Calendar of Events

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Law Day, Thursday May 1, 2025, 12-1p.m.
Join Local Lawyers as they Retake their Oath to Defend the Constitution and host a non-partisan rally with featured speakers in support of the Rule of Law and Judicial Independence.
The oath is the cornerstone of the legal profession, and it represents the promise to support the Constitution of the United States. It encompasses a duty to defend the Constitution, protect constitutional rights, ensure due process, and oppose laws or actions that undermine it. By retaking the oath, local attorneys will be reiterating their role as a guardian of the independence of the judiciary and the rule of law.
Asheville will join cities across the Country on Law Day May 1 standing for the Rule of Law. For a full listing of participating cities, see https://lawdayofaction.org/

Head on out to the ballgame at Fluor Field. Greenville is taking on Asheville Tourist. Game starts at 6:45pm.

Defying convention and boundaries, Time For Three (TF3) stands at the busy intersection of classical music, Americana, and singer-songwriter. To experience TF3 live is to hear the various eras, styles, and traditions of Western music fold in on themselves and emerge anew. This Jukebox program, a featured event in this season’s biennial Asheville Amadeus Festival, includes all three members of TF3 and showcases an eclectic mix of original songs, popular covers, and some of the most iconic music ever written. “In person, the members of Time for Three come off as just three dudes in a band,” said NPR. “But with their staggering technique and freewheeling genre-crossing, it’s hard not to be swept up in the force of their contagious energy.”

Different Strokes! Performing Arts Collective presents Juked – RESCHEDULED

“King” LeBron James’s years playing in Cleveland bring promise to a city in desperate need. His tenure also unites Shawn and Matt in an unlikely bond forged by fandom. Over twelve years the men navigate their turbulent friendship through their shared love of basketball—and the endless amiable arguments that erupt from that love.

Performances of King James will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.

April 24 – May 18, 2025

Wednesdays, Thursdays and Saturdays at 7:30

Sundays at 2pm

Friday 4/25 and 5/2 at 7:30pm

Friday 5/9 and 5/16 at 2pm

Challenges in life and love test the resilience of a mother-daughter relationship in Dan Gordon’s adaptation of Terms of Endearment, based on the book by Pulitzer Prize-winner Larry McMurtry and James L. Brooks’s screenplay of the Oscar-winning film. Though Emma is often exasperated by her highly-opinionated mother, Aurora, they talk daily about their problems, from Aurora finding unexpected love even as she becomes a reluctant grandmother to Emma’s struggle in her troubled marriage. But when they need one another most, will they be able to find courage in each other? This funny and touching story captures the delicate, sometimes fractured bonds between mothers and daughters, husbands and wives, and lovers, both old and new.

Thursday, 5/1 at 7:30 (pay what you can available on 4/17)
Fridays at 7:30
Saturdays at 3 pm
Sundays at 3 pm

Adapted for the stage by Dan Gordon
Produced by special arrangement with Playscripts, Inc. (www.playscripts.com)

May 1-11, 2025

Thursday, 5/1 at 7:30 (pay what you can available on 4/17)
Fridays at 7:30
Saturdays at 3 pm
Sundays at 3 pm

Director: Jonathan Forrester

Approximate Run Time: 2 hours
Rating: PG-13 due to adult language and situations. Depictions of drinking, smoking, drug use, illness and death.

Challenges in life and love test the resilience of a mother-daughter relationship in Dan Gordon’s adaptation of Terms of Endearment, based on the book by Pulitzer Prize-winner Larry McMurtry and James L. Brooks’s screenplay of the Oscar-winning film. Though Emma is often exasperated by her highly-opinionated mother, Aurora, they talk daily about their problems, from Aurora finding unexpected love even as she becomes a reluctant grandmother to Emma’s struggle in her troubled marriage. But when they need one another most, will they be able to find courage in each other? This funny and touching story captures the delicate, sometimes fractured bonds between mothers and daughters, husbands and wives, and lovers, both old and new.

Wortham Center Student Series Gaspard&Dancers

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Friday and Saturday at 2:30 PM in 35below & Sunday at 2:30 PM at the OLLI Center

By Sam and Bella Spewack
Directed by Ellen Pappas
Production Assistant: Terry Darakjy

It is 104° on Christmas Eve in French Guiana, and three convicts are charged with mending the roof of a French colonial shopkeeper. But surprises abound in this delightful, captivating comedy as Jules, Joseph, and Alfred descend from the rooftop to the living room and begin to meddle in the Ducotel family’s household affairs.

Sunday’s performances at the UNCA Reuter Center now requires all visitors to have a free parking pass. Please click here to reserve yours in advance (only book up to 2 days before event).

Get ready to lace up and represent your business at the 2025 Chamber Challenge 5K! This fun, community-focused event encourages wellness and friendly competition among Asheville-area businesses. Whether you’re walking every step or racing to the finish, we know you’re up for the challenge!

Join us in person on May 2nd or participate virtually.

Important Deadlines & Details:

• Register by April 13th at midnight to receive a short-sleeve shirt with your registration!
• After April 13th, shirts will be available in limited quantities and sizes.
• Registering a large group (25+ participants)? Contact Judi Willard at [email protected] for assistance.

To stay updated—text cc5k to 828-827-5332 to receive event notifications (you can opt out anytime).

Inaugural Program of the Four-Part Series “What Can Become of Us?”
Co-presented by Stanford Institute for Advancing Just Societies, Zócalo Public Square, and Asheville Art Museum

Moderated by Tomás Jiménez, Founding Faculty Co-Director, Stanford Institute for Advancing Just Societies

As people move to and around the U.S., they transform communities, perhaps nowhere as strikingly as in fast-growing North Carolina. As the long-established Native, Black, and white citizens of the state welcome Latino and Asian newcomers into this “new Southern immigrant gateway,” once-separated groups are building new futures together—and understanding themselves anew through the eyes of their neighbors.

5:30 PM Check-in and Art Viewing

6:00 PM Artist Talk

6:30 PM Panel Conversation

7:30 PM Reception

She’s Crafty AVL is beyond thrilled to announce the grand opening of AVL Hat Bar—Asheville’s first and
only dedicated hat bar—located in the heart of the vibrant and creative South Slope.

🎩 What Is a Hat Bar?
A hat bar is a fun, hands-on experience where you get to design a hat that’s uniquely you. From choosing
the perfect style and color to adding bands, charms, pins, feathers, burning, branding, and more—you’ll
create a wearable work of art that reflects your personality.

💫 What to Expect:
● A stunning collection of customizable and ready-to-wear hats plus handmade size inclusive gold
and sterling jewelry
● A warm, welcoming vibe that celebrates creativity and community
● Light refreshments, and all the good vibes
● First dibs on exclusive designs and grand opening specials

Bring your friends, your style, and your curiosity—and come be part of something truly special. AVL Hat
Bar is ready to become your go-to destination for all things hats, where every piece is a statement and
every visit is an experience.

Head on out to the ballgame at Fluor Field. Greenville is taking on Asheville Tourist. Game starts at 6:45pm.

Our 25th Anniversary Season Finale, part of the Asheville Symphony Orchestra’s bi-annual festival: “The Art of Storytelling” spans genres of jazz and classical in a highly collaborative program. Two exciting works by Leonard Bernstein – Prelude, Fugue, and Riffs and Symphonic Dances from West Side Story – will bookend a beautiful, lyrical piece for jazz quartet and orchestra, Mom by Asheville-based composer Richard Shulman. The program concludes with the glorious Beethoven Symphony No. 6, “Pastoral.”

BRO’s Season Finale is generously sponsored by Ingles Markets.

Friday, May 2nd, 2025, 7:00 pm

Sunday, May 4th, 2025, 3:00 pm

Tickets:

General Admission: $20

Friends of the Orchestra: $15

Students: $5

Children 6 and under: Free

Info:https://blueridgeorchestra.org/may-25th-anniversary-season-finale-25 or call 828-782-3354.