Led by Stewart/Owen Dance Co-Directors, Vanessa Owen and Gavin Stewart, this open level adult contemporary dance class gradually awakens the body and senses through guided improvisation and a follow along warm-up, followed by foundational across-the-floor exercises and center-work combinations. All experience levels welcome!

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots. They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

Every bite counts!

The Girl Scouts will set up on Saturdays to sell Girl Scout Cookies near the entrance of Sportsman’s Warehouse.

Hours of Operation – Please note dates and times are subject to change subject to troop availability and weather conditions.

January 22 – March 19, 2022
Saturdays: 11am-5pm

Led by Stewart/Owen Co-Directors, Vanessa Owen and Gavin Stewart, this class begins with full body conditioning followed by a series of technical modern exercises, and culminates in either phrase creation or Stewart/Owen repertory. Dancers are encouraged to modify for their own bodies and spaces! We recommend this class to experienced dancers who are looking for a fast-paced contemporary class that pushes their physical and mental boundaries.

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots.They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

• Enjoy the new beer brewed with coffee, chocolate, vanilla, cinnamon + pecans and celebrate the Carnival season with live music.

Music By DJ AUDIO & guest DJ’s
SPINNING THROWBACK, Dancehall, LATIN, HIP HOP/R&B
Doors at 9pm
• NO COVER till FEB ’22!
• 6 HOOKAH flavors Available
• DRINK SPECIALS
• VIP COMING SOON!
Follow AMG Late Nights for All Event Updates!
10 North Market Street | Downtown Asheville
Lighting Powered by Raydio

Come join Mandy of Funky Flow Yoga for an all-levels mimosa yoga class at plēb urban winery! This class is suitable for both beginners and experienced practitioners. We will be enjoying mimosas, so put on both your yoga pants and your drinking pants for this class!

Stick around afterwards and taste some fabulous wines, or just keep the mimosa thing going! The River Arts District, where this class is located, has some awesome food options in the surrounding area, so plan to make a day out of it.

Class is $10. You may purchase any mimosas or other wines you’d like at the bar.

As always, if you or someone you’ve been in close contact with is experiencing symptoms of COVID-19, please stay home and join us another time.

Please come at least 15 minutes before class to claim your mat space.

The S&W Market is hosting a weekly Brews & Blues series featuring Mr. Jimmy & Friends. From 1pm-4pm every Sunday, there will be beer and mimosa specials in Highland Brewing’s Downtown taproom and great live blues in the building. Also enjoy delicious brunch specials from all vendors!

Charlie Starr is the lead singer and a founding member of legendary southern rock band Blackberry Smoke.

Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk.

This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015’s Holding All The Roses and 2016’s Like An Arrow. (For good measure, the latter also topped Billboard’s Americana/Folk album chart.)

Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance.

“That’s one of my favorite things about Blackberry Smoke albums—there’s a lot of variety,” Starr says. “My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes.”

– 7PM DOORS / 8PM SHOW

– ALL AGES

– STANDING ROOM ONLY

BOB MOULD

Legendary musician Bob Mould announces his “Distortion and Blue Hearts!” tour starting September 16, 2021, in Boston at Paradise. The tour is in two parts. For the first three weeks, Bob will be joined by Jason Narducy on bass and drummer Jon Wurster. Beginning October 15 in Bloomington, IL, Mould will perform “Solo Distortion” electric shows (full run of dates and locations below).

On July 16, 2021, before any tour dates happen, Demon Music Group will conclude their year-long Bob Mould retrospective campaign with their fourth vinyl box, Distortion: Live. The 8 LP set includes live recordings from Mould’s solo career and his band Sugar.

PURCHASE DISTORTION: LIVE HERE

This box follows October 2020’s 8 LP Distortion: 1989-1995 vinyl set, which took in Mould’s early solo outings as well as his records with the much-beloved Sugar, January 2021’s 9 LP Distortion: 1996-2007 box set continuing through the next steps in Mould’s solo career and his outings as LoudBomb and Blowoff, April 2021’s 7 LP Distortion 2008-2019 covering District Line to Sunshine Rock, and the 24 CD Distortion: 1989-2019 box, which covers the entirety of his post-Hüsker Dü output.

Mould’s live shows will span his entire 40+ year career, including songs from the Distortion collection and from his landmark band Hüsker Dü, as well as songs from last year’s explosive and critically acclaimed album Blue Hearts — about which Rolling Stone’s 4 out of 5 star review raved, “feels like a lost Hüsker Dü album with Mould howling invective over his buzzsawing guitar.”

“It’s been a year and a half away from the stage. I’ve missed the noise, the sweat, and seeing your smiling faces. I’m fully vaccinated, and I hope you are too, because this Fall will be a punk rock party with the band — and the solo shows will be loud and proud as well. It’s time to make up lost time, reconnect, and celebrate together with live music!”

As with the previously released box sets in the Distortion collection, each album has been mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. This box set includes 4 live albums: Live At The Cabaret Metro, 1989; the Sugar album The Joke Is Always On Us, Sometimes; LiveDog98 (first time on vinyl), and Live at ATP 2008 (first time on vinyl). In addition, the set includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron; contributions from Bully’s Alicia Bognanno; rare photographs and memorabilia, and a bonus LP Distortion Plus: Live, which features live rarities including B-Sides and stand-out tracks from the Circle of Friends concert film.

Discover more about the box sets including full track listings and FAQs here:

Bob Mould: Distortion

H.C. McENTIRE

“Early rise, start the fire, till the rows, pass the tithes.” So starts H.C. McEntire’s sophomore release, Eno Axis. It’s a set of directions delivered with assurance and authority, reaching the listener without pretension almost as a sermon or spell. McEntire has always had one foot planted in the traditional country gospel roots of her upbringing while boldly wrestling with its complications, creating an Americana sound of her own. But that has never rung as true as it does now on the transcendent psalms of Eno Axis.

Unlike McEntire’s solo debut, LIONHEART, which was recorded in sporadic bouts and fits while she was touring, Eno Axis is firmly rooted in place. After two years working all over the world as a backup singer in Angel Olsen’s band, McEntire came home to a hundred-year-old farmhouse tucked away in the woods of Durham, North Carolina, right on the Eno River. Here, McEntire was able to refocus. Like the blue-collar Appalachian kin she descended from, her days were scheduled by the clockwork of the Earth’s rotation: splitting wood, stacking it, weeding and watering the garden, walking the dog past the bridge and back—and every evening on the front porch, watching dusk fall. Eno Axis emerges from this time as the strongest work McEntire has shared yet.

“To all the winds—hold high the hymnal, gather blessings by the fistful,” McEntire sings in her celebration of the Eno on “River’s Jaw.” McEntire doesn’t write lyrics; she writes poetry. Growing up in the tiny rural community of Green Creek, outside Tryon, North Carolina, she knows how to tell a story. And just as Loretta Lynn sang about watching her mama’s fingers bleed on the washboard in “Coal Miner’s Daughter,” McEntire, too, takes the listener by the hand and pulls them into her own experience. On “One Eye Open” McEntire revisits her childhood Sunday school room and reckons with Christian fundamentalism. On “Footman’s Coat,” she ruminates on time, biological clocks, and the path of possibilities left in her past.

Tracked and mixed at the Fidelitorium with a full backing band, many of the songs on Eno Axis feature scratch first takes of McEntire’s lead vocals, initially meant to be thrown out and redone. This rawness creates an immediacy, her self-assured, instinct- driven, and mesmerizing delivery complementing Eno Axis’ lush acoustics and warm tones. After a dreamy atmospheric interlude, “Time, On Fire” builds and retracts with a driving pop drum beat, exploring movement like the ebb and flow of a river, culminating in a soaring guitar solo. And just as a river’s current sometimes takes us somewhere unexpected, into new territory where we never knew we could go, Eno Axis closes with one of the album’s most revelatory experiences—a new, glossier cover of “Houses of the Holy” by Led Zeppelin. Under McEntire’s empowering reconstruction of this rock ’n’ roll classic, the masculine, driving signature guitar vanishes, and instead we’re left with one of the inimitable queer voices of our time bashfully asking, “Can I take you to the movies?”

With Eno Axis, H.C. McEntire establishes herself as a force to be reckoned with in the greater American musical landscape. These songs transcend country and gospel, folk and rock—they’re poems directed straight to the listener, simple psalms on how the sun falls, how the train passes, how love grows and bends. McEntire inspires us to find the stillness within our own lives—a remarkable clear-ringing declaration for our uncertain times.

Charlie Starr is the lead singer and a founding member of legendary southern rock band Blackberry Smoke.

Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk.

This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015’s Holding All The Roses and 2016’s Like An Arrow. (For good measure, the latter also topped Billboard’s Americana/Folk album chart.)

Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance.

“That’s one of my favorite things about Blackberry Smoke albums—there’s a lot of variety,” Starr says. “My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes.”

Join us every Monday night for Singo (Musical Bingo)!

Singo will run from 7-8:15 pm.

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

$5 Highland pints

$5 Kids taco with chips and salsa Peace Love Tacos
$5 Kids nuggets & fries Buxton Chicken Palace
$5 Grassfed all beef hot dog with chips Farm Dogs
$5 Chicken & rice with veggies Bun Intended

$3.50 for a kiddie scoop or under $5 for a single scoop from The Hop!

Come join us for a rich, topical discussion on the first Tuesday of the month. We come together to share perspectives and insights on subjects of interest in a welcoming and civil forum. We usually feature a TED Talk or YOUtube video for 15 minutes or so, followed by some questions for everyone to discuss. Topics are chosen by members and have ranged from mindfulness to addiction and everything in between. Feel free to eat your dinner or slurp your drink during the meeting–we’ll remind you to mute. For now, while we are taking COVID-19 precautions, our meetings will be online via ZOOM. It’s very easy to join in. Just click the link provided. Free to the public.

Get moving in this fun, high-energy dance class focusing on Broadway-style choreography. Lay the foundation of jazz technique through warm ups and across the floor, and practice picking up steps and style in theatre dance combinations inspired by a variety of musicals. Join us to get a weekly workout, learn how to fill your movement with character, and step into your next dance audition feeling confident. Masks are required. 

Instructor: Anna Kimmell

Notes: To ensure the safety of our students and staff, we require that all participants and faculty wear masks during indoor classes.

Join us every Tuesday night for Trivia!

Trivia will run from 7-8:15 pm. We will be capping the teams at 20 and teams will not be able to join after 7 so make sure to arrive early to secure your spot!

No reservations needed, just grab your thinking caps and get ready for a good time and a chance to win a $10, $20, or $30 gift certificate to Down Dog!

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

THE HAPPY FITS

In a time where positivity is hard to come by, the Happy Fits are here with their transportive, sunny second album, What Could Be Better.

Turning a love for the Killers and Violent Femmes into their own compact pop songwriting, the New Jersey-based trio started as a casual summer project for high school friends Calvin Langman, Ross Monteith, and Luke Davis before going off to college. After their debut EP, 2016’s Awfully Apeelin’, took off on Spotify during their first semester, school stopped looking like the natural next step.

“Honestly, we didn’t know we were going to be a band,” guitarist Monteith says. “We came up with the title to record those four songs on our EP, and we thought that was going to be it, but once the songs got picked up and we really started questioning it, that’s when we decided to go for it and record the first album. When we left school was when we officially became a band.”

Following their 2018 full-length Concentrate, the Happy Fits have further honed their ambition for What Could Be Better’s collection of crowd-pleasers.

“Growing up, I was either in school, at home practicing, or at music school, and there was always this pressure to be really productive,” says primary songwriter Langman, who dropped out of conservatory to pursue the band. “When I decided that I wanted to do this for a living, being productive meant a totally different thing, because now I have to create things that are just in my head and make them real. Measuring how productive that is in my life, it’s hard to do that. There’s a lot of dissatisfaction I feel. I write that into the songs, all of the guilt that I feel for not sticking with a normal plan.”

From the stomping “No Instructions” to the album-closing title track, What Could Be Better channels youthful malaise into songs that demand to be sung along to. “Moving” deploys Beach Boys-inspired harmonies for a classically feel-good sound, and the integration of Langman’s classical cello training will appeal to fans of early Vampire Weekend. Far from cloying, the band’s upbeat nature is rooted in a real desire to connect with a world that sometimes seems distant.

On “What Could Be Better” Langman sings, “There’s a hole in my consciousness where I feel I belong,” a line inspired by his isolation as one of the few Asian-Americans in his hometown.

“I don’t have crippling social anxiety, but I have always felt like I’m a bit different,” Langman says. “I grew up in rural New Jersey and was one of three Asian kids in my high school…Also, growing up, with Hollywood and TV shows, I didn’t see many people like me, especially half-Filipinos.”

As the band’s stages get bigger, Langman knows he gets to be the role model he didn’t have, saying, “It feels really good to be someone that Filipino kids growing up in America could look up to.”

The Happy Fits have brought their uplifting live show across the country on multiple headlining tours, as well as supporting acts like This Wild Life.

“We bring together a large age group,” Davis, a former metalhead who started learning how to play drums from Rock Band, says of young fans who take their parents to shows. “I think one of the big connections is just when everyone’s there, it becomes this community where everyone can support each other and are all enjoying the same things.”

Known for their joyous, engaging performances, the band’s sense of camaraderie is also reflected in the songs. All three members split vocal duties on “Floating,” an urgent tribute to their long-distance relationships that emphasizes the collective nature of their journey.

“We just have grown so much musically and as best friends that now we have this chemistry where we can really figure out how to work with each other in the best way possible,” Davis says. “Calvin’s definitely the madman musical genius and Ross can write incredible parts. I don’t know how it works, I’m lucky every day that I got to meet these guys. Having a balance with them, it’s not something we can make up, it has to come naturally.”

Recorded over six weeks at Diamond City Studio in Brooklyn, What Could Be Better is a charming, efficient mission statement that’s meant to be shared, something Monteith already knows well.

“We want people to feel good listening to our music, because that’s what music does for people.”

In the nine months since the albums release the band saw it debut #4 on Billboard’s Alternative New Artist Chart, and “Hold Me Down” reach #30 in the National Alternative Radio Charts as well as #4 on the Sirius Alt Nation’s Alt 18. NPRs Ken Tucker ranked it #3 on his year end list and ended his glowing review live on “Fresh Air” with “What Could Be Better? I honestly don’t know.” Other writeups included Alternative Press, Dujour and Atwood Magazine.

SARAH AND THE SUNDAYS

Sarah and the Sundays is an indie rock band composed of five former collegiate students. Guitarist Miles and childhood friend Declan began toying with the idea of forming a band in early 2015. It wasn’t until later that year when they would meet Liam, current lead vocalist, in guitar class. In need of a bassist, Declan and Miles invited Liam to join the band, unaware of what the future might hold. As time progressed, Declan, Miles, and Liam began to realize their passion for music, pushing them to begin creating songs of their own. Their debut album I Don’t Know Yet was released in October of 2017, and shortly after, the band welcomed Quinn as their drummer. Liam’s college roommate Brendan recently joined the band as a second guitarist, you can hear him all over their sophomore album So You’re Mad About the Cups. The band just recently relocated to Austin, TX where they plan to play as much as they can, so be sure to find them on Instagram @sarahandthesundays to see where they’re playing next.

Enjoy a $6 glass of wine and 1/2 off bottles every Wednesday night!

Our first Meetup! Let’s simply get to know each other over some pizza (or a salad, whatever you want!).

Spring theme for discussion: What do you want to see grow in the next year? How do you plan to incubate your ideas and goals?

While best known for her stop-you-in-your-tracks voice, Liz Longley has steadily developed a reputation as an accomplished songwriter, crafting intimately personal portraits through her music. Liz’s songs have won some of the most prestigious songwriting competitions in the country, including the BMI John Lennon Songwriting Competition. With five albums to her name, Liz’s music has been featured on TV shows such as ABC’s “Beauty & The Beast”, Lifetime’s “Army Wives”, and MTV’s “Scream”. The latest release, ‘Weightless’, is the highly anticipated follow- up to Longley’s eponymous 2015 Sugar Hill Records debut, which earned accolades from critics, who proclaimed the album “a thing of beauty,” (Popdose), and praised her “captivating stories set to tunes that will be running through your head after a single spin.” (American Songwriter). Later this year, Liz is set to release her sixth album, produced by 5-time GRAMMY nominated producer, Paul Moak.

Reserved Seat Tickets are available with Dinner reservations only – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.
These Tickets are GA Balcony Only – You must call the venue for Reserve Seat tickets

All ticket sales are final.

Proof of Vaccination or Negative Covid Test w/i 48 Hours :: Masks are Required