Bassoonist Rosalind Buda and Northumbrian smallpiper Dick Hensold perform a rollicking blend of traditional Celtic tunes and original music–all delivered with technical flair and joyful ease. Enjoy duets for smallpipes, songs with whistles, dance tunes on Scottish Border pipes and bombard, and the wonderful pairing of pipes and bassoon!

Rosalind Buda Scottish smallpipes, bassoon, bombarde, whistles, voice
Dick Hensold Northumbrian smallpipes, Scottish reel pipes, whistles, voice

As ever, PAN HARMONIA offers Donation-based, Pay-as-You-Can Community

Concerts. All are welcome! panharmonia.org

Asheville Plays is eeeek!cited to announce the 13th annual Haunted Trail; Asheville’s only family friendly haunt! This event is ideal for Halloween lovers of all ages, 3-12 being the suggested age range. The Adventure Center of Asheville is the host of this one of a kind live outdoor theatrical experience where guests are promised an entirely immersive and interactive spooky night out while also ensuring no contact. The show is loved by boils and ghouls from all over WNC and is proudly presented by our title sponsor Mellow Mushroom Asheville. The Treetop Adventure Park Aerial Glow Trail is available for purchase for guests 4 years or older to enjoy at this event! Climb on two aerial trails while they are illuminated with thousands of colorful twinkle and laser lights. If you want to enjoy both of these amazing activities, combo passes are available and WILL sell out, so make sure you reserve your tickets early! *The Haunted Trail does not sell out, however the entrance closes at 9 pm. Join us in saying BOO! to hunger; Each Ticket purchased to this event raises 4 meals for MANNA foodbank. For younger guests who still aren’t sure about being scared, even for fun, a “Sweet Peek Tour’ is offered nightly at 6:45 pm. The trail is actor free at this time and allows any nervous little monsters to decide if they would like to re enter the line and receive the full show. Don’t miss PIRATES COVE! Featuring a 30 ft Pirate Ship Escape Room, Live Mermaid Encounter with photo opportunity, and free pirate themed activities. In addition to the Haunted & Aerial Glow Trails and Pirates Cove, there will be an entire festival with games, local vendors, food and brews, and new this year: a Cotton Candy Robot! Scare you there! Oct 3-4-10-11-17-18-19-23-24-25-26 6-9 PM

The critically acclaimed bestselling novel WATER FOR ELEPHANTS comes to “thrilling, dazzling” life (Time Out New York) in a unique, spectacle-filled new musical! Hailed as a Critic’s Pick, The New York Times calls it “stunning, emotional, heart-filled and gorgeously imaginative.”

After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age.

Welcome to Thanksgiving at Embassy Suites!

Join us on Thursday, November 27, 2025, at Embassy Suites for a festive holiday feast in a warm, inviting atmosphere. Enjoy a delicious spread of traditional Thanksgiving dishes, share meaningful moments with family and friends, and celebrate the season of gratitude together.

A portion of ticket proceeds will benefit Eblen Charities, and all leftovers will be shared with the Asheville Poverty Initiative’s 12 Baskets Café, extending the spirit of Thanksgiving beyond our table.

Walk-ins are welcome when space allows, but we highly recommend reserving ahead to guarantee your spot!

Please note, Thanksgiving meal tickets do not include alcoholic beverages. Cocktails, beer, and wine will be available for purchase separately. Complimentary hot chocolate and hot apple cider for kids.

Big family gathering? No problem, we’ve got room for all! For groups of 9 or more, ask about our private rooms and make your gathering extra special. Call us at 828-407-0422 or email [email protected] to reserve your spot!

Seating Times: 12:00PM | 12:30PM | 1:00PM | 1:30PM | 2:00PM | 2:30PM | 3:00PM | 3:30PM | 4:00PM | 4:30PM

Dietary Restrictions:
If you have any dietary restrictions, feel free to let us know! Our team will do their best to accommodate. You can reach out anytime to Jack Benton at [email protected].

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Originally formed in Byron Bay, Australia, back in 2014, Parcels now operate in a dual-location setup, with members scattered between Australia and Berlin, Germany. The band’s line-up consists of keyboardist Louie Swain, keyboardist/guitarist Patrick Hetherington, bassist Noah Hill, drummer Anatole “Toto” Serret, and guitarist Jules Crommelin.

With over a billion streams and a sold-out performance at the iconic Red Rocks Amphitheatre in Colorado in 2024, Parcels are continuing their journey without missing a beat, always expanding the scope of their influence. 2025 promises to be even more exhilarating as the band hits the road again, showcasing their astounding and unique live prowess to audiences around the globe, accompanied by a wealth of new music. This fall, they embark on a significant North American tour, performing at major venues, reflecting their ever-growing impact.

With Special Guest Johnny Mullenax 

THE INFAMOUS STRINGDUSTERS

The Infamous Stringdusters are a celebrated American progressive bluegrass band known for their virtuosic musicianship, innovative arrangements, and genre-blending style. The GRAMMY® Award-winning Americana quintet—Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]—have musical influences that truly run the gamut, but their common denominator is certainly bluegrass— the sound that has in essence defined the course of their career.

The Infamous Stringdusters stand out as the rare group who can team up with contemporary artists on late night television one night and headline the legendary Red Rocks Amphitheatre the next, and have recently emerged as proprietors behind their newly found independent record label, Americana Vibes.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Songbird Holler is a captivating folk trio featuring three generations of mountain women dedicated to preserving and sharing the rich musical traditions of the Southern Appalachians. Award-winning banjo player Bayla Davis, fifth-generation ballad singer Donna Ray Norton, and veteran Songbird Holler is a captivating folk trio featuring three generations of mountain women dedicated to preserving and sharing the rich musical traditions of the Southern Appalachians. Award-winning banjo player Bayla Davis, fifth-generation ballad singer Donna Ray Norton, and veteran Appalachian old-time singer Cary Fridley have come together to share folk harmonies, ballads, and banjo tunes, weaving stories and melodies rooted in mountain heritage and authentic Appalachian spirit. Appalachian old-time singer Cary Fridley have come together to share folk harmonies, ballads, and banjo tunes, weaving stories and melodies rooted in mountain heritage and authentic Appalachian spirit.

Tickets at
https://whitehorseblackmountain.org/product/songbird-holler/

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Join us on Halloween evening at the historic Grove Arcade from 4 to 7 p.m. for a trick-or-treating spectacle!Bring the whole crew out for this family-friendly night! Visit our shops and restaurants, and enjoy candy at every stop as you stroll through.

Dress up and have fun with your friends and family! We can’t wait to spread some cheer and see everyone there! Costumes encouraged! See you there, Asheville.

21+ Event
We’ve transformed Fitz and The Wolfe into a Haunted Honky Tonk this Halloween night — where outlaws ride after dark and vampires dance ‘til dawn. Blood drips, green glow, and a lineup deadlier than daylight…

🦇 THE SHOWROOM
5PM – The Swingin’ Poppies
A vampy jazz trio resurrecting your favorite 90s & 2000s hits and spinning them into sultry, spooky jazz gold.

8PM – The Alex Eubanks Band
These country outlaws bring high-octane country and southern rock — the kind of sound that’ll turn the toughest vampires to dust.

💀 THE PALM ROOM (Downstairs)
Doors open at 9PM — the realm of shadows awaits.
9:30PM – Adrianne Blanks & The Oracles
A hypnotic jazz performance that will kidnap your senses and transport you to Halloween Town. You’ll leave wondering if you’re still part of this realm…

✨ COSTUME CONTEST – 9:30PM
Show us your fangs or your six-shooters — we’re crowning:
🏆 Best Western Outlaw
🧛‍♀️ Best Vampire
🎭 Most Creative
Winners take home Fitz and The Wolfe merch + gift cards for future partyin’.
🩸 Tickets:
$10 in advance
A scary good deal for three killer bands and one haunted night.
🧛‍♂️ Saddle up, sharpen your fangs, and pick your side…

Join us for a spooktacular evening at The Horse Shoe Farm for Sunset at the Silo:
Halloween Edition! Enjoy festive hay rides, live music, lawn games, and more—all set against a gorgeous mountain sunset. Costumes encouraged for kids and grown-ups alike! Free to attend | Food & Drinks available for purchase

Parlour in the Palm: A Night of Magic and Mystery
The veil thins on October 31st. Step inside the shadowy glow of The Palm Room and experience Parlour in the Palm, an immersive Halloween night of magic that promises more than tricks. Prepare for impossible feats and uncanny wonders with world-renowned magician Paul Vigil, direct from Las Vegas, joined by guest magicians who know how to keep the night deliciously unsettling.
This is a one-of-a-kind performance where close-up sorcery meets mind-twisting mentalism, all in an intimate space that’s equal parts elegant and a little haunted.
Each Ticket Includes:
Complimentary cocktail or mocktail to steel your nerves
Reserved table seating
Pre-show close-up magic right at your table
A 70-minute parlour show featuring master magicians
🎃 Extremely limited seating with only 40 seats available.

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Asheville. Get your tickets now to discover music inspired by Halloween at Asheville Masonic Temple under the gentle glow of candlelight.

Spooky season is almost here! Halloween special concerts are selling fast. Get your tickets before they fully SELL OUT!

Duration: 60 minutes (doors open 45 mins prior to the start time and late entry is not permitted)
Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult
Accessibility: this venue is ADA compliant
Seating is assigned on a first come first served basis in each zone

Tentative Program

Thriller – Michael Jackson
Funeral March of a Marionette – Charles Gounod
String Quartet No. 8 in C Minor (Dresden Quartet), Op. 110: II. Allegro Molto – Dmitri Shostakovich
Tubular Bells (Theme from The Exorcist) – Mike Oldfield
Stranger Things (Theme) – S U R V I V E
Beetlejuice (Theme) – Danny Elfman
The Addams Family (Theme) – Vic Mizzy
Halloween (Theme) – John Carpenter
Prelude from Psycho – Bernard Herrmann
Ghostbusters (Theme) – Ray Parker Jr.
Danse Macabre – Camille Saint-Saëns
Night on Bald Mountain – Modest Mussorgsky
Time Warp from The Rocky Horror Picture Show – Richard O’Brien and Richard Hartley
Medley from The Nightmare Before Christmas – Danny Elfman

WHERE: Third Room
WHEN: Friday October 31, 2025
DOORS: 8pm SHOW: 9pm
GENRE: jam / rock
TICKETS: $20

Join us on Friday October 31st at Third Room in Asheville for a night of sound, visuals and Halloween fun you won’t forget!

Kicking off the night: The J. Lloyd Mashups’ Tribute to Ozzy, a dark and groovy homage to the Prince of Darkness.

Then, Asheville’s own Auspicious Golden Fish takes the stage with their high-energy instrumental psychedelia, wrapped in immersive visuals, lights and Halloween magic.
Come dressed to impress for our Ozzy costume contest! We’re giving away prizes for the most epic, over-the-top Ozzy looks of the night. Think leather, eyeliner, crosses, bats… go wild. 🦇”

Auspicious Golden Fish:

Swimming in an ocean of sound, Auspicious Golden Fish weaves together searing guitar riffs, hypnotic synth textures, and deep funk grooves into a transcendent musical experience. Guitarist/producer Jamie Hendrickson (The Fritz/ElectroLust) assembles a revolving lineup of all-star musicians that bring his compositions to life. The result is a sonic journey—one that invites listeners to dissolve the ego, embrace the present moment, and dance into higher states of consciousness.

J. Lloyd Mashup:

The JLloyd MashUp explores different genres of music including Acid Jazz, Funk, Soul, Afro Beat, Reggae, Break Beat, and Latin. Led and curated by Jonathan Lloyd (The Fritz/ Dubconscious/ Cadillac Jones), the band is made up of some of Asheville’s busiest and hardest working musicians on the scene.

The Sheep Dog Club of WHHS is having this event for the community to earn money for our scholarship at the end of the year to a Senior who is entering Law Enforcement Training, Fire, EMS, or the military. We have secured food trucks to be available beginning at 10 am and craft vendors to sell their goods. Please join us to help our community of future leaders. The event is free to attend and purchase goods, and vendor tables are $25 each for up to two tables. Alternatively, you can bring your own tables and rent a space for $40.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Included with admission

Capture that classic Christmas moment you and your children will never outgrow. Afterward, explore all that Antler Hill Village has to offer: ice cream at The Creamery, friendly animals at our Farmyard, plus Pisgah Playground, shops, restaurants, and an award-winning Winery.

Dates available:

November 1-2, 8-9, 15-16, 22-23, 28-30

December 6-7, 13-14, 17-24

🎉 Calling All Young Entrepreneurs! 🍅
We are so excited to partner with UNC-Asheville Men’s Soccer Game for a day of goals and great ideas!

🌟 Got a kid with a big idea? Whether it’s homemade crafts, baked goods, lemonade stands, or creative services—this is their chance to shine!

🍅 Visit kids markets.com

Sign up your child’s booth 🌽
Explore upcoming children’s markets 🎨
Support young local entrepreneurs 💼

Come support the Bulldogs on the field and young entrepreneurs on the sidelines as kids run their very own businesses—selling everything from handcrafted goods to tasty snacks.
It’s a fun, family-friendly event that celebrates local talent and community spirit!

Sat, Nov 1 • 8 pm

One of the finest singer-songwriters of her generation, Bonoff’s ballads became hits for legends like Linda Ronstadt and Bonnie Raitt. Her live shows—spare, moving, and transformative—showcase a voice that works timeless magic and continues to captivate audiences around the world.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.