Calendar of Events

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Wortham Center Student Series Pilobolus

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

DUE TO POPULAR DEMAND, A SECOND PERFORMANCE TIME FOR THIS SHOW HAS BEEN SCHEDULED FOR 9:30PM ON OCT. 10!

Come on out for a night of fun and laughter.

Fri & Sat, Oct 10 & 11 • 8 pm

Journey into an astonishing universe where Pilobolus transverses the landscape of the human experience with heart-stopping grace, acrobatic power, and breathtaking artistry. Explore the human condition as they fuse sensuality, humor, and physical prowess in a spellbinding performance.

“If we think we know what’s going to happen at a Pilobolus concert, we’d be wrong.” —Dance Magazine

“The men and women of Pilobolus have no interest in playing by the dance world’s rules” —Huffington Post

Connect with the artists in a dance masterclass and preshow discussions.

Spotlight on Pilobolus:

Founded in 1971 at Dartmouth College; now hailed as an “Irreplaceable Dance Treasure”
Performed on Broadway, at The Oscars, and the Olympic Games
Famous for the Hyundai “human car” TV commercial
120+ works performed across 65 countries with 100M+ social media views
Known for daring athleticism, inventive storytelling, and playful artistry

Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Big Game, Bright Ideas!
The Children’s Entrepreneur Market is setting up shop at the UNC-Asheville Women’s Soccer Game for a special event full of team spirit and young talent!
Come cheer on the Bulldogs and shop from kid-run businesses offering everything from handmade crafts to sweet treats and creative products. It’s the perfect blend of community, creativity, and soccer excitement!
Let’s rally behind our young entrepreneurs and student-athletes all for one unforgettable afternoon!

With special guest Derrick Stroup

John Crist is one of today’s fastest-rising stand-up comedians, earning more than one billion video views, more than 7.5 million fans on social media, and sold-out shows from coast to coast — continuously charting as one of Pollstar’s Top 10 Global Touring Comedians. John has sold out the majority of his 2025 U.S. ‘Jokes For Humans’ dates and continues to add multiple shows in select cities.

His latest comedy special John Crist: Emotional Support, released February 18, showcases his skills in delivering witty, pop culture commentary through clean humor. Filmed just six miles from his childhood home in Lilburn, GA, John Crist: Emotional Support sees the viral comedian diving into the ever-changing dynamics of growing up Christian in the 90s, navigating family group texts, mediating fights on the neighborhood Facebook page and more. In its first three weeks, the special earned more than 2.1 million stand-alone views, with social media clips surpassing 20 million views, as it continues to grow in viewership.

Fri & Sat, Oct 10 & 11 • 8 pm

Journey into an astonishing universe where Pilobolus transverses the landscape of the human experience with heart-stopping grace, acrobatic power, and breathtaking artistry. Explore the human condition as they fuse sensuality, humor, and physical prowess in a spellbinding performance.

“If we think we know what’s going to happen at a Pilobolus concert, we’d be wrong.” —Dance Magazine

“The men and women of Pilobolus have no interest in playing by the dance world’s rules” —Huffington Post

Connect with the artists in a dance masterclass and preshow discussions.

Spotlight on Pilobolus:

Founded in 1971 at Dartmouth College; now hailed as an “Irreplaceable Dance Treasure”
Performed on Broadway, at The Oscars, and the Olympic Games
Famous for the Hyundai “human car” TV commercial
120+ works performed across 65 countries with 100M+ social media views
Known for daring athleticism, inventive storytelling, and playful artistry

If you’ve ever collected small, perfectly smooth pebbles and wondered what to do with them, this two-day workshop is the perfect solution! Using diamond encrusted drill bits, students will drill through these materials and then fabricate sterling silver wire and sheet to create stunning jewelry which may include pendants, earrings, rings and bracelets. Students will also learn about the soldering process, bezel and prong setting and a small amount of forging.

No experience is necessary but good eyesight or magnification is a must.

Students are asked to bring:
Small pebbles, ceramic shards, shells and sea glass if they have any (the instructor will bring some for their use as well)
Notebook and pen/pencil
Ultra fine tipped Sharpie pen
$399 plus materials
A materials list for students to purchase will be provided upon registration.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Performances on both Tuesday, October 14th AND Wednesday, October 15th.

Aphorisms is a tribute to composer and Black Mountain College student Ursula Mamlok, inspired by her life, art, and triumph over persecution and oppression. The performance is choreographed by Miro Magloire and performed by the Momenta Quartet, flutist Roberta Michel, and the New Chamber Ballet. Presented here as a new performance iteration created especially for Black Mountain College Museum + Arts Center, this event integrates live chamber music and dance to celebrate Mamlok’s work and legacy. BMCM+AC will present two evening performances (Oct. 14th and Oct. 15th) in the museum’s main level gallery, in conjunction with the exhibition Points in Space: Performance at Black Mountain College.

About the Performances:

Aphorisms presents six works by Ursula Mamlok, performed live, enriched by Miro Magloire’s contemporary ballet choreography. Magloire, a former composition student of Mauricio Kagel and the founder of the New York City-based New Chamber Ballet, has pioneered a captivating new form of music-and-dance collaboration: ‘unplugged’, without stage sets or theatrical lights, and with the audience seated around the stage and up close to the performers.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Asheville’s longest running comedy open mic happening every Wednesday night. The show starts at 8:00, and there is no cover. Anyone wanting to perform can sign up starting at 7pm, and will get four minutes on stage. Local and not-so-local, professional and not-so-professional comics perform or just anyone wanting to get up in front of people and try to make them laugh. Always fun. Always free.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.