Embark on a transformative journey of self-discovery and inner healing through our groundbreaking Breathwork Meditation Workshop including 2 Sound Baths! During this immersive experience you will be guided through a powerful Breathwork practice to help you massively release stress, heal past wounds and traumas, access deeper levels of awareness, and connect more profoundly to Source.

Led by two professional highly experienced facilitators with over 50 years experience between them, this workshop will
deepen your connection with your breath and unlock its incredible potential for physical, mental, and emotional well-being.

Join a group of like-minded individuals on the path to self-discovery in a supportive nurturing environment on the beautiful island in Marshall on one of the world’s oldest rivers.

You may come to the full day (10am-4.30pm, $120 ) which includes two Breathwork Meditation Sessions with sound baths and a session of Self-discovery. You may also come to the first Breathwork Meditation Session with sound bath only (10am-1pm, $60) or the second Breathwork Session with sound bath only (1.30pm-4.30pm, $60).
Register at www.breakthroughbreathwork.com/events

Calling all Buncombe County Democrats!

Join us for an afternoon of knocking on doors and talking with your Democratic neighbors.

After you’ve signed up to canvass, register for an online training on canvassing with MiniVan. https://www.mobilize.us/ncdems/event/602441/

Explore Asheville with the whole family!

Age Restrictions

All Ages Welcome!
(Content is geared towards ages 5-12 years old)
Children must be accompanied by an adult.
Children 3 and under do not need a ticket if they are sitting in an adults lap.

Duration

60 Minutes

What’s Included

Crazy funny guide
Off-bus characters
Fun facts about Asheville
Age-appropriate jokes

About

Now’s your chance to bring the whole family on the big purple bus! Educational and entertaining, LaZoom’s Kids’ Comedy tour features a perfect blend of Asheville information and kid-centric comedy. Geared specifically towards the 5-12 year old crowd, you’ll learn about our city’s history and see the sights in true LaZoom style – complete with our famously outlandish tour guides, hilarious comedy skits, and all sorts of special appearances! Perfect for birthday parties or school field trips, it’s the best thing to do with your kids in Asheville. It’s a show on wheels!

The tour is 60 minutes long and includes no stops. The tour is hosted by a zany tour guide, and along the way other characters will hop on the bus and perform kid-centric sketches (Candy Pirate, Ninja, and a Levitator) The tour is not only fun – it’s educational! Kids and adults will learn new and interesting facts about Asheville along the way. There must be 1 adult for every 4 children. We do not allow any unaccompanied children. Children 3 and under do not need a ticket if they are sitting in an adults lap.

Waitlist

If your desired time and availability is full, then please give us a call to be added to the waitlist.

Native Azalea Day

April 27, 2024

Visit the gardens this spring for Native Azalea Day, an invitation to celebrate and experience azaleas through the eyes of plant enthusiasts, botanists, and artists. In partnership with the Mountain Science Exposition, Native Azalea Day plans to bring even more excitement in its second year! For one day only, visitors can observe as plein air artists capture the scene in paint and pen, learn about the garden and its collection on a walking tour, and participate in hands-on activities for children and adults.

A shuttle to the Collection will be available between 10:00 a.m. and 3:00 p.m., departing to and from the Baker Visitor Center throughout the event. Visitors are also welcome to walk to the Native Azalea Collection from the Gatehouse Parking Lot using Old Mill Road to Bent Creek Road, or can park at the Baker Visitor Center and walk down Running Cedar Road to Bent Creek Road. Walkers should be prepared to travel one mile over unpaved roads and paths.

All activities, unless otherwise noted, are included with general admission fees.

World Tai Chi Day & Qigong Day!

ALL are welcome at this FREE event that is open to the public on April 27th. You’ll meet up with others at the Carrier Park pavilion. Classes will be held from 10am – 3pm. This event is to help introduce new people to the various forms of Tai Chi, or Taiji, practice. Learn why the ancient form of Tai Chi offers benefits for everyone- no experience necessary.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Saturdays from 10:30 AM – 12 PM

Popper Tract

Distance: 3 miles

Difficulty: (6/10 difficulty) Moderate. Several steep inclines and stream-crossings

Cost: FREE

Registration: Pre-registration is REQUIRED

We invite you to join us for a memorial hike to honor and remember our friend Bill Popper and his dedication to preserving the 573-acre Prices Creek Preserve in Yancey County that he loved so much.

This hike is a perennial favorite, taking participants through our Price’s Creek Preserve where an astounding array of ephemeral wildflowers can be found this time of year. Participants will hike through mature northern hardwood forest along a trail following the babbling Price’s Creek. Midway along the trail – a spur trail leads up to a picturesque cascade where we will stop for a leisurely picnic lunch.

NOTE: Due to limited parking availability, we will be hard capping this hike at 12 participants. Please register each party member individually to ensure we do not go over this number.

We will meet at a public parking area before carpooling to Price’s Creek Preserve. If you are willing to be a driver, please let me know in the comments section of your registration.

If you would like to learn more about Bill Popper and his passion for this land that he loved, please read our recent memorial here. 

If you have any questions, please reach out to [email protected].

TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.

Ride this excursion via Steam or Diesel locomotive power!

Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our First Class dining menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!

Itinerary

Mark your calendars for the 12th Annual Face Jug Show at American Folk Art & Framing! And join us all month long as we celebrate a storied regional tradition: the wild, weird, and culturally iconic Face Jug!

The face jug began to appear in these parts in the very early 1800s. In those days, self-sufficiency ruled and handmade, locally-crafted clayware was common. Our regional soils contain all the elements needed to make hardy clay and our forests plenty of wood for the fueling of kilns. Over the years, popularity of these face vessels has waxed and waned, but the tradition has managed to survive and even thrive. Today, face jugs are an eagerly sought after & widely collected part of our mountain heritage. Wood-fired kilns remain the popular favorite, but there are some who experiment with gas- or electric-fired kilns, either for convenience, curiosity, or to achieve bright colors.

At the heart of our Annual Face Jug Show are traditional creators like Walter Fleming, who at 86 claims the title of the oldest working potter in the state of North Carolina and still hand-digs his clay off his property in the foothills. Wayne Hewell, a 5th generation potter in the mountains of Georgia, creates expressive jugs complete with corn cob stoppers from his own farm. His family’s pottery, still in operation today, began in 1850 and nearly every member of the Hewell clan has worked there for a time.

But what would a show celebrating the Face Jug be without variety? Texan Carl Block takes the Appalachian face jug in a very different direction and incorporates influences from Mexican folk art and his own free-spirited irreverence. 7th generation North Carolina potter Michael Gates creates both historically informed vessels inspired by his ancestors and wildly colorful ‘tattooed’ face jugs that express more of his personal style. Wisconsin potter Joel Huntley puts his own spin on what have commonly been referred to as ‘ugly jugs’ by creating beautifully-refined and delicately-featured face vessels in softly colorful glazes.

“For us, this is the most wonderful time of the year,” says gallery owner Julia L. Mills. “All month long, we get to share this unique pottery tradition with folks that have never encountered it before, and we get to reconnect with many of our most loyal collectors. Opening day is also just an incredible rush; it’s the only day of the year we open the gallery late, because we already know the phone will be ringing off the hook once the clock strikes noon.”

12 potters will be featured in the 2024 Face Jug show, including: Wayne Hewell • Mike Ball • Ben J. North • Michael Gates • Tim Whitten • Carl Block • Vicki Miller • Stacy Lambert • Walter Fleming • Steve Abee • Joel Huntley • Stephen Harrison

Whether you can visit the gallery in person or only online, please join us as we celebrate this storied pottery tradition at American Folk Art. The 12th Annual Face Jug Show will debut on the gallery website: WWW.AMERIFOLK.COM at 11 AM, Wednesday April 10th. For a full hour, the entire show will be available for previewing before phone sales begin promptly at noon. Remaining face jugs will be on view in the gallery from Friday, April 12th through Wednesday, May 1st, 2024

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Why do giraffes have such long necks? What is the purpose of their spots? Where do they live and what do they eat? Do they make sounds?
Dr Monica Bond has been studying giraffes in Tanzania (East Africa) for more than 12 years and has written numerous scientific articles as well as a children’s book about giraffes. She will share her knowledge about the world’s tallest animal in this multi-media presentation.
The Wild Nature Institute and the Weaverville Community Center for Creative and Healthy Living welcome Dr. Monica Bond to the Community Center at 60 Lakeshore Drive, Weaverville on Saturday April 27, 11:00 AM to 12 Noon.
The event is FREE and all ages are welcome.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

47 Bryant St, Asheville, NC, United States, North Carolina 28806
See Facebook Event HERE
Join us in our yearly celebration of spring, the arts, the environment, sustainability, community & so much more.
 Event Highlights:
 Dozens of local vendors offering unique hand-crafted goods
 Local Food Trucks & The Hop Ice Cream to keep you fueled for the fun
 Live Music performed in the gardens
 Take home seedlings that are chemical-free and naturally grown
 Date: Saturday, April 27th
 Time: 11 AM till dusk
 Location: Peace Gardens & Market
We’ll kick the day off with a puppet performance from Asheville Creative Arts for the kiddos of all ages!

NOC serves as the finish line for the popular Smoky Mountain Relay Race! Join racers and spectators for a celebration and after party at Big Wesser!

About the Race

SOLD OUT! JOIN OUR WAITING LIST AND YOU MIGHT GET LUCKY!!

A scenic, wild, team adventure in the mountains of Western North Carolina, the Smoky Mountain Relay is an adventure that is not to be missed. This course will challenge you and your friends with tough legs and reward you with stories to last a lifetime. Choose from 6 person, 9 person, or 12 person teams to split up the 36 legs.

The 200-mile+ course begins at the Pink Beds Trail Loop picnic area just outside of Brevard, NC In the Pisgah National Forest and ends on our main campus in Bryson City.

Race Information & Registration: Please visit SmokyMountainRelay.com for more information on registration and pricing.

Bender Gallery Artists Featured in Asheville Art Museum Exhibition The New Salon: A Contemporary View The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.   Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville. Learn More Kukula, Impossible Voyage, oil on board, 48 x 24 inches Kukula (b. 1980, Israel) Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference. Available Work Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches Yui Sakamoto (b. 1981, Japan) Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure. Available Work Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024. Available Work

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Visit LEAF Global Arts every Saturday for an in-house cultural exchange with Adama Dembele. Experience the Ivory Coast with our Culture Keeper from the House of Djembe.

You’re in for a treat with our first event of 2024.  We are combining live fire cooking with winter squash and Hickory Nut Gap meats (huge thanks to Hickory Nut Gap for sponsoring!). There’ll be plenty of diversity and experimental cooking, but a core focus of this event is to celebrate the amazing Winter Squash. Chef’s will be using our Ultracross Squash, harvested from our field trials last fall and stored all the way through to the event in April. Each guest will also receive a packet of Ultracross Squash seeds, a copy of Winter Squash Crop Stories, and an open invention to be part of our Total Squash Sovereignty project.

Live Fire cooking event with Utopian Seed Project.

The goal of this event is to build bridges and celebrate the common ground we all share in our beautiful county and community.
Live music and poetry performances.

Appearances by state party chair Anderson Clayton and several North Carolina candidates.

Fun for the whole family!

$20 admission.

$10 for students.

Kids 16 and under free.

All funds raised will help get voters to the polls in November 2024!

Students will live a day in the life of our solar system through interactive play and inquiry-based exploration with our inflatable planetarium.  They will take ownership over research and practice science communication through group sharing.
Ages 8-15