Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.
Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.
Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)
Show runs Oct. 4 – Nov. 7
Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
At the event you are sure to find the finest in handcrafted art that Asheville Area Artists have to offer. Skilled workers of Glass, Ceramics, Wood, Jewelry, and metal make their shops open to display to the public at every market. Positioned in the center of downtown Asheville the market has created over $1M in needed income for area artists. Many artists return to the market to welcome customers each year. Asheville is known as the hub of artistic activity that radiates throughout the area. Not only does Western North Carolina boast many excellent craft education programs, but it also plays host to many tourist each year. The vacationers marvel at the city as it’s arts and culture oozes out of every side of the artcentric mountainous region. Come start your next artistic adventure in the center of Asheville in Pack Square Park this June and October and take home some of the wondrous bounty that is Asheville Art.
Free to attend.
BEFORE + AFTERPARTY
Saturday, October 11
8:30–11:00 pm
Suggested donation $40
Open to all
I Spy an immersive projection experience in the Center for Craft’s Ideation Lab. Curated cocktails, DJ, hands-on craft activities with Print House and Swannatopia, and a dance floor.
Bring an object to cast in acrylic. Record a message for the digital time capsule. Don’t miss it!
Sliding scale entry to support the Center for Craft’s mission to resource, catalyze, and amplify makers and scholars.
Activation and music by Frisson Studios.
Graphic design by Maxwell James Sauls.
Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Big Game, Bright Ideas!
The Children’s Entrepreneur Market is setting up shop at the UNC-Asheville Women’s Soccer Game for a special event full of team spirit and young talent!
Come cheer on the Bulldogs and shop from kid-run businesses offering everything from handmade crafts to sweet treats and creative products. It’s the perfect blend of community, creativity, and soccer excitement!
Let’s rally behind our young entrepreneurs and student-athletes all for one unforgettable afternoon!
Come join us for the 20th Anniversary of the Kenilworth Artists Association Open Studio Tour. Discover our Asheville NC neighborhood of creatives showcasing and selling their unique, local hand made art.
This year we have 27 talented artists in 15 locations. Artists working in a wide range of mediums, including paint, jewelry, pottery, ceramics, glass, fiber and fashion, woodcraft, mixed media, encaustic, paper, metalwork and collage.
New this year are art activities for all at Kenilworth Church on Saturday only. We will have several art stations and information tents to inform the public of our Artists’ Studio Tour and Kenilworth neighborhood happenings. Join us for an artful good time!
If you’ve ever collected small, perfectly smooth pebbles and wondered what to do with them, this two-day workshop is the perfect solution! Using diamond encrusted drill bits, students will drill through these materials and then fabricate sterling silver wire and sheet to create stunning jewelry which may include pendants, earrings, rings and bracelets. Students will also learn about the soldering process, bezel and prong setting and a small amount of forging.
No experience is necessary but good eyesight or magnification is a must.
Students are asked to bring:
Small pebbles, ceramic shards, shells and sea glass if they have any (the instructor will bring some for their use as well)
Notebook and pen/pencil
Ultra fine tipped Sharpie pen
$399 plus materials
A materials list for students to purchase will be provided upon registration.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Join us at LEAF Global Arts Festival to connect to the world and each other through cultural exploration, live music, dance, performance arts, healing arts, workshops, nature, and more.
Explore the #1 Kids Festival in Western North Carolina, and one of the best FAMILY festivals in the world. All of LEAF is family friendly with activities spread throughout the magical setting. Family Adventure activities are throughout LEAF and designed to engage and inspire. Watch performances, create, play, and discover whimsical Puppetry shows. Support children’s crafts, hoop and flow, and play boffer games. Immerse into cultural creative arts in Easel Rider with LEAF teaching artists. Swing in the Jelly Dome. Play sports with a global community. Jump, roll, pet, climb, and retreat: life-sized hamster ball, climbing wall, launch rockets! Each festival has different offering and tradition- you. may find Toy Trains on the hill, paper rockets, and Giant slides & bounce houses!
If you have little ones, Elfhaven Childcare in Buckeye Lodge is a world of wonder and time for parents to go play.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
TICKETS – $15 General Admission / $10 for BMCM+AC members + Students w/ID
Join us at LEAF Global Arts Festival to connect to the world and each other through cultural exploration, live music, dance, performance arts, healing arts, workshops, nature, and more.
Explore the #1 Kids Festival in Western North Carolina, and one of the best FAMILY festivals in the world. All of LEAF is family friendly with activities spread throughout the magical setting. Family Adventure activities are throughout LEAF and designed to engage and inspire. Watch performances, create, play, and discover whimsical Puppetry shows. Support children’s crafts, hoop and flow, and play boffer games. Immerse into cultural creative arts in Easel Rider with LEAF teaching artists. Swing in the Jelly Dome. Play sports with a global community. Jump, roll, pet, climb, and retreat: life-sized hamster ball, climbing wall, launch rockets! Each festival has different offering and tradition- you. may find Toy Trains on the hill, paper rockets, and Giant slides & bounce houses!
If you have little ones, Elfhaven Childcare in Buckeye Lodge is a world of wonder and time for parents to go play.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Open Studio Sip & Shop: Local Jewelry, Home Decor + Vintage Clothing
115 Elk Mountain Rd, Woodfin NC
Friday, October 17th
4-6:30PM
Additional parking at Woodfin Elementary
🎉 Calling All Young Entrepreneurs! 🍅
We’re thrilled to partner with J&M Farms at their vendor market day in October!
🌟 Got a kid with a big idea? Whether it’s homemade crafts, baked goods, lemonade stands, or creative services—this is their chance to shine!
🍅 Visit kids markets.com
Sign up your child’s booth 🌽
Explore upcoming children’s markets 🎨
Support young local entrepreneurs 💼
Come support young business minds as they showcase their creativity, passion, and entrepreneurial spirit alongside your favorite local vendors.
Shop local and discover handmade crafts, delicious treats and unique finds from amazing vendors. It will be a day of family fun, and a perfect day to shop, explore, and be inspired by the next generation of innovators.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
