Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

The Kiwanis Club of Black Mountain-Swannanoa is presenting its first Field of Honor®. A field of American flags dedicated to military and first responders will be flying from September 11 – September 30th at the lot between the Black Mountain United Methodist Church and Harwood Home for Funerals (200 W. State Street, Black Mountain, NC 28711). An opening ceremony will be held on Monday, September 11 at 1:00 at the field location and a closing ceremony will take place at 11:00 on September 30 to retire the flags. All funds raised by this event will be distributed to non-profit organizations and used for scholarships in the Black Mountain/Swannanoa area. Donations can be made at: https://www.healingfield.org/blackmountainnc23

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others. The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists. Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Free for Members or included with Museum admission; registration not required. Join guest speaker Erica Abrams Locklear for a conversation about her new book Appalachia on the Table: Representing Mountain Food and People. Following a book discussion, join our Learning & Engagement staff in the galleries for a conversation connecting themes within the book to selected works from the current exhibition The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation. Books are available for purchase at Malaprop’s Bookstore/Café for a 10% discount.

The YMCA Mobile Market will be set up in the library parking lot from 2-3 pm. Bring your grocery bags and get fresh food for your family.  All are welcome, regardless of income or family size. Distributions are free and no paperwork is required.

The market provides fresh produce paired with healthy recipes and a Community Engagement Table with valuable services such as cooking demonstrations.

While you’re in the lot, stop in to get a free library card if you don’t have one, pick up a cookbook or two to experiment with your bundle of groceries, or grab a DVD to watch while snacking.

With multiple parks featuring ballfields and volleyball, pickleball, tennis, and basketball courts, Asheville has plenty of opportunities to join pick-up games or play with organized sports leagues. Asheville Parks & Recreation (APR) offers a broad line-up of youth athletics programs, adult sports leagues, and special events throughout the year with an emphasis on fair play and enjoyment for any level of experience, including the fall opportunities below.

Search Current Asheville Sports and Athletics

Limited spots available, so advance registration at AVLREC.com required. Some activities offer discounted registration for early sign ups. Most team sports also offer “looking for a team” options for free agents. Some activities charge a higher rate for participants who do not live in Asheville.

Leagues

6v6 Indoor Volleyball League, $200 per team

Registration opens November 27, games begin January 16 for winter season

Upper, middle, and lower divisions play at Tempie Avery Montford Community Center.

Over 40 Basketball League, $60 per player

Registration ends August 24, games begin September 12

Asheville’s newest team sports league provides an opportunity for community members over 40 who want to get back into the game or prefer to play with others around the same age. Sign up as an individual to be placed on a team based on height, position, and skill level for games played at Linwood Crump Shiloh Community Center.

Flag Football League, $600 per team

Registration opens August 30, games begin October 17

Upper, middle, and lower divisions play at Asheville Middle School on 211 South French Broad Avenue.

Winter Basketball League, $600 per team

Registration opens October 10, games begin November 27

Upper and lower divisions play at Linwood Crump Shiloh Community Center. Middle division plays at Stephens-Lee Community Center.

Clinics and Tournaments

Tennis Clinic, $20 per player

Registration ends September 6, clinics held each Tuesday and Thursday from September 12-21

Instructional clinics for beginners and intermediate players teach the basics and build on skills each class at Murphy-Oakley Park.

Doubles Grass Volleyball Tournament, $20 per team

Registration ends September 5, tournament on September 16

Six sets to 21 in pool play for advance and intermediate divisions in which all teams advance to the playoffs on a day of music, fun, and volleyball at Carrier Park.

Intro to Golf, $10 for series with players responsible for their own green fees

Registration ends September 28, games played each Wednesday from October 4-25

Travel to a different golf course each week for one-on-one coaching to learn the game. For more info, contact Colt Miller at [email protected] or (828) 707-2376.

Pumpkin Ball Softball Bash Tournament, $150 per team

Registration ends September 30, tournament on October 7

All players hit a 16-inch softball in games played on a 200-foot distance field with unlimited home runs with a three-game guarantee. Winning teams receive prizes and trophies. For more info, contact Zack Stewart at [email protected] or (828) 545-1644.

Late Night Wiffleball Tournament, $5 per team

Registration ends November 9, tournament on November 16

Five-player teams play in this two-game guarantee tournament at Tempie Avery Montford Community Center. For more info, contact Kiley Pritchard at [email protected] or (828) 507-3357.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

• • Library open hours
  • Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
    • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations Holidays call for hours

Buncombe County Landfill – Convenience Center

85 Panther Branch Road, Alexander

• • Monday-Friday, 8 a.m. – 4:30 p.m.
  • Saturday, 8 a.m. – 12:30 pm

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

• • Library open hours

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Through Oct. 29 the center will showcase hundreds of glass-blown pumpkins available for purchase from local artists. . Open 10 a.m.-5 p.m., closed Tuesday.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

The Kiwanis Club of Black Mountain-Swannanoa is presenting its first Field of Honor®. A field of American flags dedicated to military and first responders will be flying from September 11 – September 30th at the lot between the Black Mountain United Methodist Church and Harwood Home for Funerals (200 W. State Street, Black Mountain, NC 28711). An opening ceremony will be held on Monday, September 11 at 1:00 at the field location and a closing ceremony will take place at 11:00 on September 30 to retire the flags. All funds raised by this event will be distributed to non-profit organizations and used for scholarships in the Black Mountain/Swannanoa area. Donations can be made at: https://www.healingfield.org/blackmountainnc23

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others. The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists. Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Please join us as Reverend Scott Rogers unveils plans for the expansion of the Transformation Village campus and programs. Find out what’s in store for our residents, volunteers, and community partners as ABCCM continues to fill the gap.

Our ongoing theme is “Action Today-Hope for Tomorrow.”
Come learn how ABCCM’s ministry services and outstanding volunteer support make a positive impact on our community and those whom we serve.

There will be an opportunity to ask questions
Refreshments will be provided

ABCCM Transformation Village / Dining Room
Thursday September 28, 2023 | 4PM
30 Olin Haven Way, Asheville, NC 28806
GPS Address 45 Rocky Ridge Rd

Featuring Scott Rogers, ABCCM Executive Director & Julie Singleton, ABCCM Board Secretary & TrV Advisory Committee. If you would like to attend, send your RSVP to [email protected], 828.398.6985

Sponsored by
Asheville Biltmore Rotary Club

Center for Craft’s immersive installation asks: What will Appalachia be in a post-major event future? – The Center for Craft is thrilled to announce Krafthouse, a new immersive art installation, made for and by the community, that will evolve and change each year in their historic building at 67 Broadway in downtown Asheville. Local artist Jeannie Regan leads the inaugural year as Creative Director with the vision for Krafthouse 2023: Forest of the New Trees. Between September 28 and October 13, the curious will be rewarded with a ticketed installation that changes nightly, as artist and audience participation weave a story of radical collaboration in Appalachia in the aftermath of a mysterious, world-changing event. In the spirit of immersive performances, events, and installations like Meow Wolf, Punchdrunk’s Sleep No More, and Burning Man, Krafthouse 2023: Forest of the New Trees invites self-guided exploration of a strange, new landscape and its imagined ecologies and societies, including cultures, customs, and micro currencies. Return visits will reward guests with new perspectives and illuminate new paths through the experience. Selected local artists working with Center staff and Regan will each interpret the theme in their own way. The end result will be the creation of a small, self-sustaining community that has made itself anew. A night market atmosphere will welcome visitors, who will be able to make, gift, and trade goods with the artists and each other, with the opportunity to take home keepsakes – as well as leave their own imprint on the space. The installation asks visitors to participate and collaborate to the extent they wish. Guests are invited to come in costume to share their own interpretation of the post-major event, and to bring any of their own offerings for the space. Costumes and materials will also be available onsite for people who would like to step into this new reality more fully when they arrive. In her exploration of the theme, Regan researched the centuries-old craft traditions of Appalachia, including their relationship to Indigenous wisdom, hillfolks’ lore, and the ancient wildness of the Blue Ridge Mountains. An undercurrent of the installation is the generational resilience of local peoples facing their own “post-major events” and collaborating radically to survive – and thrive – in their aftermath. The varied lived experiences of people during the early days of the Covid-19 pandemic, when a multitude of realities existed simultaneously, also informed the theme. “There was no united experience in that major event that happened, because we all experienced it very differently,” Regan shares. But it was also a world where, she notes, “multiple realities intersected and radical community collaboration was the only way to survive.” She continues, “Craft plays into all of that, because what we make says so much about us as individuals. What we make says something about what we want the future to be.”

Krafthouse 2023: Forest of the New Trees

an immersive art installation made by Asheville

creative direction by Jeannie Regan

Visit the Center for Craft at 67 Broadway in downtown Asheville, North Carolina, to discover an imagined post-major event Appalachia. You will descend into the basement to enter a world imagined by artists where craft is the only way to survive and thrive.

‍Guests will abide by the rules of the forest – to learn to trade without currency – and see, hear, touch, and wear what artists have crafted as a way to ensure our collective future. Each experience is unrepeatable, creating an impulse to return to explore the world anew.

Special thanks to Jeannie Regan, Creative Director and Futures Bright, Graphic Design.

General admission tickets are $15 and provide guests with a self-guided tour of the immersive installation that runs for approximately 3 weeks between September 28 – October 13 on Thursdays and Fridays from 5 – 8 pm, and on Saturdays from 2 – 4 pm and 6 – 9 pm.

Ticketed tours depart every 10 minutes, and the experience takes approximately 30 minutes. After the experience, guests will be invited to mingle and grab a beverage or snack.

Reservation Start Time indicates the time your group will be escorted from the main level down to the Krafthouse installation experience.

Please plan to arrive at the Center for Craft main entrance at 67 Broadway Street at least 15 minutes prior to your reservation start time.

Queer Music Exploration – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music.

Join us at the Sustainability Symposium sponsored by Lenoir Rhyne University and Mountain True. Participants will engage subject matter experts at five subject stations, defining calls to action in each subject area. The objectives of this event are educating, engaging and activating the community to work individually and cooperatively toward the common goal of a healthier Asheville urban ecosystem. Location: Pack Square Fire Station at 100 Court Plaza Discussion Subjects: Green Incentives Urban Forest Ecology Environmental Justice Plastic reduction General Sustainability

Open Play

Time scheduled for organized drop-in, pick-up, and open community games at locations around Asheville. For more info, contact [email protected] or (828) 259-5800. All are free unless noted.

Basketball

Open Play

Time scheduled for organized drop-in, pick-up, and open community games

Dr. Wesley Grant Sr. Southside Community Center, starts September 5

• Tuesday and Thursday, 6:30-9 p.m.
• Sunday, 12-5 p.m.