An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Registration is not required.
Drop in for this Friday’s Art Break and join guest curators Marilyn Laufer and Tom Butler as they lead an informal Gallery discussion about the new exhibition, Too Much Is Just Right, which showcases more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present.

RTS: The Good, The Bad, & The Guilty

Directed by Margaret Crowell

Friday and Saturday performances are held at Asheville Community Theatre; Sunday performances are held at the Reuter Center on the campus of UNCA. 

The Good, The Bad, and The Guilty is presented as readers theatre by The Autumn Players.

A Trio of One-Acts

What dramatic truths lie behind a woman’s strange laugh, a suitor’s palpitating heart, a whistle in the night, or an Irish ballad singer and a hundred pound reward? When will the small rise up and the big fall down? When will we all change places? Three one-act plays explore how we seek to embrace – or escape – the ties that bind us.

The Rising of the Moon by Lady Gregory
Trifles by Susan Glaspell
The Proposal by Anton Chekhov

2022 Market Season: Every Friday April – October

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

Free and Open to Everyone

We are delighted to welcome David Childers and The Serpents to Bloom WNC’s Outdoor Concert Series!

David has been writing and performing songs for a diverse range of audiences, in many different places for the last 35 years. He plays solo and plays with a combination of ensembles generally called ‘The Serpents’.

For this Bloom WNC concert, David will be accompanied by Korey Dudley on bass, and Robert Childers on drums and both will also sing back up vocals.

Our very own Keri Ann has connected with the African Christian Fellowship to embark on a Mission trip this July to Malawi, Africa.

$10 cover charge, a raffle and an opportunity to donate!

To support this wonderful cause, Saint Paul Mountain Vineyard and Appalachian Ridge will kick off Spring with a 4 week Friday Night Jam’s Fundraiser at Appalachian Ridge from 6-9pm. �We will have live Music each Friday from 6-8:30pm. There will be a $10 cover charge, a raffle and an opportunity to donate. All of these proceeds go straight to the ACFUSA to provide and support primary health care needs to 6 villages in Malawi.

Friday Night Jam’s Malawi Fundraiser will take place every other Friday; Friday, April 14th- Live Music with Collin Cheek Friday, April 28th- Live Music with Hunnilicious Friday, May 12th- TBD Friday, May 26th- TBD

  vs. 

The Greenville Swamp Rabbits are much more than a professional hockey franchise playing in Upstate South Carolina; it is truly Greenville’s hockey team. Formerly known as the Road Warriors, the club rebranded to the Swamp Rabbits on August 26, 2015 in an effort to really ingrain itself in the fabric of the community. The name is inherently Greenville – specific to the city and unique in the sports world.

It’s the electrifying energy and unstoppable passion of Swamp Rabbits fans inside The Well combined with the award-winning game presentation that make attending a Swamp Rabbits game the BEST fan experience in the ECHL! From the moment you step inside the arena, you’ll find FREE concourse activities for the whole family, including sign-making, temporary tattoos, interactive games, music and there’s always a good chance you’ll run into the Swamp Rabbits mascot Stomper! Throughout the season, fans can also expect a lineup of special theme nights and exciting giveaways.

DIFFERENT STROKES! PERFORMING ARTS COLLECTIVE PRESENTS

THREE SIX NINE MONOLOGUE AND SHORT PLAY FESTIVAL features a curated selection of original pieces written by emerging Black Playwrights, primarily from our emerging Black Playwright’s program, A Different Myth. Join us for nine evenings of heart-warming, dramatic, funny, heart-breaking, and provocative short plays and monologues. Three Six Nine features represents 3 weekends, 6 short plays, and 9 monologues. No two weekends will be the same, and neither will you. Join us as we mix and match 12 pieces over the course of 90 minutes on 9 very different evenings.

April 6-8, 2023
April 13-15, 2023
April 20-22, 2023
at 7:30 p.m. each evening

Edvard Tchivzhel, conductor
John Wickey, harp
BRITTEN Soirées Musicales
RODRIGO Concierto de Aranjuez
R. STRAUSS Le Bourgeois Gentilhomme Suite

John Wickey began his professional music career as a child with the Michigan Opera Theatre Children’s Chorus. At the suggestion of management, he was encouraged to study piano with Albert Fillmore with the goal that he would one day become a conductor of the company.

The idea of conducting was never realized, as John took up the harp after seeing Detroit’s Cass Technical High School Harp & Vocal ensemble perform at a local concert. He became enamored of the harp and after two years of study at Cass Tech, with Patricia Terry-Ross, John was awarded a full tuition Dean’s Scholarship from Boston University to work with Lucile Lawrence, one of the preeminent harp pedagogues of our time and co-author of the Salzedo Method Book.

John Wickey holds a diploma in piano performance from the Detroit Community Music School, a Bachelors in Harp Performance from Boston University and a Masters from the University of Michigan where he studied with Lynne Aspnes.

John currently serves as Principal Harpist with the Greenville Symphony and is on faculty at Converse College and Anderson University. He performs regularly throughout the southeast region, most recently with Pan Harmonia, a series centered in Asheville, NC.

There’s no doubt that when it comes to rock & roll, the Rolling Stones define the genre and a generation. Jumping Jack Flash is considered by many to be the best Rolling Stones tribute band and has been wowing audiences for years performing on stages all over the world. Lead singer Joey Infante perfectly captures what it is about Jagger that makes him one of rock’s all-time icons.  Join us on the Rock and witness what made the original bad boys of Rock among the greatest showmen of their time. “…Jumping Jack Flash makes you feel that you are truly at a Stones concert.” –Music Arts Monthly

Every Lucius song begins with what Holly Laessig calls “coffee talks,” in which she and Jess Wolfe share what’s on their minds—and in the spring of 2020, they had a lot to discuss. Since 2007, Laessig and Wolfe have written this way, learning each other’s stories by heart before weaving them into the lyrics and chord progressions of their inventive indie-pop anthems. Onstage, they’re two identically-dressed and coiffed halves of the same whole, the mirror image of each other at the microphone; off-stage, they step into their respective lives—separate, but close—as chosen family. They’ve shared countless joys as they’ve seen the world while touring behind their 2013 debut album, Wildewoman, and its follow-up, 2016’s Good Grief, but they’ve weathered profound losses and lows together, too. And when one of them experiences a seismic shift that shakes their world, the other is there to listen, and reflect, in order to help write through it.

Second Nature, Lucius’ third album, is the closest thing yet to the musical versions of these intimate conversations. Co-produced by Carlile, their longtime friend, collaborator, and champion, and Dave Cobb, whose production credits have earned handfuls of Grammys and industry-wide accolades, Second Nature is a new chapter for Lucius in more ways than one. Laessig and Wolfe found themselves gravitating less toward the folkier inclinations of Wildewoman or the experimental urges of Good Grief to express themselves, and more towards the four-on-the-floor inclinations of dance-pop. Carlile encouraged them to push their immense vocal power to its max in order to create “grandiose” moments.

Second Nature fuses funk and disco (which pulses through the title track and “Next to Normal”) with ‘80s new wave (“Heartbursts;” “LSD”) and millennial club catharsis (“Dance Around It”); it draws a throughline from Abba’s unabashed dance floor devotion to Kate Bush’s cerebral art-pop and the vibrant vulnerability of Robyn, all without sacrificing an ounce of Lucius’ own style and ingenuity. And though many of the melodies are synth-laden and steeped in endorphins, the lyrics are very much anchored in the uncertainty, fear, and difficult epiphanies Laessig and Wolfe faced as they wrote through their experiences—direct lines of dialogue seemingly pulled from their coffee talks. Many of the truths of Second Nature are hard to confront, but Lucius learned that there’s so much more to gain from facing the impossible than shying away from it—especially when you’ve got someone standing by your side through it all.

FISH
By Cyndi Williams
Directed by Ashleigh Goff

When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process?  Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy and the present.

In this Tony Award® winning comedy by Christopher Durang, middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha. Hilarity, a bit of pathos, and just a touch of Chekhovian ennui ensue as the family, neighbor, boyfriend, and housekeeper navigate the complexities of their relationships.

Discretionary Content: Adult themes and Language
COVID protocol: masks still required in the theatre during the performance