Calendar of Events

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

Super 60s performs a free concert at Firehouse Subs in Hendersonville. Classic cars will be on display from the Carolina Mountain Car Club. Free line-dance classes from Betty Busch from 5:30-6:30pm. Concert to follow from 6:30-8:30pm. Please note: no smoking, coolers or pets.

Summer 2022 Concert Schedule:
May 14 | Super 60s
May 28 | 3 Cool Cats
June 11 | Super 60s
June 25 | Fine Line
July 9 | Deano & The Dreamers
July 23 | Fine Line
August 6 | Sound Investment
August 20 | Fine Line
August 27 | 3 Cool Cats
September 10 | Deano & The Dreamers
September 24 | 3 Cool Cats
October 8 | Sound Investment
October 15 | Super 60s (Halloween event)

Dizzy Gillespie’s fusion of Afro-Cuban rhythms with jazz was ground-breaking. This program showcases Dizzy’s love of world music inspired by music from Spanish, Cuban, Caribbean, Brazilian, Argentinian, and African cultures.

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

Every Sunday, Ashevillians and visitors from surrounding counties unite to enjoy one of the most unique Farmer’s Markets around!

Not only is Gladheart directly located on a community, organic farm, every vendor produces their own product.

Vendors offer organic produce, fresh made heritage grain breads, jewelry, grass fed tallow creams and broth, organic eggs and frozen quiche, chocolate, beef, and much, much more!

But wait! There’s More!

Gladheart Farm Fest Market is THE place to be on Sundays simply for it’s variety of hot, delicious, and nutritious food, Live music, and Kids Activities!

Wood Fired, Spelt Pizza
Nourish To Go Tacos
Vegan Sushi Rolls
Pasture Raised Scrambled Egg Bowls
(Don’t forget to bring a picnic blanket and an empty belly!)

Farm Tours and Hay Rides! Spend the day and visit with the goats!

Jazz Sunday at One World Brewing West is a modern jazz jam held every Sunday afternoon from 1-4pm. Previously known as Jazz Monday, the jam has been running non stop since July, 2018 at the West Asheville brewery and is hosted weekly by The Fully Vaccinated Jazz Trio, consisting of Ray Ring on guitar, Jason DeCristofaro on drums, piano and vibraphone, and Connor Law on bass. Jazz Sunday typically features a guest artist for a short set and then welcomes jazz musicians of all levels to sit in for the remainder of the afternoon on One World’s spacious outdoor stage.

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

Tuesday, June 14th, and Thursday, June 16th

Option 1: Beginner Clawhammer Banjo with Amy Buckingham

Option 2: All- Instrument Jam Sessions with Mallory Carter & Will Trakas

Monday, June 13th, and Wednesday, June 15th

Option 3: Introduction to Improvisation for all instruments with Carson Moore

* *Sessions are $30 for one, $50 for two, $65 for three, and $72 for all 4**

Afton Wolfe is Mississippi. Born in McComb, and growing up in Meridian, Hattiesburg, and Greenville, Mississippi, the roots of American music are in his DNA. Mississippi is the birthplace of at least three American art forms: country music, blues music, and rock and roll. Meridian is the birthplace of Jimmie Rodgers, while the Mississippi Delta is the birthplace of the blues, and the first rock n’ roll notes ever played according to intelligent music historians, came from Hattiesburg. Additionally, he spent his musically formative years in and around New Orleans, where the humidity of the Mississippi combined with the Cajun seasonings, the jazz, zydeco, creole, and gospel music and his Mississippi roots coalesce to add resonance and depth to his blues/country/rock influences.

Afton’s first band experience was back in the late 90s with Hattiesburg post-alternative pop outfit Red Velvet Couch (1998 to 1999) where he developed his stage presence and also was able to release his first album and learn a bit about sound, recording, mixing, and engineering. After a short break, Afton came back strong with the avant-garde, instrumentally diverse Dollar Book Floyd (2001 to 2002), which featured Amy Lott, Tim Keith, and Mike Stokes, and released a very pivotal album, Red and White. During this period Afton began to naturally incorporate country music and delta blues into his musical playbook. After the Dollar Book Floyd project ended, Afton moved to Nashville and formed The Relief Effort, a rock power trio, with whom he recorded two more records: Don’t Panic (2004) and At Your Mercy (2005).

After a hiatus from performing and recording, Afton wrote, composed, and sang all of the songs contained in Petronius’ Last Meal. This was recorded in 2008 with the likes of Charlie Rauh, Craig Schenker, and Dan Seymour. Alcohol, academia, the quest for a better mix and a perfect album cover, and a voyage across the country to live in Washington for a few years kept this project on hold for over a decade. Finally, after a dozen or so years, the project was released in the Summer of 2020. Dark, tense, and moody was the flavor of the 2020 summer season, and the EP along with its two singles “Slingshots” and “Interrogations” fit the season too perfectly.

Afton used the momentum of Petronius’ Last Meal and the tension of the pandemic and surrounding climate to fuel his creativity again. And his upcoming release Kings for Sale is the product of that. The new record defies genres while still being distinctly Afton. The new record, slated to be released in June of 2021, was produced by Oz Fritz (Bill Laswell, Tom Waits, The Ramones, Bob Marley, Ginger Baker and many others) and featuring an enviable assortment of great musicians, including but not limited to Cary Hudson (Blue Mountain, Taylor Street Grocery Band), Daniel Seymour (David Olney, Tommy Womack), Adam “Ditch” Kurtz (Great Peacock, Carrus and Kurtz), Ben Babylon (SpoBro, Sir Please), Laura Rabell, Kristen Englenz, Blaise Hearn, Rebecca Weiner Tompkins, and several more.

Afton and his team are planning regional, national, and international engagements in support of the new release.

Join us in the temperature-controlled Arena to walk on most Tuesdays and Thursdays! Admission is free, masks are required and social distancing will be practiced.

Each lap around the concourse is 1/4 mile and strollers are welcome. Representatives from St. Francis Sports Medicine will be on hand for each event and other health professionals- like dietitians- are frequently scheduled to attend. Free parking is available in the VIP lot off of Church Street.

Dementia and Psychosis: What You Need to Know.
his class uses case review and activities to identify frequent challenging behaviors associated with dementia and psychosis. Participants review factors that may trigger behaviors and discuss prevention and intervention strategies.

Class is free and registration is required.
To Register (required): Go to VayaHealth.com/Calendar or Call Enka-Candler Public Library at 828- 250-4758

Hosted by the Enka-Candler Public Library in partnership with the Vaya Health Geriatric & Adult Mental Health Specialty Team. All Vaya Health trainings are free and accredited through the NC Division of Health Service Regulation which awards one contact hour for each hour of training.

Musicians will lead the audience in singing along to familiar songs and music from Carl Sandburg’s “The American Songbag.” The event is free and will be held at the amphitheater at 5pm on the second Tuesday of June, July & August.

• June 14 – Carol Rifkin leads a sing and strum along. Bring a string instrument to strum-along or just enjoy the music and sing-along.
• July 12 –Wayne Erbsen leads a fun evening of banjo-led singing.
• August 9 – Carol Rifkin leads a sing and strum along. Bring a string instrument to strum-along or just enjoy the music and sing-along.

The final block party is held in conjunction with the Brevard Police Department and Transylvania County Sheriff’s Department’s National Night Out Celebration.

Attendees can expect a lineup of live music, delicious local food and children’s activities, creating a fun community gathering for all. The June events feature LEAF Global Arts and the July and August events feature our beloved Old Time Street Dances. Block parties will be held weekly from 6-8pm on East Main Street. Many downtown retail businesses and restaurants will also be open for the block party.

HOB and LEAF Global Arts invites everyone to experience a world without borders! From dance, to drumming to arts & crafts, LEAF’s performing artists will bring a new lineup of cultural art experiences and live music to the June block parties. Each week will feature a different band and the LEAF Easel Rider, a mobile arts & crafts lab.

LEAF performances will feature an eclectic mix of music that is different each week, ranging from blues and rock toNew Orleans style jazz.

LEAF resident artist Melissa McKinney kicks off the series on June 14^th. “We are so excited to bring the energy of LEAF Global to downtown Brevard,” shares McKinney, “connecting community is part of our mission and we believe downtown Brevard holds the same values. Music is the best way to bring people together.”

Old Time Street Dances, a long-time community favorite, returns to the Heart of Brevard at our July 5^th block party. The dances offer free, family-friendly fun that celebrates our Appalachian heritage and is sure to move your feet.

Old Time Street Dances in downtown Brevard are an 80-year tradition. This summer, Whitewater Bluegrass Co. returns to the stage as the host band to lead the crowds in a collection of square dance and contra-style dancing. Evenings will include classic songs, a chance for clogging and traditional Appalachian-called dance. Old Time Street Dances are geared toward participation at every age and skill level.

The Tuesday Night Block Parties are free and open to the public. For more information about LEAF, Old Time Street Dances and other upcoming events, follow Heart of Brevard on Facebook and Instagram and subscribe to their newsletter here.

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Heart of Brevard 501(c)(3) is a North Carolina Main Street Community, designated by the NC Department of Commerce and Main Street & Rural Planning Center.  Heart of Brevard is a recognized leading program among the national network of more than 1,200 neighborhoods and communities who share both a commitment to creating high-quality places and to building stronger communities through preservation-based economic development. All Main Street America™ programs meet a set of National Accreditation Standards of Performance as outlined by the National Main Street Center.