Calendar of Events

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Please join us for the next Business Advisory Council (BAC) Meeting to be held on Thursday, October 20 from 11:45 a.m. to 1 p.m. We’ll be meeting at Western Carolina University’s Biltmore Park Campus located at 28 Schenck Pkwy, Asheville.

The BAC brings together the business and non-profit service provider communities to network and talk about how we can all partner together to help those in need of employment.

Topic: Youth in the Workplace
Location: WCU at Biltmore Park 28 Schenck Pkwy, Asheville we will be meeting on the third floor in room 336. Parking is available in the parking garage next door. To access the garage, turn left at PF Chang’s onto Thetford Street, take an immediate right onto Barnack Way, and the garage entrance will be on the left. The building entrance will be to the right.

Speakers: A panel of speakers will share their experiences with having youth in their places of business. Come share your stories during our discussion, too.

Please register at the link below. We can’t wait to see you!

Passion begets passion, beauty begets beauty…..this is thought that is in professional photographer, Monica Stevenson’s, mind every moment she spends
at Red Bell Run. The photographs for this exhibition are inspired by Mary Adams, the owner of Red Bell Run, affection for and dedication to the animals and plants that thrive at her equine sanctuary.  As with much of Monica’s work, she leans heavily on her own collaborative spirit and the generous nature of her artistic partners–Preston Wainwright, floral designer, Thomas Ignatius and Sean Smith, both illustrative designers, to support some of the exhibit’s featured works. The resulting pictures included in this show, photographed with a large format digital camera and hand printed,  display an abundance of beautiful details– flowers, leaves, illustrations, textures, colors, dogs, cats, horses, donkeys, expressions, shapes, movement, fur, teeth, limbs–all the things that make up the natural world that is Red Bell Run.

This 10-week course will introduce basic principles that are foundational to all Tai Chi movements. Tai Chi is proven to be effective in decreasing pain, stiffness, and risk for falls while improving balance, postural stability, strength, cognitive focus, immune system function, and more. Wednesdays noon -1 pm; August 24th-October 26th. This course has a general public cost of $60. There is no additional cost for members, the course is included. Register before September 31st on our YWCA App, by calling (828) 254-7206 ext. 213 or emailing [email protected].

Hosted by: The Buddhist Studies Institute

FREE – ONLINE – 30 MINUTES – DAILY
🌺Guided meditation support and community🌺

🌸Stabilization and Liberation:
In order to liberate our minds– we need stable calm.

🌸Consistency & Commitment:
Stabilizing in calm clear presence takes consistent training.

🌸Support & Community:
Daily Meditation is a container and support for your meditation focus.

Expand your meditation circle- join us online any day or every day!

Formerly known as 100 Days of practice to support a Tibetan Yogis tradition to practice 100 days in the winter, this has now been expanded to continue daily. To learn more and register: https://buddhiststudiesinstitute.org/daily-meditation/

Etowah Lions Club Farmers Market, 3-6pm, On Wednesdays through October, check out the Etowah Lions Club Farmers Market,
which showcases local farmers, vendors and artisans and the delicious produce the area is known for, all items sold here are
made by or grown by the vendor, Free, Etowah Lions Club, 252-495-2808, EtowahLions.com

This relaxing, easy-paced adventure takes you along the French Broad River and the estate’s lush agricultural fields. Your three-to five-mile spin over a combination of flat paved trails, gravel-packed roads, and dirt trails includes occasional stops where your guide will share intriguing tidbits about the Vanderbilts, their guests, and the estate’s natural history.

Advance reservations are required. To make reservations for this activity, guest must have a daytime ticket, a Biltmore Annual Pass, or an overnight stay booked at Village Hotel, The Inn, or Cottages on Biltmore Estate.

Mountain & Comfort Bikes are available. A limited number of trailers and tag-alongs are available for younger children.

We will share resources to create or expand your garden program as well as tips and strategies for gardening with young children. We emphasize how to sustain a garden program by involving community partners, such as parents, farmers, college students, and agricultural professionals. Please register in advance for this meeting. After registering, you will receive a confirmation email containing information about joining the meeting.

Wednesday, August 17, 2022, 4-5:30pm Register here
Wednesday, October 12, 2022, 4-5:30pm Register here
Wednesday, February 8, 2023, 4-5:30pm Register here

Enjoy a $6 glass of wine and 1/2 off bottles every Wednesday night!

This class is designed for curious young performers eager to explore the “FUN”-damentals of acting, singing,
and dancing. Through high-energy theatre games, improvisation, pantomime, storytelling, & ensemble-based
activities, students will hone their theatre and musical theatre skills. They will build meaningful connections with
other young artists, and discover their creative potential! In the final class, showcase what you learned in an
informal performance for friends and family.

Ever wonder how a stage production comes together? In our Youth Production Classes, students work with directors, an artistic team, and their fellow students to learn and perform an exciting play or musical. Our fall YPC session, Fables and Fairytales, features favorite characters from Aesop’s Fables, “Jack and the Beanstalk,” and other classic tales.

Registration begins on Wednesday, July 20, 2022. Tuition will be $350 – Scholarships are available.

Student Ages: 8-10
Classes/Rehearsals: Sept 7-Oct 26 | Mondays and Wednesdays at 4:30-6:00 pm
Tech Week: Oct 31 – Nov 3 | Monday through Thursday | 4:30-6:30 PM
Performances: Sunday, November 5, 2022 at 6:30 pm

NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

Enjoy an exclusive evening at Bullington Gardens while you sip delicious, locally sourced wine and stroll through the spectacular Dahlias in full bloom. Groups of up to 8 are invited for a twilight party in either the pavilion, tents, or (in case of rain) the horticultural therapy greenhouse. The cost is $300 and will include 2 bottles of wine, 1 bottle of cider and water. Tables will be adorned with fresh floral arrangements that are yours to take home. Bring your own hors d’oeuvres or an entire meal to host an amazing private dinner party with an unrivaled view.

$300 per group per evening. Sponsors are welcome! $500 per sponsor will get your name on all of our social media accounts, plus honorable mention on our website and newsletter. Two areas will be available on a first-come/first-serve basis. Enjoy the evening under the shady pavilion or get an up close view of the dahlias under a tent.

Find a career where you make a difference! Hiring for more than 25 positions, $15/hr minimum wage, $500 signing bonus, full time and part time available. No experience required!

Emerging from Chicago’s flourishing indie music scene, Half Gringa creates music informed by contemporary indie-rock and Latin American and midwestern folk. “When you grew up in the Midwest really into alternative rock, but heard a lot of country music in the supermarket,” offers Isabel Olive, the songwriter and multi-instrumentalist at the core of Half Gringa, when asked to place her music in a specific genre. “Or when your mom loved Bruce Springsteen and Maná and sometimes your brain starts playing them at the same time.” The name Half Gringa is both a tribute to and study of her legacy, stemming from a childhood term of endearment as “la Gringa” in her Venezuelan family and her bicultural experience growing up in the United States. Olive’s work seeks to narrate her tireless pursuit as a pupil of both her origins and her experiences.

Force to Reckon is the Chicago-based artist’s second full-length album, following her locally acclaimed debut, Gruñona, which landed on Chicago Magazine’s “10 Best Chicago Albums of 2017” and Chicago Reader’s “Best Chicago Albums of the Decade.” On the self-produced 9-song set, Olive is joined by her full-time band members — Nathan Bojko (drums), Sam Cantor (guitar), Andres Fonseca (bass), Lucy Little (violin) — as well as Ivan Pyzow on trumpet, with occasional harmonies and piano from fellow Chicago singer/songwriter Gia Margaret. But Force to Reckon has the intimacy of a solo project, and engaged listening feels like a glimpse into Olive’s journals of the last three years.

“I’m very goal-oriented, but I’m also a very anxious person,” she says. “And I always need to have a plan or a process and try to predict every outcome so I’m prepared with my next move. When I started writing these songs I was feeling emotionally upended, a bunch of things came at me that I did not predict, and instead of feeling and responding in the moment, I swallowed all of it. These songs feel like little eruptions as a result, they’re all trying to reach a point of catharsis, but you can’t force catharsis.”

Vocally forward and instrumentally full, the songs on Force to Reckon have a quality that feels personal, yet meant to be shared. Olive’s poetry background is prominently displayed, with carefully selected words used to craft narratives grounded in various different textures, and each part feels intentional and precise. It’s meticulously composed but not cautious. “I was trying to figure out how to express my own vulnerability, my love towards other people, in a way that felt like I was giving myself permission to do so, while accepting that loss and estrangement are inevitable,” she goes on to say.

Each song reaches a climactic peak in its own way and even slower tracks on the album capture something that feels expansive, both sonically and emotionally. “I don’t know your feelings by their first name,” Olive sings emphatically on “Afraid of Horses,” an apology punctuated by a pizzicato violin echo and soft harmonies from Gia Margaret. And although the record is steeped in heavy-hearted themes, Olive often dissects those subjects using tongue-in-cheek humor: “1991 was good to you and I,” the 28-year-old deadpans at the start of upbeat opener “1990,” which traces the anxieties of adulthood back to oft-forgotten childhood memories.

Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.

“We will travel to Africa through this eve of music, song, a fun fashion show, food, conversations and we will teach some of our favorite African children games.”-Chinobay & Family

The Adventure Center of Asheville is excited to host the 10th annual Haunted Trail, Asheville’s only family friendly haunt! This event is ideal for Halloween lovers of all ages, 3-12 being the suggested age range. This is the third year in a row the Adventure Center has hosted this one of a kind live outdoor theatrical experience where guests are promised an entirely immersive and interactive spooky night out while also ensuring no contact. Every year the show is loved by boils and ghouls from all over WNC and we hope to see you there! For younger guests who still aren’t sure about being scared, even for fun, a “Sweet Peek Tour’ is offered nightly at 6:45 pm. The trail is actor free at this time and they can decide if they would like to re enter the line and receive the full show. The Treetop Adventure Park Aerial Glow Trail is also available for guests 4 years or older to enjoy at this event! Climb on two of our aerial trails while they are illuminated with thousands of colorful twinkle and laser lights. If you want to enjoy both of these amazing activities, combo passes are available and WILL sell out, so make sure you reserve your tickets early! *The Haunted Trail does not sell out, however the entrance closes at 9 pm. Don’t miss PIRATES COVE! Featuring a 30 ft Pirate Ship Escape Room- Test ‘yer wit mateys! 10 voyages available nightly for purchase (groups of up to 6 per voyage) Live Mermaid Encounter with photo opportunity. Pirate activities including a walk the plank obstacle course and shark feeding In addition to the Haunted & Aerial Glow Trails and Pirates Cove, there will be a giant festival tent with several local vendors, delicious Mellow Mushroom Pizza and more! Ticket sales to this event raise meals for MANNA food bank, come have fun and help us say BOO! to hunger!

The traditional music of the mountains of North Carolina traces its roots back to the Celtic music of Ireland and Scotland. Traditional Celtic music is still played on the porches and in the pubs of the Celtic lands… and also throughout the southern Appalachian mountains.

In true pub fashion, White Horse Black Mountain hosts a traditional Irish style session twice a month, on the second and fourth Wednesdays, starting at 7pm….

……..and there is NO COVER CHARGE.

Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.

The sessions are hosted by Richard and Melinda Halford.

Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.

Come join us in a long musical tradition spanning hundreds of years.

Hosted by Richard and Melinda Halford

Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.

The sessions are hosted by Richard and Melinda Halford. Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.

Come join us in a long musical tradition spanning hundreds of years.

WINNER OF SIX TONY® AWARDS INCLUDING BEST MUSICAL
AND GRAMMY® AWARD FOR BEST MUSICAL THEATER ALBUM.

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.

DEAR EVAN HANSEN has struck a remarkable chord with audiences and critics everywhere, including The Washington Post who says DEAR EVAN HANSEN is “Theatrical magic. One of the most remarkable shows in musical theatre history.” The New York Times calls it “a breathtaking knockout of a musical.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.”

DEAR EVAN HANSEN features a book by Tony Award winner Steven Levenson, a score by Grammy®, Tony® and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (Rent, Next to Normal).

An undisputed expert in the fine art of making hit music, Jim Messina’s legacy of musical genius spans five decades, three super groups, a vibrant solo career and scores of producing and engineering credits.

While acting as producer/audio engineer for Rock & Roll Hall of Famers Buffalo Springfield, Messina ultimately joined the band as its bass player. When “the Springfield” disbanded in 1968, Jim and fellow bandmate Richie Furay formed Poco. With Jim on lead guitar, Poco defined a new musical genre, Country Rock. After three successful albums, Jim was ready for a change and left to return to his passion for producing music. He signed as an independent producer with Columbia Records.

In November 1970, the Columbia asked Jim to work with an unknown Kenny Loggins. While helping Kenny get ready for a record and touring, the two discovered that they worked well together and Jim agreed to sit in on Kenny’s first album. Kenny Loggins with Jim Messina Sittin’ In was released in November of 1971 and an accidental duo was formed.

Over the next seven years, Loggins & Messina released eight hit albums, had scores of hit songs and sold over 16 million albums. They had become one of rock’s most successful recording duos ever, but it was time for the duo to go their separate ways.

After a series of celebrated solo acoustic tours, Jim formed a band made of acclaimed musicians who have played with him at various points in his career. His latest release, In the Groove, includes selected hits from all three of Jim’s previous bands, as well as several of his solo works.

Touring the country and playing sold-out shows, Jim says that he’s enjoying discovering who he is, where he’s been and, most significantly, where he’s going.

At 3am in the morning and 3 or so beers deep, New York based artist Two Feet sat restlessly on his friend’s couch, The same couch that had also been serving as his bed for the last few months, in an apartment in Harlem. He was putting the final touches on a song he had written earlier that day — unapologetically titled “Go Fuck Yourself,” the track was written in a three hour blur and he hadn’t given too much thought too until he had sent it to a handful of friends who said differently. Switching the track to public on soundcloud, Two Feet closed his laptop and let the liquor take him to sleep. By the time he woke up in the morning, “Go Fuck Yourself” had garnered thousands of streams and his inbox was ringing with messages from new fans and prospective labels. 5 months on and Two Feet aka Bill something is reflecting on his debut EP — the appropriately titled, “First Steps.” Independently released, the EP is a collection of 4 songs born out of frustration and a knee-jerk reaction to other projects he had been working. “I kind of just put it up because I was fed up with the other music I was making for other people” Bill says. “I was really not expecting anything to come from it. And to watch it just sort of blow up and see how people have responded to it has been incredible.” Since it debuted in May on independent label, Majestic Casual, the First Steps EP has crept it’s way onto major tastemaker playlists on Spotify, garnering millions of streams across the platform as well as Soundcloud, where it was first discovered. Two Feet has caught the attention of the blogosphere, with “Go Fuck Yourself” sitting at the top of the HypeMachine charts on multiple occasions, with praise from the likes of Indie Shuffle and others tastemakers. For the most part, Two Feet’s hazy and mellow sound is a nod to contemporary artists like Chet Faker, with a low-key beat that is as subtle as it is unshakeable, but at the core of the EP lies Harlem influences. Tracks like “Quick Musical Doodles and Sex” bleed with an unabashed blues heart, with flitters of guitar provocatively stacked against an unrelenting electronic backbone. It’s perhaps in this instant where Two Feet’s jazz influences come into play and realising that less can be more, as he nonchalantly and infrequently sings, “do you remember my love?,” while the guitar riffs over a soft beat. “I had been producing a lot of electronic music, so that was at the front of my mind, but I was listening to loads and loads of blues music, and I always had been — I learnt how to play blues guitar,” Bill explains. “So when I sat down to make my own music, all the influences were just sort of there…. and combined,” he notes. With additional hints of indie and R&B, Bill is still getting used to seeing people respond to his music. “The other day someone sent me a snap of Miguel, and he was listening to one of my tracks n the background. That was wild.” Two Feet’s debut, “First Steps,” are just that, but since uploading that first track, he’s certainly leapt off his friends couch and hit the ground running.

twofeetmusic.com