Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.

Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.

Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.

Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.

Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.

Pack Youth Services introduces Take & Play, a pilot program that offers everyone the opportunity to borrow games, ukuleles, and disc golf sets from the Youth Services department at Pack Library. Take & Play items check out for three weeks, and you need to pick them up and drop them off at Pack Library. Games, ukuleles, and disc golf sets are available on a first-come, first-served basis and you check them out with your library card just like a book. Call 250-4720 for details, or drop by the library anytime we’re open.

All our library hours are listed here.

PLEASE SCHEDULE YOUR APPOINTMENT TODAY: Asheville Center – Donate Blood – The Blood Connection

Platelet Information

PLEASE SCHEDULE YOUR APPOINTMENT TODAY: Hendersonville Center – Donate Blood – The Blood Connection

General Information

Testing Site Locations in Buncombe County: Appointment required at these sites

South West Buncombe

58 Apac Dr., Asheville (Buncombe County Sports Park)
Every Thursday
9:30 a.m.- 1:30 p.m.

Help neighbors in need. As food insecurity continues to rise in Western North Carolina, Asheville Outlets will host a healthy food drive with MANNA FoodBank February 2-14, 2021. Items of need include: green tea, low-sodium canned vegetables, canned tuna and chicken, low salt nuts, no sugar added fruits, shelf stable milk, whole grain pasta, brown rice, oatmeal, canola & olive oil, peanut butter, low sodium soups, canned and dried beans, low sugar cereals, granola bars and popcorn. Collection bins will be located in the Asheville Outlets food court. To make a monetary donation visit ManaFoodBank.org. For more information, visit ShopAshevilleOutlets.com.

Thursdays, 10am – 12pm
January 7th – February 11th

This jam-packed class will get your creativity flowing to light up the chilly winter months. Together, we’ll make lots of cool projects like hanging sculptures, lanterns, treasure boxes, planters and more along with time for unique passion-projects and creative exploration. Younger kids welcome with older siblings!

Tuition: $235
$25 discount for siblings enrolled in the same class. Discount code “claycamp25” on one ticket.

Welcome to your new home, Samson and Bonita!  The two red foxes will be joining the other residents of the WNC Nature Center and are coming to us from Izzie’s Pond Sanctuary in Liberty, S.C.

Samson and Bonita have something more in common than their new home.  They are both less than a year old and were both injured as a result of being caught in leg-hold traps and each has three legs, which means they would not be able to survive in the wild but can live safely in a zoo environment.

“The Nature Center has long provided excellent care for animals that, for one reason or another, could not live in the wild,” said WNC Nature Center Director Chris Gentile. “We are so excited to be able to welcome red foxes back to our Center.”

Come say “Hi!” to Samson and Bonita at the WNC Nature center beginning Feb. 11, when they’ll enter their new habitat for the first time.

The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.

Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.

“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations

The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.

Two Ways to View

Virtual Tour

Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.

In-Person

The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.

North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.

Beginning Tuesday, Jan. 19, Pack Memorial Library will reopen to the public with limited hours and services. See below for schedule information for most other Buncombe County Public Libraries.

The Pack library schedule will be:

• Tuesday-Thursday, 1-6 p.m.
• Friday & Saturday, 10 a.m.-2 p.m.
• Sunday & Monday, Closed

Free Drive-thru COVID-19 Testing

The Brevard Music Center in association with the Pisgah Health Foundation announces a free drive-thru COVID-19 testing site for everyone – the insured and uninsured, those on Medicare and Medicaid – everyone!

Keystone Laboratory of Asheville will administer the COVID-19 tests and antibody tests, with results typically available within 5 business days depending on volume.

When: Wednesdays and Thursdays from 4:00 p.m. – 7:00 p.m. Please no early arrivals.

Where: Brevard Music Center Main Parking lot (entrance on Music Camp Road off Probart Street)

Who: Anyone who wants a test.

How:

• Appointments are not necessary. Participants will be served in the order of their arrival.
• Participants can choose to be tested for COVID-19 via nasal swab or have the COVID-19 antibody test via blood sample.
• Participants will receive their test results at the contact information provided at check-in, typically within 5 business days depending on volume.

What:

• A driver’s license is helpful, but not required.
• A doctor’s order is not required.
• If you have private insurance, please bring your insurance card with you.
• If you have Medicare or Medicaid, please bring your card with you.
• If you do not have insurance, you will be asked to sign an affidavit stating so.
• Please wear a mask and stay in your vehicle while on BMC’s campus.
• If you are experiencing COVID-19 symptoms, please seek medical attention from your medical provider, urgent care, or the hospital.
• Please leave pets at home.

Questions: Please email [email protected] and we will get back to you as soon as possible.

Join the Asheville Fit Tribe Group for a 60 minute of strength training. You will get personalized training with the power of the group to positively motivate you. Get ready to get a full body workout in for all fitness levels. So, no matter where you are at from beginner to collegiate athlete Trainer Preston will make sure you get a phenomenal workout. For Strength day we focus on slow controlled weight lifting. Learning how to become more aware of our bodies. We hope you give us a shot and see what we are all about!! For any question shoot Preston a text/call (984)204-0591.

“Getting to know you…” Meaningfully connect and collaborate with young artists from across the country in this virtual musical theatre class featuring Broadway songs about friendship! In high-energy zoom classes combining singing, acting, and movement, students will hone their theatrical skills while developing a virtual musical revue shared with friends and family at the end of the semester. 

Join the Asheville Fit Tribe Group for a 60 minute of strength training. You will get personalized training with the power of the group to positively motivate you. Get ready to get a full body workout in for all fitness levels. So, no matter where you are at from beginner to collegiate athlete Trainer Preston will make sure you get a phenomenal workout. For Strength day we focus on slow controlled weight lifting. Learning how to become more aware of our bodies. We hope you give us a shot and see what we are all about!! For any question shoot Preston a text/call (984)204-0591.

Push your imagination to the limits as you collaborate with artists from across the country to devise original, virtual theatrical performance art. With inspiring, out-of-the-box artistic challenges, this class encourages artists of all kinds to use their voices and talents in new and unexpected ways. Whether you’re an actor, writer, dancer, comic, storyteller, artist, musician, or editor, this class led by improviser and actor TJ Simba-Medel will encourage you to create art from anywhere! 

January 28 – March 25

Virtual Platform: Zoom
Instructor: TJ Simba-Medel

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Supplies Needed: Internet connection, a device (mobile phone, tablet, or computer) with a working camera for video submissions.

Gregory Crewdson, Untitled, 2001–2002, chromogenic print mounted on aluminum, 47 ⅝ × 59 ½ inches. Whitney Museum of American Art, New York, promised gift of the Fisher Landau Center for Art, P.2010.300. © Gregory Crewdson, image courtesy Whitney Museum of American Art.

FEBRUARY 11, 18, 25, MARCH 4, 11 & 18—Thursdays, 6–8pm
Registration deadline: February 4

In this six-part virtual class, dive into the narrative power of photography! Three professional guest photographers join the Museum’s M. Paige Taylor to present their work and to discuss ways to use the medium to express the spirit of a person, place, story, or idea. Class time includes presentations, discussions, group shares, and critiques; individual preparation between classes includes taking photos in response to prompts, short readings, and journaling. Use images from Vantage Points and the Museum’s Collection for inspiration. This class is designed for all levels of photographers.

On Thursday, February 11, attendees will be joined by Mirror/Mentor exhibition curator, Julie Levin Caro, Ph.D., Professor of Art History, Warren Wilson College
The diversity of media, styles, and themes in the art on view reflects Lara’s philosophy of teaching and mentoring. For Lara, the idea of being a mentor who is a mirror does not mean producing students whose work mimics her own. Instead she follows the advice of her mother, who told her to set an example for her four younger siblings–mirror for them how to live fully in this world. As she worked, and sometimes struggled, to integrate the different layers of her own very full life, Lara discovered her students were as curious about this art of living as they were about learning artistic techniques and handling different media.

The terms of Lara’s life changed when she was diagnosed with uterine leiomyosarcoma cancer (uLMS) in 2018. Her works in this exhibition hold up a mirror to teach us her new reality: stage 4 cancer, incurable and terminal. The photo series Un-Broken pictures the scars from her own surgeries and the healed wounds of family and friends embellished in gold as a means of adornment and repair in the vein of the Japanese art of kintsugi. In Brushes with Death, the artist creates new tools from her own hair lost due to chemotherapy. The mixed media sculpture Forbidden Grapefruit is a new iteration of a poem written about her mother’s journey, which became a series of performances and installations.

The body as vessel, trauma, a daily artistic practice, making as a means of social justice, and repurposing and repairing with the hopes of reemergence are among the overlapping themes that connect the works of these four artists–teacher and students