“Owen is in isolation. He has locked himself away from society. No one seems to understand, respect and love him. Owen is healing his own wounds. However, Owen has a new crush on a boy in the mirror. Owen said he was done with love. But, will he learn the true message of love this time? Or is the answer in the reflection?…”

The Hendersonville Symphony Orchestra presents “New Beginnings,” the final program of the season, which celebrates joy, wisdom and hope, conducted by John Concklin featuring cellist Miriam Smith, the orchestra performs the works of Mozart, Elgar and Dvořák

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.

Currently, Only General Admission Tickets are available on line

Come enjoy an evening of live music, food and drinks at the Isis Music Hall.

ccess the Groove – Celebrating Disability and Neurodiversity is a benefit concert, art fair, and inclusive community gathering on May 22nd from 1-5 pm at the Grey Eagle Music Hall in Asheville, NC.

The event will feature performances by a stellar lineup of musicians from Johnson City and Asheville with and without disabilities including Jordan Scheffer and Chinobay, Mad Mike Martinez , Will Gott, DIYabled, and Lavender Latte.

A variety of artists, entrepreneurs, and local agencies that act toward disability justice, equity, and inclusion will also be on-site selling wares and sharing information about their work. Vendors include Open Hearts Art Center, Madam Clutterbuckets Neurodiverse Universe, DIYabled, Austin Shreds, Bo Fisher, FIRST Resource Center, Access ETSU, and more.

Proceeds will help support Access ETSU, a new inclusive higher education program for students with intellectual disabilities at East Tennessee State University in Johnson City, TN. In addition to raising crucial funds for program sustainability, Access ETSU will also be congratulating their first-ever graduate and second-ever full cohort of incoming students.

The Grey Eagle Taqueria will be open during the event, offering authentic and fresh Latin-American cuisine. There will also be a raffle with lots of local goodies available.

If you would like to perform, vend, or contribute to the raffle, please contact Daniel Scherer-Emunds ([email protected]).

Accessibility: The Grey Eagle building is ADA compliant and we always do everything we can to make sure that every guest we have is comfortable. For specific accessibility questions or needs, please contact [email protected].

It’s a suggested minimum donation of $15 for entry, but nobody will be turned away for lack of funds.

Jazz Sunday at One World Brewing West is a modern jazz jam held every Sunday afternoon from 1-4pm. Previously known as Jazz Monday, the jam has been running non stop since July, 2018 at the West Asheville brewery and is hosted weekly by The Fully Vaccinated Jazz Trio, consisting of Ray Ring on guitar, Jason DeCristofaro on drums, piano and vibraphone, and Connor Law on bass. Jazz Sunday typically features a guest artist for a short set and then welcomes jazz musicians of all levels to sit in for the remainder of the afternoon on One World’s spacious outdoor stage.

Join performers G Wick, Krave Amiko, Fiddlehead and Astoria for a groove-filled day of music, food trucks, lawn games and local bevs at French Broad Outfitters along the beautiful Hominy Creek.

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Inspired by the twisted genius of Roald Dahl, the Tony Award-winning Roald Dahl’s Matilda The Musical is the captivating masterpiece from the Royal Shakespeare Company that revels in the anarchy of childhood, the power of imagination and the inspiring story of a girl who dreams of a better life. With book by Dennis Kelly and original songs by Tim Minchin, Matilda has won 47 international awards and continues to thrill sold-out audiences of all ages around the world.

Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. She’s unloved by her cruel parents but impresses her schoolteacher, the highly loveable Miss Honey. Over the course of her first term at school, Matilda and Miss Honey have a profound effect on each other’s lives, as Miss Honey begins not only to recognize but also appreciate Matilda’s extraordinary personality. Matilda’s school life isn’t completely smooth sailing, however – the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils’ saving grace!

Packed with high-energy dance numbers, catchy songs and an unforgettable star turn for a young actress, Matilda is a joyous girl power romp. Children and adults alike will be thrilled and delighted by the story of the special little girl with an extraordinary imagination.

This production is presented in partnership with the Asheville High School Theatre Department. MASKS ARE REQUIRED FOR ALL AUDIENCE MEMBERS REGARDLESS OF VACCINATION STATUS.

Inspired by the twisted genius of Roald Dahl, the Tony Award-winning Roald Dahl’s Matilda The Musical is the captivating masterpiece from the Royal Shakespeare Company that revels in the anarchy of childhood, the power of imagination and the inspiring story of a girl who dreams of a better life. With book by Dennis Kelly and original songs by Tim Minchin, Matilda has won 47 international awards and continues to thrill sold-out audiences of all ages around the world.

Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. She’s unloved by her cruel parents but impresses her schoolteacher, the highly loveable Miss Honey. Over the course of her first term at school, Matilda and Miss Honey have a profound effect on each other’s lives, as Miss Honey begins not only to recognize but also appreciate Matilda’s extraordinary personality. Matilda’s school life isn’t completely smooth sailing, however – the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils’ saving grace!

Packed with high-energy dance numbers, catchy songs and an unforgettable star turn for a young actress, Matilda is a joyous girl power romp. Children and adults alike will be thrilled and delighted by the story of the special little girl with an extraordinary imagination.

This production is presented in partnership with the Asheville High School Theatre Department.

Brahms: Intermezzo, Op. 117, No. 1
Beethoven: Fantasia in C Minor, Op. 80 “Choral Fantasy”

Compared with talents such as Janis Joplin and Joss Stone, Lauren Anderson is a soulful rocker that leaves you hanging on every note. Originally from Chicago, she has been regionally touring since 2014, has opened for artists, such as Beth Hart, Samantha Fish and Walter Trout. Now based in Nashville, TN, she recently represented the Nashville Blues & Roots Alliance in Memphis, TN in the Galaxie Showcase during the 2019 International Blues Challenge. She has also played at notable stages such as the Bonita Blues Festival, City Winery Nashville, Uptown Theater, Knuckleheads Saloon & River Music Experience. Now promoting her third EP, “Wild & Free”, to be released in the summer of 2019, she’s back on the road, bringing her unique blend of rock music that will touch your soul all across the Nation.

Come enjoy an evening of live music, food and drinks at the Isis Music Hall. Reservations are highly recommended.

Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

RAIN OR SHINE A Bit of Previous is the tenth studio album by Belle and Sebastian and their first full-length in seven years. This may be surprising to anyone following the recent life pursuits of the Glasgow 7-piece: The Boaty Weekender – a 3000 capacity star-studded four-day music festival on a cruise liner sailing the Mediterranean; a trilogy of EP’s; a soundtrack for the directorial debut of The Inbetweeners’ Simon Bird; a live album showcasing the band’s present-day iteration as savvy main stage entertainers; and in 2020 a collaborative project with fans called ‘Protecting The Hive’. But in all these idiosyncratic endeavours, as intrinsic to the band’s DNA as the stage invasion at the end of each of their shows, a full-length has eluded us. A Bit Of Previous is a classic Belle and Sebastian album preoccupied with songs and melodies that won’t leave your head and lyrics that can make you smile and ponder and sometimes be melancholic. It’s an album self-produced and recorded by Belle and Sebastian (with contributions from Brian McNeill, Matt Wiggins, Kevin Burleigh and Shawn Everett) and their most hands-on since The Boy With The Arab Strap. In some respects, A Bit Of Previous is also a first. It’s the first album the band recorded in their native Glasgow in 20 years (the last being 2000’s Fold Your Hands Child, You Walk Like a Peasant). What started off as a pandemic necessity – having to ditch plans to record in California in spring of 2020 – became a refreshing change of pace. Unbeholden to restrictive and expensive studio schedules, it allowed for long walks through the streets and parks of Glasgow and spontaneous train journeys to nearby towns which embedded proceedings with a peculiar sense of place. The band upgraded their practice space to a makeshift studio, making some creative interior design choices to keep it pandemic safe. A Bit of Previous is Belle and Sebastian taking on age and getting older and emerging all the more vital for it. ‘Young And Stupid’ is a stuttering acoustic rocker that without its lilting violin might be mistaken for a T. Rex song, the lyrics and nonchalant vocals facing the passage of time with wry ennui: “Now we’re old with creaking bones / Some with partners some alone  / Some with kids and some with dogs  / Getting through the nightly slog / Everything is fine when you’re young and stupid”. ‘Come On Home’, with its fireside piano and conversational exchanges between Murdoch and Martin, evokes a handing over of the generational baton with a call to “Give a chance to the old / Set the record straight on the welfare state / Give a chance to the young / Everyone deserves a life in the sun”. While the arrangements are often playful, there is an underlying gravity. The deceptively feelgood, choir backed ‘If They’re Shooting At You’ reads like a poignant ode to defiance and survival: ‘If they’re shooting at you kid / You must be doing something right”. On Martin’s ‘Reclaim The Night’, a jaunty backbeat tells of a cross-generational everywoman trepidation that in 2022 is more pertinent than ever. A Bit of Previous is also scattered with big, occasionally delirious pop moments. ‘Unnecessary Drama’ rips through a cacophony of overdriven riffs and a droning harmonica that borders on the unhinged and is one of the band’s heaviest outings since, well, ever. The 140+ bpm ’Talk To Me Talk To Me’ is ablaze with euro synths and keyboard horns as the voices of Murdoch and Martin intertwine on a breathless chorus. ‘Working Boy in New York City’ exists in a parallel universe where the band did in fact make it to California – such is the escapist bliss of its sloping flute and bittersweet funk. On the other side of the spectrum are some of Belle and Sebastian’s most moving ballads. Tender finger-picked paean to a lover ‘Do It For Your Country’ and doo-wop-inflicted ‘Sea Of Sorrow’ showcase Murdoch’s tenor at its most bare and affecting, while Stevie Jackson contributes lovelorn country waltz ‘Deathbed of My Dreams’. So what is a A Bit of Previous? It’s a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. It’s a band tackling the insight, experience and responsibility that come with getting older with humour and irreverence and lyrical exactitude and musical bravado. It’s one of the UK’s most beloved pop portraitists asserting themselves as an infallible source of energy and fun. There’s a touch of Buddhism, too, a practice increasingly influential on Murdoch’s outlook in recent years and given a further manifestation via his popular weekly guided online meditation sessions. The album title is possibly a reference to the concept of reincarnation. As Murdoch notes in the liner notes:  “There is a firmly held belief in Buddhism that we have been reborn so many times and in so many guises that if we look around us, we are bound to see a person who has been our mother in a past life. And we are surrounded by people who have been our children. If we truly had that in our minds and in our hearts, we would drop the prejudice we had: our attitude to strangers and difficult people would alter emphatically.”

“It’s not a regular musical. It’s a Cool Musical.” (Entertainment Weekly)

Direct from Broadway, Mean Girls is the hilarious hit musical from an award-winning creative team, including book writer Tina Fey (30 Rock), composer Jeff Richmond (Unbreakable Kimmy Schmidt), lyricist Nell Benjamin (Legally Blonde), and director Casey Nicholaw (The Book of Mormon).

Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung.

New York Magazine cheers, “Mean Girls delivers with immense energy, a wicked sense of humor and joyful inside-jokery.” USA Today says, “We’ll let you in on a little secret, because we’re such good friends: GET YOUR TICKETS NOW!”

Official Website

Music is your birthright.

Your voice belongs as it is, you belong as you are.

We can’t be afraid and sing at the same time.

These are the tenants and principles that guide Samantha Rise, a non-binary songcather and performer based in Philadelphia. As a self described ‘pollinator’ performer, their songs collect and evoke their myriad influences, across labels of genres and medium.

Curiosity and vulnerability dancing between jazz and diasporic roots, folk and movement music traditions and neo-soul futurist explorations. Warm and adventurous, clear-eyed and compassionate, Rise’s writing and performance style is as much an invitation as it is a musical experience.

Relearning themselves as a black person, a queer person, a gender expansive person, as a survivor, Rise’s lyrics and songwriting are both sensual and staggering in their unblinking accounts of what it is to celebrate and explore all of those identities in this moment of pandemic, and of uprising. From unrequited love to police brutality, the #MeToo movement and mass incarceration, Rise gives voice to the struggles where words fail, and invites us to wade through the grief and troubled water toward the world we know is possible.

Rise’s debut release, Brighter Days, landed in four installments over the solstice and equinox in 2019. Their music is available on Apple Music, Spotify, BandCamp and Soundcloud.

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TICKET DISCLAIMER: This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.

Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.

“It’s not a regular musical. It’s a Cool Musical.” (Entertainment Weekly)

Direct from Broadway, Mean Girls is the hilarious hit musical from an award-winning creative team, including book writer Tina Fey (30 Rock), composer Jeff Richmond (Unbreakable Kimmy Schmidt), lyricist Nell Benjamin (Legally Blonde), and director Casey Nicholaw (The Book of Mormon).

Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung.

New York Magazine cheers, “Mean Girls delivers with immense energy, a wicked sense of humor and joyful inside-jokery.” USA Today says, “We’ll let you in on a little secret, because we’re such good friends: GET YOUR TICKETS NOW!”

Official Website

The band play a special set featuring incredible cuts from Bob Marley’s formidable back catalogue along with a string of their greatest, classic hits. The Wailers are giving you a chance to be part of the legacy. Aston Barrett Jr, himself reggae royalty as son of the irrepressible ‘Familyman’, carries the flame for The Wailers in a show that is simply not to be missed.

In late 2020, The Wailers released their first single off the album, “One World, One Prayer”, a powerful piece focused on unity, love and inclusion beyond cultural differences. Produced and written by Emilio Estefan, “One World, One Prayer“, mixes Jamaican reggae with the sounds of the urban Latin genre. The track features international titan Farruko, Jamaican superstar Shaggy, and continues the legacy of Bob Marley alongside the great man’s daughter, Cedella Marley, and her son Skip Marley.

One World, the album that marks the Wailers’ return to the recording studios and the band’s first album for 25 years, was nominated for a 2021 Grammy® Award in the Best Reggae Album category.

The essence of 70s rebellion, the true spirit of reggae performed by the people who helped forge the era-defining sound and by those raised under their tutelage. Living Legends, Reggae Royalty carrying the flame – now you can be a part of the legacy. When The Wailers come calling, you listen.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

The Rhythmic Arts Project (TRAP) will be meeting at the Enka-Candler Library on April 14 and May 26 at 4 p.m. TRAP curriculum engages children and teens with intellectual and developmental disabilities, along with typical children and teens. TRAP embraces rhythm as a method to learn basic life skills, as well as teaching reading, writing and arithmetic.

TRAP classes enhance the mind, body, and spirit through playing drums and percussion instruments. Parents, caregivers and children of all ages and abilities are welcome.

If you have your own percussion instruments, feel free to bring them! This class is free, but registration is required. To register, please email [email protected] or call 828-250-4758.