Queer Music Exploration – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music.

Business After Hours

Join the Asheville Museum of History Thursday, October 26 at 6pm live in the Reuter Center at UNCA or via Zoom. This event airs live and will be recorded.

Arts and Crafts historian Bruce E. Johnson will share the history behind his book Biltmore Industries and Tryon Toy-Makers and Wood-Carvers: The Lives and Works of Eleanor Vance and Charlotte Yale. Fresh from the Moody Bible College, young Eleanor Vance and Charlotte Yale arrived in Biltmore Village in 1901 and soon were deeply involved with All Souls’ Church. Drawing upon her extensive training as a woodworker, Vance began teaching young men and women how to construct and carved exquisite walnut serving trays, bookends, bowls, picture frames, hearth brushes, and fireplace bellows.

Edith and George Vanderbilt provided the fledgling Arts and Crafts industry with the workshop space, encouragement, and support necessary for Vance and Yale to open and manage Biltmore Estate Industries in 1905. They soon added the weaving of wool homespun cloth to their inventory in their shop across from the railway depot.

But George Vanderbilt’s unexpected death in 1914 left his widow Edith unprepared to manage their 125,000-acre estate, 250-room house, and all of Biltmore Village. Sensing their time at Biltmore Estate Industries was about to end, in 1915 Vance and Yale moved to Tryon. Two years later, Edith Vanderbilt sold the Industries to Fred L. Seely, president of the Grove Park Inn. In 1917, he began moving the woodworkers and weavers into the five buildings he constructed in what is now Grovewood Village, adjacent to the grounds of the Grove Park Inn.

In Tryon, Vance and Yale again began teaching young men and women not only how to carve walnut bowls, frames, and bookends, but also to make colorful children’s toys. From 1915 until their retirement in 1943, the women led Tryon Toy-Makers and Wood-Carvers, creating hundreds of carved items and painted toys which have become collectors’ items today.

About the Speaker:

Bruce Johnson moved to North Carolina in 1985 and soon founded the annual National Arts and Crafts Conference and Shows at the historic 1913 Grove Park Inn. In 1910, he was recognized with the Thomas Wolfe Memorial Literary Award. For the past ten years he has been gathering research material for his new 200-page, hardback book, which features 239 vintage and color photographs, descriptions of nearly 500 of their works, and fourteen of the identification shopmarks used at Biltmore Estate Industries, Biltmore Industries, and Tryon Toy-Makers and Wood-Carvers.

Additional information is available on Facebook at Biltmore Industries & Tryon Toy-Makers and Wood-Carvers

Tickets: $5 for AMoH/OLLI members/ $10 for General Admission. We also have no-cost, community-funded tickets available. We want our events to be accessible to as many people as possible. If you are able please consider making a donation along with your ticket purchase. These donations are placed in our Community Fund, which allows us to offer tickets at no cost to those who would not be able to attend otherwise.

Viewing: Registrants will receive a confirmation email with Zoom link with which to view the program. For those attending in person, no further steps are required. This event is held in the Reuter Center at UNCA (300 Campus View Rd, Asheville).

(Images: Biltmore Industries and Tryon Toy-Makers and Wood-Carvers: The Lives and Works of Eleanor Vance and Charlotte Yale, courtesy Bruce Johnson)

For questions, email Trevor Freeman at [email protected]

Join us for an evening with folk trio Palmyra at Citizen Vinyl on Thursday, October 26.
7 p.m. show / 6 p.m. doors. $15 advance / $20 at the door. Neo-folk songwriter and performer Vandiver opens the show.

Established in the Shenandoah Valley, Palmyra explores the fusion of traditional folk string instruments, three part harmonies and foot percussion. In 2022, Palmyra made their Newport Folk Festival debut, were named the FloydFest 2022 On The Rise Winner, and performed over 200 tour dates on acclaimed stages up and down the East Coast. The trio captures the collective spirit of three Virginia natives, Teddy (he/him), Manoa (he/him), and Sasha (they/them). Palmyra’s songs are intimate and contemplative, with arrangements that allow them to create the illusion of a full, larger-than-three ensemble. The trio’s sound is a nod to Appalachia and Midwestern Americana, apparent through their stirring craftsmanship and dedication to a folk-driven, innovative experience throughout each live performance.

Vandiver is the moniker of Asheville Neo-folk songwriter and performer, Andrew Hammond. Born and raised In Hall County Georgia at the southern tip of Appalachia, Vandiver would find its musical beginnings farther north, in Brooklyn, NY. A bit of alchemy happens when a gentle folk singer is wrung through the cogs of a hundred apathetic gutter punk dive bars. Vandiver’s nylon stringed guitar and his meticulous “every word counts” approach to songwriting, support a soulful, delicate and explosive vocal show. Since the release of the What May Rot EP, and a move to the vibrant music scene of Asheville, NC. Vandiver’s music has leaned even deeper into the support of its Appalachian roots.

Adam Rothman, professor of History at Georgetown University, will be speaking on Georgetown’s history of enslavement and his current research on Thursday, October 26 at 7 p.m. at the UNC Asheville Reuter Center, Manheimer Room.

Rothman is the director of the Center for the Study of Slavery and Its Legacies and co-editor of the recent book “Facing Georgetown’s History: A Reader on Slavery, Memory, and Reconciliation” which details the university’s history of enslavement and its recent efforts to confront its past.

In “I Came As a Shadow,” John Thompson writes about Georgetown’s slaveholding legacy, especially the sale of 272 enslaved people in 1883 that was made to save the financially struggling university. Aside from tracing the descendants of the 272 individuals, Rothman’s research explores how institutions and communities confront their shameful pasts.

This event is part of the Common Word Community Read series, a set of lectures and discussions centered around a shared text with the goal of engaging a collective educational experience. The program is curated by Wiley Cash, New York Times bestselling author, alumnus of the class of 2000, and UNC Asheville’s Executive Director of Literary Arts. The selection for fall 2023 is “I Came As a Shadow” an autobiography by the late John Thompson, the head basketball coach at Georgetown University from 1972 to 1999, where he won the NCAA championship in 1984.

In celebration of the podcast Palimpsest’s fifth season launch this Halloween, join creators Jamieson Ridenhour and Hayley Heninger for an intimate live performance featuring a pre-launch sneak peek at the new season followed by haunted refreshments.

Palimpsest is a single-voiced horror audio drama about memory, identity, and the things that haunt us. Each 10-episode season is a self-contained story exploring the spaces between horror, fantasy, and psychological realism. Recently wrapping up its fourth season with over half a million downloads, Palimpsest has critics calling it “a masterclass in atmosphere” and “audio fiction’s best foray into the Gothic.”

—

“Palimpsest is audio fiction’s best foray into the Gothic.”

-Wil Williams, DiscoverPods

—

“Palimpsest is a masterclass in atmosphere. I absolutely cried.”

-Elena Fernández-Collins, AudioDramatic

—

“Palimpsest is perfect for those who like their horror with a little Shirley Jackson vibe.”

-Tor.com

Steve Simon & The Kings of Jazz are Brevard’s newest and most exciting and entertaining jazz band with a sound that combines the funkiness of George Benson, the soulfulness of Ray Charles and the smoothness of Diana Krall all wrapped together in big Count Basie style arrangements of American and Latin jazz classics. If you are looking for an amazing live jazz experience then check out the hottest jazz band in the coolest city in North Carolina performing every Thursday at The DFR Lounge from 7pm to 9pm

Written by Samuel D. Hunter

Keith, a mortgage broker and Ryan, a yogurt plant worker, are two men who, at first glance, have nothing in common. Their meeting, in Keith’s cubicle, evolves from a business discussion to a thoughtful exploration of parenthood, financial insecurity, and empathy. Both intimate and expansive, Samuel D. Hunter’s heartbreaking new play argues for hope even in the face of extreme disappointment as two men with seemingly very different lives grow to care for one another.

Content advisory: strong language

Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.

The most sought after trio in the world, the Grammy nominated Eroica Trio enraptures audiences with flawless technical virtuosity, irresistible enthusiasm and sensual elegance. The three women who make up this celebrated ensemble electrify the concert stage with their passionate performances. The New York Times writes, “There is an edge of the seat intensity to every note they produce.”

The Trio won the prestigious Naumburg Award, resulting in a highly successful Lincoln Center debut and has since toured the United States, Europe, Middle East, South America and Asia. While maintaining their demanding concert schedule, the Eroica Trio has released eight critically lauded recordings for Angel/EMI classics Records, garnering them multiple Grammy nominations. The first all female chamber ensemble to reach the top echelon of the field, the women of the Eroica Trio have shattered the age-old gender barrier, leading the vanguard and inspiring many to follow.

ARTISTS

Erika Nickrenz, piano
Sara Parkins, violin
Sara Sant’Ambrogio, cello

Auditorium seating is reserved.

Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.