Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
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ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
The Pinkerton Raid is “a towering forest of indie rock with a timbre of folk that shadows Langhorne Slim, Cold War Kids and The Killers,” says THE SPILL. 2022’s THE HIGHWAY MOVES THE WORLD begins two decades ago in Jesse James DeConto’s childhood basement, where he learned The Beatles and first turned a songwriter’s eye on his own rich and complicated family life. “Radiant,” says AMERICAN SONGWRITER. “Poignant,” says ROLLING STONE. “Anthemic,” says AMERICANA-UK. Since the lockdowns, Jesse is back on the road with a totally new lineup, but, as always, a gang of friends with a full-band sound. The Durham, NC-based band has played at festivals from Georgia to Ohio, sharing stages with Liz Cooper, The Bones of JR Jones and The Nude Party. “A sound for dreamers around a campfire,” says GHETTOBLASTER. “Folksy indie rock,” describes FLAGPOLE MAGAZINE, “threads of the quilt of American folklore.”
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Annabelle’s Curse is an electrified indie-folk band from Bristol, TN/VA. The band has developed a reputation for high energy live shows and immersive studio albums. They have released five full-length albums and one EP. Since forming in 2010, Annabelle’s Curse has toured extensively throughout the southeast and mid-Atlantic, developing a devoted fan base. They have had the privilege of supporting acts such as Blues Traveler, Sam Bush, Langhorne Slim, Anderson East, Paul McDonald, The Hackensaw Boys, and Birds of Chicago. The band has been a staple at Bristol Rhythm and Roots Reunion, most recently taking the stage for their 10th year, and have been featured at numerous other music festivals including Floydfest, Rooster Walk, Fall for Greenville, Rhythm N’ Blooms, and North Carolina Brewers Fest. The band has also appeared on PBS’s Music City Roots and Song of the Mountains.
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Hailing from North Carolina, two sisters and friends of the Maggie Valley Band came together in the town they now identify themselves with. Each member learned their trade of music in the beautiful mountains of Maggie Valley, NC. Sisters Whitney & Caroline Miller grew up in a home where playing the piano was a daily requirement. Daily requirements turned to passion as they hit the streets to street busk. After years of busking, The Maggie Valley Band was officially formed and decided to take it inside-to venues. TMVB released their album “The Hardest Thing” in 2018 under under the direction of Grammy & Emmy nominated producer, David Mayfield. TMVB comes together to produce a sound affectionately referred to as “Dark Appalachian”, ranging from folk rock to indie rock.
Support your firefighters and paramedics of North Carolina by coming to see the Hottest new artist out of Nashville TN. George Birge with “Give me that drink” song is sweeping the radio stations. Get your tickets now!
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
The HALL at Spartanburg Memorial Auditorium’s RELIVE THE GLORY DAYS concert series presents, Departure A Journey Tribute Band May 12 at 7:30pm. Tickets on sale NOW
The HALL at Spartanburg Memorial Auditorium’s RELIVE THE GLORY DAYS concert series presents Slippery When Wet The Ultimate Bon Jovi Tribute on May 12 at 7:30pm. Tickets on sale NOW
Join us for a conversation with multi-instrumentalist Kishi Bashi and filmmaker Liz Sargent about minority identity and racism towards Asians in America. Using songs, film, and photography, we’ll look at a history of Asian representation in media and culture. Kishi Bashi will be sharing clips from his upcoming film release, Omoiyari, a Japanese word which means to have sympathy and compassion towards another person.
A universal concept in human interaction that is required for a sustainable society, Kishi Bashi explores how empathy and the lack of it has played key roles in our modern quest for social equality.
About Kishi Bashi: Kishi Bashi is the pseudonym of singer, multi-instrumentalist, and songwriter Kaoru Ishibashi. Born in Seattle, Washington, Ishibashi grew up in Norfolk, Virginia where both of his parents were professors at Old Dominion University. As a 1994 graduate of Matthew Fontaine Maury High School, he went on to study film scoring at Berklee College of Music before becoming a renowned violinist. Ishibashi has recorded and toured internationally as a violinist with diverse artists such as Regina Spektor, Sondre Lerche, and most recently, the Athens, Georgia-based indie rock band, of Montreal. He remains based in Athens.
https://www.kishibashi.com/
About Liz Sargent: Liz Sargent is a Korean American Adoptee whose award-winning work explores themes of adoption, disability and family. As a Writer/Director she incorporates her background as a choreographer into visual storytelling that channels complex human emotions that are an extension of her experience as the middle child of eleven and recognizing her intersectional identity as an adult.
www.sargentliz.com
On the title track to Welcome 2 Club XIII, Drive-By Truckers pay homage to the Muscle Shoals honky-tonk where founding members Patterson Hood and Mike Cooley got their start: a concrete-floored dive lit like a disco, with the nightly promise of penny beer and truly dubious cover bands. “There were no cool bars in town and Club XIII was the best we had—but it wasn’t all that good, and our band wasn’t particularly liked there,” says Hood, referring to the vocalist/guitarists’ former band Adam’s House Cat. “From time to time the owner would throw us a Wednesday night or let us open for a hair-metal band we were a terrible fit for, and everyone would hang out outside until we were done playing. It wasn’t very funny at the time, but it’s funny to us now.” The 14th studio album from Drive-By Truckers—whose lineup also includes keyboardist/guitarist Jay Gonzalez, bassist Matt Patton, and drummer Brad Morgan—Welcome 2 Club XIII looks back on their formative years with both deadpan pragmatism and profound tenderness, instilling each song with the kind of lived-in detail that invites bittersweet reminiscence of your own misspent youth.
Produced by longtime Drive-By Truckers collaborator David Barbe and mainly recorded at his studio in Athens, Georgia, Welcome 2 Club XIII took shape over the course of three frenetic days in summer 2021—a doubly extraordinary feat considering that the band had no prior intentions of making a new album. “We had some shows coming up and decided to get together and practice, since we hadn’t even seen each other in a year and a half because of the pandemic,” Hood recalls. “We started demoing song ideas, and pretty soon we realized we had a whole record. It was all sort of magical.” Featuring background vocals from the likes of Margo Price, R.E.M.’s Mike Mills, and Mississippi-bred singer/songwriter Schaefer Llana, Welcome 2 Club XIII was recorded live with most songs cut in one or two takes, fully harnessing the band’s freewheeling energy. “For us it’s always about just getting together and having fun, but this time there was the added feeling of being set free after a long time of wondering if we’d ever get to do this again,” notes Cooley.
Arriving as the band enters its 26th year, Welcome 2 Club XIII marks a sharp departure from the trenchant commentary of The Unraveling and The New OK (both released in 2020). “All our records are political to some extent, but after making three overtly political records in a row we wanted to do something much more personal,” says Hood. A hypnotic introduction to the album’s sprawling autobiography, “The Driver” kicks off Welcome 2 Club XIII with a seven-minute-long, darkly thrilling epic punctuated with lead-heavy riffs and Llana’s unearthly vocals. “Around the same era of Club XIII, I spent a lot of time driving around late at night when I couldn’t sleep, listening to music loud and often having a beer or two,” says Hood. “Sometimes during those drives I’d have these epiphanies about what to do with my life—like listening to Tim by The Replacements not long after it came out and deciding to drop out of school to try and make this whole band thing work.”
The album’s swinging centerpiece, “Welcome 2 Club XIII” spins a sublimely gritty portrait of the spot Cooley sums up as “part disco, part honky-tonk, part place to score cheap cocaine.” With its litany of inside jokes and references to Foghat and The Jim Carroll Band, the track unfolds as a joyful piece of anti-nostalgia, a sentiment perfectly captured in its sing-along-fueled outro (sample lyric: “Our glory days did kinda suck”). Meanwhile, on “Every Single Storied Flameout,” Cooley shares a far more pensive recollection of his younger years. “I wrote that song when my son was turning 16 and going through a rough patch for a bit,” he says. “Luckily, he’s turned it around and he’s doing great now, but it was a tough time for a while. Part of my way of dealing with it was to take ownership of the example I might’ve set, in the hope of leading him out of it.” Graced with the radiant melodies of a three-piece horn section, the result is a spirited anthem merging Cooley’s unsparing self-reflection with a bit of rambling wisdom (e.g., “That part of you that feels alive is wired and can’t be severed from the damage-seeking part of you that runs it/Just don’t embrace it with a vengeance before you’ve even shaved with a razor that you bought with your own money”).
Although Welcome 2 Club XIII has its moments of real-time observation (including “Maria’s Awful Disclosures,” on which Cooley connects the dots between early-19th-century anti-immigrant agitprop and the noxious paranoia of QAnon), much of the album serves as a free-flowing coming-of-age memoir. “Cooley and I have been playing together for 37 years now,” Hood points out. “That first band might have failed miserably on a commercial level, but I’m really proud of what we did back then. It had a lot to do with who we ended up becoming.” And while Drive-By Truckers never shy away from illuminating the many shades of grief that come with getting older, Welcome 2 Club XIII ultimately embodies a certain world-weary joie de vivre—an element beautifully encapsulated in one of its final lyrics, from the softly stunning “Wilder Days”: “As the sun gets dizzy watching us as we go spinning around/I find it best to laugh at the absurdity of life above the ground/There’s no comfort in survival, but it’s still the best option that I’ve found.”
Tumo Kohrs, is Mark Tuomenoksa and Sarah Kohrs, two extraordinarily talented musicians whose synergy and skills provide a sophisticated sound that exponentially exceeds what you would expect from any duo. While they principally perform on electric keyboards, they both are multi-instrumentalists and their repertoire includes the entire saxophone family as well as guitars and flute. While their playing skills are impressive, what separates them from the pack are the intimate original compositions of Kohrs combined with the powerfully evocative arrangements of Tuomenoksa. Sarah is a master of words, expressing nuanced emotions of love as well as the blunt realities of the pain that loving entails.
There are no pulled punches in Sarah Kohrs. And while her words spin the narrative, Mark’s arrangements bring the songs to life, alternately hugging and caressing, or forcefully spitting and biting, to magnify and amplify the experience. With Tumo Kohrs you don’t just tap your fingers. You cry, you laugh, you sit in stunned silence, or you jump out of your seat yelling, “Wow!” This is emotional hardball in the big leagues. You can’t hide; you’re going to feel it.
One of the beautiful things about Tumo Kohrs is the ease with which they switch gears – veering from sad to happy, serious to irreverent – and cross genres, all the while maintaining a delightful easy banter with the audience. In the end you realize that you’ve just ridden a roller coaster through many of life’s most powerful forces – love, trust, friendship, relationships – and you’re somehow better for the journey.
Sarah Kohrs and Mark Tuomenoksa aren’t following anyone, they are blazing a new trail forged entirely out of their indomitable spirits. And they are just getting started.
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BJ Leiderman isn’t following anyone either. He blazed his trail in the world of music and public radio decades ago.
For over 40 years, award-winning composer BJ Leiderman has enjoyed a multifaceted career as composer, lyricist, producer, copywriter and voice talent.
He is best known as composer of the Public Radio themes for Morning Edition, Weekend Edition, Car Talk’s ‘Stump The Chumps’ theme, NPR Science Friday, Wait, Wait, Don’t Tell Me! and Marketplace.
Leiderman has scored TV and radio commercials for clients including Coca-Cola, ExxonMobil, US Air, Corporation For Public Broadcasting, US Environmental Protection Agency, US Chamber of Commerce, General Mills and General Electric, Nickelodeon, Cartoon Network, The Annenberg/CPB Project and Christian Broadcasting Network
The free, definitive resource for finding local food and farms also features farm stories and recipes.
The 2023 Local Food Guide, ASAP’s annual free publication for finding local food and farms, hits newsstands this week. This definitive resource lists hundreds of Appalachian Grown certified farms, farmers markets, restaurants, groceries, travel destinations, and more throughout Western North Carolina and surrounding counties in Virginia, Tennessee, Georgia, and South Carolina. A digital version of the print Guide may be viewed at asapconnections.org/guide.
In addition to the listing content, the 2023 edition features stories that highlight the variety of farming across the region. Jake Puckett, of Crow Fly Farms in Marion, NC, details his passion for holistic animal management. Malcolm Banks, of Yellow Mountain Gardens in Franklin, NC, describes his mission to teach his neighbors—and the world—to grow their own food. Gwen and Jay Englebach, of Black Trumpet Farm in Leicester, NC, talk about building a business and customer relationships. Rounding out the issue are seasonal recipes from chefs at Cultura, Little Chango, The Montford, and Red Fiddle Vittles.
Find Local Food Guide copies at farmers markets, visitors centers, libraries, community centers, groceries, restaurants, and other partner businesses throughout the region. They are also available to pick up in the lobby of ASAP’s office in Asheville at 306 W. Haywood St., Monday to Friday, 9 a.m. to 5 p.m. Contact ASAP if you need help locating a copy in your area.
In addition to the print Guide, ASAP maintains the online Local Food Guide at appalachiangrown.org. This database, with more than 1,400 listings, is updated throughout the year and is searchable by products, locations, activities, and more.
The 2023 Local Food Guide is made possible in part with support from the U.S. Department of Agriculture (USDA) through the Agricultural Marketing Service and Beginning Farmer Rancher Development Fund, as well as the Community Foundation of Western North Carolina and Asheville Regional Airport.
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We’re offering TWO grade levels this summer for our workshops:
- Younger Ages (Rising First – Third Grade) and
- Older Ages (Rising Fourth – Tenth Grade)
Pricing
First Student: $350 per week
Sibling & Multiple Week Camp Discounts are available
Madagascar Workshop
June 12-16 & July 17-21
Get read to MOVE IT, MOVE IT!
Join Alex the Lion, Marty the Zebra, Melman the Giraffe, Gloria the hip hip Hippo and, of course, those hilarious, plotting penguins in this crack-a-lackin’ adventure from New York City to Madagascar.
Matilda Workshop
June 19-23 & July 24-28
It’s time to act like REVOLTIN’ CHILDREN!
Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. Matilda’s school life isn’t completely smooth sailing, however – the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils’ saving grace!
Shrek Workshop
June 26-30 & July 31-August 4
Come and let your FREAK FLAG FLY!
It’s a “big bright beautiful world” as everyone’s favorite ogre, Shrek, leads a cast of fairytale misfits on an adventure to rescue a princess and find true acceptance. When Shrek sets off with a wisecracking donkey to confront Farquaad, he’s handed a task — if he rescues feisty princess Fiona, his swamp will be righted. Shrek tries to win Fiona’s love and vanquish Lord Farquaad, but a fairytale wouldn’t be complete without a few twists and turns along the way.
The Little Mermaid Workshop
July 10-14 & August 7-11
Discover what it means to be PART OF YOUR WORLD!
In a magical underwater kingdom, the beautiful young mermaid, Ariel, longs to leave her ocean home — and her fins — behind and live in the world above. But first, she’ll have to defy her father, King Triton, make a deal with the evil sea witch, Ursula, and convince the handsome Prince Eric that she’s the girl whose enchanting voice he’s been seeking.
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Spring at Biltmore, one of the estate’s most glorious seasons, invites you to experience a spring break mountain escape with all the charm of a European retreat. Immerse yourself in thousands of colorful tulips as Biltmore Blooms transforms our gardens and grounds. Explore Italian Renaissance Alive and Ciao! From Italy. Savor our Winery’s award-winning vintages and, of course, the timeless elegance of Biltmore House.
- Daytime access to 8,000 acres of gardens and grounds, including:
- 75+ Acres of formal and informal gardens
- 20+ Miles of hiking, biking, and walking trails
- Antler Hill Village & Winery
- Complimentary Wine Tasting
- Complimentary Parking
Gardens & Grounds admission does NOT include Biltmore House entry.
We are excited to bring this special package to you and your loved ones. It’s super easy!
- Pick your show date – June 14, 17, 21, 24 (Evening only)
- Choose 2 Adult Seats and 2 Student Seats
- At Checkout, discount will be applied
Bibbidi-bobbidi-boo!
Your wish is granted!
If you have any problems, our Box Office is happy to help!
828.693.0731
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)
Whether you’re looking for a last-minute gift for mom or somewhere to celebrate the occasion, shop Cloth’s Mother’s Day Sale at The Omni Grove Park Inn’s “Sip & Shop” Pop-Up. Enjoy a complimentary wine tasting and up to 50% off multi-season men’s and women’s apparel and merchandise. The sale is from 10am to 3pm on Saturday, May 13 and Sunday, May 14 in the Presidents Lounge of the Sammons Wing. Featured cocktails and drinks will be available for purchase at the bar.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Bake Sale to benefit Ukraine. Variety of baked goods including Ukrainian specialties. All sales will go to Ukraine for humanitarian aid via the UNWLA Humanitarian Aid Fund. The UNWLA is a 501(c)3 non-profit organization.
Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.
- Perfect for birthday parties
- Makes for memorable school field trips
- Tickets are $27 per person
- Beverages available for purchase at the LaZoom Room
- Departs from 76 Biltmore Avenue
Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
Starting April 8th, you can ride ArtAVL’s new free ArtsAVL Connect Trolley – connecting the Downtown and River Arts Districts with two overlapping routes.
The initiative is a partnership between ArtsAVL and Gray Line Asheville. Beginning April 8th, two chartered Gray Line trolleys will circulate on 20-30 minute intervals from 12-8 pm on every Second Saturday. Riders are welcome to hop on and off anywhere along the trolley routes.
The Downtown Trolley connects the main areas of the Central Business District to the River Arts District. The River Arts Trolley loops throughout the River Arts District. Residents and visitors can view stops and current location of trolleys through the interactive trolley map on ArtsAVL’s website and the new ArtsAVL app.
Head to the banks of the Swannanoa River, just past Biltmore Village, for an intimate brunch experience. Cursus Kĕmē, the brewery partner for the Asheville Amadeus Festival, has teamed up with local restaurant The Blackbird to serve up a delicious three-course menu created by Executive Chef Michael Reppert. Each course will be thoughtfully paired with a Cursus Kĕmē brew — including the official beer of the festival, Das Horner Bier. It’s an exclusive chance to treat yourself to a beer brunch that you won’t soon forget. Don’t miss out on this unique opportunity to enjoy a truly special culinary event!
ASO Amadeus Festival
Visit the Asheville Art Museum Atrium for Music Mixology!
Music on the hour from Noon to 5 pm
The music begins with Flute at Noon, adds Bassoon at 1 pm then Clarinet at 2 pm; Oboe at 3 pm and finally mixes in a French horn at 4 pm to concoct a woodwind quintet!
Gorgeous music featuring: Kare Steinbeck, flute; Rosalind Buda, bassoon; Taylor Massey, clarinet; Michael Jones, oboe; Anneka Zuehlke, French horn
Each musical portion is 20-25 minutes long. Drop in for any part of the afternoon. Walk-ins are welcome. Reservations are encouraged, as seating is limited.
The Blue Ridge Orchestra’s contribution to the 2023 Asheville Amadeus Festival begins with Mozart’s Sinfonia Concertante in E-Flat for Violin, Viola and Orchestra, some of the last and possibly the best music he wrote before leaving Salzburg for Vienna at age 25. In keeping with the festival’s Americana theme, the second half of the program features the Blue Ridge Orchestra Winds performing classic works by several of the best-known American composers.
Milton Crotts, Conductor
Emily Schaad, Guest Conductor
The BRO plans to wrap up this season with a program paying homage to the ever famous Wolfgang Amadeus Mozart! We will be joining the “Asheville Amadeus”campaign as we highlight one of his works, “Concertante Sinfonia” with Violinist Rachel Handman and Violist, Emily Schaad. Emily will also be doubling as Guest Conductor for this piece! You will not want to miss this incredible talent and unique delivery!
Program:
Mozart – Sinfonia Concertante in E Flat Major
Soloists: Rachel Handman, Violin
Emily Schaad, Viola, Guest ConductorCopland- The Tender Land Suite
Gould- Symphonette No. 2
– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
Suprise Function 1 Pop-up Decompression
Phon – Funky Disco
Push/Pull – Sunset DNB
Wij – Breakbeat
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
NC Wine Academy will partner with Plēb Urban Winery to offer appetizers plus five food courses paired with six wines, including wines from Plēb as well as vintages from vintners in other regions.
Darko Butorac, conductor
Kishi Bashi, soloist
We head for the banks of the French Broad River to perform on Salvage Station’s massive outdoor stage. Featuring Kishi Bashi — a folk-infused, cinema-inspired artist known the world over for his cross-genre and multi- disciplinary approach to music-making — this ALT ASO performance doubles as the festival opener for Asheville Amadeus 2023. The final ALT concert of the year will feature representation from Kishi Bashi’s expansive catalog, including orchestrated versions of “I am the Antichrist to You,” “Can’t Let Go Juno,” and “Manchester,” alongside American symphonic favorites specially curated by Maestro Darko Butorac and Kishi Bashi himself!