Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Monday, April
3, 2023
Food Scraps Drop Off: Buncombe County Landfill
WNC Farmers Market
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
An Abundance of Riches
Tanglewood Spring Break Day Camp Ages 6-12
An Abstract Classicist: California Hard-Edge
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
LAZOOM: CITY COMEDY TOUR
April is National Organ Donation Month: Donate Life Flag Raising Ceremony
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Luzene Hill: Revelate
Natural Collector | Gifts of Fleur S. Bresler
Pulp Potential: Works in Handmade Paper
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
The Vanderbilts at Home and Abroad
Too Much Is Just Right: The Legacy of Pattern and Decoration
Spring Break Animal Encounters
Auditions for Twelfth Night
Dogwood Alliance Ambassador Meeting
LAZOOM Tours: GHOST COMEDY BUS TOUR
Living Well to Die Well: A Guide for Terminally Ill People + Their Loved Ones
Bikini Kill
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations Holidays call for hours
Buncombe County Landfill – Convenience Center
85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
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- Library open hours
The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.
House of Operation:
WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
School’s out for Spring Break, but ACT is IN! Send your kids to spend the break in the land of storytelling, magic, and adventure! Sign them up for just one day, come for all five, or anything in between.
Registration begins on Wednesday, February 15, 2023 at 10:00 am. Mark your calendars! Tuition is $50 per day.
Johal’s process is part painstaking and part intuitive. She begins by arranging cut out shapes or creating sketches of the overall composition, which is of utmost importance, balanced and full of energy. She then transfers the design onto a sanded canvas using tape, templates, or other tools to achieve a clean hard edge. Now the music begins. Using high quality acrylic paints, Johal spontaneously applies color to the canvas, letting the music guide her choices. Her understanding of Color Theory is instinctive yet effective and, along with her forms, creates a kind of dance on the surface.
Angela Johal (b.1962), US, has a Bachelor of Fine Art (BFA) Magna Cum Laude from San Jose State University in San Jose, CA. Johal has taken part in solo and group exhibitions in prestigious institutes and such as de Young Museum, San Francisco, SFMOMA Artist’s Gallery, San Francisco and in art galleries in LA, Boston, NY, Montreal, and more.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)
April is National Organ Donation Month. Mission Hospital will participate in Flags Across America, a Donate Life America initiative which honors and celebrates the hundreds of thousands of donors and recipients whose lives have been affected by organ, eye and tissue donation. Today, Mission Hospital in partnership with Donate Life, is proudly raising this flag to honor our local donors and recipients. The flag will fly throughout the month of April as a reminder of the importance of organ and tissue donation. An organ donor recipient will speak at this event.
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.
Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Do you know our staff has a wild side? Join a Park naturalist to meet some of our live Animal Ambassadors and learn about the types of wildlife in the area and their jobs. Some of our best educators have feathers, fur, shells or scales!
The Montford Park Players is committed to gender-neutral and race-conscious casting. ALL are welcome and invited to participate! Community theatre is at its best when it fully embraces and engages its FULL community, not just one portion.
BIPOC actors, we need you.
LGBTQIA+ actors, we need you.
Actors with disabilities, we need you.
Actors of all ages, we need you.
Twelfth Night will be performed Fridays through Sundays, June 23rd-July 21st at 7:30 pm. Rehearsals will begin in mid-April and continue until opening.
Actors will be given sides to read at the audition. (available here: https://www.montfordparkplayers.org/abou…/volunteers-page/)
A large cast is needed and the breakdown is as follows:
All characters are open to actors of any race, ability, gender, or age unless otherwise noted. Genders and sexualities of characters will be molded to fit the actors who best suit the role, with consideration of the other actors on stage.
All characters will be asked to sing and dance (nothing hard or complex, its pirate shanties y’all) and play instruments if they are able.
VIOLA (woman, cis or trans) is tossed ashore in a strange land and presents as a cabin boy for safety. She quickly falls in love with Captain Orsino.
CAPTAIN ORSINO is a powerful and noble pirate lord and true ruler of Illyria, despite it technically being the king’s land. He is lovesick for Captain Olivia.
CAPTAIN OLIVIA runs the local inn in the wake of losing her father and brother. She is rich, fearsome, and good with a sword.
SEBASTIAN/SEBASTIENNE (gender depending on casting) is Viola’s twin, and baffled by how many people in Illyria think they know him already.
MALVOLIO is the straitlaced and haughty first mate of Captain Olivia. He pines for her but looks down on her crew.
FESTE is a traveling bard, jester, and clown making his living in Illyria. They enjoys playing tricks on the straitlaced and haughty. They miss their banished lover.
THE BANDMATES are a few lost souls who follow Feste and accompany their antics. Must play Instruments. Don’t have to speak. Can play various small roles.
TOBY BELCH is Captain Olivia’s drunkle uncle. He plots for a marriage for Olivia and is a walking bisexual dumpster fire.
MARIA, part of Captain Olivia’s crew, has a sharp wit and a trickster spirit. She is pining for Toby.
ANDREW AGUECHEEK is a “special friend” of Toby Belch. He tries to woo Olivia at Toby’s request because he lacks the capacity for original thought.
ANTONIO was banished from Illyria due to the king’s antiquated laws on love, but following Sebastian, he returns to the land of his lost lover.
VALENTINE is a member of Captain Orsino’s crew. Also plays GUARD.
CURIO is a member of Captain Orsino’s crew. Also plays GUARD and SAILOR.
Anyone who is interested in a technical role only (stage management, lights, sound, etc.) should send an email to [email protected] and include your background, if any. We welcome all volunteers!
We need inspired, compassionate Ambassadors. You can help to spread the word and speak truth to power. You can help us grow the movement to protect Southern forests and communities from destructive industrial logging.
By signing up to be an Ambassador, you’ll receive:
- Regular updates
- Exclusive event invitations
- Opportunities to shape this important work
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Kae Mance has terminal cancer. After receiving her diagnosis, she chose to take control of her care. She also made a conscious decision to be completely open and honest with family and friends about her prognosis. She has captured important aspects of her experience in her book entitled Living Well to Die Well – A Guide for Terminally Ill People and Their Loved Ones.
Death is a phenomenon we will all experience. In her presentation, as in her book, Kae demonstrates that impending death need not be an uncomfortable topic.
Everyone, including doctors, nurses, health care professionals, hospice workers, family, friends, anyone interacting with people who are facing death (which is all of us), can benefit from learning how to be genuinely supportive and how to interact in ways that empower those with terminal diagnoses or serious illnesses to find the joy and peace to be had near the end of life.
Kae will discuss:
● The best advice for enabling choices for ourselves.
● Taking control of our own care and how to support a loved one to do the same• Staying connected and how to best do that.
● The difference between actively living and actively dying.
● To-do lists for everyone, including choosing how we want to die, things to be done before death, and ideas for passing down memories.
● How to support caregivers.
● Dealing with grief from both sides.
● What to do and what not to do regarding people with cancer and/or terminal illness.
Kae’s book is available on Amazon.com and has been listed as the #1 New Release in Hospice Care. Feel free to bring your copy of her book for Kae to sign after the presentation.
Tuesday, April
4, 2023
Asheville Community Theatre Raffle: Trip to NYC 2023
Asheville Regional Airport: art exhibit highlighting local artists
Biltmore Ave Parking Garage Closed March 25 – April 8
Biltmore Blooms
CALL FOR ARTISTS! Story Parlor’s Story/Arts Residency
Raffle: Trip to NYC 2023
Enter to win a fabulous trip for two to New York!
Raffle tickets on sale through Sunday, August 6, 2023!
Tickets are $50 and only 500 will be sold.
Travel package for Thanksgiving 2023, with check-in on Wednesday, November 22, 2023 and check-out on Sunday, November 26, 2023.
Prize includes:
- Two round-trip Business Class tickets to New York from Asheville Regional Airport
- Transfers to and from the airport to your hotel
- Accomodations for four nights in Midtown at The Lotte New York Palace, with a choice of one king bed or two double beds
- VIP Macy’s Parade Day experience, including brunch and complimentary drinks, access to indoor and outdoor VIP viewing areas, and access to the Inflation Celebration of parade balloons on Wednesday afternoon
- Orchestra seating tickets to the Radio City Rockettes Christmas Spectacular
- Tickets to a Broadway show
- Up to $500 to spend on guided tours or additional theatre tickets
- Personal consultation with Foothills Travel to customize your trip
- On-site concierge provided through MyBucketListEvents
The drawing will take place the week of August 7, 2023. Winner will be notified by phone call and email.
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
The Biltmore Avenue parking garage will temporarily close March 25 to April 8 due to construction of the adjacent Moxy Hotel. This closure is to ensure safety. The Biltmore Avenue Garage will be temporarily closed for 15 days beginning March 25, 2023, through April 8, 2023, for the second phase of the Moxy Hotel construction. The garage will temporarily close to all parking customers to ensure the community’s safety. The closure will impact a total of 412 parking spaces. The construction contractor will provide parking garage security for the duration of the garage closure.The Moxy Hotel, a 115-unit, 7-story building, is currently being constructed on the south side of the Biltmore Avenue Parking Garage. To accommodate hotel construction, renovations to the Biltmore Parking Garage are required. The garage’s construction needed to renovate was initiated in January 2023 with a two-phase approach. The first phase was completed on February 8, 2023, 22 days ahead of schedule.Parking arrangements for the City’s Monthly parking accountsAccess cards for the City’s monthly parking accounts in the Biltmore Avenue Parking Garage will be reprogrammed to allow access into the following parking areas during the 15-day closure period:
- Harrah’s Cherokee Center parking garage
- Rankin Street parking garage
- Wall Street parking garage
- Parking lot is located at 50 Asheland Avenue (adjacent to the Transit Center)
Monthly parking account holders at the Biltmore Avenue Parking Garage will also receive a 50% credit to their accounts on March 1, 2023, for the inconvenience. Monthly parking account holders have been notified via email and text message alerts.Parking arrangements for hourly parkersThe City strives for minimal disruption during this closure. Several alternate free and fee-based parking options are available through the City of Asheville in the downtown area, including monthly parking garage passes, lots and street options starting at $30 per month. You can always find more information about parking in Asheville by visiting the City of Asheville parking services page or on the Asheville App.You can always find more information about parking in Asheville by visiting the City of Asheville parking services page
Spring at Biltmore, one of the estate’s most glorious seasons, invites you to experience a spring break mountain escape with all the charm of a European retreat. Immerse yourself in thousands of colorful tulips as Biltmore Blooms transforms our gardens and grounds. Explore Italian Renaissance Alive and Ciao! From Italy. Savor our Winery’s award-winning vintages and, of course, the timeless elegance of Biltmore House.
- Daytime access to 8,000 acres of gardens and grounds, including:
- 75+ Acres of formal and informal gardens
- 20+ Miles of hiking, biking, and walking trails
- Antler Hill Village & Winery
- Complimentary Wine Tasting
- Complimentary Parking
Gardens & Grounds admission does NOT include Biltmore House entry.
Offered for BIPOC, LGTBQIA+, and individuals from other historically marginalized communities—the residency invites artists to present a three-week performance featuring the core elements of storytelling through art, collaboration, and exploration of the human condition.
Applications due April 30.
About the STORY/ARTS RESIDENCY
Story Parlor’s residencies exist to champion the creative work of locally-based artists and art groups hailing from BIPOC, LGTBQIA+, and other historically marginalized communities in the quest to amplify and bridge together the diverse fabric of voices in Asheville.
Specifically, the Story/Arts residency aims to provide a platform that showcases the transformative and healing powers of storytelling through all art mediums, while tending to the core values of Story Parlor’s mission, which include:
• Connecting audiences and artists from varying creative backgrounds and interests
• Informing, inspiring, and invigorating through the arts
• Promoting and fostering self-inquiry and mindfulness
• Cultivating creative exchange and cultural insight
• Fostering authenticity and inclusiveness
In addition to public performances and/or workshops, artists-in-residence receive dedicated rehearsal time in the space; an artist stipend; creativity coaching sessions; marketing and promotion; and more.
Applications for the 2023 summer residency are below and due no later than April 30, with preference given to applicants who cross disciplines, embrace collaboration, and present a residency proposal that embodies the core elements of storytelling through all art forms.