Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Described as “the pulse of the gods” by Hanover, Germany’s Neue Presse, YAMATO The Drummers of Japan erupt with a thunderous energy in their newest program, Jhonetsu, meaning “passion.” An Asheville fan favorite from seasons past, Yamato’s drummers modernize a centuries-old Taiko tradition to create a thrilling, high-energy ride full of heart-thumping rhythms and explosive beats. Yamato is internationally recognized for its exhilarating performances — described as “pure energy meets spiritual high,” by Edinburgh’s The Scotsman. Strength, spirit and sheer endurance shine through in Yamato’s drummers, whose passion for performance is both joyous and entertaining. This season, the drummers return with dozens of impressive instruments, including a massive, 1,100-pound Odaiko drum.
The Bob Moog Foundation is thrilled to announce its 2020 Minimoog Raffle, featuring a vintage, iconic Minimoog Model D synthesizer, signed by legendary keyboardist Herbie Hancock. The synthesizer is valued at $5,000. Hancock signed the back of the Minimoog, serial number 1549, and drew a musical staff and added the inscription “(Hey Bob!)” on either side. The raffle begins on Monday, February 10, 2020, and ends on Tuesday March 10, 2020 or when all tickets have sold. Tickets are $25 each, five for $100, 12 for $200, or 35 for $500. Only 4,500 tickets will be available. All proceeds from the raffle support the Foundation’s educational project, Dr. Bob’s SoundSchool, and its newly opened Moogseum, located in Asheville, NC. Tickets can be purchased at http://bit.ly/HHMinimoogRaffle.
Herbie Hancock joins a long list of renowned musicians supporting the Foundation’s efforts. Recent raffles have featured vintage synthesizers signed by Stevie Wonder, Dr. Fink of Prince and the Revolution, Jan Hammer, and Rick Wakeman. Hancock, whose illustrious career spans five decades and 14 Grammy awards, helped pioneer the use of synthesizers in jazz, and has been at the forefront of using technology to make music. He is known for his ever-probing jazz sensibilities, his willingness to explore music across all genres, and is considered to be among the most elite and influential players of his time.
Hancock, who turns 80 this year, continues to make new music and tour worldwide. For more information about Herbie Hancock, visit https://www.herbiehancock.com/
Visit BREVARDMUSIC.ORG for details.
- INAUGURAL SEASON IN THE NEW PARKER CONCERT HALL: Be among the first to experience the exquisite beauty, intimate setting, and superb acoustics in our new $6 million, 400-seat Parker Concert
Hall – the future home of BMC’s chamber and piano programming and our first-ever year-round performance venue. - BEETHOVEN@250 FESTIVAL: BMC joins the world-wide celebration of the composer’s milestone birthday with symphony, chamber, piano and even opera as we present our spectacular Season Finale: Fidelio in Concert with hundreds of artists on the Whittington-Pfohl Auditorium stage. #BeethovenLives
- WORLD-CLASS ARTISTS: Be inspired by Keith Lockhart, Garrick Ohlsson, Ray Chen, Johannes Moser, The Shanghai Quartet, Gil Shaham, Bryan Sutton, Judy Collins, Béla Fleck, Jane Monheit, and others!
- OPERA, MOVIE NIGHT, POPS & MORE: Enjoy fully-staged opera productions of Carmen, Abduction from the Seraglio, and Man of La Mancha, plus Disney in Concert: The Lion King (Live Action), Patriotic Pops, and symphony masterpieces like Tchaikovsky’s Suite from Sleeping Beauty and Mahler No. 7.
Buy early for the best seats at the best prices to these Brevard Music Center summer festival highlights…and many more! BECOME A DONOR at the $75 and above level for priority access to prime seats beginning February 3 and before season ticket renewals and purchases begin on February 25.
Described as “the pulse of the gods” by Hanover, Germany’s Neue Presse, YAMATO The Drummers of Japan erupt with a thunderous energy in their newest program, Jhonetsu, meaning “passion.” An Asheville fan favorite from seasons past, Yamato’s drummers modernize a centuries-old Taiko tradition to create a thrilling, high-energy ride full of heart-thumping rhythms and explosive beats. Yamato is internationally recognized for its exhilarating performances — described as “pure energy meets spiritual high,” by Edinburgh’s The Scotsman. Strength, spirit and sheer endurance shine through in Yamato’s drummers, whose passion for performance is both joyous and entertaining. This season, the drummers return with dozens of impressive instruments, including a massive, 1,100-pound Odaiko drum.
Blue Ridge Concert Series
The Bob Moog Foundation is thrilled to announce its 2020 Minimoog Raffle, featuring a vintage, iconic Minimoog Model D synthesizer, signed by legendary keyboardist Herbie Hancock. The synthesizer is valued at $5,000. Hancock signed the back of the Minimoog, serial number 1549, and drew a musical staff and added the inscription “(Hey Bob!)” on either side. The raffle begins on Monday, February 10, 2020, and ends on Tuesday March 10, 2020 or when all tickets have sold. Tickets are $25 each, five for $100, 12 for $200, or 35 for $500. Only 4,500 tickets will be available. All proceeds from the raffle support the Foundation’s educational project, Dr. Bob’s SoundSchool, and its newly opened Moogseum, located in Asheville, NC. Tickets can be purchased at http://bit.ly/HHMinimoogRaffle.
Herbie Hancock joins a long list of renowned musicians supporting the Foundation’s efforts. Recent raffles have featured vintage synthesizers signed by Stevie Wonder, Dr. Fink of Prince and the Revolution, Jan Hammer, and Rick Wakeman. Hancock, whose illustrious career spans five decades and 14 Grammy awards, helped pioneer the use of synthesizers in jazz, and has been at the forefront of using technology to make music. He is known for his ever-probing jazz sensibilities, his willingness to explore music across all genres, and is considered to be among the most elite and influential players of his time.
Hancock, who turns 80 this year, continues to make new music and tour worldwide. For more information about Herbie Hancock, visit https://www.herbiehancock.com/
Connection. A word that by definition means to join together to establish a link, so as to provide access and communication. Connect Beyond Festival has established that link and is using music, film, and storytelling to create connections. More than just an event, Connect Beyond Festival is a movement to develop a network of people inspired by creative mediums and united in the pursuit of equality and social justice. Our goal is to inspire a sense of community and personal engagement.
Lauded as “Asheville’s version of SXSW” (Ashvegas) this event is perfect for those who are looking for a more dynamic festival experience – one that prioritizes exploration and participation just as much as entertainment. If you’re looking to broaden your horizons, to engage with others, and want to leave a festival with more than just a hangover, Connect Beyond Festival is just the place to be.
Hello Flat Rock Playhouse Patrons, Donors, Friends, and all-around ‘Peeps!’
Please take a few minutes to take the survey and help us as we begin planning for the 2021 season and beyond. We’ve listed a pretty large range of shows because we want to know what you’re interested in seeing on the stage. Please choose your TOP 10 favorites in each category; Musicals and Plays. You will also have the opportunity to write in a title or author that may not otherwise be listed. Please only choose ten of each so we can narrow down your preferences.
As an added note, we endeavor to give you exactly what your heart most desires. That said, there are many factors that go into selecting shows. Are the rights available? Can we afford to produce it properly? Does it align with our Union obligations? These questions and many more are all part of the process and influence what productions we select. It’s important to everyone at Flat Rock Playhouse that we deliver as much of what the audience desires as we can whenever we can.
Thank you for taking a few minutes to share your preferences with us. We are hugely grateful for the insight!
Sincerely,
The Artistic Team
Flat Rock Playhouse
Whistle 100’s Future Stars & Guitars presented by Gilstrap Family Dealerships from Second Stage at SMA
Introducing: Lindsay Ell, Matt Stell, Travis Denning, and Noah Schnacky. A portion of proceeds will benefit St. Jude Research Hospital
$10 in advance / $20 Day-of-show
One morning near the end of August, Todd Snider was relaxing with a visitor on the back porch of his house just outside Nashville, drinking coffee and shooting the breeze while his dog, Cowboy Jim, took a nap nearby. After awhile, Snider said to his guest, “I’ve got an album’s worth of songs, and I think the songs are telling me to make a folk record.”
This was a surprising bit of news considering he had spent the last six years making rock albums of one kind or another. But Snider was feeling as if he had “maybe drifted too far from the shore.” He was feeling the pull to start over, to go back to what he was doing when he first began, to return to his roots as a folksinger.
If Snider needed any further evidence that was the direction he should pursue, he got it a half hour later. Back inside his home office, he checked his email and had one from his manager informing him he had just received an offer to play the 2019 Newport Folk Festival, an event he had never done.
Snider mentioned he had been listening to Woody Guthrie’s Library of Congress Recordings, then crossed the room to the turntable and put the needle down on side one of the record. “Woody Guthrie sometimes gets me reset on why you do a song, instead of how,” Snider explains of the man who has long been a touchstone for him. “When I was young, there was something about him that made me want to do it. So once or twice a year, I’ll go back to him, I’ll go back to the source.”
Guthrie famously had the words “This machine kills fascists” printed on his guitar, and on several of the songs on Snider’s new album, Cash Cabin Sessions, Vol. 3, he squarely aims his guitar at the creeping fascism he sees in America. He had been wanting to make a political record since 2016, and although only half the songs lean in that direction, there is one constant throughout the album: a man, his guitar, and the truth.
The Bob Moog Foundation is thrilled to announce its 2020 Minimoog Raffle, featuring a vintage, iconic Minimoog Model D synthesizer, signed by legendary keyboardist Herbie Hancock. The synthesizer is valued at $5,000. Hancock signed the back of the Minimoog, serial number 1549, and drew a musical staff and added the inscription “(Hey Bob!)” on either side. The raffle begins on Monday, February 10, 2020, and ends on Tuesday March 10, 2020 or when all tickets have sold. Tickets are $25 each, five for $100, 12 for $200, or 35 for $500. Only 4,500 tickets will be available. All proceeds from the raffle support the Foundation’s educational project, Dr. Bob’s SoundSchool, and its newly opened Moogseum, located in Asheville, NC. Tickets can be purchased at http://bit.ly/HHMinimoogRaffle.
Herbie Hancock joins a long list of renowned musicians supporting the Foundation’s efforts. Recent raffles have featured vintage synthesizers signed by Stevie Wonder, Dr. Fink of Prince and the Revolution, Jan Hammer, and Rick Wakeman. Hancock, whose illustrious career spans five decades and 14 Grammy awards, helped pioneer the use of synthesizers in jazz, and has been at the forefront of using technology to make music. He is known for his ever-probing jazz sensibilities, his willingness to explore music across all genres, and is considered to be among the most elite and influential players of his time.
Hancock, who turns 80 this year, continues to make new music and tour worldwide. For more information about Herbie Hancock, visit https://www.herbiehancock.com/
“Hedda Gabler” is presented by special arrangement with Dramatists Play Service, Inc., New York
Hedda returns home from her honeymoon to find herself in a loveless marriage, living in a home she hates, and having inherited a family who doesn’t understand her. Deepening her despair is the child inside her that she doesn’t want and fears may kill her. In search of a beauty just out of reach and with an increasing sense of dangerous alienation, Hedda is slowly being suffocated by the world around her. And yet she fights.
This show is for a mature audience.
TheatreUNCA will present Hedda Gabler, the 1890 drama by Henrik Ibsen, one of the founders of modernism in theater, with a new translation that director Aaron Snook calls “streamlined and accessible.” Curtain at will rise at 7:30 p.m. on Thursday-Saturday, Feb. 27-29, and there will be a 2 p.m. matinee on Sunday, March 1.
“What Ibsen did so brilliantly was create very complex human beings on the stage that could be seemingly contradictory,” says Snook. “And we’re creating some moments of transition between the acts that will be different from some other Hedda Gablers. We’re not changing the script, but using the spaces in the play itself to tell a little bit more of her story.”
The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!
The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.
The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.
The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!
“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.”
The Bob Moog Foundation is thrilled to announce its 2020 Minimoog Raffle, featuring a vintage, iconic Minimoog Model D synthesizer, signed by legendary keyboardist Herbie Hancock. The synthesizer is valued at $5,000. Hancock signed the back of the Minimoog, serial number 1549, and drew a musical staff and added the inscription “(Hey Bob!)” on either side. The raffle begins on Monday, February 10, 2020, and ends on Tuesday March 10, 2020 or when all tickets have sold. Tickets are $25 each, five for $100, 12 for $200, or 35 for $500. Only 4,500 tickets will be available. All proceeds from the raffle support the Foundation’s educational project, Dr. Bob’s SoundSchool, and its newly opened Moogseum, located in Asheville, NC. Tickets can be purchased at http://bit.ly/HHMinimoogRaffle.
Herbie Hancock joins a long list of renowned musicians supporting the Foundation’s efforts. Recent raffles have featured vintage synthesizers signed by Stevie Wonder, Dr. Fink of Prince and the Revolution, Jan Hammer, and Rick Wakeman. Hancock, whose illustrious career spans five decades and 14 Grammy awards, helped pioneer the use of synthesizers in jazz, and has been at the forefront of using technology to make music. He is known for his ever-probing jazz sensibilities, his willingness to explore music across all genres, and is considered to be among the most elite and influential players of his time.
Hancock, who turns 80 this year, continues to make new music and tour worldwide. For more information about Herbie Hancock, visit https://www.herbiehancock.com/
Hello Flat Rock Playhouse Patrons, Donors, Friends, and all-around ‘Peeps!’
Please take a few minutes to take the survey and help us as we begin planning for the 2021 season and beyond. We’ve listed a pretty large range of shows because we want to know what you’re interested in seeing on the stage. Please choose your TOP 10 favorites in each category; Musicals and Plays. You will also have the opportunity to write in a title or author that may not otherwise be listed. Please only choose ten of each so we can narrow down your preferences.
As an added note, we endeavor to give you exactly what your heart most desires. That said, there are many factors that go into selecting shows. Are the rights available? Can we afford to produce it properly? Does it align with our Union obligations? These questions and many more are all part of the process and influence what productions we select. It’s important to everyone at Flat Rock Playhouse that we deliver as much of what the audience desires as we can whenever we can.
Thank you for taking a few minutes to share your preferences with us. We are hugely grateful for the insight!
Sincerely,
The Artistic Team
Flat Rock Playhouse
The Carolina Revue at Second Stage @ SMA will showcase talents of two bands from North Carolina, and 2 bands from South Carolina.
One of the funniest musicals ever written. Sondheim’s joyous musical romp through Rome has desperate lovers, scheming neighbors and secrets behind every toga. This unforgettable, hysterical musical allows a terrify ensemble of comedic actors to shine!
TheatreUNCA will present Hedda Gabler, the 1890 drama by Henrik Ibsen, one of the founders of modernism in theater, with a new translation that director Aaron Snook calls “streamlined and accessible.” Curtain at will rise at 7:30 p.m. on Thursday-Saturday, Feb. 27-29, and there will be a 2 p.m. matinee on Sunday, March 1.
“What Ibsen did so brilliantly was create very complex human beings on the stage that could be seemingly contradictory,” says Snook. “And we’re creating some moments of transition between the acts that will be different from some other Hedda Gablers. We’re not changing the script, but using the spaces in the play itself to tell a little bit more of her story.”
The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!
The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.
The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.
The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!
“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.”
Lace Larrabee is back with another group of hilarious atlanta ladies for another weekend stand up comedy!!!
Featuring Shelby Tesio, Karen Felix, Heather Tolley-Bauer, and Karen Waygood
Sponsored by BRÖÖ Haircare
ages+
Tickets $12, VIP $18
FRIDAY 2/28
GA: https://www.eventbrite.com/e/lazoom-comedy-totally-exhausted-women-friday-tickets-87848750979
VIP: https://www.eventbrite.com/e/vip-lazoom-comedy-totally-exhausted-women-friday-vip-tickets-87849198317
SATURDAY 2/29
GA: https://www.eventbrite.com/e/lazoom-comedy-totally-exhausted-women-saturday-tickets-87849711853
VIP: https://www.eventbrite.com/e/lazoom-comedy-totally-exhausted-women-saturday-vip-tickets-87849878351
VIP tickets come with a bag of BRÖÖ Craft Beer Hair products worth $15!!!
Kevin and Christina make out in a car at the airport, flipping off the police officer that tells them to keep moving. Kevin and Christina discuss taking ecstasy as couple’s therapy. Kevin and Christina break down and then reconnect. The new love we heard about on the last of Montreal record, White is Relic/Irrealis Mood, is settling. If that was the falling-in-love record, then this is the staying-in-love record. That was the easy part; this is the interesting part, the challenging part, the next chapter of Kevin Barnes’ autobiographical album streak, UR FUN.
The public diary that started with of Montreal’s classic album Hissing Fauna, Are You The Destroyer? has continued into a growing string of increasingly personal works. On UR FUN, Barnes is more candid than ever, presenting ten concise electro-pop songs that expose the depths of his current life, his private thoughts-both optimistic and brooding-and his passionate relationship with songwriter Christina Schnieder of Locate S,1. This ramped-up vulnerability has inspired Barnes to strip his stage persona of costumes and drag, just appearing as himself on recent tours for the first time in many years.
We are SO excited to announce our 75th Mainstage season! Tickets and subscriptions will go on sale later in the spring, but we wanted you to have the first look at what’s coming up next!
We’ll also be announcing Mainstage directors and audition dates, student matinees, 35below shows, the Readers Theatre Showcase season and more a little later – so keep your eyes peeled for all the ways you can plug in at Asheville Community Theatre!
VISIT: http://ashevilletheatre.org/announcing-our-75th-mainstage-season/
The Bob Moog Foundation is thrilled to announce its 2020 Minimoog Raffle, featuring a vintage, iconic Minimoog Model D synthesizer, signed by legendary keyboardist Herbie Hancock. The synthesizer is valued at $5,000. Hancock signed the back of the Minimoog, serial number 1549, and drew a musical staff and added the inscription “(Hey Bob!)” on either side. The raffle begins on Monday, February 10, 2020, and ends on Tuesday March 10, 2020 or when all tickets have sold. Tickets are $25 each, five for $100, 12 for $200, or 35 for $500. Only 4,500 tickets will be available. All proceeds from the raffle support the Foundation’s educational project, Dr. Bob’s SoundSchool, and its newly opened Moogseum, located in Asheville, NC. Tickets can be purchased at http://bit.ly/HHMinimoogRaffle.
Herbie Hancock joins a long list of renowned musicians supporting the Foundation’s efforts. Recent raffles have featured vintage synthesizers signed by Stevie Wonder, Dr. Fink of Prince and the Revolution, Jan Hammer, and Rick Wakeman. Hancock, whose illustrious career spans five decades and 14 Grammy awards, helped pioneer the use of synthesizers in jazz, and has been at the forefront of using technology to make music. He is known for his ever-probing jazz sensibilities, his willingness to explore music across all genres, and is considered to be among the most elite and influential players of his time.
Hancock, who turns 80 this year, continues to make new music and tour worldwide. For more information about Herbie Hancock, visit https://www.herbiehancock.com/
Connection. A word that by definition means to join together to establish a link, so as to provide access and communication. Connect Beyond Festival has established that link and is using music, film, and storytelling to create connections. More than just an event, Connect Beyond Festival is a movement to develop a network of people inspired by creative mediums and united in the pursuit of equality and social justice. Our goal is to inspire a sense of community and personal engagement.
Lauded as “Asheville’s version of SXSW” (Ashvegas) this event is perfect for those who are looking for a more dynamic festival experience – one that prioritizes exploration and participation just as much as entertainment. If you’re looking to broaden your horizons, to engage with others, and want to leave a festival with more than just a hangover, Connect Beyond Festival is just the place to be.