Redirect is an exhibition that critically and philosophically engages with technology, each artist examining the web, social media, mobile devices, or other contemporary technology with a calculated sense of intentionality or caution. Redirect investigates our contemporary digital lives from various perspectives but always with a lens that looks deeper than the surface treatment. Unsearchable former content, spotlights on web censorship, crystallization of load times, and the physical manifestation of unseen systems come together to create a meditation on our present-day technological attachments.

Featuring artists: Conrad Bakker, Victoria Bradbury, Ben Duvall, Janna Dyk, Benjamin Grosser, Joyce Yu-Jean Lee, Jorge Lucero

Opening reception with panel discussion: January 24th, 6-8pm

The Peace Center’s Songwriters Concert Series returns! Led by Greenville favorite Edwin McCain and accomplished songwriter Maia Sharp, each concert brings a new guest singer-songwriter to the Upstate for a one-of-a-kind listening room experience in Genevieve’s theater lounge.

Deep River, Asheville’s Premier Country Vocal Group, will pay homage to the Southern California band that started the country rock genre, the Eagles, by telling their story in words and songs, album-by-album, from their debut album in 1972 simply called ‘Eagles’ to their ‘Hell Freezes Over’ album of 1994. The three women who front Deep River will provide all the vocals, and the Band will add a keyboardist for a total of seven pieces in order to create that iconic Eagles sound, and take the audience on an unforgettable American musical journey.

Jake Shimabukuro

Almost everyone in Hawaii has strummed a ukulele at one time or another. But at the age of 14, Jake Shimabukuro realized that he was doing something a little different with the four-stringed instrument – OK, a lot different.

Shimabukuro’s wholly unique approach to the ukulele started early. As a youngster growing up in Honolulu, Hawaii, Shimabukuro started playing the instrument at the age of four, learning the basics from his mother, Carol, and then developing his craft further by studying the likes of musical masters such as Eddie Kamae, Ohta-San and Peter Moon. As he matured, Shimabukuro also found inspiration from guitar players, drummers, pianists, and singers. Even athletes helped fuel the intensity of his artistic fire.

In 2005, Shimabukuro’s touring career really came to life with a video on YouTube. “I didn’t even know what YouTube was at the time, so I was totally surprised when people started telling me they’d seen a video of me playing ‘While My Guitar Gently Weeps,'” he says. “Before I got a chance to check it out myself, the video had gone viral and a lot of music industry folks seemed to know about it. It was crazy!” Shimabukuro’s deeply beautiful and original take on George Harrison’s love ballad, one which captured colors and moods never associated with the ukulele before, opened the floodgates – now legions of new music lovers had to hear this instrumental marvel – and the 2006 release of Gently Weeps (produced by Mac McAnally), which mixed his own originals with equally adventurous versions of “Ave Maria” and “The Star-Spangled Banner” was an unqualified success.

Like an old-time barn dance in downtown New Orleans, the Bumper Jacksons pull together a vast array of early American traditions into a deliciously high-spirit sound.

Main Stage Seated :: Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner Reservations

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

The Perspective Collective presents the world premier of The Pride of Pripyat: tales from the Chernobyl disaster, an opera exploring the lives of everyday people living in the shadow of the Chernobyl nuclear disaster. With a score by Sunny Knable and libretto by Jim Knable, singers Erin Brittain, Rachael Basescu, and Grant Mech bring multiple characters to life in a series of scenes accompanied by pianist Patrick Fink. Presented as part of the Asheville Fringe Arts Festival as a double feature with Biophilia Asheville

A Robert Burns 261st Birthday Celebration Dinner will be held on Saturday, January 25, 2020, at the Country Club of Asheville. The event is sponsored by the Dunkeld and Birnam Committee of Asheville Sister Cities, Inc. (a 501c3 non-profit) which will benefit from the net proceeds of the dinner, optional whisky tasting, and charity raffle & auction.
A formal Robert Burns Dinner Ceremony beginning at 5:30 pm will include a three course meal with Haggis, a piper, poets, dancers and other entertainment. Scottish attire is recommended. Cocktails and other refreshments will be available from a credit card bar. An optional Scotch Whisky Blind Tasting of five single malts will be conducted with a $50 entry fee. Guests may also buy raffle tickets for an assortment of Scottish themed gifts and bid on auction items.
Tickets for the dinner ($100 per person) may be purchased on Eventbrite.com, downloading a registration form from ashevillesistercities.org/burns/, or by sending a check payable to the Asheville Sister Cities, Inc. to 994 Clovertop Lane, Arden, NC 28704. You will receive a follow up letter with additional information.

Edvard Tchivzhel, Conductor
Rimsky-Korsakov: Capriccio Espagnol
Stravinsky: The Firebird Suite
Borodin: Symphony No. 2 (“Heroic Symphony”)
Borodin: Polovtsian Dances from Prince Igor

It’s an array of dazzling colors with Rimsky-Korsakov’s Capriccio Espagnol, followed by the fiery and exotic fantasies of Stravinsky with his Firebird Suite, while Borodin pulls out all the stops with his mighty and wild “Heroic Symphony.”

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Edvard Tchivzhel, Conductor
Rimsky-Korsakov: Capriccio Espagnol
Stravinsky: The Firebird Suite
Borodin: Symphony No. 2 (“Heroic Symphony”)
Borodin: Polovtsian Dances from Prince Igor

It’s an array of dazzling colors with Rimsky-Korsakov’s Capriccio Espagnol, followed by the fiery and exotic fantasies of Stravinsky with his Firebird Suite, while Borodin pulls out all the stops with his mighty and wild “Heroic Symphony.”

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

We know special events and festivals have long been employed as powerful tools in supporting business, motivating entrepreneurship, and promoting the arts. Additionally, the City of Asheville is focusing on special events and how they can help build an equitable and inclusive community. But government doesn’t just change on its own. What internal and external efforts are needed to maximize returns? Hear from the City’s Outdoor Special Events office about their collaborations with the City’s Office of Equity & Inclusion. Learn about the confines we’re all working within as community members, and why it takes an inside effort within government to push forward. Where are your opportunities to create and participate in special events that help build an equitable and inclusive community?

Speakers: City of Asheville Outdoor Event Manager Jon Fillman and Business Inclusion Manager Rosanna Mulcahy

The City of Asheville’s Community & Economic Development department is responsible for outdoor special event administration. This office develops and manages partnerships with organizations that produce events, coordinates support services, and oversees regulatory and permitting requirements for temporary uses of parks, streets, and undeveloped city-owned property.

We know special events and festivals have long been employed as powerful tools in supporting business, motivating entrepreneurship, and promoting the arts. Additionally, the City of Asheville is focusing on special events and how they can help build an equitable and inclusive community. But government doesn’t just change on its own. What internal and external efforts are needed to maximize returns? Hear from the City’s Outdoor Special Events office about their collaborations with the City’s Office of Equity & Inclusion. Learn about the confines we’re all working within as community members, and why it takes an inside effort within government to push forward. Where are your opportunities to create and participate in special events that help build an equitable and inclusive community?

Speakers: City of Asheville Outdoor Event Manager Jon Fillman and Business Inclusion Manager Rosanna Mulcahy

UNC Asheville’s annual commemoration of Martin Luther King Jr:

Tuesday, Jan. 28 – Arthur Flowers – Memphis-born blues-based poet, novelist, essayist, and practitioner of literary hoodoo, Arthur Flowers is an associate professor of English at Syracuse University and is former director of the Harlem Writers Guild. His books include Another Good Loving Blues, Mojo Rising: Confessions of a 21st Century Conjureman, and Brer Rabbit Retold.

• Literary Blues and the Hoodoo Way – In the Footsteps of MLK – This performance and lecture by Arthur Flowers will also feature opening music by UNC Asheville’s Afro Music and Dance Ensemble – 7 p.m., Highsmith Student Union Blue Ridge Room.

The world is a vastly different place than it was just a few years ago, and Atmosphere’s seventh album, Mi Vida Local, reflects the ways in which the world, and Atmosphere’s place in it¬, has changed. The idyllic domesticity of their past few records has morphed into anxiety over keeping loved ones safe during turbulent times. Instead of bragging about backstage misadventures it’s about grappling with mortality. The easygoing collaboration between Ant and Slug has started to feel more like the life-or-death intimacy of two men trapped together on a lifeboat.

At times it’s a heavy album (“I might be the last generation of grandparents,” goes a key line from “Virgo”), but it’s far from grim. There are jokes being cracked, joints getting smoked, a little trash talking here and there- after all, it’s still a rap record.

And Atmosphere’s never sounded better.

As the name implies, Mi Vida Local is intensely focused on the place it was created- the southside of Minneapolis- where Slug and Ant work tirelessly in their “beautiful basements”, refining their sound without interruption, save for a handful of friends from the Minneapolis hip-hop community who showed up to contribute. A year of one-on-one collaboration resulting in an album that matches complex subject matter with equally deep beats- ones that show a clear lineage back to the psychedelic funk landmarks from an earlier era where America was going through a post-utopian hangover, and prove that there won’t ever be a time where boom-bap beats don’t sound perfectly of the moment.

Mi Vida Local might be the best album Atmosphere’s ever made. It’s definitely the one they needed to make right now, and one listeners need to hear just as urgently. If it’s sometimes an album about how the fight to find happiness never really ends- even after you get the house and the kids and the artistic freedom to make dad-rap records- it’s also about discovering that there’s happiness to be found just in fighting.

rhymesayers.com/atmosphere

Twenty years after they began releasing records as the Indigo Girls, Amy Ray and Emily Saliers have politely declined the opportunity to slow down with age. With a legacy of releases and countless U.S. and international tours behind them, the Indigo Girls have forged their own way in the music business. Selling over 14 million records, they are still going strong.Amy & Emily are the only duo with top 40 titles on the Billboard 200 in the ’80s, ’90s, ’00s and ’10s.

“Along with Simon & Garfunkel and The Everly Brothers, Amy Ray and Emily Saliers rank at the very top of all-time great duos. The sublime music-making-machine-skewering “Making Promises” is one of their finest rockers.”–The Boston Herald

After signing to Epic Records in 1988, the Indigo Girls released their critically acclaimed eponymous album to thunderous praise; it remained on the Billboard Hot 100 Chart for 35 weeks, earned double platinum status, received a Grammy nomination for “Best New Artist” and won “Best Contemporary Folk Recording.” They were overnight folk icons who continued to live up to the high standards they’d set for themselves: they’ve since released 14 albums (3 platinum and 3 gold), received six Grammy nominations and have won one. Indigo Girls have toured with innumerable star acts including Neil Young, Emmylou Harris, Joan Baez, R.E.M., Sarah MacLachlan, Natalie Merchant, Jewel and Mary Chapin Carpenter.

The duo has balanced their long, successful musical career by supporting numerous social causes–the Indigo Girls don’t just talk the talk; they walk the walk. Having established an intensely dedicated fan base, the duo continues to remain relevant and attract new fans. With their latest release, Beauty Queen Sister, released on IG Recordings distributed by Vanguard Records,Emily Saliers and Amy Ray have secured their spot as one of the most legendary musical acts of this generation.

“Their 14th studio album finds the Indigo Girls operating as powerfully as at any time in theircareer, on a set of uncommonly strong songs performed with the kind of typically understated Nashville polish that affords their signature harmonies the full spotlight.”–The Independent (UK)

In 2015 Indigo Girls released their 14th studio album, One Lost Day, produced by Jordan Brooke Hamlin and mixed by Brian Joseph.