Calendar of Events

Asheville Gallery of Art is pleased to present its special June exhibit, In Light of Everyday, the still life paintings by talented artist Sahar Fakhoury. Running June 1 through 30, an opening reception will be held Friday, June 6 from 5-7:30 pm.

Asheville Gallery of Art, a collective of 31 local artists, is located in the heart of downtown at 82 Patton Avenue. It is open daily from 11am to 6pm. For more information, call 828-251-5796, visit AshevilleGalleryofArt.com or follow the gallery’s Facebook and Instagram pages.

The Henderson County Curb Market, located at 221 N. Church Street in downtown Hendersonville, extends an invitation for its June Jamboree on Saturday, June 7th, from 8:00am – 2:00pm. The Market will offer live Bluegrass music by Liberty Road, a hot dog plate lunch available for purchase, a craft for Father’s Day at the children’s activity table, and a local authors’ signing. Visitors will enjoy chatting with Market vendors and shopping for produce and the many unique items created by local crafters. Fresh baked goods (including gluten free selections), free range eggs, preserves and honey will also be offered. With each purchase, a raffle ticket will be given for a chance to win a basket filled with Curb Market items donated by vendors. This is sure to be an enjoyable, relaxing day for all.

Pop-up Mini Craft Fair(s) at the Folk Art Center

May 3, 2025 | 10am-4pm

June 7, 2025 | 10am-4pm

Just in time for Mother’s Day and Father’s Day this year, find the perfect handmade gift at our pop-up fairs at the Folk Art Center. Members of the Southern Highland Craft Guild will showcase their talents under their tents outdoors in the lower-level parking lot of the Folk Art Center. 24 artists will participate each weekend. By shopping at this event, you are directly supporting small businesses of the WNC region.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

This is our new private lesson offering of individual 30 minute classes. Walk-ins will be welcome, schedule permitting. Here’s the deal: You come in, make a pot or two, have some fun, and we will take it from there. We will guide your beautiful creation through the multistep process of firing and notify you when your work is complete and ready for pickup / shipping. The process takes a few weeks to finish to ensure nothing blows up in the kiln, but we will get work sent out to you asap!

The 30 minute offerings will run from 11am – 4pm at a cost of $75 per person, per 30 minute lesson. Discounts applied to longer lessons and multiple participants. If you want more 1 on 1 time with one of our knowledgeable instructors we can book you multiple 30 minute blocks in a row. If you are coming with family or friends, we can get you all booked, back-to-back, so your entourage can cheer you on, or if it’s just you and one other person, we can get you situated to take the lesson together.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us in this hands on class where you will make a hammered sterling silver wide band ring. One of Ignite’s talented instructors will take you through the process step by step including soldering, shaping, hammering, and finishing your ring.

These also make great wedding bands!

You’ll leave with a beautiful ring made to size in our downtown Asheville metalsmithing studio.

$120 person *All Materials Included

*Class times and avialbalility are subject to change. SIgn up in advance online to ensure your time and space.

This is a Weekly Recurring Event
Runs from May 23, 2025 to Jun 27, 2025 and happens every:
Fridays: 1:15pm – 3:30pm Timezone: EDT
Saturdays: 1:15pm – 3:30pm Timezone: EDT

Join us for a special Father’s Day Mug Painting event! Create a unique gift for Dad while having fun. All ages welcome. Supplies provided. Don’t miss out!

This popular shutterbug weekend includes presentations from top nature photographers, hands-on field courses, a friendly contest and the rare opportunity to photograph the mountain’s spectacular scenery before and after regular business hours.

This revamped version of the popular weekend will include changes to better welcome all levels of photographers, making it more fun and engaging for all – while better connecting participants with the wonders and unique ecology of Grandfather Mountain. This year, more than ever, we hope to not only help participants learn about photography, but to also inspire them to preserve the natural world. Activities begin Friday evening and conclude Sunday midday.

June 6, 2025 @8:00 am – June 8, 2025 @3:00 pm

Merging art, nature and wellness! 🌺🌸🪻🌸🌺

Come join us for a creative, healing, and inspiring morning in the beautiful gardens of Asheville Salt Cave. Learn the art of flower pounding and pressed flower design from Alicia, of Passiflora Creative. Each participant will create their own set of botanical notecards. Enjoy a guided meditation and session in the healing salt cave and herbal tea sampling. Leave feeling restored and more connected to yourself and the beauty of nature.

Space is almost full register now
https://ashevillesaltcave.com/…/flower-pounding…/

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

School’s In for Somm-er: WSET Classes Start in June + Exclusive Discount for AVLToday readers!

Summer school just got a whole lot tastier. Whether you’re running a top-tier restaurant, managing a hospitality team, curating the perfect wine bar experience, or just interested in all things wine — knowledge matters.

MWWine School is excited to offer you the opportunity to achieve globally-recognized wine certifications in Asheville this summer. Whether you’re a wine enthusiast, curious beginner, just looking for a fun way to level up your wine knowledge with friends, or interested in taking your seasoned staff to the next level these classes are for you! Sip, learn, and enjoy — and save up to 10% when you register today. Courses are hosted at Quench! Wine Bistro in Reynolds Village, in partnership with Metro Wines.

You will learn the principles of wine tasting, as well as food and wine pairing and service protocols, the key grape varieties and wine regions of the world, and more. Each class includes a diverse selection of wines of the world (12 wines for Level 1 and 40 wines for Level 2). Successful candidates receive the WSET credential, including a certificate and pin.

MWWS Asheville Course Schedule and Details:

[REGISTER BY MAY 19th FOR LEVEL 2 and MAY 23rd FOR LEVEL 1]

WSET Level 1 Award in Wines – Monday, June 9

One day class with exam

A beginner level introduction to wine suitable for those starting a wine career or pursuing an interest in wine. You’ll explore the main types and styles of wine through sight, smell, and taste, while also gaining the basic skills to describe wines accurately, and make food and wine pairings, as well as wine service and etiquette.

The WSET Level 1 Award in Wines is a suggested prerequisite for the WSET Level 2 Award in Wines course. The WSET L1 Award is a 6-hour, one day course and includes an exam with 30 multiple-choice questions to be answered in 45 minutes, printed study guide, tasting of over 10 wines, food pairing exercises, and exam fee. Successful candidates receive a certificate and lapel pin for the internationally-recognized WSET Level 1 Award in Wines.

Registration closes May 23rd. Register here: https://www.melaniewebberwine.com/product-page/wset-level-1-award-in-wines-in-asheville-june-9

WSET Level 2 Award in Wines – Sun/Mon/Sun, June 1, 2, & 8

Three day class with exam

For individuals seeking a core understanding of a wide range of wines, this qualification explores the major grape varieties of the world and the regions in which they are grown. Through a combination of tasting and theory, you’ll explore the factors that impact style and quality and learn how to describe these wines with confidence. The course includes tastings of over 30 wines.

It is intended as vocational training in product knowledge for those employed in the drinks industry. The qualification is suitable wherever a good level of product knowledge is required to underpin job skills and competencies. The WSET Level 2 Award in Wines course is also appropriate for those not employed in the drinks industry but who want a serious education in wine and wish to broaden their knowledge in a structured way. Successful candidates receive a certificate and lapel pin for the internationally-recognized WSET Level 2 Award in Wines. L2 is a pre-requisite for WSET Level 3 Award in Wines. Registration closes May 19th.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join the Center for Craft as we celebrate the 40 regional artists from Western North Carolina in our current exhibition, WNC Craft Futures: From Here. The show provides a view into the deep well of craft skill and creativity from here while also offering a glimpse of where our community can go in the aftermath of a devastating storm.
Live music, refreshments, hands-on craft-making activities, open studios, and more! Free and open to the public. RSVPs kindly requested to help us plan!

See how to make altered books and make a page for one of the volumes of Turning the Page on Helene. All supplies are provided free of charge. No previous art experience is necessary!

Turning the Page on Helene is a community-based art project that is using the transformative power of altered books to tell our communities’ stories of Hurricane Helene through the visual arts. The goal is to create a safe space for community members to share experiences of the hurricane as well as their hopes for rebuilding a better and brighter future.

Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!