Another Great Comedy Show at Asheville Pizza & Brewing Co, Theater 2! 6:30p, 18+, Get Dinner, Drinks & Laughs with the areas best standup comics. Featured and Open Mic Comedy. [Performing comics get FREE entry and pizza. ]
Get Your Tickets Now!! Hosted Mario Trevizo. Featuring great regional comics!
For more info and other standup comedy shows go to sliceoflifecomedy.com or contact Michele at [email protected]

The Asheville Art Museum is thrilled to announce a captivating December Live Music Series, bringing a harmonious fusion of art and music to the galleries. This unique series showcases Western North Carolina-based musicians Jessie Meltz, Monique Pinelli, and Laura Boswell. Audience members are invited to immerse themselves in an unparalleled cultural experience as our galleries transform into an intimate setting for these exceptional live performances. “The December Live Music Series aims to create an ambiance where visual and auditory senses intertwine, providing a memorable and enriching experience for all attendees,” says Adult Programs and Community Outreach Manager Magdalena Van Thienen. Harpist Jessie Meltz will kick off the series and play a wide repertoire to provide audiences with an eclectic musical experience. Monique Pinelli will perform a diverse set of holiday and classical music on the violin. The series will conclude with an enchanting folk-classical performance on the guitar by Laura Boswell. The December Live Music Series is free for Museum Members or included in Museum admission. Tickets are available for purchase in advance but are not required. December Live Music Series Schedule: Monique Pinelli Monday, December 11 • 11am–2pm Wednesday, December 13 • 11am–2pm On violin, Monique Pinelli will play holiday and classical music in the exhibitions Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting and Intersections in American Art.

Bouncing Souls Tickets | Asheville, NC | The Orange Peel (etix.com)

7 Seconds
Catbite
Blind Adam & The Federal League

Ages 18+

Music Movie Mondays:
A Hard Day’s Night
For Immediate Release: The feature film debut from The Beatles,
A Hard Day’s Night captures the humor, exuberance and musical
genius of The group at the height of the Beatlemania
phenomenon. A special December 11 screening as part of the
Music Movie Mondays series at Grail Movie House will be
hosted by Asheville author and music journalist Bill Kopp.
In 1964, pop music wasn’t taken especially seriously (Nor, it should
be emphasized, were pop musicians). Such things were considered
ephemeral. Difficult as it might be to imagine, even The Beatles were
seen as something of a flash in the proverbial pan. Even they thought
so: asked in an interview how long they predicted it would be until
the bubble burst, one of them replied, “Five years.” But as we now know, although The Beatles broke up in 1969, their impact
upon music, pop culture and culture-in-general endures.
Canny observers must have had some sense of all this even in 1964, when The Beatles broke through globally. So it was that the
four – all of them in their twenties – were signed to a motion picture deal. No actors among them, The Beatles were nonetheless
seen as the perfect group to star in a film. And while said film could easily have been a teen-exploitation reel, The Beatles’ film
debut had the good fortune to have been written and directed by people who actually got it.
Screenwriter Alun Owen went so far as to travel with the group from gig to gig, picking up ideas from the whirlwind lives that
John, Paul, George and Ringo were living at the peak of Beatlemania. And director Richard Lester had no interest in making an
empty-headed film. Add to that the fact that the four Beatles – especially drummer Ringo Starr – seemed remarkably natural in
front of the camera. So it was that a classic was made: A Hard Day’s Night.
A Hard Day’s Night manages to be funny, clever, coherent and possessing of an almost documentary level of accuracy with
regard to what Beatlemania was like. But above all, it’s fun. A rousing critical success, the black-and-white film made on a
modest budget quickly became a major box-office hit. Nearly 60 years after its release, A Hard Day’s Night continues to delight
audiences. And this special screening of The Beatles’ first feature film also presents a chance to watch the film with fellow
Beatles fans. And a post-screening discussion led by author and music journalist Bill Kopp provides an opportunity to share
thoughts and insight on the film.
As part of the Music Movie Mondays series, Grail Moviehouse in Asheville hosts a special one-night-only showing of the film.
Presented by Asheville-based speaker, author and music journalist Bill Kopp, the evening will include a screening of the film
followed by an interactive discussion.

“Going to the movies has always been a kind of communal
experience,” says Kopp, host of Music Movie Mondays.
“Especially in this post-lockdown era, the opportunity to not only
watch a film but then to discuss it with others is something even
more special. And music-related films lend themselves
remarkably well to this shared, interactive experience.”
Music Movie Mondays is a monthly series moderated by Bill Kopp, hosted by Grail Movie House
and sponsored by AshevilleFM. Music Movie Mondays presents a special screening of A Hard
Day’s Night on Monday, Dec. 11 @ 7 pm. The program will feature a brief introduction. Then we’ll watch the film together;
afterward, we’ll engage in a moderated discussion.
The one-night-only screening of A Hard Day’s Night is the latest in the ongoing popular series of Music Movie Mondays at
Grail Moviehouse. Every month, we’ll watch and discuss new releases, classics and cult favorites.

The Most Wonderful Tour of the Year is coming to Bon Secours Wellness Arena this holiday season! Come celebrate the holidays with the world’s biggest a cappella act 🎁

Mike Guggino and Barrett Smith, members of the Grammy Award winning band Steep Canyon Rangers, have been performing traditional Italian folk music on the mandolin and guitar for nearly two decades. When Mike and Barrett are touring with the band, they host “Italian Night” performances at local restaurants, music venues, and house concerts. Over the years, these widely popular events have provided them the perfect setting to develop their own unique musical expression of these exotic, Italian folk songs

Steve Miller has been an enlivening presence on the American music scene for more than half a century – and, in the course of that era, his releases have sold tens of millions of records and been streamed several billion times. Miller’s Greatest Hits 1974-78 received the RIAA Diamond Award with sales of more than fifteen million copies. It is among the 25 best-selling albums of all time.

At the start of his career, Miller soon became a mainstay of the San Francisco music scene that upended American culture in the late ’60s. With albums like Children of the Future, Sailor and Brave New World, Miller perfected a psychedelic blues sound that drew on the deepest sources of American roots music and simultaneously articulated a compelling vision of what music – and, indeed, society – could be in the years to come.

Then, in the ’70s, Miller crafted a brand of pure pop that was smart, polished, exciting and irresistible – and that dominated radio in a way that few artists have ever managed. Hit followed hit in what seemed like an endless flow: “The Joker,” “Take the Money and Run,” “Rock’n Me,” “Fly Like an Eagle,” “Jet Airliner,” “Jungle Love,” “Swingtown” and “Abracadabra,” among them. To this day, those songs are instantly recognizable when they crop up online or on the radio – and impossible not to sing along with. Their hooks are the very definition of indelible.

Running through Miller’s distinctive catalog is a combination of virtuosity and song craft. And that’s no accident. His parents were jazz aficionados – not to mention close friends of Les Paul and Mary Ford – so, as a budding guitarist, Miller absorbed valuable lessons from that musical tradition. When the family moved to Texas, Miller deepened his education in the blues, eventually relocating to Chicago, where he played with Muddy Waters, Howlin’ Wolf, Buddy Guy and Paul Butterfield. That range of sources informs his music to this day.

In recent years, Miller has fully immersed himself in the blues and its many byways. As he has always done, he continues to find creative outlets for the full panoply of his musical passions. On his successful tours with the Steve Miller Band, he complements the commercial peaks of his extensive catalogue with lesser-known songs that expand his fans’ awareness of the range of his work. As a member of the Board of Directors at Jazz at Lincoln Center, he has curated and headlined a series of shows that explore themes like the bridge from blues to jazz in the music of guitar great T-Bone Walker; the distinctive sounds of the blues triangle of Memphis, Texas and Chicago; the resonances between the singular musical creations of Ma Rainey and Miles Davis; the deep American roots music of Appalachia; and Cannonball Adderley and the Blues. In addition, at the request of Wynton Marsalis, he is defining a blues pedagogy for Jazz at Lincoln Center. He is also a member of the visiting committee of the Department of Musical Instruments at the Metropolitan Museum of Art in New York. Indeed, five of his guitars were displayed in “Play It Loud: The Instruments of Rock and Roll,” a groundbreaking exhibition at the Met that ran for six months in 2019. Miller was inducted into the Rock and Roll Hall of Fame in 2016 and has been elected for induction into the Songwriters Hall of Fame in 2022. He has recently begun to open his vaults for the first time, releasing the acclaimed Welcome to the Vault box set in
2019 and Breaking Ground Live! August 3, 1977 in 2021.

With each listen the beauty and immediacy of Miller’s work, whether at its most playful or most serious, is palpable. As always, whether he was riding the top of the charts or traveling the endless blue highways of American music, you can hear him playing and singing with conviction and precision, passion and eloquence, making music that is at once immediately accessible, thrillingly alive in the present, respectful of the past, and more than able to stand the test of time.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

ONSITE | Wednesday, December 13, 9:30 a.m. – 1 p.m. | $75 Adult Non-Member (Arboretum member discount applies!) Pre-registration Required.

A chutney can be a cross between a jam and a relish, as popular in the southern U.S. as it is in India. Together we will create a fragrant blend of fresh and dried fruits, spices, some sugar and vinegar and jar it up to present as a seasonal gift or to store in your own pantry. Expect to work with apples, oranges, pears, figs, raisins, dates, cranberries, ginger, hibiscus petals and more to make a couple of different types of chutneys. Sample them in class with cheese and scones but learn many ways to use them through the year with different menus. Our culinary guide and guru is Nanette Davidson, author of The Folk School Cookbook and founder of the cooking program at the John C Campbell Folk School where she served as Resident Artist in Cooking for twenty years. Let’s have fun turning the Arboretum classroom into a temporary canning kitchen for this unique Maker day!

Pre-register for this small-group experience through the form linked below and staff will  be in touch to finalize registration and payment.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The Asheville Art Museum is thrilled to announce a captivating December Live Music Series, bringing a harmonious fusion of art and music to the galleries. This unique series showcases Western North Carolina-based musicians Jessie Meltz, Monique Pinelli, and Laura Boswell. Audience members are invited to immerse themselves in an unparalleled cultural experience as our galleries transform into an intimate setting for these exceptional live performances. “The December Live Music Series aims to create an ambiance where visual and auditory senses intertwine, providing a memorable and enriching experience for all attendees,” says Adult Programs and Community Outreach Manager Magdalena Van Thienen. Harpist Jessie Meltz will kick off the series and play a wide repertoire to provide audiences with an eclectic musical experience. Monique Pinelli will perform a diverse set of holiday and classical music on the violin. The series will conclude with an enchanting folk-classical performance on the guitar by Laura Boswell. The December Live Music Series is free for Museum Members or included in Museum admission. Tickets are available for purchase in advance but are not required. December Live Music Series Schedule: Monique Pinelli Monday, December 11 • 11am–2pm Wednesday, December 13 • 11am–2pm On violin, Monique Pinelli will play holiday and classical music in the exhibitions Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting and Intersections in American Art.

FREE | All ages

Utilize your baking skills to create the best holiday cookie in a friendly competition with prizes for the top three contestants. Complimentary hot chocolate and apple cider for spectators, too.

Join us at Keynote Speechcrafters and

Discover the
Joy of
Public Speaking!

It’s natural to enjoy things you do well,
and you will get good at this.

Our members are committed to meeting each week because

steady progress
requires
steady practice.

Our motto:

When you show up
You speak
Every meeting
Every week

So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.

Please Click here to let us know you are coming.

Guests are always welcome. We look forward to speaking with you!

Every Wednesday Trivia Night

Trivia Night at Hickory Tavern