Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
PAN HARMONIA’s 24th season continues at First Presbyterian Asheville with GeneratioNext artist Maria Parrini, solo piano
This program will delight with dance forms by Ravel, Schumann, Bartok ranging from intimate and extravagant to luminous, raucous and explosive! PLUS a premiere of a brand-new work Maria commissioned, Isaiah Saranow’s 2023 “forgotten music,” exploring how these forms metamorphose through time and memory.
The last time GenX Maria graced PAN HARMONIA’s stage was in 2018. She has since earned a Bachelor’s from Cleveland Institute of Music, cruised around the world playing chamber music and just recently completed her Masters in piano performance.
Sunday, January 28, 3 pm · First Presbyterian Church of Asheville
We are committed to ensuring that programs remain accessible to all members of the community. In the spirit of inclusivity and equity, PAN HARMONIA offers donation-based, pay-as-you-can community concerts. All are welcome.
Reservation portal closes at noon the day of event.
Email [email protected] or call the office at (828) 254-7123, if you have questions.
Panharmonia.org
Jack’s long-running Traditional Irish Music Session is the perfect way to enjoy the Celtic-influenced sounds of talented pluckers from all over WNC & further afield! Stop in to enjoy a pint or afternoon Irish coffee with the music! Sláinte!
– SEATED SHOW
Headwaters are the source of a river. The furthest point from where water merges with something else. They are not mighty. Just a network of small tributaries, like a creek, not necessarily picturesque, but they’re the most important part of the river. Water is fluid and inconsistent and sacred and indifferent. You can be miles down a river, but you’re still at the origin. And in that way, water feels like it has transcended time. That’s how these songs found me—the way memories find you, in that slivering, elusive water. As quickly as you come across them, you bend in another direction.
Headwaters is the sophomore album from Virginian indie folk singer Alexa Rose. A series of minutely-observed vignettes that feel intimate and expansive at the same time. It captures the sweetness of life without avoiding any of the pain, with songs about time and its constraints, peppered with precise details pulled from Rose’s own life that make universal themes seem personal, inviting the listener to make each song their own.
A series of rivers, Headwaters is centered on the fluidity of time. After a year where time has seemed to ebb and flow inconsistently and all routine has been dismantled, I found myself writing in the medium of water, says Rose. When I was sitting alone in my room in the southern summer heat, windows open, humidity fuming, a song called Human poured out of me. It was August, and all summer there had been such a tremendous sense of humanity, revolution, justice coming up against division, misinformation, fear. Like most regular, feeling people, I had such a strange mixture of emotions: grief, excitement; solidarity with the ways people across the world were showing up to love and support one another. I wanted so badly to run outside and be a part of it all, right then and there in that moment. But I was stuck at home. And in that strange swelling of simultaneous loss and the richness of witnessing so much kindness, I remember laying on the bed with the guitar, staring at the ceiling, and just singing “I wanna go downtown and look some stranger in the face.” I would be happy to see anyone. I just really want to hug someone. To jump into some icy swimming hole. To feel the surge of aliveness. And I felt so imperfect and raw, but I knew so did everyone else.
I feel like this record is the first time I’ve ever let my whole self into the room, says Rose. The parts of me that are angry and wanting to stand up and the parts that want to be quiet. The parts that remember being a kid. Letting myself release all of that in the studio and having all these people back me up and make it work was a tremendous gift.
When I turned 27 and felt the weight of a decade in a conversation, I envisioned my present and past self in the form of a frenetic, uneasy current slapping up against a steady boat. I imagined my great grandparents in their garden in the golden embers of some evening and the timeless sensation of change, the colorful sunsets I’ve seen through their own eyes, decades later.
And in the same way I found the songs, waves breaking against my own roughness, only visitors, I’m passing them on to you now. May all of your rivers come back headwaters.
“Sing your heart out every Sunday with Lyric Jones at our laidback basement bar. Whether you’re a classic crooner or want to relive your glam metal glory days, find your moment to shine between 8pm and 11pm. Remember: what happens at karaoke night, stays at karaoke night.
People in the biz get half off select appetizers and burgers all night!”
Completing their seventh studio album was a hard-won victory for The Milk Carton Kids, but I Only See the Moon was worth the effort for Kenneth Pattengale and Joey Ryan. “It feels like returning to something that’s natural and comfortable, and also just as inspiring and new as when we first met,” says Pattengale, who formed The Milk Carton Kids with Ryan in 2011.
What started as a three-week recording session in the fall of 2021, with Pattengale producing the contemporary folk duo himself for the first time, stretched into a months- long project that found the pair digging deeper into their craft than ever before. With a new studio of their own in Los Angeles and the realization that they were in no hurry, The Milk Carton Kids took the time they needed to be fully satisfied with I Only See the Moon.
“I haven’t been as happy with the collection of songs that we’ve put on record probably since our first record, and it’s because of a lot of the lessons we’ve learned over the years, including giving yourself time and space,” Ryan says.
The three-time Grammy nominees sound refreshed on 10 new songs distilled to the essence of The Milk Carton Kids: two voices blended together in spellbinding harmony, accompanied by subtly perfect acoustic instrumentation. Turns out that’s a tough sound to get just right, but I Only See the Moon shows just how much Pattengale and Ryan were willing to work for it.
Your last album, The Only Ones, came out in 2019. Things have changed since then.
Pattengale: It’s totally a different world. For me, a number of life changes lined up where I moved back to Southern California, I got married, I sort of planted roots a little more deeply. I’m 20 minutes from Joey’s door now, rather than the last decade, where I’ve lived 3,000 miles away and 1,600 miles away. And we found a studio space in North Hollywood that is available 24 hours a day, so we have a new opportunity to collaborate in the way that we hadn’t in a decade.
Ryan: We were starting to fall in love with our jobs again, right before the pandemic hit. And I’ll cop to the implication that maybe we had fallen out of love with it for a while, for a lot of reasons. Personally, I had lost touch with any sense of deeper purpose as to why we were doing it, but I came out of it with a renewed sense of why we got into this in the first place.
Why did you get into it in the first place?
Ryan: I consistently have the most meaningful and transcendent experiences of my life while listening to music, especially live music at a concert. I got back in touch with the idea that people aren’t coming to our shows because they’re impressed, or because Kenneth plays the guitar fast (though he does), or because we do this vocal harmony thing. They’re coming for a much deeper reason, and it’s that they really need — we all really need — the experience of being together and hearing music together.
Kenneth, you’ve produced other artists, including Joe Pug and Joy Williams. What was different about producing your own band?
Pattengale: Functionally speaking, the only important thing that you can do as a producer is to keep somebody from following their own artistic drive into a dead end. If you have enough audacity to think that you’ve identified what is potent about someone’s artistic endeavor in the moment, you want to track that down the street and make sure it doesn’t crash.
Making I Only See the Moon was supposed to take three weeks. What happened?
Ryan: We needed more time. Three weeks is three times more than any recording session we’ve ever had. We’ve never spent more than a week, or maybe nine days on All the Things That I Did and All the Things That I Didn’t Do, our album that had 15 people on it. But we spent three weeks and that felt luxurious and we got to the end of it and we realized we only had three songs that we liked, even though we had recorded 12. Kenneth said, “We don’t have it. It’s not a good record.” I wouldn’t have had the balls to say that. I was probably in a little bit of denial about whether the songs were good enough.
Pattengale: As the producer, putting my foot down after those three weeks was easy. The harder part was going back on the other side of the line to just keep writing and writing. We clocked another six or seven months making this album, which also coincided with a number of significant life events that tried to derail me, including a bad bout of COVID and a terrible car accident. But despite all of that, it ended up being exactly the timeframe we needed to shake off some kind of collective writer’s block and find a renewed collaborative purpose in what we were trying to say, or where we were trying to land artistically.
How did you hold on to that spark of creativity when you were not as in love with your jobs as you are now?
Ryan: Lots of different things. Monterey, we made while we were on tour. Then we made the album with 15 other people when we decided we wanted to make a full-band album. It’s like a successful marriage in that there’s always been enough there between us collaboratively in the way that we work together, sing together, play together. It’s a very special thing. And I don’t think we ever took that for granted.
Pattengale: The problem we were solving for was different all of those years. But we’re back on a track that is really exciting and expansive. It feels like there’s a new exciting world around every turn. Both of us have now lived enough life to understand that maybe one of the purposes we were put on Earth for is to sing together, to write songs together, to make music together. It has truly provided a direction for our lives.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Lucinda Williams’ music has gotten her through her darkest days. It’s been that way since growing up amid family chaos in the Deep South, as she recounts in her candid new memoir, Don’t Tell Anybody the Secrets I Told You. Over the past two years, it’s been the force driving her recovery from a debilitating stroke she suffered on November 17, 2020, at age 67. Her masterful, multi-Grammy-winning songwriting has never deserted her. To wit, her stunning, sixteenth studio album, Stories from a Rock n Roll Heart, brims over with some of the best work of her career. And though Williams can no longer play her beloved guitar – a constant companion since age 12 – her distinctive vocals sound better than ever.
Through all the hardships Williams faced in 2020 – a destructive tornado damaging her new home in Nashville, being sidelined by the pandemic, and then the catastrophic stroke – her music kept her going and continues to bring her more laurels. The past year has seen Williams honored by BMI for her songwriting, her induction into the Austin City Limits Hall of Fame, and a Grammy Week tribute at the Troubadour, with her songs performed by a diversity of Americana artists. She duetted with Willie Nelson on Billy Joe Shaver’s “Live Forever,” which won a Grammy in February for Best Country Performance. On her birthday in January she performed at a sold-out show in Belfast, Ireland. “I was so glad I was there when I turned 70,” she relates. “The audience sang ‘Happy Birthday,’ Travis brought a birthday cake out onstage, and we took it on the bus and all had a piece of cake. Afterwards, I was so inspired I started writing a song about Northern Ireland.”
As she promises on the powerful last track of Stories from a Rock n Roll Heart–one of the best albums of her career–Lucinda Williams is “never gonna fade away.”
Adult Classes
Wednesdays
2:45-3:45 pm & 6:15-7:15 pm
Afternoon adult classes are for fiddle, beginning guitar, and beginning mandolin. Evening adult classes are for bluegrass jam, and beginning clawhammer banjo.
“If you don’t let things develop, it’s like keeping something in a bag and not letting it out to fly”
— Earl Scruggs
It’s never too late to learn to play and/or enjoy being part of the synergy that is created by adult PacJAMMERs!
Adult classes are $15/session, for a total of $210 for the 14-week session.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Sing with our Choir at a progressive church
Come join us! Contact Mark Acker for more information ([email protected]).
Rehearsals on Wednesday’s, 3:30-4:45
Beginning & Intermediate youth music classes on traditional and ol’ time instruments including but not limited to, fiddle, mandolin, banjo and guitar. Students will attend 40 minutes of music enrichment, including multiple flat-footing sessions led by Alice Kexel, story-telling, visits from guest musicians, as well as learn about the heritage of the music and the region. They will have 40 minutes of group music classes, and 40 minutes of singing or JAM rehearsal.
Advanced students will have 40 minutes of group instrument lessons, followed by 30 minutes of advanced singing including harmony and shape-note singing, and finish with 50 minutes of coached, small-ensemble rehearsal.
Classes are $15/session, for a total of $210 for the first student, and a 20% discount of $168 for each additional sibling. Parents may choose to split payments when registering. Inquire with Julie Moore at [email protected] or 864-420-6407 about scholarships.
Youth Classes
Wednesdays, 4-6 pm
Grab some dinner and a pint while enjoying our long-running Old-Time jam! Featuring many talented musicians from the local WNC area, our traditional Appalachian mountain music jam runs from 5-9pm every Wednesday night at Jack of the Wood!
Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.
Could you use some inspiring good music for the soul right now?
As a special gift for LEAF Members, White Horse Black Mountain would like to invite you as a guest for an evening of music on Thursday, February 1, with powerful songstress and LEAF Teaching Artist Whitney Monge. Dinner is by La Guinguette (you know Ceclia’s crepes from LEAF Festival — this is her Black Mountain Restaurant).
The first 30 LEAF Members to email the White Horse Black Mountain Team at [email protected], with their name and the number in their party, will be confirmed.
Presale Tickets on sale:
Thursday, Feb. 1 from 10AM-10PM
Presale Code: PANTHER
– California’s greatest export Steel Panther is announcing additional dates to their On The Prowl
Tour 2024. The band will bring the Steel Panther party train to The Hall at Spartanburg Memorial Auditorium in
Spartanburg, SC on Saturday, May 11. Tickets for the show will go on sale this Friday, February 2
nd at 10AM local
time. Additional Information on all ticket and VIP packages including meet and greets, exclusive merch items, early
entry and more for all tour dates can be found here: https://steelpantherrocks.com/pages/tour.
Steel Panther released their sixth studio album On The Prowl worldwide on February 24, 2023. On The Prowl was
produced by Steel Panther and brought the band their most-recent #1 Billboard comedy album. The album is
currently available for order in multiple configurations including CD, Cassette, and 2 different color variant vinyl
records here: https://lnk.to/Panther_OTP. From the opening synth intro of “Never Too Late (To Get Some Pu**y
Tonight)” to the thunderous outro of “Sleeping On The Rollaway,” Steel Panther is back with the infectious riffs,
pounding drums, unforgettable vocals alongside the witty humor that has earned them a global audience. Songs
like “On Your Instagram,” “Magical Vagina” and “One Pump Chump” are sure to fit in on the biggest live stages next
to the band’s most-memorable songs. The band has released the music videos from On The Prowl to date: the
opener “Never Too Late (To Get Some Pu**y Tonight),” the chart-topping German radio hit “1987,” the Shark Tank
inspired “Friends With Benefits and most-recently their ode to social media with “On Your Instagram.”
The track listing for On The Prowl is:
1) Never Too Late (To Get Some Pu**y Tonight)
2) Friends With Benefits
3) On Your Instagram
4) Put My Money Where Your Mouth Is
5) 1987
6) Teleporter
7) Is My D**k Enough (feat. Dweezil Zappa)
8) Magical Vagina
9) All That And More
10) One Pump Chump
11) Pornstar
12) Ain’t Dead Yet
13) Sleeping On The Rollaway
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
BLUEGRASS JAM
Hosted by Drew Matulich
Don’t miss your chance to check out some of the best pickers from all over WNC at our amazing Bluegrass Jam curated by the talented Drew Matulich — every Thursday starting at 7:00 pm! A real show-stopping performance only at Jack of the Wood! Open jam starts at 9:30 pm.
Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.
Originally scheduled for November 19th 2023 at 7:30 p.m., this concert will now occur on February 1st, 2024 at 7:30 p.m.
Husband and wife duo, Woody Platt and Shannon Whitworth of Brevard, North Carolina, each have a unique history of musical accomplishments. A silver lining of the global pandemic has been more time at home, which has allowed them to play, write, record and perform together. They have curated a set of music comprised mostly of Whitworth’s original songs.
Shannon Whitworth’s swoon-inducing musical style found its first showcase in her Asheville-produced solo debut, 2007’s No Expectations. Followed by 2009’s critically-acclaimed Water Bound, an album that drew comparisons to Emmylou Harris’ Wrecking Ball. Whitworth is a songwriter, vocalist, and multi-instrumentalist. She has garnered praise in outlets ranging from People magazine to Garden & Gun. Her honest reinterpretation of ‘Americana,’ a la Mark Knopfler meets Norah Jones and the ghost of Julie London, has garnered Whitworth prime appearances from Philadelphia Folk Festival to Yosemite’s Strawberry Music Festival to Nashville’s own Ryman Auditorium. Shannon is also an acclaimed artist and spends much of her time in her art studio these days. She was quoted in Walter Magazine saying, “My art is how I see the world,” says artist and singer-songwriter Shannon Whitworth. “And my music is how I hear it.”
Woody Platt, a Brevard native, was a founding member of the Grammy award winning band Steep Canyon Rangers. The band started as a group of friends getting together to play music that they love while studying at the University of North Carolina at Chapel Hill, and blossomed into the highly successful and world-renowned musicians that they are today. The band toured the world on their own, and alongside the well-known actor/comedian/musician Steve Martin. During Woody’s tenure with Steep Canyon Rangers, the band won multiple awards from the International Bluegrass Music Association (IBMA), a Grammy award with 3 total Grammy Nominations and were inducted into the North Carolina Music Hall of Fame. Since retiring from the Steep Canyon Rangers in the summer of 2022 – Woody has been working on solo recording projects including a debut single “One Last Goodbye” which features an all-star Bluegrass lineup and was written by Chris Stapleton. “One Last Goodbye” spent several months in the number one position on the Bluegrass charts.
Join the Steep Canyon Rangers for their annual Bluegrass event Winter Camp at the Oskar Blues Brewery.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Plan to collaborate with other musicians at Sideways Farm & Brewery in Etowah. Bring your instruments and voices and enjoy making music and networking with other artists, while enjoying the beautiful scenery. Food truck is on site and beverages available for purchase from Sideways (small
batch craft beers, hard jun, ciders, wine, and non alcoholic drinks). Family, fans, friends, and leashed dogs are all welcome!
During winter months enjoy playing under the covered, sheltered, heated porch! And during the summer months enjoy
collaborating in the fields, on the stage, or under the patio
Impending Joy
The absolutely unfettered energy of Asheville’s psych/garage band Impending Joy begs to be heard live. The driving surf punk-esque sound has to be enjoyed communally. It has the unifying spirit that solidifies what it means to be young or young at heart. It gleefully slams the point home, it rocks no matter what sub-genre you want to call it, somewhere between Surf Curse and OSEES is close enough. Impending Joy’s debut, self titled album is a journey through time carrying a twinge of nostalgic familiarity. The album is a collection of tracks that invites the listener to break free from the mundane and immerse oneself in more. Where truth is not just music; it’s a gateway to joy.
Tongues of Fire
Most bands fit cleanly within a genre but Tongues of Fire don’t. At their heart they are a punk band, their shows are unhinged, the music is straightforward and hard hitting, there is no trace of excessiveness but they are accessible and there is a well crafted feel to what they do.
Rob Robinson
Rob Robinson creates vocal driven electronica, house, and vaporwave sounds inspired by 90s educational aesthetics on his upcoming debut record, “The Worldhouse Collection,” which is imbued with the “rompler” sample-synth sounds of the Roland D-50 and Korg M1 synthesizers.
For nearly a decade, Oregon-bred indie-pop trio Joseph have performed a certain emotional alchemy with their music, channeling their deepest inner tensions into songs that spark a life-changing shift in perspective. In the making of their third studio album The Sun, Natalie Closner and her sisters, twins Meegan Closner and Allison Closner focused their soul-searching songwriting on the quietly damaging forces that keep us from living fully in our truth (e.g., gaslighting, cultural conditioning, unconscious yet painfully limiting self-beliefs). Rooted in a newly emboldened sound that lets their breathtaking three-part harmonies shine more brightly than ever, the result is a body of work that radically expands our sense of possibility, ultimately illuminating a path toward greater peace and self-reliance even in the most chaotic of times.
The follow-up to Good Luck, Kid—a 2019 release that reached #4 on Billboard’s Heatseekers Albums chart—The Sun builds from its predecessor’s cinematic pop and imbues a thrilling new energy into each elegantly sculpted track. In bringing the album to life, Joseph worked with acclaimed producers like Tucker Martine (My Morning Jacket, First Aid Kit, Laura Veirs), Christian “Leggy” Langdon (Meg Myers, Amos Lee, BANKS), Jessica Dobson (Deep Sea Diver), and Joey Burns (Calexico), alongside songwriting collaborators including, Tayla Parx and Wynne Bennett, known for their work with artists such as Janelle Monae, Twin Shadow, Haim, Khalid, Normani and Ariana Grande. Collectively shaping an irresistibly vibrant sound encompassing everything from the moody grandeur of the album-opening “Waves Crash” to the pure anthemic glory of tracks like “Kicking Up The Light.” With the band taking a decidedly more hands-on role in the production process, The Sun continually achieves the exquisite feat of spinning incredibly complex concepts into sing-along-ready pop songs, providing a captivating backdrop for Joseph’s fearlessly personal storytelling.
One of the first songs recorded for The Sun, the album’s shimmering title track served as something of a sonic breakthrough for Joseph. “We’d already played that song live so many times and sung it in a particular way that was more dramatic and had a kind of gravitas to it, but Leggy took it in a more buoyant and summery direction,” Natalie explains. Inspired by Meegan’s experience in working through the lessons of a past relationship, “The Sun” now centers on a lush arrangement of galvanizing rhythms, radiant piano tones, and gorgeously euphoric harmonies—all of which lend a profoundly triumphant spirit to the song’s statement of self-celebration (“I thought I was the light switch you turned on/But I was the Sun”). As Natalie acknowledges, that shift toward a more joyful and resplendent presentation perfectly mirrors The Sun’s underlying narrative. “The whole album is a sort of thinking through of the story that you tell about yourself, to yourself,” she says. “It’s about looking at whatever is diminishing you or making you believe in these limitations you’ve put on yourself, and then finally asking, ‘What if I’m more than that?’”
“All of our therapists were a huge influence on this album,” Meegan noted. The Sun endlessly reveals Joseph’s commitment to the clear-eyed self-reflection that’s guided the band since their earliest days. Raised in a musical household (their father was a jazz singer and drummer, their mother was a theater teacher), the three sisters officially formed Joseph in 2014 and got their start playing house shows, quickly landing a deal with ATO Records. After making their widely lauded debut with 2015’s I’m Alone, No You’re Not, which featured their hit song, “White Flag,” the band went on to attract the attention of artists such as Billie Eilish, and tour with the likes of James Bay, Amos Lee and most recently The Shins, in addition to taking the stage at major festivals like Coachella, Bonnaroo, Austin City Limits, Glastonbury, and more. While Good Luck, Kid marked a bold departure from the dreamlike folk of their first full-length, Joseph felt called to push their musical boundaries even further on The Sun—an endeavor that repeatedly required them to assume a new level of courage and agency in the creative process. “We grew a lot in learning how to say ‘no’ and speak up for ourselves,” Allison points out. “The idea of saying ‘no’ in order to allow for a better ‘yes’ later on—that was a lesson that we had to learn,” Natalie adds. “It could be uncomfortable at times, but making sure that we stayed our course was really powerful for us.”
Over the course of The Sun’s 10 soul-stirring tracks, each member of Joseph adds new texture and detail to the album’s emotional arc by sharing her own distinct viewpoint on the journey toward self-realization. On the sweetly emphatic lead single “Nervous System,” for instance, Allison opens up about learning to undo the thought patterns that contributed to her longtime struggle with anxiety. “I know it’s not everybody’s experience, but I’ve found a lot of power in understanding my own ability to self-soothe, instead of turning to other people or some kind of distraction to try to feel okay,” she says. Meanwhile, on the wistful yet wildly effervescent “Fireworks,” the band speaks to the self-doubt and frustration that sometimes accompany refusing to compromise your romantic ideals.
For Joseph, the act of fiercely protecting their artistic vision closely aligns with the abundance of insights threaded throughout The Sun. “As Closners and as women—or maybe even just as humans—it can be very hard to tell someone that something isn’t working for you,” says Allison. “But this album was a unique experience, because we learned to step up and stand our ground and speak our truth when we needed to.” And with the release of The Sun, Joseph hope that listeners might undergo a similar transformation in their sense of strength and self-assurance. “I want people to feel empowered,” say Meegan. ”I want them to recognize the power with themselves, and to know that they’re good—that they’re more than they think they are.”
Hailing from all corners of the country, Kind Hearted Strangers began in the foothills of Colorado-where an impromptu open mic performance by songwriter Marc Townes quickly evolved into something much bigger. With genre bending improvisations from lead guitarist Kevin Hinder and bassist/vocalist Ace Engfer, KHS has become a dynamic full band capable of bridging the gap between allout rock n’ roll and their harmony-driven acoustic roots. The addition of drummer Eggy Gorman has seen the band grow into a road-driven force, hungry for live music, delivering high energy rock shows across the country. The debut record “East//West”(2021) explores both the sonic & stylistic origins of the band while giving listeners a taste of the group’s diverse influences. Out April 7th, 2023 the band’s 2nd LP entitled “Now.here” features a collaboration with visual artist/painter Dylan Lynch. This immersive project found the band working in a shared Richmond,VA warehouse space for 5 days. With no prepared material, the artists intentionally put pressure on themselves to create and deliver a Live Concert & Art Exhibition at the end of the week. The resulting album contains brand new material that was recorded live with the same raw energy and passion KHS has been delivering across the country during their busiest year of touring to date.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers. February 3 – 24, 2024 Opening Public Reception & Awards Saturday, February 3, 2024 at 10:30 AM Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers. Entry forms, Rules available soon.
Join us Saturday January 27th for our Second annual WINTERFEST festival! An all day extravaganza hosted by the Warriors Of Ash and Fae Nectar, this exciting Axe & Sword Fighting Event will be accompanied by a roaring bonfire, working blacksmiths, live music, axe throwing, pony rides, and a village of Artisans from lands near and far.
Liven up the quiet winter months by watching some authentic medieval combat with the Warriors of Ash in our tournament arena. Or try your hand at axe throwing while you enjoy the mystical battle music of Chris Welsh and his Sun and Moon Dance band. And don’t forget to browse our Artisan Village which features live blacksmithing demos, handmade jewelry, leathercraft, fantasy garb, and more!
Artisan Market – 11am to 5pm
Sword Fighting & Viking Battle Music – 12pm, 2pm, and 4pm
Our festive mead hall will be serving delicious mead and cider aplenty, beer, hot cocoa, and delicious food options including turkey legs and Irish stew!