A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.

“Gareth is fast becoming one of the worlds most renowned instrumental guitarists”

Adam Walton (BBC Radio Wales)

“I really respect Gareth’s abilities. He’s a great young man and a great ambassador for the acoustic guitar”

Tommy Emmanuel

Gareth Pearson is referred to as “The Welsh Tornado” which is particularly appropriate, seeing as this special talent combines fingerstyle pyrotechnics, with explosive lead runs making Pearson one of the most exciting acoustic musicians gigging today.

Gareth has a distinctive style that can be heard through his creative and innovative arrangements which cover a wide spectrum of genres, including country/folk/classical/pop/rock/jazz/swing and bluegrass music, along with his own beautiful and often intricate original compositions.

Drawing his playing style initially from influences such as Chet Atkins, Merle Travis, Jerry Reed and Tommy Emmanuel, he has developed a style that is both inspiring and entertaining.

Within a year of taking up the guitar, Gareth was opening for Tommy Emmanuel on his 2005 UK tour. It was in Cardiff where Tommy invited Gareth to play at the CAAS convention (Chet Atkins Appreciation Society) in Nashville Tennessee.

Later that year, Gareth was performing and touring alongside Ray Davies (The Kinks), John Renbourne, and Southside Johnny and the Ashbury Jukes. During the Southside Johnny tour, Gareth was invited by Southside to be flown over to the USA to open for his annual New Years Eve concert at the Count Basie Theatre in New Jersey.

The following year Gareth was invited by Tommy Emmanuel to be the support act for his UK tour, following extensive UK supports to Jan Akkerman, Andy McKee and appearing at numerous Folk Festivals and Guitar workshops including the Montreal Jazz Festival.

With appearances throughout Europe and a growing reputation, Gareth was invited to perform at the 2008 Canadian Guitar Festival where he came to the attention of Candyrat Records. This lay the seed for Gareth to be the first UK guitarist to be signed by the label. On its release, Gareth’s debut album “Urban Echoes Vol 1” was selected by Acoustic Guitar editors and frequent contributors as one of the “Essential Acoustic Albums of 2010”.

https://www.garethpearson.com/

=============================

“Jacob rocks!”

-Tommy Emmanuel

“Brilliantly done!! Wow!

– John Popper (Blues Traveler)

Part virtuoso and part storyteller, you might say that Jacob Johnson does with a guitar what Gene Kelly did with dance. Although his songwriting has won awards and his guitar-playing has put him on stage with Tommy Emmanuel and Phil Keaggy, his ability as an entertainer is what has won fans throughout the southeast. He refers to himself as “a ham that just wants to be on stage” but he is much more than that. Jacob is an amazingly talented guitarist and songwriter which, combined with a bit of a personality, makes for a wildly impressive stage performance

To watch Jacob Johnson play guitar is to watch someone do what he was born to do. Johnson glides up and down the fretboard with total confidence in a way that reminds one of Leo Kottke, barely looking at the instrument as he weaves delicate, dazzling melody lines with the occasional percussive thump on the strings. His sense of melody is a strong as his virtuosic playing, and his songwriting reveals a modestly bemused look at the world.

Johnson began playing when he was 10 years old, thanks primarily to his grandmother. She played with pickup bands back in the 40s he says. When country acts would tour, they would just book a band in whatever city they were playing in. So she played with Ernest Tubb and Hank Snow and a lot of people like that. She taught me the first three or four chords I ever learned and said, ˜Jacob, if all you ever learn on the guitar is these three or four chords, you will always be able to pick up a guitar and play songs for people.”

After that initial introduction, Johnson says he progressed quickly through his teen years. There was a period of a couple of years where I went from zero to 60. I started out listening to Johnny Cash and then got into the old rockabilly like Carl Perkins and Gene Vincent, then it was the blues and Stevie Ray Vaughan, Clapton, and Hendrix. I guess by the time I was 18 or 19 I’d started getting into Phil Keaggy and Michael Hedges, who I consider the Jimi Hendrix of the acoustic guitar.

He was one of the first players who got into two-handed tapping, alternate tuning, that kind of stuff. At a certain point I decided to focus on the acoustic guitar because there was just something about it. It seemed like this was the instrument that was going to give me my voice; that would allow me to develop my singing and songwriting in a way that my electric playing did.

Since dropping out of college in 2007, Jacob has traveled the country in (so far) six mini-vans, honing his craft, and making friends and fans along the way. Most of these were friendly now-forgotten faces that offered a warm meal and a couch to sleep on, but some were able to offer more. Such was the case with Grammy-nominated Australian guitar legend Tommy Emmanuel. Emmanuel put Jacob, as his opening act, on such notable stages as The Birchmere in Virginia, The State Theater in Maine, and The Newberry Opera House in South Carolina.

https://www.jacobjohnsontunes.com/home

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

THE ARCADIAN WILD
The Arcadian Wild is a four-piece indie folk/pop group from Nashville, TN. Led by songwriters Isaac Horn and Lincoln Mick and Bailey Warren on fiddle, The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary. Combining elements of progressive bluegrass, folk, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come and see, to find refuge and rest, to journey and wonder, to laugh and cry, to share joy and community and sing along.

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

• Guided comedy tour bus of historical Asheville
• 90-Minutes – tours run daily
• 15-minute break at Green Man Brewing
• $39 per person (ages 13+ only)

Sandburg Home Tours – Thursday to Sunday at 11am, 1pm, 2pm.

*As of April 2022, tours are free until further notice. See rates below if they change before your visit. Online reservations are available at recreation.gov.

The Sandburg Home is a great place to start your visit! The ground floor of the home contains visitor information, exhibits, tour ticket sales, the park store, and you can watch the park video. The main and top level of the home are furnished with the Sandburg family belongings. Visitors may only access the furnished ares of the home on a guided tour.

• Tour Reservations: Reserving in advance lets you pick your preferred house tour time. Tours fill up quickly. Last-minute, in-person tickets may not be available on the day you visit. Plan ahead and reserve house tour tickets at recreation.gov.

• Passes: The park does not currently sell the America the Beautiful– National Parks and Federal Recreational Lands Passes.
  *These passes do not waive the house tour fee, but do provide a discount.
  *You can purchase a pass online at America the Beautiful – National Parks & Federal Recreational Lands Annual Pass | USGS Store.
• 30-minute house tours are offered year-round, schedule varies by season. Visit recreation.gov for the current schedule.
• Visitors may only tour the Sandburg Home on a guided tour.
• Tours are limited to 6 persons.
• Strollers are not permitted on the house tour, but there is a place to leave them for storage. Infants and small children should be carried through the house while on tour.

  Sandburg Home Guided Tour Fee
  *Tours are free until further notice, this chart is the rate when fees resume.
  (credit card only)
  $10.00 for Adults 16 and older
  $6.00 for Adults age 62 and older and all interagency pass holders
  Free for Children age 15 and under

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Join our College Division students in their opening concert of the season. Tchaikovsky’s soulful “Pathétique” Symphony will be performed by the Brevard Sinfonia with Maestra JoAnn Falletta. Virtuoso violinist Simone Porter makes her Brevard debut in Bruch’s soaring Scottish Fantasy.

PERFORMANCE & ARTIST DETAILS
Brevard Sinfonia
JoAnn Falletta, conductor
Simone Porter, violin

LIBBY LARSEN Deep Summer Music
MAX BRUCH Scottish Fantasy
PYOTR ILYICH TCHAIKOVSKY Symphony No. 6, “Pathétique”

Auditorium seating is reserved.  Lawn seating is general admission.

BE A PART OF THE MUSICAL JOURNEY FOR LOCAL EMERGING MUSICIANS
Join us on a one-of-a-kind musical journey as we watch emerging talent grow and refine their gifts in our newest project, Fine Tuned. The Blue Ridge Music Trails is excited to reveal a new initiative that connects seasoned musicians with a select group of emerging artists in Western North Carolina for mentor/mentee projects. Go behind the scenes and witness as fresh talent is shaped and new music created!

Sunday, June 25
5:30 doors/food/drinks 6:30 music
Citizen Vinyl, 14 O’Henry Avenue, Asheville
The Café String Quartet + Jorge Fuentes, percussion

Music with roots deep in the Americas, by Piazzolla, Gardel, Jobim, Joplin, Foster, Dvorak, and Bennett, plus à la carte food + wine pairings from the Session Cafe and Bar.

Tickets $20
50% of ticket sales will support Hola Carolina

The Asheville-based Café String Quartet has performed for public and private events for over 15 years. Multi-year winners of the Wedding Wire Couple’s Choice awards, they have performed and recorded on series including Bach to Bluegrass, Smoky Mountain Performing Arts Center, the Hendersonville Symphony’s Up Close and Personal series and have self-produced twelve annual community benefits.

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

MALCOLM HOLCOMBE

Malcolm Holcombe is a survivor. Most recently, a cancer survivor, so it’s a real gift to have this, his 18th album of brilliant vignettes and expressive musicianship. Shortly after his diagnosis in 2022, he and Jared Tyler decided to get these songs recorded, just the two of them, not knowing what the future held in store for them. To musicians, giving life to new songs can feel as critical as life’s most basic needs. If a completed album can come from it, all the better.

He’s a survivor of other struggles, too: ones that claim the lives of folks half his age. There are the self-inflicted ones, and the ones inflicted upon us by, well, the unpredictable world that he describes, unfiltered. Greed, hatred, inexplicable injustice… Malcolm helps us wrestle with them, as he has done for maybe a few lifetimes now. As he sings in “Fill These Shoes”, “People get murdered for no reason / Some give up their lives so others keep breathin’.” Through it all, we are blessed to have him among us.

Jared Tyler is, as RB Morris has called him, the musical shadow of Malcolm: able to anticipate his next moves, predict what’s needed when, and provide just the right embellishment and backbone on harmonies, guitars, mandola, dobro, banjo, etc. (As I write this, the music world is reflecting upon the recent passing of David Lindley, who provided the kind of support to Jackson Browne and others that Jared has done for Malcolm since 1999. Let this be a reminder, to all of us, to appreciate and support those who excel so well at backing up our favorite headliners, yet rarely receive the credit they deserve.) Jared also produced this album, along with Brian Brinkerhoff. No one can fully get inside the musical mind of the great Malcolm Holcombe, but Jared comes as close as anyone ever could.

Let me repeat part of that again: no one can fully get inside the musical mind of the great Malcolm Holcombe. You can memorize his lyrics, you can witness the awe and power and transcendent experience of his live performances, but you still won’t be absolutely certain that you see exactly what he’s seeing. And that’s but one of his many attributes. One that has perhaps made contemporaries like Emmylou Harris, Lucinda Williams, Steve & Justin Townes Earle, and Iris DeMent fans of his.

Malcolm Holcombe: singer, songwriter, survivor. He survives thanks in part to the fire and passion and conscience that you witness in his craft. “I will not hide from the words of justice / I will not join the cries of liars / I will not keep my heart from climbing from the dust I swallowed behind. …Great spirit lift me from despair / to your bosom sweet and fair” (“Conscience of Man”)

Martin Anderson
WNCW FM
Music director, host

ED SNODDERLY
Recalling the modern, esoteric lyricism of Guy Clark and Billy Joe Shaver and the Southern traditions of old-time music and bluegrass, veteran Americana singer- songwriter-guitar player Ed Snodderly’s new album Chimney Smoke, (his 10th), is a hypnotic, slow-burning masterpiece of expert songcraft and storytelling.

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

• Guided comedy tour bus of historical Asheville
• 90-Minutes – tours run daily
• 15-minute break at Green Man Brewing
• $39 per person (ages 13+ only)

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

One of Beethoven’s best-known chamber works, the Piano Trio No. 7 in B flat Major, Op. 97 for piano, violin, and cello was dedicated to Beethoven’s benefactor, student, and friend–Archduke Rudolf of Austria. Not only was this the last piano trio written by Beethoven, the premier of the Archduke Trio was also one of Beethoven’s final concert performances.

PERFORMANCE & ARTIST DETAILS

Auditorium seating is reserved.