Calendar of Events

It’s out inaugural early summer event – the 5 Points Flea Market! All of Asheville is welcome to attend, but only 5 Points residents and select local businesses will be selling. Plus: food trucks, a community yard sale map, chalk drawing contest and more. Get your spot today!

Discover the Hendersonville Farmers Market, Locally Grown, Community Strong
A vibrant weekly gathering at the Historic Train Depot in downtown Hendersonville. Running every Saturday from May 3rd to October 25th, rain or shine, the market showcases over 30 local vendors within a 60-mile radius. From farm-fresh produce and meats to baked goods, crafts, and live entertainment, there’s something for everyone. Join us from 8:00 a.m. to 1:00 p.m. for a celebration of food, farms, and family in a lively community atmosphere.

Discover the Hendersonville Farmers Market, Locally Grown, Community Strong
A vibrant weekly gathering at the Historic Train Depot in downtown Hendersonville. Running every Saturday from May 3rd to October 25th, rain or shine, the market showcases over 30 local vendors within a 60-mile radius. From farm-fresh produce and meats to baked goods, crafts, and live entertainment, there’s something for everyone. Join us from 8:00 a.m. to 1:00 p.m. for a celebration of food, farms, and family in a lively community atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us in this hands on class where you will make a hammered sterling silver wide band ring. One of Ignite’s talented instructors will take you through the process step by step including soldering, shaping, hammering, and finishing your ring.

These also make great wedding bands!

You’ll leave with a beautiful ring made to size in our downtown Asheville metalsmithing studio.

$120 person *All Materials Included

*Class times and avialbalility are subject to change. SIgn up in advance online to ensure your time and space.

This is a Weekly Recurring Event
Runs from May 23, 2025 to Jun 27, 2025 and happens every:
Fridays: 1:15pm – 3:30pm Timezone: EDT
Saturdays: 1:15pm – 3:30pm Timezone: EDT

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

This event will be inspiring and uplifting, despite the serious subject matter. It is about answering the call to work towards freedom and justice. Learn how one person can make a huge difference in someone’s life, even when they don’t know how or where to start.
After a life-changing phone call, Rich became an everyday hero, helping to coordinate an international rescue operation for his niece, Loan, who became a victim of human trafficking in Malaysia. A Special guest will be joining virtually to share in this multidimensional story.
This journey to freedom exposes the hidden reality of modern slavery- and the strength it takes to reclaim one’s life.
Brought to you by Across the Sea Foundation, a 501c3 dedicated to helping to preserve the Montagnard-Dega Indigenous peoples of Vietnam. More info at acrosstheseabipoc.org.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us for a welcoming and inclusive New Moon Circle, where all bodies and all genders are invited to participate in this sacred gathering. This event is a beautiful opportunity to pause, reflect, and align with the energies of the New Moon—a powerful time for setting intentions and manifesting our desires for the month ahead.

Our circle will begin with a grounding meditation, creating a space for relaxation and inner connection. Together, we will share our personal intentions, holding space for one another in a supportive and non-judgmental environment. We will also dive into the astrological influences of the New Moon and other energetic currents, discussed in an accessible way that resonates with both beginners and seasoned practitioners.

By the end of the circle, you will leave with greater clarity and purpose, feeling empowered to take inspired action as you move forward into the new lunar cycle. Whether you’re new to moon rituals or a longtime participant, this circle will offer insight, connection, and a sense of renewal.

Come as you are—everyone is welcome. Let’s harness the magic of the New Moon together!

Bring your friends and remember to carpool!

This is a free event.

All donations are welcome to help support the use of the event venue.

Every other month Indivisible Asheville/WNC hosts a gathering to share the latest on RESISTING the current attacks on our country, CONNECTING with others and strengthening community, and REBUILDING the broken pieces of our democracy.

This month we’ll take a closer look at the work of our Actions Teams – Healthcare, Immigration, State Watch, and Congress Watch. We will also have info on current calls to action and upcoming events, plus updates on community service projects. And our program will feature a training in crowd safety and legal rights everyone should know when participating in protests and large public events. So join us! Everyone who cares about protecting and rebuilding our democracy is welcome and encouraged to attend.

If your organization is interested in collaborating with us, please reach out, and be sure to join us Tuesday if you can. Check-in: 5:30-6 pm. For those who can’t attend in person, the meeting will be livestreamed starting at 6 pm. Visit youtube.com/@indivisibleavl/streams.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

You are invited! Please join us for a Metaphysical Meetup in Asheville!

This is for all spiritual seekers, psychics, mystics, tarot readers, healers, and anyone interested in learning more about spirituality. No matter where you are on your journey, you are welcome here. :)

We begin by having everyone do quick introductions to share what they’re into metaphysically and if they have any offerings they want to share, then we all mingle and hang out.

If you’re wanting to swap services or do readings, that is welcome here. We also have reference books and oracle decks to dive into if the socializing gets too overwhelming for the introverts.

Tryon Arts and Crafts School is pleased to announce that our next exhibition hits very close to home with a lively presentation of painted wooden toys made circa 1915 through the 1930s by the Tryon Toy-Makers and Wood-Carvers. In a special addition, the exhibition will be complemented by a display of handcrafted wooden toys by Younger Brother Woodworking, the studio of local artisan Ray Buckmaster. Together, these two exhibits celebrate both Tryon’s historic and contemporary traditions in toy-making craftsmanship.

This exhibition reflects the enduring spirit of craftsmanship that has long defined Tryon, connecting past and present in a celebration of artistry, history, and community.

The dual exhibition will run May 2 through June 26. Mon-Fri, 9am-4pm; Sat, 9am-1pm

Operation Blood Drive at AdventHealth Hendersonville

Thursday, June 26 | 10 am to 3 pm

100 Hospital Drive, Hendersonville

Look for The Blood Connection Mobile Donor Unit near the Valet parking lot.

All donors will receive $30 in TBC rewards and a special Operation Blood Drive T-Shirt*!

To make an appointment, scan the code or click this Link and enter Sponsor Code 23AC.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Elderflower Community, a local non-profit, is thrilled to announce its grand re-opening on June 26, 2025. The celebration marks a significant milestone for the Elderflower property, which has been rebuilt and enhanced after being forced to close its doors due to the devastating impact of Hurricane Helene last fall.
The grand re-opening event will take place from 4-7pm at the newly renovated building located at 1611 Charlotte Hwy, Fairview. All community members are invited to attend and celebrate the remarkable confirmation of our community’s resilience and strength. The event will feature a ribbon-cutting ceremony, tours of the property, food, and music.

Kanuga is thrilled to announce the return of its Summer Day Camps for rising first through sixth graders, with five weeklong sessions planned for June and July 2025, at its Bob Campbell Youth Campus. Registration is now open.

In the serene mountains of Western North Carolina, campers will find fun and adventure in action-packed sessions staffed by well-trained, compassionate adults who specialize in keeping young children safe, entertained and engaged. Kanuga’s wooded campus offers children the opportunity to play, explore, swim in mountain lakes, hike to scenic vistas, paddle canoes, create arts and crafts and so much more.

Mondays through Fridays, 9:30 a.m. to 4:30 p.m. each day. $400–$460.
Day Camp A: June 9–13
Day Camp B: June 23–27
Day Camp C: July 7–11
Day Camp D: July 14–18
Day Camp E: July 21–25

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.