parenting teens throughout Buncombe County. Our goals are to help young parents to stay in school and graduate, access higher education and vocational training, develop the skills and knowledge needed to become strong parents and delay another teen pregnancy.
Getting Ahead In a Just Getting By World
YWCA’s Getting Ahead program aims to provide financial empowerment for low-income women of all ages and backgrounds to make choices that positively impact themselves, their families, and their community.
Early Learning Program
YWCA’s Early Learning Program provides 5-star childcare for children ages 6 weeks to 5 years. Our experienced and compassionate teachers not only provide exceptional care for little ones, but also prepare young children to succeed cognitively, physically, socially, and emotionally. We prioritize families using childcare vouchers or caring for children in the foster care system.
Empowerment Childcare
The YWCA provides up to 12 hours of free childcare per week for parents who are in transition, continuing their education, accessing social services, or looking for employment. ECC works closely with the Family Justice Center, Buncombe County Health and Human Services, A-B Tech, Green Opportunities, and Mary Benson House.
