Calendar of Events

From Lincoln Center Theater that brought you The King & I and South Pacific, comes “a sumptuous new production of the most perfect musical of all time” (Entertainment Weekly), Lerner & Loewe’s My Fair Lady. Director Bartlett Sher’s glowing production is “thrilling, glorious and better than it ever was” (The New York Times). “Every so often a revival comes along that reminds you how indispensable great theater can be” (NY1).

Boasting such classic songs as “I Could Have Danced All Night,” “The Rain in Spain,” “Wouldn’t It Be Loverly,” and “On the Street Where You Live,” My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady.” But who is really being transformed?

From Lincoln Center Theater that brought you The King & I and South Pacific, comes “a sumptuous new production of the most perfect musical of all time” (Entertainment Weekly), Lerner & Loewe’s My Fair Lady. Director Bartlett Sher’s glowing production is “thrilling, glorious and better than it ever was” (The New York Times). “Every so often a revival comes along that reminds you how indispensable great theater can be” (NY1).

Boasting such classic songs as “I Could Have Danced All Night,” “The Rain in Spain,” “Wouldn’t It Be Loverly,” and “On the Street Where You Live,” My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady.” But who is really being transformed?

What begins as an innocent exploration of an old home, winds up taking siblings Lucy, Edmund, Susan and Peter far beyond their wildest imaginations, as they step through a huge wardrobe, into a land where an evil witch has taken control and misery reigns. They soon realize they haven’t arrived in Narnia by chance, but have been brought here to play a very important part in restoring natural order and keeping the peace in this magical land.

By demonstrating love, keeping faith and showing courage, the children find they have the power triumph over evil and return Narnia to its rightful leader. Children and adults alike will be enthralled by this classic C.S. Lewis story.

From the story by C.S. Lewis; Dramatized by Joseph Robinette; Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois

Most enjoyed by children, ages 5 and up.

Winter Chautauqua kicks off the 2020 theme of “Reinventing America,” with Teddy Roosevelt. What better way to “Reinvent America” then with the Rough Rider, Nobel Prize winning President who stepped down at the height of his popularity to four years later bolt the Republican Party and challenge his hand picked successor? In ninety days, Roosevelt’s “Bull Moose” Party humbled a sitting president and decisively beat a party that had dominated national politics for forty years. American politics was never then same again.

Get ready to flat out be amazed as you meet – Teddy Roosevelt. You’ll laugh – you’ll be challenged – you’ll have lots of questions. And as always at Chautauqua, the audience is part of the show. Bring your stories. Share your experiences. Get inspired. Because it’s not just history – it’s personal.

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

Seven Singers Singing is cabaret-style musical revue, featuring some of the area’s finest vocal talent. The songs, written by local musician Dave Bates, run the gamut from bouncy show tunes to soulful ballads. Seven singers will also delight audiences with comic novelty songs and uplifting inspirational numbers. If you’ve ever said you want to leave the theatre with a song to hum, this is the show for you.
Seven Singers Singing includes well known singers, Richard Blue, Mandy Bean, Alex Guazzo, Nana Hosmer Griffin, Tasha Pepi, Matt Wade and Hannah Williams.

Call for tickets

From Lincoln Center Theater that brought you The King & I and South Pacific, comes “a sumptuous new production of the most perfect musical of all time” (Entertainment Weekly), Lerner & Loewe’s My Fair Lady. Director Bartlett Sher’s glowing production is “thrilling, glorious and better than it ever was” (The New York Times). “Every so often a revival comes along that reminds you how indispensable great theater can be” (NY1).

Boasting such classic songs as “I Could Have Danced All Night,” “The Rain in Spain,” “Wouldn’t It Be Loverly,” and “On the Street Where You Live,” My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady.” But who is really being transformed?

In the throes of unprecedented challenges to privacy, truth, and personal expression, AQUILA THEATRE brings 1984, George Orwell’s cautionary novel, to the stage.

As our modern world grapples with the threats and benefits of technological integration, AQUILA THEATRE’s production of 1984 provides a space to appreciate the value of individual thought – an evocative and timely narrative of personal freedom against political repression. Today, Orwell’s prescient story resonates around the globe as individuals, systems, and governments clash.

Written in 1944 near the end of World War II, 1984 depicts a society controlled by a perfectly totalitarian government bent on repressing all subversive tendencies. “Big Brother” is always watching and technology is wielded as a weapon to inundate citizens with propaganda and to monitor thoughts and actions. Imagined before the existence of computers, this dystopian future explores the power of technology as a mental manipulator and source of curated information.

The resurgence of 1984 marks a widespread desire to understand the present moment by looking back… How far are we from realizing Orwell’s nightmare? Are we already there? Can there be more than one truth, more than one set of facts?

Official Website

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!

“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.”

The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!

“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.”

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

Blue Ridge Honor Flight is honored to partner with The NC Veterans Writing Alliance Foundation to present Brothers Like These. Vietnam War Veterans will be performing their own written stories through poetry, prose, and nonfiction essays.

The program will take place on Sunday, February 9, 2020 at 2pm at the Flat Rock Playhouse. Tickets will only be sold at the door beginning at noon on February 9. Requested donation for tickets will be $20.00.

The mission of The NC Veterans Writing Alliance Foundation and Brothers Like These is to provide healing through the arts and creative writing to all veterans in our community.

Established in 2006, Blue Ridge Honor Flight’s mission is to transport America’s veterans to Washington, D.C. to visit the memorials dedicated to honor the sacrifices of themselves and their comrades. For more information about how to get involved in Blue Ridge Honor Flight, make a donation, or to get a veteran signed up for a flight, please visit blueridgehonorflight.com.

The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.

The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!

“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.