Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Asheville locals look forward to the annual Scouting America Scout Troop 17 barbecue dinner fundraiser. The event, set for Saturday, October 11, 2025, offers tender, juicy Western North Carolina smoked BBQ dinners with all the fixin’s. Take out dinners will be served behind the Riceville Fire Department and Community Center, 2251 Riceville Road, Asheville, NC, 11:00AM – 4:00PM or while supplies last. Outside Creekside picnic tables are available for dining.

Pitmasters smoke premium North Carolina pork shoulders throughout the night prior to the event. Dinners include a generous portion of tender, juicy BBQ pork, homemade BBQ sauce, home baked beans, North Carolina BBQ slaw and a southern roll.

The charge for BBQ dinner plates will be $12.00. Reservations are not required. Creekside Picnic Tables available for all. Additional donations to benefit the Scouts are always appreciated.

Big Game, Bright Ideas!
The Children’s Entrepreneur Market is setting up shop at the UNC-Asheville Women’s Soccer Game for a special event full of team spirit and young talent!
Come cheer on the Bulldogs and shop from kid-run businesses offering everything from handmade crafts to sweet treats and creative products. It’s the perfect blend of community, creativity, and soccer excitement!
Let’s rally behind our young entrepreneurs and student-athletes all for one unforgettable afternoon!

THE RIGHTEOUS BROTHERS LOVIN’ FEELIN’ FAREWELL TOUR 

Prepare for a soul-stirring, nostalgic concert experience at the Lovin’ Feelin’ Farewell Tour of the legendary Righteous Brothers. The Righteous Brothers Lovin’ Feelin’ Farewell Tour promises a captivating musical odyssey, spanning the early days of rock and roll, the era of Blue-Eyed Soul and as far reaching as the movie Dirty Dancing.  From heartwarming ballads to energetic rock anthems, every performance is a testament to the enduring power of The Righteous Brothers’ music and their connection to fans across the globe. Take a journey through decades of timeless hits that have defined a generation, including “You’ve Lost That Lovin’ Feelin,'” “Unchained Melody,” “(I’ve Had) The Time of My Life,” “Soul and Inspiration,” “Ebb Tide,” and “Rock and Roll Heaven.” Bill Medley has been entertaining audiences for more than sixty years.  His iconic bass-baritone helped earn The Righteous Brothers their place in the Rock & Roll Hall of Fame and is interwoven with the cherished memories of a lifetime of fans.

If you’ve ever collected small, perfectly smooth pebbles and wondered what to do with them, this two-day workshop is the perfect solution! Using diamond encrusted drill bits, students will drill through these materials and then fabricate sterling silver wire and sheet to create stunning jewelry which may include pendants, earrings, rings and bracelets. Students will also learn about the soldering process, bezel and prong setting and a small amount of forging.

No experience is necessary but good eyesight or magnification is a must.

Students are asked to bring:
Small pebbles, ceramic shards, shells and sea glass if they have any (the instructor will bring some for their use as well)
Notebook and pen/pencil
Ultra fine tipped Sharpie pen
$399 plus materials
A materials list for students to purchase will be provided upon registration.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Rhythm & Brews Concert Series unfolds as a casual and welcoming event, occurring on the third Thursday of each month from June to October. South Main Street in Hendersonville transforms into a hub of local entertainment, where community members gather to enjoy live music, craft beverages, and family-friendly activities. Doors open at 5:15 p.m., initiating the evening with an opening act at 5:30 p.m., followed by the headlining performance from 7:30 p.m. to 9:30 p.m.

2025 Rhythm & Brews Concert final concert of the season:

October 16: BonaFide Soul [[Jazz/Funk/Soul] with Congdon Griffin Band [[Folk/Americana/Rock]]

The Beer & Wine Garden, a focal point for adults, features offerings from local establishments such as Sierra Nevada Brewing Co., Bold Rock Hard Cider, Guidon Brewing Co., Oklawaha Brewing Co., Dry Falls Brewery, Saint Paul Mountain Vineyards, and Flat Rock Cider Company. Notably, all net proceeds from adult beverage sales contribute to the Friends of Downtown Hendersonville, a 501c3 nonprofit dedicated to supporting the Downtown Program.

For families, the Hendersonville Honeycrisps & the Hendersonville Toy Company Kid Zone provide a range of kid-friendly activities, including hula-hooping and interactive exhibits.

Attendees are encouraged to bring camp chairs and picnic blankets to create a relaxed atmosphere. However, coolers and pets are best left at home to ensure the comfort and safety of all participants. Join us for a laid-back summer evening, filled with music, local brews, and community connections in the heart of Hendersonville.

Asheville Music School and The Mule have teamed up for a silent auction fundraiser to benefit Asheville Music School’s scholarship and outreach programs through the Paul Thorpe Music Education Fund. Up for bidding will be luxury regional experiences, vacation getaways, wine tasting events, fine art, pampering packages, restaurant and wellness gift certificates, concert tickets and more. Tickets are $10 in advance, $15 at the door. Patrons can hit the cash bar serving wine, local beer, cocktails, and NA beverages, and dine on regional food by local chefs. The evening will also feature live music showcase performances by AMS students.
The funds we’re raising through this auction are going to help fund the Paul Thorpe Music Education Fund, which provides need-based scholarships for music lessons and instruments, as well as music-based community outreach.

Keith Urban is bringing the HIGH AND ALIVE WORLD TOUR with special guests Chase Matthew, Alana Springsteen and Karley Scott Collinsto to Bon Secours Wellness Arena 10/16! Tickets on sale Friday 12/13 @ 10AM.

Tickets are available at the GSP International Airport Box Office located at the arena from the on sale through show day while supplies last. Box Office hours vary but we are generally open M-F 10AM-2PM.

On Thursday, October 16 the Momenta Quartet pays tribute to the groundbreaking musical legacy of Black Mountain College with a program of modernist works by its two most iconic American composers: Stefan Wolpe (1902-1972) who was Music Director of Black Mountain College from 1952 through 1956, and John Cage (1912-1992) who taught there in the summer of 1952 and was in residence is the summer of 1953. Momenta will open the program with two works written in 1950: Wolpe’s Set of 12 Pieces for String Quartet which the group premiered after it was transcribed from manuscript by the Stefan Wolpe Society, and John Cage’s String Quartet in Four Parts (1950). They will close the program with one of Wolpe’s late works, his String Quartet (1969).

This event is presented in conjunction with the exhibition Points in Space: Performance at Black Mountain College. The Momenta Quartet will also perform as part of Aphorisms, a Tribute to Ursula Mamlok, on Tuesday and Wednesday, October 14th-15th.

THUR 10/16 – 7-9 PM – Songwriter Sessions return with Cary Cooper, and Todd Hoke. An evening of original songs in the natural acoustics and listening room atmosphere of the beautiful and historic Brandy Bar. Another trio of wonder filled songwriters will be sharing their lyrical and musical offerings for our October session at the coolest bar in Hendo These musicians will delight your senses, tickle your funny bone, and adjust your alignment (metaphorically). All that and delicious cocktails? Yes, please! Join us with Cary Cooper, Jenny Reynolds, and Todd Hoke. With hosts Annie Wenz & Todd Hoke.
Cary Cooper is a whimsical singer-songwriter whose heartfelt lyrics and warm, pop folk-rooted melodies invite listeners into stories of love, loss, and resilience. Award winning (Kerrville, Rocky Mountain, Telluride), longtime touring artist and founder of RealPeopleRealSongs, she blends wit, wisdom, and intimacy, creating music that feels like conversation.
For information contact [email protected]

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.