Calendar of Events

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Join us on October 3, 2025, 6:00-8:30 pm, for an unforgettable outdoor experience on Tryon Arts & Crafts School’s (TACS) west campus, commemorating the anniversary of Hurricane Helene with a celebration of Appalachian tradition. Ticket sales to TACS’ Hearth & Anvil fundraiser will support the school, a 501(c)(3) nonprofit organization, allowing us to continue providing opportunities such as the Helene Relief Artist in Residency Program. While fortunate compared to some, TACS and neighboring Harmon Field were significantly impacted by the storm with property damage, temporary closure, and cancellation of key events and programs. Hearth & Anvil is an opportunity to reflect on the past year and support the school, while enjoying traditional open-flame cooking and interactive art demonstrations alongside our new Terra Flora sculpture. The sculpture was constructed using natural and found materials from the aftermath of the hurricane.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a  “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.

Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)

Show runs Oct. 4 – Nov. 7

Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Asheville’s longest running comedy open mic happening every Wednesday night. The show starts at 8:00, and there is no cover. Anyone wanting to perform can sign up starting at 7pm, and will get four minutes on stage. Local and not-so-local, professional and not-so-professional comics perform or just anyone wanting to get up in front of people and try to make them laugh. Always fun. Always free.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

DUE TO POPULAR DEMAND, A SECOND PERFORMANCE TIME FOR THIS SHOW HAS BEEN SCHEDULED FOR 9:30PM ON OCT. 10!

Come on out for a night of fun and laughter.

Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Big Game, Bright Ideas!
The Children’s Entrepreneur Market is setting up shop at the UNC-Asheville Women’s Soccer Game for a special event full of team spirit and young talent!
Come cheer on the Bulldogs and shop from kid-run businesses offering everything from handmade crafts to sweet treats and creative products. It’s the perfect blend of community, creativity, and soccer excitement!
Let’s rally behind our young entrepreneurs and student-athletes all for one unforgettable afternoon!

With special guest Derrick Stroup

John Crist is one of today’s fastest-rising stand-up comedians, earning more than one billion video views, more than 7.5 million fans on social media, and sold-out shows from coast to coast — continuously charting as one of Pollstar’s Top 10 Global Touring Comedians. John has sold out the majority of his 2025 U.S. ‘Jokes For Humans’ dates and continues to add multiple shows in select cities.

His latest comedy special John Crist: Emotional Support, released February 18, showcases his skills in delivering witty, pop culture commentary through clean humor. Filmed just six miles from his childhood home in Lilburn, GA, John Crist: Emotional Support sees the viral comedian diving into the ever-changing dynamics of growing up Christian in the 90s, navigating family group texts, mediating fights on the neighborhood Facebook page and more. In its first three weeks, the special earned more than 2.1 million stand-alone views, with social media clips surpassing 20 million views, as it continues to grow in viewership.