Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
This All Levels Flow Yoga class will be light and fun!
Join Tara for a 60 minute vinyasa flow, alongside the sounds of the flowing French Broad River.
All BSY classes are ayurvedic based so flow & style varies depending on time of day, weather, and time of the year.
The first 1,000 fans in attendance will receive a Hawaiian shirt, courtesy of Coca-Cola! Gates will open at 4:30 PM.
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MAINSTAGE SERIES FOR STUDENTS AND FAMILIES
TWEET TWEET!
Femmes du Feu
Recommended for babies, toddlers and their caretakers
Get up-close and personal in this highly interactive performance, which invites you and your youngest onto the stage for a colorful and captivating show. Gather around the magical tree, take a seat in the plush “grass” carpet, and be amazed by this unique aerial circus and dance experience, which takes “birdwatching” to a whole other level.
Reservations accepted beginning Thurs. September 2
Updated safety policy, effective September 1, 2021: To ensure the health and wellness of students, patrons, artists, staff and volunteers, masks are required at all times for all students, patrons and visitors regardless of vaccination status.
The Well Drinkers are a bluegrass band based out of Western North Carolina. They combine traditional instrumentation and harmonies with new age melodies and songwriting. The band consists of Jake Bachman on mandolin and lead vocals, Adam Bachman on dobro/pedal steel and backup vocals, Andrew Wakefield on acoustic guitar and backup vocals, Josh Riley on upright bass and Jeremy Rilko on banjo.
A.R.M.E.S. Dance Concert is a performance of both ballet and modern dance styles showcasing the dancers’ wonderful talent. This annual performance highlights grace, discipline, and artistry that will capture your hearts.
A multisensory puppetry experience for all ages that explores what it means to be a human being
Admission is free and seats can be reserved in advance through a form on the ACA website: https://ashevillecreativearts.org/mainstage-productions/.
Visit Asheville Creative Arts’ website for general information (www.ashevillecreativearts.org);
Asheville Creative Arts (ACA), Asheville’s professional children’s theatre, returns to live theatre with a 60-minute, multisensory puppetry experience, the world premiere of HUMAN. Written, directed and designed by Nehprii Amenii (CLICK, CLACK, MOO), HUMAN features original music by Martha Redbone and Aaron Whitby; lyrics by Nehprii Amenii, Martha Redbone and Aaron Whitby; choreography by Amparo Chigui Santiago; lights, projections and environment design by Marie Yokoyama; sound designs by Joo Won Park; puppet construction by Dan Jones and Tarish “Jeghetto” Pipkins; dramaturgy by Dr. Allison Curseen and Philip Santos Schaffer; with outreach from ACA’s Community Development Director, Daniele Martin. HUMAN will run at The Tina McGuire Theatre at The Wortham Center for the Performing Arts (18 Biltmore Ave) from April 28- May 15, with public performances Fridays at 7pm, Saturdays at 1pm, and Sundays at 3pm, with special performances Thursday 4/28 at 7pm and Saturday 5/7 at 7pm. Admission is free, with a hat passed for donations post-performance. More information and a link to reserve seats is available at www.ashevillecreativearts.org.
Now that Humans are extinct and the world as we knew it has ended, the Octopus has a decision to make… Will it be willing to give up one of its three hearts in order to create a new, more sensitive human being? Will it be willing to give humanity a second chance? HUMAN is told through the windows of a sunken submarine, using images of the human heart, and a hybrid of puppetry styles. Meant to be enjoyed by children 5 and older and their families, it consists of projection design, sound design, dance, puppetry, and sensory play that explore what it means to be HUMAN.
The cast features April Tilles, Joshua Chung, Kaylyn Carter, Khalilah Smith, Olympea, Rebekah Babelay and Tippin.
Creator and Khunum Productions Artistic Director, Nehprii Amenii says “in a world increasingly mediated by technology and flattened screens, this piece will offer a space for audiences of all ages to explore humanness, touch, and interconnectedness.”
Adds ACA Artistic Producing Director, ”Nehprii has brought together an incredible, majority BIPOC team who between them have Broadway, Off-Broadway and regional credits, Drama Desk Awards, and the imagination, sensitivity and creativity to guide young people and their adults through a timely, and in the end, joyful exploration of hope in our current moment.”.
This production of HUMAN is supported, in part, with awards from the National Endowment for the Arts, the North Carolina Arts Council, The Henson Foundation Family Grant, and has been developed as part of the New Victory LabWorks 2021-22 Season.
ABOUT THE CO-PRODUCERS:
Asheville’s critically acclaimed, award winning theatre devoted to creating works for children of all ages, Asheville Creative Arts was founded in 2013 and produces, presents and creates innovative works for multigenerational, multiethnic and multidimensional audiences, performed by adult actors. Past productions include CHARLOTTE’S WEB, THE WARP & THE WEFT, BUGS!, and SLUG & SNAIL. “Ostensibly, ACA produces children’s theater, but the company’s ambitious works appeal to both youths and adults.” – Mountain Xpress
Khunum Productions is a New York based production company that produces highly visual narrative-based productions that combine the personal, the social, and the magical to create experiences that transform the human heart, and thus our society. Khunum Productions recognizes itself as a platform for “Creative Anthropology.” This means that we are interested in the study of what makes us human, and the interconnectedness of all people and things. Our work and process of working aims to deepen human connectivity–to one another and to our own selves. We are not interested in art that drags the human along. Thus the people involved in process and their individual needs are priority. We believe in process and nefer –beauty. We strive to make the artistic process of creating together equally as beautiful as our productions.
LISTINGS INFORMATION: HUMAN runs April 28 – May 15, 2022 at Tina McGuire Theatre at The Wortham Center for the Performing Arts (18 Biltmore Ave): with public performances Fridays at 7pm, Saturdays at 1pm, and Sundays at 3pm, with special performances Thursday 4/28 at 7pm and Saturday 5/7 at 7pm. Admission is free and seats can be reserved in advance through a form on the ACA website: https://ashevillecreativearts.org/mainstage-productions/. Visit Asheville Creative Arts’ website for general information (www.ashevillecreativearts.org); for school and community groups wishing to book weekday school matinees, contact [email protected] or call 914/830-3000. For more information about Wortham Arts visit https://www.worthamarts.org.
This was the show we were about to produce just as the world went into lockdown. Perhaps it’s appropriate that it’s a comedy about the end of the world. If you haven’t yet had enough of the real end of the world, feel free to join us for some real belly laughs at its expense.
The play brings together Jules, a grad student in marine biology, and Jo, a journalism student, for, supposedly, a casual sexual encounter. Jo soon comes to realize that her planned-on one-night-stand is actually a ruse, perpetrated by Jules, to find an Eve to his Adam after he has discovered a pattern in fish behavior that portends the end of all life on earth. Stuck in Jules’ laboratory, they wait out their impending doom. A third character, Barbara, serves as our guide to the end of civilization as we know it.
In the sequel to Nunsense and Nuncrackers, Dan Goggin’s endearing, eccentric nuns sing zesty tunes with a country-and-western twang. Sister Amnesia (a.k.a. Sister Mary Paul), having discovered her true identity and desire to be a country singer, finally records her debut country album, “I Could Have Gone to Nashville,” and goes on tour to promote it. The show, filled with hysterical one-liners and infectious comic songs, is sinfully funny.
Sister Amnesia’s Country Western Nunsense Jamboree’s production team includes HT’s Artistic Director Victoria Lamberth as director, the musical direction of Laura Williams, choreography by Matilyn Hull and Dru Dykes as stage manager. WNC actors Karen Covington-Yow, Leisa Foronda, Sarah Henby, Hogan McLamb and Allison Starling complete the cast.
Tickets are not on sale yet. Please check back closer to the event date.
Every person is assigned a role. When Jonas turns 12, he is chosen for special training from The Giver — to receive and keep the memories of the community. Now Jonas will learn the truth about life — and the hypocrisy of his utopian world. Through this astonishing and moving adaptation of the Newbery Award-winning book by Lois Lowry, discover what it means to grow up, to grow wise, and to take control of your own destiny.
Please come prepared to wear a mask for the entire performance. Masking requirements may change based on the recommendation of federal and/or state health officials; please check our website for ACT’s most up-to-date masking policy.
All tickets are subject to sales tax and a $3 ticketing system fee. All sales final. No exchanges or returns.
A determined young fact checker is about to stir up trouble.
His demanding editor has given him a big assignment: apply his skill to a groundbreaking piece by an unorthodox author. Together, they take on the high-stakes world of publishing in this new comedy of conflict. The ultimate showdown between fact and fiction is about to begin—with undeniably delicious consequences.
By purchasing tickets to The Lifespan of a Fact, you are agreeing to abide by the current COVID-19 Policies of NC Stage which include: everyone in your party over the age of 2 wearing an appropriate mask or respirator the entire time you are in the theatre, coming prepared to show proof of full COVID vaccination or a lab-conducted negative COVID test taken within 72 hours of the performance FOR EVERYONE IN YOUR PARTY regardless of age, and showing a photo ID for those in your party over the age of 18.
With one foot in the real world and the other in a charmed dimension of his own making, Amos Lee creates the rare kind of music that’s emotionally raw yet touched with a certain magical quality. On his eighth album Dreamland, the Philadelphia-born singer/songwriter intimately documents his real-world struggles (alienation, anxiety, loneliness, despair), an outpouring born from deliberate and often painful self-examination. “For most of my life I’ve walked into rooms thinking, ‘I don’t belong here,’” says Lee. “I’ve come to the realization that I’m too comfortable as an isolated person, and I want to reach out more. This record came from questioning my connections to other people, to myself, to my past and to the future.”
This comedy thriller is a classic gem with exciting twists and turns from beginning to end. Overflowing with hilarity, this Broadway whodunit will have you guessing and laughing from start to finish. An advertising man who has brought his bride to the boss’ mountain lodge for a honeymoon calls in the local police to investigate her sudden disappearance. Enter a pretty young girl who insists over his protests that she is the missing wife. A priest backs up her story. A funny little man who owns a delicatessen enters and before you know it there are two murders at the isolated lodge. Can Inspector Levine riddle out the truth? Can you? Join us for a night of mystery and amusement!
“The final 15 minutes will reward you as a murder mystery should.” The New York Times
*This is not the Frank Abagnale Jr. story
Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.
By the summer of 2019, the Houston group—bassist Laura Lee, guitarist Mark Speer, drummer DJ Johnson—had been on tour for nearly three-and-a-half years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together.
It’s a lesson Lee had recently learned with the help of a new friend, a near-stranger who had reached out when she was feeling particularly unmoored, inviting her to come hiking with his family. That day, as they’d all made their way toward the distant promise of a waterfall, Lee had felt a dawning clarity about the importance of appreciating the journey, rather than rushing headlong toward the next destination—something she’d almost lost sight of during the band’s whirlwind rise. When they reached the waterfall at last, Lee’s friend urged her to jump, a leap she likens to a baptism. As she did, he screamed her name—her full name, the one she’d recently taken from her grandfather. In that instant, Laura Lee Ochoa was reborn. She emerged feeling liberated, grateful for what her friend had shown her. His name was Mordechai.
Ochoa’s rejuvenation found its expression in words—hundreds of pages’ worth, which she’d filled over a self-imposed day of silence. As Khruangbin began putting together the songs that would make up the next record, discovering in them spaces it seemed like only vocals could fill, they turned to those notebooks. Khruangbin had worked with lyrics before: the love-letter poetry of “Friday Morning,” the ghosts of conversations gone by in “Cómo Te Quiero.” But this time Ochoa had found she had something to say—and so did the songs. They needed each other. And letting those words ring out gave Khruangbin’s cavernous music a new thematic depth.
Chief among those themes is memory—holding onto it, letting it go, naming it before it disappears. Again and again the songs play on those notions, from the sun-dappled disco of lead single “Time (You And I)”—which evinces the feeling of a festival winding down to its final blowout hours—to the lilting “So We Won’t Forget,” which finds Ochoa filling her apartment with memories she’s scrawled on Post-Its to prevent them slipping away. It’s there, too, in “Dearest Alfred,” which was inspired by a trove of letters Ochoa’s grandfather wrote to his twin brother, as well as “If There Is No Question,” a metaphysical devotional (by way of Marvin Gaye) that harkens back to Johnson and Speer’s earliest days in a church band. And those same nostalgic wisps curl all around “Connaissais De Face,” a Middle Eastern vamp by way of Serge Gainsbourg that evokes all the ruminative romance of a French New Wave film, layered with its own tender dialogue of reminiscence.
Musically, the band’s ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. The Roy Ayers funk of opener “First Class” created a lush bed for the band to stretch out on, singing wryly about popping champagne while jet-setting all over the world. But in the end, those brags are revealed to be a shoutout to the home that made all this possible, a love that’s evident in its hands-in-the-air refrain of “H-Town.”
In those years away from that home, Khruangbin’s members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey—a moment all the more beautiful for its impermanence. And it’s a memory to revisit again and again, speaking to us now more clearly than ever.
Paul Thorn has created an innovative and impressive career, pleasing crowds with his muscular brand of roots music – bluesy, rocking and thoroughly Southern American, yet also speaking universal truths. Among those who value originality, inspiration, eccentricity and character – as well as talent that hovers somewhere on the outskirts of genius, the story of Paul Thorn is already familiar. Born in Tupelo, Mississippi, raised among the same spirits (and some of the actual people) who nurtured the young Elvis generations before, Paul Thorn has rambled down back roads and jumped out of airplanes, worked for years in a furniture factory, battled four-time world champion boxer Roberto Duran on national television, performed on stages with Bonnie Raitt, Mark Knopfler, Sting, and John Prine among many others, and made some of the most emotionally restless yet fully accessible music of our time. He’s also appeared on major television shows, received numerous National Public Radio features and charted multiple times on the Billboard Top 100 and Americana Radio Charts.
A modern, theatrical world that is uniquely fresh and inspiring.
Jesus Christ Superstar is an iconic musical phenomenon with a world-wide fan base. In celebration of its 50th Anniversary, a new mesmerizing production comes to North America. Originally staged by London’s Regent’s Park Open Air Theatre and helmed by the acclaimed director Timothy Sheader (Crazy for You, Into the Woods) and award-winning choreographer Drew McOnie (King Kong, Strictly Ballroom), this production won the 2017 Olivier Award for Best Musical Revival garnering unprecedented reviews and accolades. Appealing to both theater audiences and concert music fans, this production pays tribute to the historic 1971 Billboard Album of the Year while creating a modern, theatrical world that is uniquely fresh and inspiring.
Featuring award-winning music by Andrew Lloyd Webber and lyrics by Tim Rice, Jesus Christ Superstar is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ as seen through the eyes of Judas. Reflecting the rock roots that defined a generation, the legendary score includes ‘I Don’t Know How to Love Him’, ‘Gethsemane’ and ‘Superstar’.
Claire Simpson Jones and Donny Luke are the Asheville Gallery of Art’s featured artists for the month of May. Visitors to the gallery will have the entire month to view their outstanding paintings. Their exhibit will run from May 1st-31st.
“This exhibition is a celebration of our individual travels through life,” joyously depicted in the watercolors of Donny Luke and Claire Simpson Jones. Traveling has always played a big part in both Donny and Claire’s world, broadening their awareness and perspective, opening their minds to new experiences, and providing unlimited inspiration.
Both artists have a passion for travel as well as a passion for the challenging, but gratifying, watercolor medium, and this exhibition combines these passions. “There is no better way to immerse yourself into a particular scene than painting. Whether choosing plein-air or painting from travel sketches and references brought back to the studio, all of our senses come to life and that experience is pure joy!” Every painting is an adventure that seems to take on a life of its own, often diverging from the initial design as it develops. Staying open to ‘following’ that direction or literally “going with the flow” of watercolor provides a sense of discovery and adventure that makes the process exciting. Donny and Claire both have a long list of places and techniques they plan to explore in the near future, adding to their repertoire of inspiration and work.
Donny Luke’s travels throughout the US, Canada, and Mexico, have given him many opportunities to take reference photos of some of the most beautiful places and landscapes in North America. He works from these references to create dramatic watercolor paintings. His work also includes many paintings of the breathtaking scenery and architecture in Western North Carolina, especially waterfalls, streams, and old barns.
Donny retired from a thirty-two year career as a professional architect in Asheville, NC and began his watercolor career in 2016. He has studied under nationally known watercolor artists including Michael Reardon, Iain Stewart, Keiko Tenabe, and Antonio Masi. He is a signature member of the Watercolor Society of North Carolina and has had paintings juried into the 2018, 2020, and 2021 WSNC Annual Juried Exhibitions with the 2020 painting ‘Santa Rosalina Relic’ receiving the WSNC Permanent Collection Purchase Award.
Claire Simpson Jones’ sensitive naturalist paintings draw from her many travels, here and abroad, and a lifetime of finding refuge and comfort in the raw beauty of our planet. In the past ten years, she has spent her summers in her favorite destinations’ England, Scotland, Australia, and our beautiful mountains of NC. Equipped with painting supplies, she roams the countryside, setting up to paint whenever inspiration comes her way. “Nature has always fed my soul for as long as I can remember. This connection has been, and continues to be, the primary inspiration for my paintings. I often begin with plein air studies and photos, taking them back to my studio to see where my next painting experience leads me. There is nothing to substitute for painting on location, with all of my senses alive, working quickly to capture the true essence of the scene before me.”
After working in graphic design, illustration, and a long career in teaching high school art, Claire has shifted her focus back to full time painting. She holds a BFA from Florida Atlantic University and has studied art at Ontario College of Art and California College of Art. She has also studied with nationally known watercolor artists including atelier workshops with the world renown watercolorist, Mary Whyte. Claire is a signature member of the Watercolor Society of North Carolina, earning awards, the most recent 2020 Best of Region Award.
Visitors to the Asheville Gallery of Art will be able to view Claire and Donny’s show from May1st through May 31st. They will be present for a special “Meet the Artist” event on First Friday, May 6th, from 5pm-8pm in the gallery at 82 Patton Avenue.
What makes a place idyllic?
Start with an emerald river that flows from ancient mountains. Add an abundance of living creatures that co-evolved over millennia. Bring in humans who honor their place in the interconnected web. And rebuild a vital stream that supports us all.
Your support and engagement helps ensure the health of this watershed for the ages! We can’t do it without you.
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A race is only as good as the volunteers and you’re a good one! Let us know if you can help!
- Bricks-And-Mortar
- Public Education
- Planning, Survey and Designation
Volunteer with Us
Volunteers are the heart of our organization and support every aspect of our work. In 2021, 955 volunteers contributed 37,053 hours of service, helping us to carry out our vision of a world where everyone has a decent place to live. Whether sorting donations in the ReStore, hammering nails on the construction site, or assisting in the administrative office, we hope you’ll find the volunteer opportunity that is right for you.
ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.
The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.
Buncombe County Organizations Can Apply For Free Hotspots and Service As Part of $13 Million Dollar Pledge From UScellular
Access to reliable internet connectivity causes a divide between Asheville area youth who have access and those who do not. Millions of children nationwide and many right here in our area rely on public Wi-Fi to study when away from school. We are thrilled to announce that UScellular is providing $13 million dollars in free mobile hotspots and service to bridge this issue knows as the “homework gap”.
We encourage nonprofits working with youth in afterschool programs to apply and use this resource to enhance the important work they are already doing. Nonprofit organizations that meet the following criteria are encouraged to apply:
– Certified 501c3 nonprofit organizations
– Operate within UScellular’s service area
– Focused on kindergarten through 12th grade
– Not a school or government entity
To apply, click here.
If you’re not currently set up as an applicant on Grants Connect, you will need to set up an applicant profile first. Once you’ve set up your profile, click the above link or refresh your page to be taken to the After School Access Project landing page. If you have any questions, please email [email protected].
Students across Western North Carolina deserve the tools and resources they need to succeed. Hotspots are stand-alone Wi-Fi networks that can connect several devices at once wirelessly and have proven to be a vital tool for youth to access the internet, study and complete homework. In 2021, UScellular donated 2,800 hotspots and service to 33 Boys & Girls Clubs across the country, a $2.6 million investment. Clubs have used them to boost their connectivity on site and loaned the devices out to youth and their families to support reliable access at home. Now more organizations have the opportunity to apply.
Step Into the heart of Rwanda With Culture Keeper David Kwizera + the LEAF International Rwanda Jr. Troupe! This spring documentary is exactly what you need!
Think you might need to use an absentee ballot for the Primary Election on May 17? Here’s what you need to know so you can make sure your vote counts.
How to Request an Absentee Ballot
Absentee ballots will be mailed out beginning on March 28. The deadline to submit an Absentee Ballot Request Form is May 10 at 5:00 p.m. for the 2022 Primary Election. Any North Carolina registered voter may request, receive, and vote a mail-in absentee ballot. No special circumstance or reason is needed. Registered voters in North Carolina must request an absentee ballot with an official N.C. Absentee Ballot Request Form. There are two ways to access and submit the form:
- Online – Request an Absentee Ballot at the N.C. Absentee Ballot Portal.
- On paper – print the English N.C. Absentee Ballot Request Form for 2022 or the Spanish N.C. Absentee Ballot Request Form for 2022 (not available online currently).
For active-duty military, their family members, and U.S. citizens living abroad, click here. If you have questions about that process, you can call us at (828) 250-4200 or visit buncombecounty.org/vote.
No Printer? You may complete an absentee ballot request form at the Election Services office at 59 Woodfin Place, Asheville, 28801, or call (828) 250-4200 and one will be mailed to you. You may return the request in one of the following ways:
Mail it to:
P.O. Box 7468, Asheville, NC 28802
Hand deliver it to our office:
59 Woodfin Place, Asheville, 28801
Note: The Absentee Ballot Request Form may not be emailed or faxed. Request forms that are hand delivered to the office must be returned only by the voter or the voter’s near relative
How to Return an Absentee Ballot
The deadline to return the completed Absentee Ballot is Tuesday, May 17, 2022, at 5:00 p.m., however, voters are encouraged to return the ballot as early as possible. You may return it to us in one of the following ways:
By mail: Absentee ballots may be mailed to P.O. Box 7468 Asheville, NC 28802. Ballots must be postmarked on or before Tuesday, May 17, 2022 and received by Friday, May 20.
At an Early Voting site: Absentee ballots may be returned to an early voting site during the early voting period, but not at a polling location on the day of the Primary Election. Ballots returned at an early voting site must be delivered to the election official at the check-in station.
In person: Absentee ballots may be returned in person to our office at 59 Woodfin Place between 8 a.m. and 5 p.m. Absentee ballots may be returned only by the voter or the voter’s near relative.
For more information about absentee voting, visit the North Carolina Board of Elections website. Or call us at (828) 250-4200. You can also email your questions to [email protected].
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Farmer-to-Farmer Training
WNC Collaborative Regional Alliance for Farmer Training (CRAFT) is a farmer-led effort to bring established farmers, farm apprentices, and aspiring farmers together for year-long training in the art and science of sustainable agriculture, straight from the hearts, mouths, and fields of seasoned local farmers in Western North Carolina (WNC).
Why join CRAFT?
- Network with beginning and experienced farmers to exchange your ideas and knowledge and build community in the region.
- Expand your training opportunities beyond your farm to bolster the robustness of your apprenticeship offerings.
- Attract aspiring farmers to your apprenticeship positions to cultivate success and improve the future of our region’s agriculture.
Learn More About the New Online Playbill
We’re going green!
Flat Rock Playhouse is now producing online playbills! View the online playbill at your leisure before and after the performance!
You can view the online playbill ahead of time by clicking the link in your concierge email, which will be sent approximately 7 days before your performance.
The below instructions are for viewing the online playbill once at the theatre.
