Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Friday, May
26, 2023
2023 Toe River Arts Spring Studio Tour Preview Exhibition
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Flower Power – Asheville Gallery of Art
MYSTIC RIVER OF DREAMS ART EXHIBITION
Pulp Potential: Works in Handmade Paper
Too Much Is Just Right: The Legacy of Pattern and Decoration
Love Your Mother (Earth) Concert
Spring Studio Tour Preview Exhibition
May 13 – June 4
This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It’s also a great place to begin the tour or take a break from a day of non-stop art and artists.
This driving tour through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields, and miles of forests all while visiting the talented studio artists and galleries participating.
Please have a look at the tour website to begin planning your visit.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.
Art on 7th will present its May 2023 Exhibition titled “The Mystic River of Dreams.” The show runs May 18 through May 28 and will kick off with a wine and cheese reception on May 18 from 4:00 p.m. to 6:00 p.m. All are welcome to attend.
Many of the gallery artists will present work interpreting the exhibition theme, which promises a variety of imagery from the creative minds of contemporary abstract artists. Participating artists include Laurie Adams, Amy Casteel, Stephen Hackley, Courtney Hoelscher, Barbara Jones, Michelle Marra, Robin Pedrero, Christopher Peterson and Julie Wilmot. Paintings, sculptures, and copper are on the list of works planned for the exhibition.
According to gallery owner Julie Wilmot, “These pieces of art won’t be river scenes typically represented in WNC galleries. As a contemporary art gallery, it’s fun to take what might be a classic theme and give it a contemporary twist. Art on 7th has a number of landscapes, waterfalls, and mountain scenes on our walls, but none of it is representational artwork.” Identifying the gallery’s audience Wilmot says, “Art on 7th sells contemporary art that is in harmony with our clients’ mountain lifestyles. And there are plenty of people in the area who love the nature and mountains of WNC but aren’t necessarily intent on carrying a literal design and décor representation, as such, into their homes.”
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Womansong, Asheville’s longest-running women’s community chorus, invites you to join us in our spring concert, “Love Your Mother (Earth)” a tribute to the beauty of our world. Under the direction of Artistic Director Dr. Allison Thorp, along with Assistant Director Claire Lemke and former Director Althea Gonzalez, this concert will focus on songs celebrating, caring for, and advocating for Mother Earth. The first half of our program will highlight music that expresses love for the earth – appreciation, reflection, connection and joy. The second half will feature music that expresses love for the earth in action – doing, moving, and making change. Among the many inspiring songs are Carrie Newcomer’s If Not Now, Joni Mitchell’s Big Yellow Taxi, Elise Witt’s My Salsa Garden, and the world premiere of Lytingale’s call-to-action composition, Together We Can Change the World. From choral anthems to contemporary pop tunes, there’s
something for everyone – music to make you laugh, cry and dance. Accompanying the choir on piano, flute, violin, and percussion will be Lytingale, Georgia Pressman, Jane Snyder, and Sarah Rubin. Womansong concerts are accessible to the hearing impaired through musical sign language interpretation by Shiner Antiorio.
The concert will be held at the Unitarian Universalist Congregation of Asheville, One Edwin Place, Asheville 28801, on Friday, May 26, at 7:30 PM, and Saturday, May 27, at 3:00 PM. Womansong celebrates the unity diversity, and empowerment of women through musical expression as we sing for joy, social justice, and community. Our concerts help fund the operation of our nonprofit organization, including the choir’s New Start Fund, a provider of scholarships and emergency funds to women in need.
Saturday, May
27, 2023
Asheville Art Museum 75th Anniversary Spring Annual Fund
Asheville Regional Airport: art exhibit highlighting local artists
AVL’s Arts Build Community Grant
exhibition: Margaret Curtis: All This and More
Spring Photo Contest: “Spring Trails”
Tryon Fine Arts Center Summer Art Camps Registration Open
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
2023 Toe River Arts Spring Studio Tour Preview Exhibition
Exhibition: NEO MINERALIA
Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Gatherings of Artists + Writers Coffee
Flower Power – Asheville Gallery of Art
MYSTIC RIVER OF DREAMS ART EXHIBITION
Pulp Potential: Works in Handmade Paper
Too Much Is Just Right: The Legacy of Pattern and Decoration
Making Events Welcoming to Marginalized Performers with with Nadira and Miss Brawling Beauty
Love Your Mother (Earth) Concert
100×100 at Blue Spiral Gallery
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Celebrate with us by contributing to the future of the arts in Western North Carolina.
Make your 75th Anniversary Spring Annual Fund donation today! |
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! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.
Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.
The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.
Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.
The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!
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Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Since 2018, the Arts Build Community grant supports innovative, arts-based projects that inspire diverse groups of participants to be more active, involved, and civically-engaged by creating together. Grants range from $1,000-2,500.
Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit.
Description & Eligibility
Organizations must have been in operation for at least one year and be physically located in Buncombe County. Priority is given to projects based in low-income neighborhoods and communities in need.
The arts must be centered in the proposed project. Funds may be used to cover expenses such as art supplies, professional artists’ fees and travel, space rental, advertising, marketing and publicity, website and electronic media, scripts, costumes, sets, props, music and equipment rental.
Funds are for projects taking place from July 1, 2023- June 30, 2024. This can be a reimbursement for projects occurring during this funding period that have already taken place or for projects that have not yet occurred. Projects must be completed by June 30, 2024.
Opening Reception for the Artist: April 14th, 6-8PM
Tracey Morgan Gallery is pleased to present All This and More, an exhibition of new paintings and works on paper by artist Margaret Curtis. This is Curtis’ second solo exhibition with the gallery.
The works in this exhibition focus on themes of climate and societal collapse. With her own brand of wit, Curtis tackles these universal threats from a deeply personal place, and with impeccable craftsmanship.
Curtis has been exploring and making work about the forests of the Pecos Wilderness in northern New Mexico for over 30 years, relics of which can be found in several pieces included in this exhibition. The catastrophic Hermit’s Peak/Calf Canyon wildfire, which burned for over four months in the spring of 2022, permanently destroyed these forests so dear to her. The soil, structurally altered from the intensity of new fire phenomena and no longer able to absorb water, will be shed by the mountains. Ash which Curtis collected from this devastation is incorporated in the paint used to create several of the works on view.
Says Curtis, “In a way I could never have imagined, and which causes me considerable pain, my paintings are a small, real-time record of climate change and ecosystem loss. I know I will be working with these themes for a long time to come.”
In the painting American Cuck Q Clock (2022), Curtis looks at our culture of gun violence and aggressive, hyper-masculine pickup truck culture. She is interested in the boundary shift between pickup trucks used as weapons or as tools, employing trompe l’oeil conventions to heighten the fact that we live in a time when people do not believe their own eyes. Collapse (2022) and Sun Sets on the Shitkicker (2022) both depict decaying, collapsing billboards of outdated American archetypes. In Sun Sets on the Shitkicker, a dilapidated sign of a cowboy nosedives into the prairie at sunset. The horizon is dominated by the plume of a massive wildfire which rises from his smoking gun. The rugged individualist is fallen, eclipsed by the setting sun and the specter of climate disaster. In Collapse, the post war feminine ideal, portrayed as the Lichtenstein-esque comic book heroin, becomes the outdated signifier.
Margaret Curtis has been creating feminist-based work since the late 1980s. Her work has been included in shows at The Brooklyn Museum, The Andy Warhol Museum, The Huntington Beach Art Center, The Mint Museum and The Wexner Center. In addition to solo exhibitions throughout New York and the American South, her work was the subject of a retrospective exhibition at the Amelie A. Wallace Gallery at Stony Brook University in New York and was featured in Appalachia Now, a regional survey at the Asheville Art Museum. She is currently a Joan Mitchell Foundation Fellow.
Reviews and features of Curtis’ work have appeared in Art Forum, The New York Times, Art in America, Art News, Modern Painters, New Art Examiner, among others. Her work is in permanent public and private collections through-out the United States, including the North Carolina Museum of Art and the Asheville Art Museum. She lives and works in Tryon, NC.
NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
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Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Spring Studio Tour Preview Exhibition
May 13 – June 4
This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It’s also a great place to begin the tour or take a break from a day of non-stop art and artists.
This driving tour through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields, and miles of forests all while visiting the talented studio artists and galleries participating.
Please have a look at the tour website to begin planning your visit.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.
Art on 7th will present its May 2023 Exhibition titled “The Mystic River of Dreams.” The show runs May 18 through May 28 and will kick off with a wine and cheese reception on May 18 from 4:00 p.m. to 6:00 p.m. All are welcome to attend.
Many of the gallery artists will present work interpreting the exhibition theme, which promises a variety of imagery from the creative minds of contemporary abstract artists. Participating artists include Laurie Adams, Amy Casteel, Stephen Hackley, Courtney Hoelscher, Barbara Jones, Michelle Marra, Robin Pedrero, Christopher Peterson and Julie Wilmot. Paintings, sculptures, and copper are on the list of works planned for the exhibition.
According to gallery owner Julie Wilmot, “These pieces of art won’t be river scenes typically represented in WNC galleries. As a contemporary art gallery, it’s fun to take what might be a classic theme and give it a contemporary twist. Art on 7th has a number of landscapes, waterfalls, and mountain scenes on our walls, but none of it is representational artwork.” Identifying the gallery’s audience Wilmot says, “Art on 7th sells contemporary art that is in harmony with our clients’ mountain lifestyles. And there are plenty of people in the area who love the nature and mountains of WNC but aren’t necessarily intent on carrying a literal design and décor representation, as such, into their homes.”
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Join us as we discuss how our events, festivals, tours, and shows can be more accessible and welcoming to marginalized performers. The legendary Brawling Beauty brings her experience making a variety of art spaces friendly and accessible for LGBTQ+ and disabled artists. Nadira is an event organizer and community-builder with a passion for diversity and inclusion, bringing a POC perspective to this essential conversation. Come and learn with us!
Womansong, Asheville’s longest-running women’s community chorus, invites you to join us in our spring concert, “Love Your Mother (Earth)” a tribute to the beauty of our world. Under the direction of Artistic Director Dr. Allison Thorp, along with Assistant Director Claire Lemke and former Director Althea Gonzalez, this concert will focus on songs celebrating, caring for, and advocating for Mother Earth. The first half of our program will highlight music that expresses love for the earth – appreciation, reflection, connection and joy. The second half will feature music that expresses love for the earth in action – doing, moving, and making change. Among the many inspiring songs are Carrie Newcomer’s If Not Now, Joni Mitchell’s Big Yellow Taxi, Elise Witt’s My Salsa Garden, and the world premiere of Lytingale’s call-to-action composition, Together We Can Change the World.
Come join us at the Blue Spiral 1 gallery in downtown Asheville for Artspace Charter School’s signature fundraising event of the year.
ONE HUNDRED, 10″x10″ boards have been distributed to artists who have created masterpieces in their chosen media (paint, mosaic, collage, etc). These works of art by established local artists, emerging professionals, and internationally acclaimed artists have been donated to the school and could be yours at the 100×100 gala.
Event Patron tickets will be sold for $100.00. These supporters will be guaranteed to take home a work of art at the end of the event. Also, companion tickets will be sold for $25.00 giving entry to the event, but do not include a piece of art.
Find more information and buy tickets here: bit.ly/3ZWrglM
Come support the school and enjoy hors d’oeuvres, drinks, music, socializing, and art!