Our FEAST cooking and gardening program offers public school students the opportunity to learn food security skills that will last a lifetime. Not only that, we tailor our classes to grade level standard course of study and incorporate science, math, reading and history. Students get to taste and have hands on experience and we could use some supplies to help! Please let us know if you have any of the following you’d like to contribute:

Metal spoons and forks for tasting
Small one ounce Dixie cups – paper or reusable plastic
Mini Silicone Pinch Bowls
Soil for raised garden beds
Compost Now – donate your compost to us HERE
Kid friendly can opener
Cans of Black Eyed Peas
Honey
Tamari
Extra Virgin Olive Oil

Please reach out to [email protected] for more information or if you’d like to drop things off. Amazon items can be ordered directly with the links above.

Guests visiting the WNC Nature Center this spring and summer have seen many new animals! Over the past six months, 19 animals representing seven species have been born or brought to the Nature Center.

Come and See

In late April, the WNC Nature Center announced the birth of a large litter of critically endangered red wolf puppies. Six females (Babs, Bonnie, Ruby, Rufina, Sienna, and Toto)and one male (Tony) have grown up in front of guests and visitors and are now almost indistinguishable in size from their parents, Gloria and Oak. The WNC Nature Center anticipates that the red wolf pups will remain in Asheville for the next two years.

On the heels of the red wolf births came two coyote pups, Cal and Walker. They were also born in April and came to the Nature Center in late July from Izzie’s Pond Sanctuary in South Carolina. While Cal and Walker are not biological brothers, they were introduced to each other at a very young age, so they have bonded and will be companions. These coyotes are incredibly shy and are usually spotted by guests behind their open den shelter.

Quickly becoming a guest-favorite, bobcat kitten Tufts joined the Nature Center in early August. He came from the May Wildlife Rehabilitation Center in Banner Elk, North Carolina, and was named after Edgar Tufts, the founder of Lees-McRae College. The latest bobcat addition was Kohana in late November, a female bobcat who was found in the wild by the West Virginia Department of Natural Resources, she was born around the same time as Tufts, and the two will
be non-breeding companions.

Raccoons Grace and Frankie came to the WNC Nature Center in late September from Appalachian Wildlife Refuge. These kits have acclimated quickly with their curious behaviors and tactile foraging skills.

In our Care

To say the least, animal keepers and the veterinary care team at the WNC Nature Center have been busy keeping up with vaccines and immunizations, introducing the animals to their new habitats, and encouraging behaviors that will help with their care as they grow into adulthood.
“When you visit and see our animals, it’s important to understand why they are here with us,” says Erin Oldread. Animal Curator at the Nature Center. “Sometimes they were born under human care, like our red wolves. Other animals were permanently injured in the wild and need ongoing veterinary care. In the case of our new coyotes, bobcats, and raccoons, they were found to be unreleasable by the sanctuaries who received them. Oftentimes when you are rehabilitating a very young animal and feeding them from a bottle, they very quickly become dependent on and overly comfortable around humans. It can be harmful to them and humans if they were released back into the wild, so the WNC Nature Center is happy to give them a home.”

In the case of WNC Nature Center’s last collection of baby animals, sometimes the Center serves as a holding ground as animals develop and prepare to be released back into the wild. Appalachian Station, the Nature Center’s indoor exhibit for reptiles and amphibians, is currently housing two baby box turtles and two baby snapping turtles, all four of which are overwintering and will be released in spring 2024.

Also joining the WNC Nature Center this year are adult animals, Suli the Black Vulture and Morticia the Turkey Vulture. Suli was born in the wild but came under human care after a wing injury. She came to the Nature Center in late March from the NC Aquarium at Pine Knolls Shores. Morticia arrived from Hershey Park Zoo/Zoo America in October and joined the habitat next to Buzz, the longest living resident at the Nature Center at 33 years, in December.

Great time for a visit

Typically, the WNC Nature Center sees less crowds as Asheville enters the colder weather seasons. However, the animals who call the Nature Center home are generally more active during this time of year, and visitors can enjoy watching all the new additions encounter their first winter in Western North Carolina.

Check out the WNC Nature Center’s holiday gift guide at wildwnc.org/gift-guide to see all the ways you can support the animals who call the Nature Center home, including symbolic adoptions and purchasing items from the Animal Wishlist and Holiday Giving Tree.

About the Friends
The Friends of the WNC Nature Center are a vital partner with the WNC Nature Center. With their donors and members, the Friends enrich the Nature Center’s mission to connect people with the plants and animals of the Southern Appalachian Mountains. As a conservation organization, the Friends inspires a passion to know more, care more, and do more for the wildlife of the Southern Appalachian Mountains. They advance the critical work of the WNC Nature Center by supporting its growth and development through fundraising, membership, outreach education, marketing, and volunteer services.

About the WNC Nature Center
The Nature Center connects people of all ages with the plants and animals of the Southern Appalachian Mountains. Asheville’s wildlife park is located on 42 acres and is home to more than 60 species of animals, including red pandas, river otters, black bears, red and gray wolves, and bobcats. For more information, please visit www.wildwnc.org.

Levels 1+

Get ready for 2024. Set your intentions and release what needs to stay in 2023. This class includes an extra 30 minutes of chakra balancing, while you lie back or sit in meditation.

Pre-registration required.

In Ayurveda, the kapha dosha is cold, heavy, wet, thick, and slow, among other things. This dosha tends to be most present in winter and early spring. As a practice, we challenge that in yoga by building heat in the body and releasing excess water, so we can be our strongest and fittest, boosting our immune system and staving off depression.

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Based on interviews and photographs of native American people, The Awakening of Turtle Island: Portraits of Native Americans — an award-winning touring exhibition created and designed by photographer Tracey Schmidt — has toured regionally to more than 16 museums and cultural centers since its premiere in Atlanta in 1996.  At its premiere, The Awakening of Turtle Island won the coveted Regional Designation Award in the Humanities, along with the Gwinnett Fine Arts Center, as part of the Cultural Olympiad.

The exhibition is on display at LEAF Global Arts in downtown Asheville, through December 31.

From the artist: “Seeking to create an intimate glimpse into native people’s lives, this exhibit explores the beauty, sacredness, and spiritual re-awakening of people struggling to revitalize and preserve their important and immense gifts. Turtle Island is the Iroquois name for the North American continent. The name The Awakening of Turtle Island therefore means the awakening of America.

“The impetus for The Awakening of Turtle Island is based on the observation that there is in America today a growing awareness both of our delicate relationship with the environment and of the original Native Americans who viewed themselves as an integral part of nature and as its stewards. This awareness is a part of the rebirth we are all experiencing, as we discover that our present day dilemma leaves us searching for something real, inclusive, and whole.”

Pictured: R. Teesatuskie, Eastern Band Cherokee, photo by Tracey Schmidt

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The Perspective Café is kicking off 2023 with a classic bang! Grab your friends and join us each Sunday from 2pm to 5pm in the Perspective Café to play an assortment of board and card games. You can even bring your own favorite games from home to share with new friends.

The Perspective Café will be offering special snacks and cocktails to savor while you play and make a memorable afternoon! Enjoy the galleries and then head up to the rooftop.

The official 2023 Gingerbread display begins on Monday, November 27, 2023 and will continue through Tuesday, January 2, 2024. Explore an array of exquisite gingerbread houses meticulously crafted by talented competitors from across the nation in the grandest gingerbread house competition of all.

Guests not staying at the Resort are invited to view the display after 4:00 p.m. on Sundays or anytime Monday through Thursday, based on parking availability and excluding holidays and the following dates: December 23, 24, 25, 30, 31 and January 1. All Fridays and Saturdays are reserved for registered resort guests and those that have confirmed dining reservations. Display access is subject to hotel capacity, including pedestrian traffic. Please note that only Registered Resort Pets will be permitted. No outside pets will be allowed. Before travelling to the property, visit our Facebook page to verify display access is open for public viewing. CLICK FOR LIVE PROPERTY UPDATES

HOLIDAY PARKING PROGRAM

Since the inception of the Holiday Parking Partner program in 2013, we have been honored to contribute over $923,000 to not-for-profit partners in Buncombe County, North Carolina. During the Fall & Holiday season, there is no complimentary parking on property. From October 1, 2023 – January 2, 2024, parking rates are as follows:

• Valet Parking: $35 for day parking & overnight guests
• Self-Parking: $25 for day parking & overnight guests

HOW IT ALL BEGAN

It all began with a small group of gingerbread houses built by community members in 1992 as another way to celebrate the holiday season with no plans to continue the following year. There was no possible way to know that more than two decades later The Omni Grove Park Inn National Gingerbread House Competition™ would be one of the nation’s most celebrated and competitive holiday events.

As the event grew, so did the caliber of judges and competitors. Our panel of judges represents nationally renowned food and media professionals and the level of competition has attracted the highest quality of design, artistry and pastry expertise. The competition has merited broadcast coverage by NBC’s TODAY Show, ABC’s Good Morning America, the Travel Channel, and the Food Network.

The Gingerbread Display has grown in more than just entries; it has become a true family holiday tradition. From the very young to the very young at heart, the reaction to this magical experience is the same – one of wonder, awe and delight.

Jettie Rae’s Oyster House will offer a special New Year’s Eve prix fixe dinner for two. The meal includes two glasses of Champagne, a dozen New England oysters on the half shell, white sturgeon caviar canapés, whole lobster thermidor, and choice of dessert, with options like key lime pie and flourless chocolate torte. The regular menu will also be available.

Celebrate New Year’s Eve with chef David Van Tassel’s four-course, prix fixe dinner at Posana. The menu also includes amuse bouche and a New Year’s eggnog cocktail. Wine pairings are available.

Join us in celebrating 10 Years of Winter Lights ❅

❅ November 17 through December 31!

NEW YEAR’S EVE GLOW NIGHT: Greenville Swamp Rabbits vs. Atlanta Gladiators

Every Sunday Modelface Comedy brings you the best comedians from all over the country. This week we have Caleb Synan from Los Angeles for an early NYE show!

Caleb Synan is one of the hottest young comics in the country. (Funny AND good looking!) His unique background as a preacher’s kid from a small southern town gives him the ability to relate to any and every crowd — even though he’s a big old millennial who lives in LA. Want proof? He’s performed on CONAN (twice!), Last Comic Standing (once!), and his first Comedy Central special “30” in 2022 (You can watch it on YouTube!)

He’s also entertained our troops in South Korea and Japan. What a guy! It’s no wonder he won the title of “Wittiest” in Franklin County High School’s 2009 Yearbook. He even wrote this bio himself. And he’ll have a margarita with you if you play your cards right.

Featuring Jenny Jennings

ages 18+
Doors at 6pm, show at 6:30pm

Tickets
$20 advance, $25 day of
$25 premium seating (guaranteed table seating in the front three rows)

Food: No food sold at Catawba Brewing but outside food is allowed

Parkings options: Street parking around brewery and variety of pay lots around the building

Refund Policy: no refunds within 24 hours of the start of show or after

Fine dining, music from The Super 60’s, and good times

Darko Butorac, conductor

Capathia Jenkins, vocalist

Ring in the New Year with soul, symphony, and style. The Asheville Symphony proudly presents a lineup of legendary divas such as Whitney Houston, Gladys Knight, Chaka Khan, Adele, and many others. These powerhouse vocals will be brought to life by none other than the fabulous Capathia Jenkins, joined by a talented trio of backup singers. Don’t miss this once-in-a-lifetime opportunity to be swept away into 2024 by the soulful sounds of these iconic artists, all backed by your Asheville Symphony.

NYE: She’s got soul will take place in the Harrah’s Cherokee Center – Asheville’s ExploreAsheville.com Arena. Seats are currently on sale for seating sections, with specific seats to follow.

The VIP experience includes a seat at a table for eight guests each feature complimentary wine and charcuterie with celebratory decor and premium orchestra views.

When Charlie Starr started writing the songs that would become Blackberry Smoke’s new album, Be Right Here, the first tune the vocalist/lead guitarist worked up was “Dig A Hole.” Formed by an old guitar riff married with a Wurlitzer chorus riff written by keyboardist Brandon Still, the swampy psychedelic-rock song is a powerful statement about choosing your path in life—whether you want to give into temptation or walk a more righteous road. “In life, we all are faced with choices,” Starr says. “Are we going to do good, or are we going to do bad? Are we going to love, or are we going to hate? We have a finite amount of time, each of us on this Earth. So probably want to make the best out of it instead of wasting time.”

“Dig A Hole” is the lead track on Be Right Here and sets the tone for another expansive set of rock‘n’roll from Blackberry Smoke. As always, the Georgia-based band—Starr, Still, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner and drummer Brit Turner—draw inspiration from Southern rock, blues-leaning classic rock and rootsy vintage country. But on Be Right Here, Blackberry Smoke sound even more self-assured, from the strength of their songwriting to their musical execution. Over the past two decades, Blackberry Smoke has developed this confidence and amassed a loyal fanbase, leading their last five full-length albums to achieve great chart success, including 2021’s You Hear Georgia, which reached #1 on Billboard’s Americana/Folk Albums Chart.

Robert Jon & The Wreck

Hailing from Southern California, Robert Jon & The Wreck take the Southern rock sound from the East Coast and make it their own. Since their inception in 2011, these five California natives – Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), Warren Murrel (bass) and Jake Abernathie (keyboards) – have been electrifying audiences around the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Simply put, when these talented musicians take the stage, it is difficult to ignore. Watch the music video for Robert Jon & The Wreck’s latest single, “Stone Cold Killer” here: https://bit.ly/YTStoneColdKiller

The ONLY AUTHORIZED SOURCE for tickets to the Spartanburg Memorial Auditorium is TICKETMASTER. You can purchase your tickets at our box office on Monday-Friday from 9 am – 3 pm. We do not charge a service charge when you purchase from our ticket office. You can also purchase tickets through Ticketmaster online at www.ticketmaster.com, or from the official Ticketmaster app.

Please call the box office at (864) 582-8107 if you have any questions! Thank you and we look forward to seeing you at the Spartanburg Memorial Auditorium!

Great Scott! We’re taking it back to the 80s with a time-bending New Year’s Eve Party at The Draftsman. Don a neon fit or come dressed like the Brat Pack and get ready to rock out to 80s anthems and current hits with our live DJ and food and drink specials until the clock strikes 12.

No reservation needed. $10 cover fee at the door.

Join us for a night of masked mystique as we count down to a new year on the Observatory Rooftop. Dress to the nines and stay till the clock strikes twelve in a star-lit ballroom complete with a full band, passed hors d’oeuvres, and a champagne toast at midnight.

Adam Chase & Friends presents an All Star 80s tribute to ring in the 2024 new year