After two pandemic years operating as ASAP Farmers Market at A-B Tech, Asheville City Market will return downtown on April 2, from 9 a.m. to noon. Every Saturday, N. Market St. will be closed between Woodfin and E. Walnut streets. Customers can enjoy open-air shopping for local goods from nearly 50 vendors, including farmers, artisan food makers, services, and more.

In addition to in-season fruits and vegetables, vendors from across Western North Carolina provide specialty products like cheese, eggs, grassfed meat and pastured pork, rice, pasta, artisan bread, honey, plants, body care products, and much more. As a producer-only market, each vendor has a personal hand in growing, raising, or crafting their products, giving customers the opportunity to connect directly with farmers and other local producers. A weekly list of vendors is available by subscribing to the market’s newsletter at asapconnections.org.

Asheville City Market will offer ASAP’s Double SNAP for Fruits and Vegetables, which matches SNAP dollars with tokens that can be used for produce. For instance, if a SNAP customer swipes their EBT card for $10, they will receive $10 in SNAP tokens as well as $10 in Farm Fresh Bucks. SNAP tokens may be used for SNAP-eligible products from any vendor, including produce, meat, cheese, eggs, bread, plants, and more. Farm Fresh Bucks may only be used for fruits and vegetables.

Free parking for customers is available at HomeTrust Bank and Family Justice Center (across from the YMCA at 35 Woodfin St.). There are bus stops on the N1 and N2 routes one block away, on Broadway

Plants, plants, & more plants will be showcased at the Black Mountain Garden Sale on Friday, May 20, 4 -8pm and Saturday, May 21, 9am-4pm at the Town Square Parking Lot at the corner of E. State St. and Richardson Blvd.

Hosted by Black Mountain Beautification Committee the sale will feature annuals, herbs, native plants, perennials, shrubs, trees, and vegetable starts from specialty plant vendors. Plus garden décor including garden containers, wood carvings, and other special items.

The popular Clothesline Sale will have personal services for sale. Buy raffle tickets to take a chance to win plants. Proceeds help support the Seed Money Award and to keep the town beautiful!

More info at blackmountainbeautification.org. Let us help you create the garden of your dreams!

Buncombe County’s newly consolidated 911 Call Center is looking to complete membership of its Communications Steering Committee (CSC) with a community member at-large. As part of the agreement of the consolidation, the CSC will meet at least quarterly to review performance and compliance data and to consider and resolve questions, issues, and disputes relating to 911 call center operations.

The CSC membership includes:

1. Buncombe County Director for 911 Communications
2. Sheriff or designee
3. Chief of Asheville Police Department or designee
4. Asheville Fire Chief or designee
5. Buncombe County Management designee
6. A representative from among other municipalities’ law enforcement agencies dispatched through the 911 Call Center
7. A representative from among other municipal and County fire departments dispatched through the 911 Call Center
8. One community member at-large.

If you would like to be considered for the community member at-large position on the CSC, please answer the below questions and follow the instructions for submitting them.

Application Questions

Name:

Contact Information (phone and/or email):

1) Briefly, explain why you want to be a part of the Communications Steering Committee.

2) How will your life experience and unique perspective help us in regard to performance and compliance data and resolving questions, issues, and disputes relating to 911 call center operations? Please note if you are bilingual.

3) What do you consider the most pressing challenge for public safety communications (911)?

4) Where do you live?

• Asheville City
• South Buncombe (such as Arden/Avery’s Creek/Royal Pines)
• North Buncombe (such as Woodfin/Weaverville/Barnardsville)
• East Buncombe (such as Swannanoa/Black Mountain/Montreat)
• West Buncombe (such as Candler/Leicester)

5) Have you lived in Buncombe County for 1 year or more? Yes or No

Submit your application questions by email or in person to Jennifer Aviles by May 31, 2022, to [email protected] or 200 College St., Third Floor, Asheville NC 28801. If you have any questions, please contact Jennifer Aviles at (828) 250-4089.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

Led by Stewart/Owen Dance Co-Directors, Vanessa Owen and Gavin Stewart, this open level adult contemporary dance class gradually awakens the body and senses through guided improvisation and a follow along warm-up, followed by foundational across-the-floor exercises and center-work combinations. All experience levels welcome!

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots. They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

April 1st through May 26th, 2022

Featured Artists: Judi Harwood (clay) Colin Richmond (clay) Cori Saraceni (mixed media) Lyn Lyndall (leather) Lauren Faulkenberry (paper)

Speaker(s): Chris Downey

Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce

Webinar info will be emailed after registration

Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)

he Kiwanis Club of Hendersonville invites the entire community to
participate in its 2nd Annual Sneaky Scavenger Race. Event registration goes live on
Friday, April 1 – no joke! This event is being held in conjunction with National
Scavenger Hunt Day on Saturday, May 21, 2022 from 10:00 a.m. to 2 p.m. at Berkeley
Mills Park in Hendersonville. Proceeds from the event will benefit the club’s Shoes and
Socks program for Henderson County youth.
Participants will engage in outdoor activities that are designed to be interactive and fun,
while challenging both the body and mind, much like traditional ‘field day’ activities.
Registration is open to teams of four, children ages 5 and up and adults. Snacks and
beverages will be provided throughout the event, and an awards ceremony will take
place around 2 p.m.
Event registration is $35 per team. For additional details and to register, please visit
https://www.hendersonvillekiwanis.org.
All proceeds from the Sneaky Scavenger Race support the Shoes & Socks program, a
Kiwanis managed program that provides shoes and socks to underprivileged students
identified by their teachers in the Henderson County school system. The program has
provided more than 5,600 pairs of shoes since its inception in 1955

Box turtles are familiar to just about anyone who spends time outdoors, but many people are unaware of their ongoing decline in the wild. In this class, students will learn all about box turtles, including their feeding, nesting and breeding habits, legal status, threats to their survival, and how they fit into the ecological community of woodland wildlife. Naturalist Carlton Burke introduces some of these gentle reptiles, and we learn what can be done to ensure their continued well-being in the wild.

After a two-year hiatus, the Saluda Arts Festival returns to Saluda’s historic downtown, the event will feature approximately 85 artists from the Carolinas and Tennessee, children’s’ activities, and live music on Main Street in downtown Saluda

Presenter: Dave Bush, Extension Master GardenerSM Volunteer

Seventy percent of the material going to landfills is organic and most of that is kitchen and yard waste that can be composted at home and returned to your soil. Join this “in the garden” program to learn to compost with a multi-bin system: what to use and what not to use, how to mix it, how to monitor the pile, when is it ready, and how to use the finished product.

Registration: The talk is free, but seating is limited and registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.

“My work focuses on deteriorating architecture. These structures, designed to be huge forces of permanence, are continually being challenged, destroyed and forgotten. I see an inherent honesty in the face of my subject. Among all of the clutter—the shards of wood and layers of rubble—there remains a gentle resolve. As I work, I study these structures incessantly. The buildings, often on the brink of ruin, have something very energized and present trying to escape from their fragmented reality.”  –Seth Clark

This first solo show of Seth’s work at Momentum’s new space features large-scale works from his Barn, Ghost, and Aerial View Series.  The collection also includes some of the artist’s sculptural objects in wood.  Abstract works, which still reference weathered architecture, such as Lath Study and Vinyl Study, round out the exhibition.

Seventy percent of the material going to landfills is organic and most of that is kitchen and yard waste that can be composted at home and returned to your soil. Join this “in the garden” program to learn to compost with a multi-bin system: what to use and what not to use, how to mix it, how to monitor the pile, when is it ready, and how to use the finished product.

In-person event. The talk is free, but attendance is limited and registration is required.
https://www.buncombemastergardener.org/upcoming-events/

The Western North Carolina Quilters’ Guild, entering its 40th year of proudly promoting the art of quilting in 2022, will present a juried quilt show entitled “A Garden of Quilts” for two days, May 20-21, 2022. This exciting show will not only display fantastic award deserving quilts, but also a special exhibit of Quilts of Valor, docent tours, arts and crafts vendors, raffle baskets, used book sale, and a boutique of handmade quilted items for sale to the public made by members. The drawing for the Guild’s raffle quilt, “Mist On the Blue Ridge” will be held on Saturday, May 21 at 4 p.m. The winning ticket holder does not have to be present to win. Tickets are available through guild members and at the quilt show. Drawings for the raffle baskets will be held afterward. Some of the proceeds from the show benefit educational programs along with scholarship money for local students in fiber arts. Admission is $5 with free regular and handicap parking. Wheel chairs and walkers are welcome. Bus tours welcome. Visit www.westernncquilters.org for more information and see our Facebook page, https://www.facebook.com/GardenofQuiltsShow, for updates as plans evolve.

During the month of May, buy one entrée and get a free dessert at Brixx Wood Fired Pizza in Biltmore Park. Mention that you saw this offer in the Town Square Reminder email newsletter and enjoy warm, friendly service over scratch made wood fired fare either in the dining room or on the spacious patio.

Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.

American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.

In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.

Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.

Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?

Southern Rites is curated by Maya Benton and organized by the International Center of Photography.

Goats+yoga+nature+beer=SO MUCH FUN!

Come join us as we breathe, move, play and drink beer. What better way to enjoy Asheville than goat yoga at the breweries? After an hour of yoga and pictures, take your token and wander into the brewery for a free beer of your choice. Lots of options for people under 21 or those choosing not to drink alcohol!

Brighten your walls with with works from Artsville Collective’s upcoming exhibition, “In Living Color: At Home with Paint, Paper and Thread.”  Allow these abstract pieces, in varying sizes and mediums, to light up your life. Collectively, the artwork’s tonal range is of blended neutrals and ventures into spring and fall palettes. Suit your design pleasures with pure color or wabi-sabi textural designs in a range of perspectives from three uniquely talented artists: Betsy Meyer, fibers; Karen Stastny, painting, and Michelle Wise, mixed media. Also showing: the Retro pop art of Daryl Slaton, which can be activated on your phone to reveal an animated story. For a softer approach, consider the mixed media art of Louise Glickman using paint, textiles, and natural plant materials.