Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Friday, April 8, 2022
“Weaving Across Time”
Apr 8 @ 10:00 am – 6:00 pm
Center for Craft

Bringing thousands of years of tradition into conversation with contemporary practice, the Center for Craft’s exhibition ᎢᏛᏍᎦ ᏫᏥᏤᎢ ᎠᎵᏰᎵᏒ Weaving Across Time showcases the works of nine Eastern Band Cherokee basket makers. Touching on the dynamic evolution of lineage, sustainability, and cultural expression, the exhibition opens on December 13. This exhibition is supported in part by the Cherokee Preservation Foundation, the National Endowment for the Arts, and AARP, Mountain Region North Carolina.

The artists’ work with two of the oldest materials in Cherokee basket making tradition, mountain rivercane and white oak, both of which have been used for thousands of years by Southeastern tribes. The end results are both beautiful and functional – entries in an evolving craft tradition that began tens of thousands of years ago and is experiencing a resurgence. The labor-intensive process of basket making, which includes harvesting materials, gathering plants for dyes, and deciding on intricate patterns, itself becomes a key component of the final object, which interweaves ecology, culture, land, and identity.

These plants, particularly rivercane, are at the heart of Cherokee tradition and culture. The subject of serious conservation efforts, rivercane is also a vital plant for water quality and erosion mitigation, as well as a habitat for riparian species. Despite its importance, the effects of climate change and continually encroaching development in rivercane habitats has contributed to its depletion, both as a material for artists and a plant essential for environmental health. Basket makers harvesting rivercane for splints approach the plant with deep reverence and knowledge of its centrality to the ecosystem, sometimes traveling hundreds of miles to harvest it sustainably.

Other materials, selected with just as much care, reveal elements of process and the natural environment, including the plants available to harvest in particular seasons. White oak can be gathered year-round, but is easiest to process in spring and summer when sap runs up the tree. Dyes used for the baskets, sourced from plants including bloodroot, butternut, and walnut, add rich color to final pieces while also revealing information about harvest time and supply. The laborious, intensive process links generations of basket makers across centuries.

As Cherokee lands have been stolen or transformed beyond recognition, materials are harder to come by, but the rewards are rich. As basket maker ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow, explains, “When you’re taking that extra step, going out and doing this completely by hand, you’re a basket maker, not just a weaver. My hands are rough and calloused over because I make the splints myself.” Crow makes an average of just 20 baskets a year and, like other basket makers, wastes no scraps, instead making mats, miniature pieces, or, as a last resort, using them for kindling.

The baskets in the exhibition, all of which were created in the last two decades, connect lineages across time and space in a vibrant, living tradition. Patterns based on rhythmic numerical sequences are passed down from teacher to student. Basket makers also borrow from contemporaries and innovate to create pieces in their own recognizable styles. Basket maker ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, who is also the consulting artist for The Basket public art parklet, finds inspiration in designs she sees on her travels to visit other tribes in North and South America. For her, baskets are symbolic of Cherokee resilience. “The Cherokee have always been able to change and adapt with time,” she says, “so our artwork and art forms have changed and evolved along with us.”

The exhibition will be on view until April 22. Visitors can reserve 30-minute time slots for unguided visits to explore the current exhibitions, learn more about the Center’s national impact, and enjoy interactive activities. The Center is open to the public Monday – Friday, 10 am – 6 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center requires the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

ARTSVILLE Collective: “Between the Lines” Exhibition
Apr 8 @ 10:00 am – 5:00 pm
Marquee Asheville D11

Image for ARTSVILLE Collective: "Between the Lines" Exhibition

ARTSVILLE Collective at Marquee opens its first public exhibition showing guest artist Micah Mackenzie’s mixed media and Rhona Polonsky’s ceramics, along with the work of founding artists Daryl Slaton’s pop animation and Louise Glickman’s mixed media. Between the Lines will be on display from February 1 through April 24 at 36 Foundy in the RAD (Booth D11). The styles of each artist differs greatly but connect through thoughtful storytelling, coming alive in a mix of mediums, paint, clay, textiles and animation. The viewer is encouraged to consider how they come together, to read “between the lines.”

Micah Mackenzie mixes media with mark making into imposing layered abstracts mimicking memories from childhood: playfulness and whimsy with splashes of color, seemingly with abandon. A closer look reveals balance and harmony within the chaos. Coatings of storytelling lead us to consider the human condition from the subversion of mythology to the magic of science. He invites us to see inside to what is intrinsically beautiful and empowering.

Rhona Polonsky’s pottery uses the language of lines and spaces that merge and connect to reveal their meanings: lines as boundaries to be crossed or parallels to read between. Her doodling since childhood grew in expression as she traveled the world, teaching young international students for over thirty years in Asia and Africa, from Indonesia to India. Her sgraffito vessels, lively and offbeat, evoke amusement, playfulness, whimsy and enthusiasm. They speak to us in a special language that warm our hearts with both simplicity and sophistication.

Daryl Slaton’s work is overtly whimsical as he introduces his newest anthropomorphic character Gallagher, a playful tiger cub who entertains us through animation and augmented reality. Over twenty panels speak to us through the digital powers of augmented reality and the eyes and antics of Gallagher, a character staunchly loyal to people and place. These narratives bring both smiles and amazement evoking warm memories for adults with their own stories to tell their families.

Louise Glickman’s storytelling is revealed through weaving of nets and textures where lines move over, under and around using bits of fabric, paint and plant materials. Her highly textural works are largely connected through her own life experiences and a love of nature and travel. Select pieces reveal her special interest in understanding the yin and yang of countries and cultures that have informed her worldview, from her childhood in New Orleans to travel with the Penland School to Cuba, Japan and Denmark.

Audition with The Montford Park Players
Apr 8 @ 10:00 am – 10:00 pm
online

Get in a video audition for your chance to join us ALL SEASON LONG!

There are auditions for THREE of our upcoming shows all going on RIGHT NOW! We want you to be a part of our 50th Season, so we hope you’ll come out and bring us your talent!
Actors should submit initial audition information online through our website at https://www.montfordparkplayers.org/about-us/volunteers-page/ and may do so at any time.
The Montford Park Players is committed to gender-neutral and race-conscious casting. ALL are welcome and invited to participate!
Please note all dates and deadlines:
  • For auditions for The Little Prince, directed by Jason Williams, the submission deadline is midnight Friday, April 8, 2022. Callbacks will be held in person at the amphitheatre on Saturday, April 23. The director will contact each pre-selected actor with specific times. The Little Prince will be performed Fridays through Sundays, June 10 – Saturday, July 9 at 7:30 pm.
  • For auditions for Much Ado About Nothing, directed by Dwight Chiles, the submission deadline is 11:59pm Sunday, April 24, 2022. Callbacks will be held in person at the amphitheatre on Friday and Saturday, April 29 & 30 from 4:30 to 8:30 pm. The director will contact each pre-selected actor with specific times. Much Ado About Nothing will be performed Fridays through Sundays, July 15 – Saturday, August 13 at 7:30 pm.
  • For auditions for The Three Musketeers, directed by Rodney Smith, the submission deadline is midnight Sunday, May 1, 2022. Callbacks will be held in person at the amphitheater on Saturday, May 7, with a rain date of Saturday, May 14. The director will contact each pre-selected actor with specific times. The Three Musketeers will be performed Fridays through Sundays, Aug. 19 – Saturday, Sept. 17 at 7:30 pm.
Submission deadlines for Hamlet will be announced later, through our newsletter and social media.
Specific instructions for audition submissions:
  1. On the website above, click on the link below “Actor Season Audition Form
  2. Sign in to your Google account (required as most information will be shared in Google documents)
  3. Fill out and submit the form – if you have a headshot and/or resume (not required), please upload them as part of your application.
  4. Record a short (90 second) video – you can do so on your phone. For As You Like It, a Shakespearean monologue is preferred. IMPORTANT: please name your video with your name, not the default title; ex. “Smith, John Video”
  5. On the website, click on the link below “Actor Season Video Upload Link” and upload your video.
  6. Directors will review each application and video, and will contact prospective actors for callbacks.
  7. Important: This season, the Montford Park Players will require that all persons involved with any show must be fully vaccinated, or present a request for exemption, stating the reasons. The Executive Director, in consultation with the director, will make the final decision on the selection or non-selection of any person who is not fully vaccinated.
  8. Anyone who is interested in a technical role only (stage management, lights, sound, etc.) should sent an email to [email protected] and include your background, if any. We welcome all volunteers!
Gentle Yoga @ Botanical Gardens
Apr 8 @ 10:00 am – 11:00 am
Botanical Gardens Asheville

Beginner Friendly Yoga in the gorgeous gazebo and green area of the Botanical Gardens. Bring a mat.

Place and Presence: exhibition featuring new works by Asheville artists Linda Gritta and Moni Hill
Apr 8 @ 10:00 am – 6:00 pm
Bender Gallery

Interesting Finds
Linda Gritta
mixed media on canvas
36 x 36 inches

Sweeten Creek on Busbee Mountain
Moni Hill
acrylic on panel
60 x 60 inches
Gritta and Hill are abstract painters with different yet complementary styles reflecting the chaotic nature of the modern world and finding respite in nature and art. The exhibition celebrates the artists’ vibrant abstract work and their interconnection with Western North Carolina and its longstanding arts culture. Place and Presence runs from April 2nd through 30th during Bender Gallery’s regular business hours. There will be an opening reception for Gritta and Hill at the gallery on Saturday April 2nd from 6 to 9 PM at 29 Biltmore Avenue in downtown Asheville. Both artists will be in attendance to discuss their work. We hope to see you there!
Spring Plant Show at M R Gardens
Apr 8 @ 10:00 am – 4:00 pm
M R Gardens

 

All through April M R Gardens is hosting plant sales showcasing native perennials and pollinator plants, such as native wildflowers, groundcovers, herbs, vegetable seedlings, and more. M R Gardens focuses on pollinator plants and other species that benefit the ecosystem, and aims to propagate plants in the most sustainable way possible.

 

In-person, online, and phone orders are accepted.

 

Spring Plant Shows at MR Gardens
Apr 8 @ 10:00 am – 4:00 pm
M R Gardens
M R Gardens’ sustainable nursery hosts open houses, showcasing our native wildflowers, groundcovers, herbs, vegetable seedlings and more. For spring 2022, plant shows are from 10 a.m. to 4 p.m. on select Thursdays through Sundays:
  • March 17 to 20
  • April 7 to 10
  • April 14 to 17
  • May 12 to 15
  • June 2 to 5
Find M R Gardens at 441 Onteora Blvd., Asheville. Look for the green sign. The event is typically outdoors.
View the available varieties at nativeplantsasheville.com. Customers are also encouraged to order plants online and pick them up at an arranged time, regardless if the nursery is open to the public that day. Customers also have the option of contacting [email protected] to order plants. Or leave a voicemail at 828.333.4151.
M R Gardens focuses on pollinator plants and other species that benefit the ecosystem, and aims to propagate plants in the most sustainable way possible. The nursery’s passive solar greenhouse requires no extra heat other than solar gain in winter. The roof is also slanted at just the right angle to keep it from overheating so that large exhaust fans are not needed. M R Gardens uses renewable resources in its potting soil and encourages customers to wash and return their plastic pots, which are sanitized and reused. Plants are grown on a small scale so that individual attention is given to plants, ensuring high quality.
Volunteer at Tryon Fine Arts Center
Apr 8 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center
Volunteer at
TFAC events this spring!

Email Sharol at [email protected] or call 828-859-8322
T-F 10AM – 4PM

Ushers & Bartenders
needed for the following events.

EVENTS

  • April 16:      Livingston Taylor concert on main stage
  • April 21-24: Enchanted April community theater on stage
  • April 28:      Amphitheater concert (outdoors)
  • May 8:         Ranky Tanky concert on main stage
  • May 5:         Amphitheater concert (outdoors)
  • May 12:       Amphitheater concert (outdoors)
  • May 19:       Amphitheater concert (outdoors)
  • May 26:       Amphitheater concert (outdoors)
Volunteer with Flat Rock Playhouse
Apr 8 @ 10:00 am – 8:00 pm
Flat Rock Playhouse
Flat Rock Playhouse Supporting
            Players

Flat Rock Playhouse believes in the power of collaboration, community, and connection. Over the years, volunteers have made it possible for our production seasons to thrive and grow.

Volunteers are deeply valued team members that support the arts at Flat Rock Playhouse on a powerful and poignant level by:

Maintaining and developing our beautiful gardens and grounds

Welcoming or sending off actors at the airport

Guiding guests and supporting FRP staff members as parkers

Preparing food for college-age apprentices

Attending to patrons as ushers at each performance

As we return to a full season of live productions, we want YOU to be a part of the magic.

Volunteers support the arts at Flat Rock Playhouse through gifts of time and resources, and they have the incredible opportunity to peek behind-the-scenes, learn more about how our hand-crafted productions come together, and connect with artists, staff members, and fellow volunteers. We hope you’ll join the team at Flat Rock Playhouse this season as a part of our volunteer community, Supporting Players!

Know someone who might be interested? Feel free to forward this email to your friends and family!

To learn more about how to get involved, visit our website or contact us at [email protected].

Volunteer with Us! Dynamic Docents + Oral History Heroes Needed
Apr 8 @ 10:00 am – 5:00 pm
Swannanoa Valley Museum & History Center
We are looking for volunteers to act as docents in our museum and participate in oral history projects this year. Docents serve a critical role in welcoming guests to our museum and introducing them to Valley history. As the museum expands its hours this spring (Wed-Sat, 10am-5pm), the role of docents is critical. We are also needing volunteers to help us record oral histories from community members and transcribe oral histories that are already a part of our collection. Now is the time to capture the memories of Valley residents on topics including historic African-American communities and schools, covid and more
Volunteering at the WNC Nature Center
Apr 8 @ 10:00 am – 5:00 pm
WNC Nature Center

Volunteering at the WNC Nature Center

Next time you visit the WNC Nature Center, look for the people in the green shirts! These special individuals are Nature Center volunteers.

Serving more than 10,000 hours a year, our team of volunteers can be found prepping meals in the animal kitchen, building bookshelves, tabling at events, pouring drinks at fundraisers, assisting the Membership Office, and kidding around with the goats in the barnyard!

Our Volunteer Coordinator and Animal Care Staff are committed to helping volunteers succeed by providing the tools, resources and training. And we’ll make sure you have fun along the way!

Volunteers must be 18 or older.

We Need Help Building a Block Foundation for our Greenhouse
Apr 8 @ 10:00 am – 4:00 pm
Pearson Garden in Montford
Do you have skills? Or do you want to learn more about Greenhouses and Construction? Please contact [email protected] if you have experience building or would like to learn! In the coming months we will be constructing a donated greenhouse at our Pearson Garden and this is an opportunity to learn and share
YMCA Splash Volunteer Opportunity
Apr 8 @ 10:00 am – 12:30 pm
Corpening YMCA, 348 Grace Corpening Drive, Marion, NC

Y-Splash

child learning how to swim during a swim lesson at the YMCA of Western North Carolina

 

What: Teach water safety skills, prepare children for drowning emergencies, decrease the number of deaths due to drowning in children and youth. Volunteer in the water or on land.

When: Shifts available from February 23 – April 22, Tuesday thru Friday from 10 AM – 12:30 PM.

The world is 70% water. Children are 100% curious. In an area with so many natural bodies of water, drowning prevention isn’t a luxury. It’s a necessity.

Y Splash is a volunteer-led program that challenges the startling childhood drowning statistics. Between the months of February and April, every public school second grader comes through the Y to participate in critical drowning prevention skills. We are searching for volunteers with a passion for water safety,

working with youth, and serving our local community.

The Asheville Mall Walking Club
Apr 8 @ 10:30 am – 11:30 am
The Asheville Mall

The Asheville Mall Walking Club walks, talks, and window shops on Friday mornings from 10:30-11:30 a.m. Just meet outside Barnes & Noble Booksellers

A Hand in Studio Craft: Harvey K. Littleton as Peer and Pioneer Exhibition
Apr 8 @ 11:00 am – 6:00 pm
Asheville Art Museum

Harvey K. Littleton, Amber Maze, 1968, blown glass, 8 3/4 × 10 1/2 × 6 inches. Asheville Art Museum. © Estate of Harvey K. Littleton.
Asheville, N.C.A Hand in Studio Craft: Harvey K. Littleton as Peer and Pioneer highlights recent gifts to the Asheville Art Museum’s Collection and loans from the family of glass artist Harvey K. Littleton. This exhibition places Harvey and Bess Littleton’s collection into the context of their lives, as they moved around the United States, connected with other artists, and developed their own work. This exhibition—organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator—will be on view in the Judith S. Moore Gallery at the Museum from January 19 through June 27, 2022.

Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) founded the Studio Glass Movement in the United States in 1962 when, as a teacher, he instituted a glass art program at the University of Wisconsin in Madison, the first of its kind in the United States. He taught the next generation of glass artists—who taught the next—and his influence can still be seen today. But before he dedicated himself to the medium of glass, Littleton studied industrial design, ceramics, and metalwork at the University of Michigan and the Cranbrook Academy of Art in the late 1930s and early 1940s. He met his wife Bess Tamura Littleton, a painting student, at the University of Michigan. Over the course of their careers, Harvey and Bess collected artwork by their fellow artists and amassed an impressive collection from the early days of the Studio Glass Movement and the height of the American mid-century Studio Pottery Movement.

“This exhibition offers the viewer an exciting opportunity to see some of Harvey K. Littleton’s early work in ceramic and metal—directly from his family’s collection—before he began making art in glass,” says Whitney Richardson, associate curator. “Best known for his glassworks, those will be on display alongside the work of his students and his peers making clear the influence he had on them and the Studio Glass Movement.” 

Cook and Serve Meals – ABCCM Transformation Village
Apr 8 @ 11:00 am – 1:00 pm
Transformation Village

Cook teams of 4-6 individuals are invited to bring ingredients and prepare meals onsite or bring meals that have been prepared elsewhere.  To meet our dietary standards, we ask that each meal provides a meat, vegetable and starch.

Requirements:

  • Background Check
  • Brief orientation prior to service
  • Ability to Multi-Task
  • Friendly Demeanor

Health & Safety:

  • We are asking volunteers to wear/bring their own face mask if you have not been fully vaccinated
  • Temperatures will be checked and a COVID-19 disclosure will be signed at the volunteer entrance
  • Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

    Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


    ABCCM Transformation Village provides up to 100 beds of transitional housing and will provide emergency shelter beds, post Covid-19.  Transforming lives is through four developmental phases called Steps to Success including stabilization, life skills, education and reintegration.  We are honored to report that 8 out of 10 leave us with a living wage job and permanent housing.

    Transformation Village gives hope, healing, health and a home to single women, mothers with children, and female Veterans experiencing homelessness.  We provide residents a fresh start and a place to heal surrounded and supported by Christian love, trust, education and companionship.

    We are seeking energetic volunteers to prepare and serve meals for our residents for lunch and dinner. This opportunity provides you with the chance to prepare meals in our commercial kitchen alongside our trained staff while serving the women and children of Transformation Village. 

Gillian Laub’s Southern Rites Exhibit
Apr 8 @ 11:00 am – 6:00 pm
Asheville Art Museum
Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.

 

 

 

 

 

 

 

 

 

 

 

 

 

American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.

In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.

Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.

Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?

Southern Rites is curated by Maya Benton and organized by the International Center of Photography.

Spring Art Exhibitions at BMCM+AC
Apr 8 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center

Black Mountain College: Idea + Place

Lower Level Gallery with Companion Digital Exhibition

How can an idea inform a place? How can a place inform an idea? Would Black Mountain College have had the same identity and lifespan if it had been located in the urban Northeast, the desert Southwest, or coastal California? How did BMC’s rather isolated, rural, and mountainous setting during the era of the Great Depression and the Jim Crow South influence the college community’s decision-making and the evolution of ideas upon which it was based?
This exhibition seeks to delve into these questions and others by exploring the places of Black Mountain College: its two very different campuses, its influential predecessor the Bauhaus in Germany, and the post-BMC diaspora.

Curated by Alice Sebrell, Director of Preservation

adVANCE! Modernism, Black Liberation + Black Mountain College

Upper Level Gallery with Companion Digital Exhibition

Featuring the work of contemporary sculptor Larry Paul King in conversation with Black Mountain College modernist masters including Jacob Lawrence, Gwendolyn Knight Lawrence, Josef Albers, Leo Krikorian, and Sewell Sillman. Premiering three Jacob Lawrence lithographs new to the BMCM+AC permanent collection.

adVANCE! celebrates Black Mountain College’s role in early civil rights and the ongoing role of Black, modernist artists in the pursuit of liberation and justice.

Curated by Marie T. Cochran, Founder of the Affrilachian Artist Project
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Apr 8 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” 

The Wyeths: Three Generations | Works from the Bank of America Collection
Apr 8 @ 11:00 am – 6:00 pm
Asheville Art Museum
N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge
Apr 8 @ 11:00 am – 6:00 pm
Asheville Art Museum
Left to right: William Waldo Dodge Jr., Teapot, 1928, hammered silver and ebony, 8 × 5 3/4 × 9 1/2 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr. | William Waldo Dodge Jr., Lidded vegetable bowl, 1932, hammered silver, 6 × 6 5/8 × 6 5/8 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Slow Art Friday at Asheville Art Museum: Glass as an Art Medium
Apr 8 @ 12:00 pm – 1:00 pm
online

Ginny Ruffner, My Heart is a Loaded Snake, 1986, Flame-worked glass, 15 × 15 × 9 inches. Gift of Maurine Littleton from the collection of Harvey and Bess Littleton, 2020.67.002.

Join Hope Warshaw and Susan Coleman, touring docents, for an interactive conversation about four artworks in the Museum’s Collection Hall and special exhibitions. Before the discussion, find a quiet space. Close your eyes, take a deep breath, and let it out slowly. Now open your eyes, and engage with the artworks in the image gallery; click on the thumbnail for a larger image, and spend about 15 minutes looking slowly at each.

  • What’s going on in this artwork? What do you see that makes you say that?
  • What are the ways that glass is used as an art medium?
  • What has and continues to be the impact of Harvey Littleton as a glass artist and professor in this field?

SLOW ART FRIDAYS

Monthly on second Fridays at 12pm, docents lead virtual, in-depth conversations about a few artworks in our Collection or special exhibitions. The goal is simple: slow down, discover the joy of looking at art, and talk about the experience with others. Topics, artworks, and self-guided questions are posted on the Museum’s website in advance for participants, or for those wishing to have a self-guided experience on their own. For more information or to add your name to our Slow Art Fridays mailing list, click here or call 828.253.3227 x133.

Nature Walk in Cherokee, NC
Apr 8 @ 1:00 pm – 2:30 pm
Cherokee

Join us on a guided nature walk tour of the native trees and plants that are traditionally used in Eastern Band of Cherokee basket making.

Asheville Parks and Rec Afterschool Programs: Afternoon Adventures
Apr 8 @ 2:45 pm – 6:00 pm
Asheville Area

Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021-June 3, 2022 | Monday-Friday | 2:45-6pm
K-6th graders.
Does your child enjoy having fun and making new friends? Offering
arts, crafts, special events, homework assistance and more!
Families currently enrolled in the school system’s reduced or free
meal program, please contact your recreation center for discount
fee information.
Locations: Burton, Grant, Montford, Shiloh, Stephens-Lee

Daily Meditation + Support (online)
Apr 8 @ 3:00 pm – 3:30 pm
online

Hosted by: The Buddhist Studies Institute

FREE – ONLINE – 30 MINUTES – DAILY
🌺Guided meditation support and community🌺

🌸Stabilization and Liberation:
In order to liberate our minds– we need stable calm.

🌸Consistency & Commitment:
Stabilizing in calm clear presence takes consistent training.

🌸Support & Community:
Daily Meditation is a container and support for your meditation focus.

Expand your meditation circle- join us online any day or every day!

Formerly known as 100 Days of practice to support a Tibetan Yogis tradition to practice 100 days in the winter, this has now been expanded to continue daily. To learn more and register: https://buddhiststudiesinstitute.org/daily-meditation/

Mulch and Compost Giveaway
Apr 8 @ 3:00 pm – 7:00 pm
old Wastewater Treatment Plant

The City of Hendersonville has scheduled its seasonal mulch giveaway program to begin on Thursday, March 24, 2022. Mulch will be available for pick up on Thursdays and Fridays from 3:00 p.m. to 7:00 p.m. and on Saturdays from 8:00 a.m. to 12:00 noon. This schedule will continue until around May 7, or until the material is gone.

The mulch will be distributed at the old Wastewater Treatment Plant located at 80 Balfour Road in Hendersonville. The Public Works Department will have a staff member on-site to operate the backhoe and load the material.

In addition to the mulch, the City will be offering composted leaves as a separate material. These leaves were collected during the fall of 2020, ran through a grinder, and composted for a year. This material makes an excellent addition to vegetable and flower gardens.

Montford Pre-Teen Afterschool Program
Apr 8 @ 3:30 pm – 6:00 pm
Montford Community Center

Montford Pre-Teen Afterschool Program
Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021 – June 3, 2022 | Monday-Friday | 3:30-6pm
5th-6th graders.
New program designed to meet the needs of your pre-teen.
Providing time dedicated to school assignments, life skills, arts,
communication, leadership, fitness, nutrition, and loads of fun.
Location: Montford

Teen Leadership Program
Apr 8 @ 3:30 pm – 6:00 pm
Asheville Area

Teen Leadership Program
Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021-June 3, 2022 | Monday-Friday | 3:30-6pm
6th-9th graders.
Looking for a cool and enriching alternative for your Teen to attend
this school year? We offer creative activities, diverse projects,
field trips, and more.
Locations: Grant, Shiloh, Stephens-Lee

Youth Literacy Tutors Needed!
Apr 8 @ 3:30 pm – 5:30 pm
Asheville

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


Literacy Together (formerly the Literacy Council of Buncombe County) is a nonprofit organization working with children, youth, and adults to increase comprehensive literacy and English language skills through access to literacy resources and specialized instruction by trained volunteer tutors. Literacy Together relies on volunteer tutors to offer students personal instruction and high-quality materials through various programs.

The Youth Literacy Program is seeking tutors to meet with students K-5 twice a week for 50 minutes, between 3:30 pm and 5:30 pm. The Youth Literacy Program works with two after-school programs that primarily serve youth of color.  The two locations are in Asheville.

Youth Literacy tutors work with children from low-income families who read, write, and/or spell below their grade level. Tutors in this program complete an initial orientation and a 16-20 hours training, which includes some pre-course work and/or homework (short articles to read, short videos to watch). They then receive follow-up support and the option to attend in-service training throughout their tutoring commitment. Youth Literacy tutors commit to working with their students for at least one school year.

Time Commitment:

  • Twice a week for 50-minute sessions between 3:30 pm and 5:30 pm.
  • Youth Literacy tutors commit to working with their students for at least one school year.

Requirements: 

  • GED or High School diploma
  • Excellent customer service skills
  • Ability to work patiently with various levels of literacy skills
  • Access to reliable internet
  • Ability to navigate virtual meetings with minimal distractions
  • Complete a background check

Training:

  • Tutors must complete 16-20 hours of training prior to being assigned a student
Cook and Serve Meals – ABCCM Transformation Village
Apr 8 @ 5:00 pm – 7:00 pm
Transformation Village

Cook teams of 4-6 individuals are invited to bring ingredients and prepare meals onsite or bring meals that have been prepared elsewhere.  To meet our dietary standards, we ask that each meal provides a meat, vegetable and starch.

Requirements:

  • Background Check
  • Brief orientation prior to service
  • Ability to Multi-Task
  • Friendly Demeanor

Health & Safety:

  • We are asking volunteers to wear/bring their own face mask if you have not been fully vaccinated
  • Temperatures will be checked and a COVID-19 disclosure will be signed at the volunteer entrance
  • Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

    Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


    ABCCM Transformation Village provides up to 100 beds of transitional housing and will provide emergency shelter beds, post Covid-19.  Transforming lives is through four developmental phases called Steps to Success including stabilization, life skills, education and reintegration.  We are honored to report that 8 out of 10 leave us with a living wage job and permanent housing.

    Transformation Village gives hope, healing, health and a home to single women, mothers with children, and female Veterans experiencing homelessness.  We provide residents a fresh start and a place to heal surrounded and supported by Christian love, trust, education and companionship.

    We are seeking energetic volunteers to prepare and serve meals for our residents for lunch and dinner. This opportunity provides you with the chance to prepare meals in our commercial kitchen alongside our trained staff while serving the women and children of Transformation Village.