It can be ruff out there for our canine companions, but we have pawsitively great news. Buncombe County’s first-ever dog park is now open at our Sports Park in Candler. While this is a soft open, the park features two fenced-in play areas; one for large dogs and one for smaller pups. “We do have plans to add other amenities and water fountains,” exclaims Recreation Services Program Coordinator Mac Stanley. “People are very excited about this new opportunity. Since it was announced, we have gotten letters of support as well as many emails questioning when will the project be completed.”

So join us in a round of apaws as we celebrate the opening of this new venue for hot dogs and cool people. “It’s an amazing place to bring your dog to run free without a leash and interact with other dogs,” says Stanley. “One of my favorite aspects of this new dog park is being able to cultivate a community. Hopefully, this dog park will be instrumental in connecting dogs as well as people within the community.” Paw-yeah, sounds great.

Location: Buncombe County Sports Park, 58 Apac Circle

Hours of operation: Monday-Sunday, 8 a.m.-6 p.m. (same as the Sports Park)

Dog park drools rules
Dogs must be:

• On a leash at all times until safely in the fenced-in dog park area
• Vaccinated, licensed, and in good health
• At least four months old to enter
• Wearing a collar with ID tags
• Under voice control of their human and not aggressive

Humans must:

• Be with dogs at all times
• Remove dogs at first sign of aggression
• Pick up poop and dispose of it in receptacles provided
• Be liable for any and all injuries caused by their dogs

Not Allowed:

• Pronged, spike or choke collars
• Aggressive dogs, aggressive humans, or dogs in heat
• Unsupervised children 12 years of age or younger

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

Asheville Area Habitat for Humanity is seeking six
AmeriCorps members for a year-long service opportunity beginning in August. Positions
are Construction Crew Leader, New Homes  (2) Construction Crew Leader, Repair (3),
and Volunteer Services Coordinator (1). Members receive a living allowance and other
benefits. Those with a passion for affordable housing, an adventurous spirit, and a
sincere desire to serve others are encouraged to apply.
At Asheville Habitat, AmeriCorps members play an important role in providing
leadership on project sites, engaging volunteers to become champions for the mission,
and creating new tools and systems to build capacity. During a year of service,
members gain insight into a non-profit organization and receive hands-on experience in
leadership, team building, public speaking, and community development. For some,
AmeriCorps is an experiential gap year before college, grad school, or a career; for
others it is a stepping stone towards a job in the non-profit sector.

Buncombe County’s newly consolidated 911 Call Center is looking to complete membership of its Communications Steering Committee (CSC) with a community member at-large. As part of the agreement of the consolidation, the CSC will meet at least quarterly to review performance and compliance data and to consider and resolve questions, issues, and disputes relating to 911 call center operations.

The CSC membership includes:

1. Buncombe County Director for 911 Communications
2. Sheriff or designee
3. Chief of Asheville Police Department or designee
4. Asheville Fire Chief or designee
5. Buncombe County Management designee
6. A representative from among other municipalities’ law enforcement agencies dispatched through the 911 Call Center
7. A representative from among other municipal and County fire departments dispatched through the 911 Call Center
8. One community member at-large.

If you would like to be considered for the community member at-large position on the CSC, please answer the below questions and follow the instructions for submitting them.

Application Questions

Name:

Contact Information (phone and/or email):

1) Briefly, explain why you want to be a part of the Communications Steering Committee.

2) How will your life experience and unique perspective help us in regard to performance and compliance data and resolving questions, issues, and disputes relating to 911 call center operations? Please note if you are bilingual.

3) What do you consider the most pressing challenge for public safety communications (911)?

4) Where do you live?

• Asheville City
• South Buncombe (such as Arden/Avery’s Creek/Royal Pines)
• North Buncombe (such as Woodfin/Weaverville/Barnardsville)
• East Buncombe (such as Swannanoa/Black Mountain/Montreat)
• West Buncombe (such as Candler/Leicester)

5) Have you lived in Buncombe County for 1 year or more? Yes or No

Submit your application questions by email or in person to Jennifer Aviles by May 31, 2022, to [email protected] or 200 College St., Third Floor, Asheville NC 28801. If you have any questions, please contact Jennifer Aviles at (828) 250-4089.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Current students, alumni, staff, faculty, and faculty emeriti of the UNC Asheville Department of Art & Art History are participating in THRIVE ! – an invitational exhibition of small works on paper.

“I wanted to express this idea that despite COVID, and despite our department’s relocation during renovation – art thrives here, it is the constant that cannot be disrupted,” says THRIVE ! curator Leisa Rundquist, professor of art history and curator of art collections at UNC Asheville.

The informal arrangement installation will be displayed in the hallway gallery next to the S. Tucker Cooke Gallery in Owen Hall through August 1.

Viewing is available during open Owen Hall hours. 9:00 AM – 5:00 PM (M – F)

Community Expectations
As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Be respectful of individual choice to wear or not wear a mask in any situation; wear a mask when and where encouraged, following guidelines and precautions outlined by the CDC.

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

April 1st through May 26th, 2022

Featured Artists: Judi Harwood (clay) Colin Richmond (clay) Cori Saraceni (mixed media) Lyn Lyndall (leather) Lauren Faulkenberry (paper)

Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)

Every year, AZA-accredited zoos and aquariums throw a ‘Party for the Planet’ to encourage people to take action to create healthy habitats for wildlife and humans to thrive together.

Endangered Species Day launches the WNC Nature Center’s ongoing partnership with ECO-CELL, an organization that recycles electronic devices to help protect crucial rainforest habitats. Starting May 20 through the end of the year, you can bring your old, broken, or bedazzled electronics to the Ticket Office at the Front Entrance of the WNC Nature Center and donate them to support conservation efforts.

Accepted items for recycling include cell phones, smartphones, iPhones, iPods, iPads, tablets, Apple/Android watches, bluetooth, tablets, GPS, MP3 players, e-readers, digital cameras, handheld gaming systems and the accessories that come with them.

Electronic devices like tablets and cell phones contain an ore called Coltan, which coats the capacitors inside gadgets to make them energy efficient. This ore is found in great quantities in the Congo, home to the critically endangered gorilla and chimpanzee. Due to Coltan mining in the Congo, the eastern lowland gorilla population has declined 90 percent. Recycling your gadgets with ECO-CELL helps save these animals by reducing the demand for Coltan and providing funds to conservation organizations.

The WNC Nature Center will be donating all proceeds to the Red Wolf Coalition to help protect one of the most endangered canines in the world, the American Red Wolf.

*Regular admission applies

Questions about this event? Email Chrissy at [email protected] for more information!

Celebrate National Preservation Month with us on social media! We’ll be highlighting preservation in practice throughout the month to celebrate all of the amazing work happening in our area. Preservation is a dynamic and wide ranging field. Everything from window restoration to community outreach falls under this umbrella and we’re happy to connect to the community and these important projects in many different ways. Support our work by becoming a member or make an additional donation today!

May is Foster Parent Appreciation Month and Buncombe County is celebrating the incredible families who have stepped up to Foster Our Future. Becoming a Foster Parent is a big decision. “Many people begin their foster journeys with an idea of what being a foster parent should be,” says Amy Huntsman, Foster Care Supervisor for Buncombe County Health and Human Services. “But parenting, regardless of biological relation, is complex and encourages parents and children alike to grow in surprising and unexpected ways.” At Buncombe County, we like to refer to fostering as a journey; and if fostering is a journey, then social workers are the tour guides- supporting you supporting kids.

Buncombe County Foster Care Social Workers serve our foster parents in three categories throughout the fostering journey: preparation, placement, and maintenance.

Explore Options and Learn More!

The first step of the foster journey for any potential parent is training. The Foster Parent Training Class, or MAPP Class, combines storytelling with practical application techniques that offer a realistic, comprehensive understanding of what being a foster parent is like. Taught by our team of social workers and current foster parents, you can expect this course to be engaging and set you up for success on the licensure exam.

This course is taught over six weeks. Classes meet once a week for 3 hours per class. Completion of this course does not result in automatic licensure. Potential foster parents will have to seek licensure through the state of North Carolina. The Buncombe County social work team is here to educate and support you every step of the way and make sure that you are making the best possible decisions at every turn.

SIGN UP | CALL US: (828) 250-5868 | buncombecounty.org/foster 

Placement

Once our foster parents get licensed, the placement phase begins. Each foster parent is assigned a social worker who facilitates the placement process including; helping you complete licensure requirements, assessing the best types of children for your home and skill set, and assisting you in process of meeting a foster child and having them settle into your family.

Maintenance

Once a child has been placed in your home, that same social worker will continue working with you to ensure you and the child are supported throughout this experience. Our social workers help foster parents; learn about a child’s individual medical. Behavioral, or developmental needs, refer and assist families in gaining supports for the youth, and engage foster parents in ongoing training and advocacy to ensure both the youth and the foster family’s needs are met.

There are currently over 340 children in foster care in Buncombe County. A shortage of foster parents in Buncombe County has resulted in approximately 100 of those children being placed outside their communities, away from their homes, schools, families, friends, and anything familiar to them. We know that children who are placed in their home communities have a better foster experience and are more likely to be reunited with their biological families when compared to those who are placed far away. If you have ever thought about becoming a foster parent, now is the time. Click here to sign up for Foster Parent Training classes and help us bring the kids in care back to Buncombe County.

Contact Us:

Facebook: @fosterbuncombe
Email: [email protected]
Phone: (828) 250-5868
Website: buncombecounty.org/foster

“My work focuses on deteriorating architecture. These structures, designed to be huge forces of permanence, are continually being challenged, destroyed and forgotten. I see an inherent honesty in the face of my subject. Among all of the clutter—the shards of wood and layers of rubble—there remains a gentle resolve. As I work, I study these structures incessantly. The buildings, often on the brink of ruin, have something very energized and present trying to escape from their fragmented reality.”  –Seth Clark

This first solo show of Seth’s work at Momentum’s new space features large-scale works from his Barn, Ghost, and Aerial View Series.  The collection also includes some of the artist’s sculptural objects in wood.  Abstract works, which still reference weathered architecture, such as Lath Study and Vinyl Study, round out the exhibition.

The Western North Carolina Quilters’ Guild, entering its 40th year of proudly promoting the art of quilting in 2022, will present a juried quilt show entitled “A Garden of Quilts” for two days, May 20-21, 2022. This exciting show will not only display fantastic award deserving quilts, but also a special exhibit of Quilts of Valor, docent tours, arts and crafts vendors, raffle baskets, used book sale, and a boutique of handmade quilted items for sale to the public made by members. The drawing for the Guild’s raffle quilt, “Mist On the Blue Ridge” will be held on Saturday, May 21 at 4 p.m. The winning ticket holder does not have to be present to win. Tickets are available through guild members and at the quilt show. Drawings for the raffle baskets will be held afterward. Some of the proceeds from the show benefit educational programs along with scholarship money for local students in fiber arts. Admission is $5 with free regular and handicap parking. Wheel chairs and walkers are welcome. Bus tours welcome. Visit www.westernncquilters.org for more information and see our Facebook page, https://www.facebook.com/GardenofQuiltsShow, for updates as plans evolve.

The Asheville Mall Walking Club walks, talks, and window shops on Friday mornings from 10:30-11:30 a.m. Just meet outside Barnes & Noble Booksellers

Cook teams of 4-6 individuals are invited to bring ingredients and prepare meals onsite or bring meals that have been prepared elsewhere.  To meet our dietary standards, we ask that each meal provides a meat, vegetable and starch.

Requirements:

• Background Check
• Brief orientation prior to service
• Ability to Multi-Task
• Friendly Demeanor

Health & Safety:

• We are asking volunteers to wear/bring their own face mask if you have not been fully vaccinated
• Temperatures will be checked and a COVID-19 disclosure will be signed at the volunteer entrance

• Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

  Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.

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  ABCCM Transformation Village provides up to 100 beds of transitional housing and will provide emergency shelter beds, post Covid-19.  Transforming lives is through four developmental phases called Steps to Success including stabilization, life skills, education and reintegration.  We are honored to report that 8 out of 10 leave us with a living wage job and permanent housing.

  Transformation Village gives hope, healing, health and a home to single women, mothers with children, and female Veterans experiencing homelessness.  We provide residents a fresh start and a place to heal surrounded and supported by Christian love, trust, education and companionship.

  We are seeking energetic volunteers to prepare and serve meals for our residents for lunch and dinner. This opportunity provides you with the chance to prepare meals in our commercial kitchen alongside our trained staff while serving the women and children of Transformation Village. 

During the month of May, buy one entrée and get a free dessert at Brixx Wood Fired Pizza in Biltmore Park. Mention that you saw this offer in the Town Square Reminder email newsletter and enjoy warm, friendly service over scratch made wood fired fare either in the dining room or on the spacious patio.

Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.

American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.

In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.

Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.

Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?

Southern Rites is curated by Maya Benton and organized by the International Center of Photography.

Brighten your walls with with works from Artsville Collective’s upcoming exhibition, “In Living Color: At Home with Paint, Paper and Thread.”  Allow these abstract pieces, in varying sizes and mediums, to light up your life. Collectively, the artwork’s tonal range is of blended neutrals and ventures into spring and fall palettes. Suit your design pleasures with pure color or wabi-sabi textural designs in a range of perspectives from three uniquely talented artists: Betsy Meyer, fibers; Karen Stastny, painting, and Michelle Wise, mixed media. Also showing: the Retro pop art of Daryl Slaton, which can be activated on your phone to reveal an animated story. For a softer approach, consider the mixed media art of Louise Glickman using paint, textiles, and natural plant materials.

N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

A community-driven history harvesting initiative kicked off in 2018 and sidelined by the COVID-19 pandemic will return to its archiving efforts this summer. The Black Asheville History Project (BAHP) aims to ensure that the historical resources available in Buncombe County Special Collections (BCSC) are more representative of the region’s African American population. BCSC and Communications & Public Engagement (CAPE) are excited to host an informational luncheon at the East Asheville Library on Friday May 20, from 11:30 a.m. until 2 p.m. that will serve to relaunch BAHP.

The public is invited to connect with community elders, stakeholders, and other interested parties as BCSC gears up for local history programs throughout the summer and fall. New programs include opportunities for community members to learn about preserving and donating their materials as well as the launch of BCSC’s “Archivist in a Backpack” program which will allow library card holders to check out a backpack complete with all the supplies required to collect oral histories and other audio.

Attendees will have the opportunity to learn more about BAHP, what has happened over the past two years, share their thoughts on the process, and engage with the process of preserving and collection these important historical records.

Read more about Black Asheville History Project.

What:

When:

RSVP: Please contact Rasheeda Hall by May 15 at (828) 772-4528