Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Saturday, July
29, 2023
Anything Fiber Sale
Adult Field Course: Movement and Mindfulness in the Mountains for more Health, Healing and Happiness
Crocheting | Live Demo
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Jewelry | Live Demo
Rare Editions Exhibition: A Compelling Selection of Works from The Secret Art of Dr. Seuss
The Photographs of Anne Noggle
Rootabaga Express! Summer Plays
Gatherings of Artists + Writers Coffee
Black Mountain College and Mexico (BMC/MX): Exhibition
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Western North Carolina Glass: Selections from the Collection
Black Mountain College and Mexico (BMC/MX): Bizarre Sábado
A Chorus Line
Arts and Crafts Supply Swap
SIX the musical
New York Film Score Orchestra…Music of Hans Zimmer, John Williams + More by Candlelight
Vienna Light Orchestra Presents: A Tribute to Broadway + The Greatest Showman
Vienna Light Orchestra: MAGICAL FILM SCORES
Bat Boy: The Musical
Everything Is Rosie: a musical tribute to Rosemary Clooney
Montford Park Players: Treasure Island
Tryon Summer Youth Theater: Cinderella
A Chorus Line
New York Film Score Orchestra…Music of Hans Zimmer, John Williams + More by Candlelight
SIX the musical
TERPSICORPS THEATRE OF DANCE PRESENTS Cleopatra
Local Cloth’s 2023 Anything Fiber Sale returns to the AB Tech Conference Center in Asheville, NC. There will be more than 40 vendors with a range of wares to sell.
Most of us struggle with physical, mental and/or emotional stress. I used to struggle with all three at the same time! In this course, I’ll share tools, tips and techniques that I used to achieve profound health, healing and happiness including yoga, meditation and outdoor mindfulness. Though designed for beginners, students with more intermediate skills are encouraged to join. Yoga mats can be provided if you don’t have one but you are welcome to bring your own. Everyone should bring a pen and a journal. As a bonus, you’ll also receive a free resource after the course to keep you on the path to continued self care.
Miranda Peterson Harton is an RYT500 yoga teacher, hiker, mom, wife and entrepreneur based in Western North Carolina. After quitting corporate life in 2015, she took a sabbatical during which did her first 200 hours of yoga teacher training in India, hiked around the world (including the Himalayas, Andes and Alps) and studied meditation with Buddhist monks in Thailand and Myanmar. She founded Namaste in Nature in 2017 which hosts yoga hikes and retreats that combine yoga, hiking and meditation with incredible mountains, waterfalls and sunsets. She completed her advanced 300 hours of yoga training at Asheville Yoga Center where she also continues to teach.
Program Itinerary
10:00 a.m.: Meet at the Wilson Center for Nature Discovery and Introductions
10:30 a.m.-3:30 p.m.: Indoor and Outdoor Time
4:00 p.m.: Program Concludes at the Wilson Center for Nature Discovery
Registration
This Adult Field Course costs $60 for general admission and $51 for members of Grandfather Mountain’s Bridge Club, plus tax. Attendance is limited to 20 participants. Registration opens on this page on May 29 at 9 a.m.
Your program cost includes admission into the park, field instruction, and transportation during your program (you may drive your own vehicle to visit sites on the mountain if you would prefer). It does not include meals or lodging. Bringing a bagged lunch is recommended for most field courses, although Mildred’s Grill will be open to attendees. Tips are not accepted for field courses. However, donations to the Grandfather Mountain Stewardship Foundation are accepted if you would like to recognize a program.
General Clothing List
Much of your time will be spent outdoors and all programs are held rain, snow or shine. You should be prepared for a variety of mountain weather conditions and temperatures. Appropriate clothing, equipment, and footwear are very important.
Equipment
- Daypack with enough room to carry extra clothing, water, lunch, camera, etc.
- Water Bottle
- Sunglasses
- Sunscreen
- Hiking boots
- Binoculars
Equipment Specific to this Course
- Yoga mat (borrow one of mine or bring your own)
- Journal
- Pen or pencil
- Comfortable clothes you can move around in
Refunds/Cancellations
Adult Field Courses generally sell out and have a waiting list associated with the event. If you cannot attend the field course that you are registered for, a full refund will be granted within a 5-day notice of the day of the field course. This allows time for individuals on the waiting list to make accommodations to attend the event. We ask that individuals who are sick with any illness to stay home to ensure the health and safety of other participants, our staff, and the field course instructors – refunds will be granted to these individuals.
More about Field Courses
We at Grandfather Mountain Stewardship Foundation are excited to share the unique wonders of the mountain with you. Since 2008, GMSF has aimed at creating educational programming that deepens understanding through in-depth study and field research. Our goal is to provide you with a rich experience in a particular field of study, and to also provide a safe and memorable trip to Grandfather Mountain. Read more about Field Courses.
Rita de Maintenon will be demonstrating heritage crochet lace techniques, with project samples of the various types, and an extra chair in her booth for curious visitors who might want some hands-on fun! You will find Rita in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-358-3192.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Amy Brandenburg works with Precious Metal Clay, and creates unique, everyday jewelry in silver, bronze, and copper. She will be demonstrating her craft in the lobby.
We at BlackBird Frame & Art are excited to host “Rare Editions Exhibition: a Compelling Selection of Works from The Secret Art of Dr Seuss”, Thursday July 27 through Saturday July 29. Rarely seen fantastical and three-dimensional creations, such as the sculpture “Goo-Goo-Eyed Tasmanian Wolghast” will be shown alongside your favorite childhood illustrations. Each work bears a posthumously printed or engraved Dr. Seuss signature, identifying the work as an authorized limited edition commissioned by the Dr. Seuss Estate.
On Exhibit
TFAC’s JP Gallery
June 22 – August 18
Anne Noggle’s work consistently challenged the stereotypes and standard mythologies of women. She herself began her artistic career at age forty-three, to complement her already-established
profession as a pilot.
The exhibit is a joint presentation between TFAC, and the Tryon Arts & Crafts School and both locations are curated by Martha Strawn, president of the
Anne Noggle Foundation and art historian Lili Corbus.
Carl Sandburg created his own version of American fairy tales when he published Rootabaga Stories (1922) and Rootabaga Pigeons (1923). He replaced the European fairy tale cast of princes, princesses, castles and kingdoms with icons American children would recognize — taxi-drivers, movie actors, skyscrapers, prairies and automobiles. Rootabaga Express! brings the stories of the Five Rusty Rats, Bimbo the Snip and more to life.You’ll meet new characters and journey farther into the Village of Liver and Onions and Sandburg’s imagination than ever before.
The 30-minute shows are appropriate for all ages and held rain or shine.These shows are supported by the Flat Rock Playhouse and the Park Store, operated by America’s National Parks.
For young visitors who attend the plays, there is a Rootabaga Junior Ranger program available. Activity sheets will be available at the amphitheater after the play and can be turned in at the Sandburg Home for a limited edition “Rootabaga Ranger” badge.
Apprentice actors from the Flat Rock Playhouse have performed adaptations of Sandburg’s works for park visitors since 1974. Using Sandburg’s own words from his collections of children’s stories, poetry, collected music, biography of Abraham Lincoln and his own autobiography, the performances provide visitors with a sense of the scope of his work and imagination. Sandburg was an expert storyteller, and easily wove important messages of fairness, empathy and social justice into his writings. Whatever play you are able to attend you will walk away with a smile on your face and a better understanding of the legacy of Carl Sandburg.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Bizarre Sábado
During the course of the exhibition, BMCM+AC will host a series of experiential art events. These “Bizarre Sábado” happenings are inspired by Mexico City’s Bazaar Sábado, the innovative gathering place and crafts market first organized in 1960 by BMC alum Cynthia Sargent and her husband Wendell Riggs. The Bazaar Sábado continues to this day.
Bizarre Sábado 3: Saturday, June 17, 2023 – 1–5pm
Bizarre Sábado 4: Saturday, July 1, 2023 – 1–5pm
Bizarre Sábado 5: Saturday, July 15, 2023 – 1–5pm
Bizarre Sábado 6: Saturday, July 29, 2023 – 1–5pm
A series of performative and experiential actions featuring local artists @ Black Mountain College Museum + Arts Center Library {120 College Street, Asheville, NC}
Bizarre Sábado 7
Black Night/Noche Negra: Photographs of Mexico—Slideshow with BMC/MX Project Director Eric Baden
Wednesday, August 16, 2023 – 8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
Bizarre Sábado 8
Zine Release Celebration and Presentation of selected works from the Abraham Cruzvillegas Call for Art
Saturday, September 2, 2023 – 1–8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
and Lamplight AVL {821 Haywood Rd. Asheville, NC}
As part of the BMC/MX project, students and artists have been invited to engage creatively with visual prompts offered by Mexican artist Abraham Cruzvillegas. Images of the resulting artworks will be compiled into a zine (available at BMCM+AC in September 2023), and selected works will be on display at Lamplight AVL on September 2.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!
A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.
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From Tudor Queens to Pop Icons, the six wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is a global sensation that everyone is losing their head over! Featuring an all-woman cast and all-woman band, SIX has won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical. The New York Times says SIX “TOTALLY RULES!” (Critic’s Pick), and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!” The SIX: LIVE ON OPENING NIGHT Broadway album debuted at Number 1 on the Billboard cast album charts and surpassed 6 Million streams in its first month.
Experience cinema’s most iconic music performed by The New York Film Score Orchestra in a candle-lit setting.
An immersive tribute to Hans Zimmer, John Williams, Andrew Lloyd Weber and many more. The most iconic movie music performed by a live chamber orchestra in an enchanting candle-lit setting under a glowing moon.
Venue: First Congregational Church, Asheville NC – The century-old venue houses an elegant sanctuary dominated by stone and red doors. A venue of purpose, history and elegance.
Saturday, July 29th
4:00pm, 6:00pm and 8:00pm
Doors open 1 hour before showtime
Start time: 4:00pm
End Time: 5:15pm
Please note, the advisory age for this event is 5+ (no children under 3)
Programme:
E.T
Phantom of The Opera
Twilight
Romeo & Juliet
The Wizard of Oz
The Greatest Showman
Les Miserables
Titanic
Pirates of the Caribbean
The Sound of Music
Mary Poppins
Fiddler on The Roof
Experience cinema’s most iconic music performed by The New York Film Score Orchestra in a candle-lit setting.
An immersive tribute to Hans Zimmer, John Williams, Andrew Lloyd Weber and many more. The most iconic movie music performed by a live chamber orchestra in an enchanting candle-lit setting under a glowing moon.
Venue: First Congregational Church, Asheville NC – The century-old venue houses an elegant sanctuary dominated by stone and red doors. A venue of purpose, history and elegance.
Saturday, July 29th
4:00pm, 6:00pm and 8:00pm
Doors open 1 hour before showtime
Start time: 4:00pm
End Time: 5:15pm
Please note, the advisory age for this event is 5+ (no children under 3)
Programme:
E.T
Phantom of The Opera
Twilight
Romeo & Juliet
The Wizard of Oz
The Greatest Showman
Les Miserables
Titanic
Pirates of the Caribbean
The Sound of Music
Mary Poppins
Fiddler on The Roof
Experience performances by world renowned Vienna Light Orchestra as they play cinema’s most iconic music, surrounded by over 2,000 LED candles. An immersive tribute to Hans Zimmer, John Williams, Andrew Lloyd Weber and many more. The most iconic movie music performed by a live chamber orchestra in an enchanting candle-lit setting under a glowing moon. “Immerse yourself in the captivating melodies of the Vienna Light Orchestra, where timeless classics blend seamlessly with contemporary arrangements. Join us for an enchanting evening of symphonic brilliance that transcends time.”
Vienna Light Orchestra is privileged to perform at the historic First Congregational Church in Asheville, NC – The century-old venue houses an elegant sanctuary dominated by stone and red doors. A venue of purpose, history and elegance. Step into the awe-inspiring sanctuary, where every whispered note reverberates with ethereal grace, as the divine acoustics transform each instrument into a symphony of celestial harmony.”
🕰 Date and Showtimes: Saturday, July 29, 2023 at 4pm (sold out), 6pm & 8pm
🕰 Runtime: 70 Minutes (an easy addition to your evening plans!)
📌 Venue: First Congregational Church, 20 Oak St Asheville, NC 28801
Programme:
Pirates of the Caribbean
The Sound of Music
E.T
Phantom of The Opera
Twilight
Romeo & Juliet
The Wizard of Oz
The Greatest Showman
Les Miserables
Titanic
Mary Poppins
Fiddler on The Roof
… and More!
Highlights
🕯️ A spirited ambience bathed in magical candlelight.
🎼 Talented world-class orchestral musicians performing powerful favorites – Pirates of the Caribbean, Phantom of the Opera, Hans Zimmer, John Williams…and MUCH more!
💃🏻 Performers are from the renowned Vienna Light Orchestra.
🏛 Stunning architectural intimacy awash in a parade of intimate candlelight and more.
Note: For the safety of our audience, all of the candlelight ambiance is provided through flameless candles.
Bat Boy: The Musical
Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe
A rock musical, Bat Boy: The Musical expands on a June 23, 1992 Weekly World News tabloid story about a bat boy – half-boy, half-bat – found in a cave and forced into society. The musical – at turns both haunting and hilarious – deals with themes of racism and revenge, hypocrisy and forgiveness. This darkly quirky, compelling musical is not to be missed!
Content Warning: Bat Boy: the Musical contains violence, drug use, and sexual references. Viewer discretion is advised.
Accessibility:
All performances: Accessible wheelchair/scooter seating available.
Saturday, Aug 5, 2023: ASL-Interpreted Performance
Everything Is Rosie tells the story of Rosemary Clooney’s rise to the top of the Billboard charts in the 1950s, her success in Hollywood in films like White Christmas, followed by her mental breakdown, and finally her triumphant return to the top of the jazz charts in the 1980s and 1990s. It is a compelling story of heartbreak, tragedy, perseverance and triumph. As Wendy Jones takes the audience on a riveting trip through Rosemary’s life, she interweaves some of Rosemary’s most beloved hits such as “Come On-A My House”, “Half as Much,” “Hey There” and “Tenderly,” as well as songs from her movie musicals and jazz standards by composers such as George Gershwin, Duke Ellington and Harold Arlen.
Jones is renowned as a featured singer of the Asheville Jazz Orchestra and an audience favorite. She is a professional vocalist, arranger, songwriter, producer and commercial voice specialist. She has appeared on stages from New York to Tokyo and has performed with artists such as NEA Jazz Master Jamey Aebersold, The New York Voices, legendary jazz guitarist Howard Alden, jazz violinist Christian Howes, the Page Brothers and Crystal Gale, and she has sung backup for the alternative hip hop group Deltron 3030 and for Las Vegas Elvis Impersonator, Donnie Edwards. She has appeared at Club Bonafide in NYC, the Jazz Arts Initiative, the Mountain Oasis Music Festival, the Spartanburg Jazz Festival, Our World Festival and the Django Reinhardt Festival in Asheville.
In addition to singing with her own jazz quartet, she is the featured vocalist with the Asheville Jazz Orchestra, the Ole ’74 big Band, the Russ Wilson Orchestra, the Michael Jefry Stevens Trio, the Richard Shulman Group and is often a guest vocalist with the Greenville Jazz Collective big band.
She has recorded her own projects as well as with Darmon Meader of the New York Voices, the Richard Shulman Group, Michael Jefry Stevens and Steve Watson.
Jones has served on the executive boards for the North Carolina Chapter and the Mid-Atlantic Region of the National Association of Teachers of Singing and as a mentor teacher as part of the NATS Mentored Teaching program. She is a member of ASCAP, a voting member of the Recording Academy (GRAMMY’S), Actors’ Equity Association and the Jazz Education Network.
Jones received a B.M. and an M.M. in vocal performance from Appalachian State University and then joined the voice faculty there where she taught for 8 years before embarking on a full-time, professional singing/acting career. Having sung with Opera Carolina, Appalachian Opera Theatre and the Brevard Music Center Opera, her favorite roles include Adina in L’Elisir d’Amore, Laetitia in The Old Maid and the Thief and Papagena in Die Zauberflöte. An accomplished Equity actor as well as singer, Jones has appeared in leading roles on stage at many professional theatres throughout the U.S. including Florida Repertory Theatre, Flat Rock Playhouse, Little Theatre on the Square, Temple Theatre and Blowing Rock Stage Company in roles such as Miss Sandra in All Shook Up, Brenda in Smokey Joe’s Cafe, Luisa in The Fantasticks, Fiona in Brigadoon and Eliza in My Fair Lady.
Jones has also appeared as a soloist with the The Symphony of the Mountains, the Western Piedmont Symphony, the Asheville Choral Society and the Carolina Concert Choir in works such as Vaughan Williams’ Dona Nobis Pacem, John Corgliano’s Fern Hill, Bach’s Magnificat and Mozart’s Great Mass in C Minor.
Written by Honor Moor
Directed by David Doersch
The second World Premiere of the season, Treasure Island is a new take on Robert Louis Stevenson’s classic tale of buccaneers and buried gold, from local playwright Honor Moor. Fun for the whole family!
All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.
Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.
The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!
A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.
Experience cinema’s most iconic music performed by The New York Film Score Orchestra in a candle-lit setting.
An immersive tribute to Hans Zimmer, John Williams, Andrew Lloyd Weber and many more. The most iconic movie music performed by a live chamber orchestra in an enchanting candle-lit setting under a glowing moon.
Venue: First Congregational Church, Asheville NC – The century-old venue houses an elegant sanctuary dominated by stone and red doors. A venue of purpose, history and elegance.
Saturday, July 29th
4:00pm, 6:00pm and 8:00pm
Doors open 1 hour before showtime
Start time 8:00pm
End Time 9:15pm
Please note, the advisory age for this event is 5+ (no children under 3)
Programme:
E.T
Phantom of The Opera
Twilight
Romeo & Juliet
The Wizard of Oz
The Greatest Showman
Les Miserables
Titanic
Pirates of the Caribbean
The Sound of Music
Mary Poppins
Fiddler on The Roof
From Tudor Queens to Pop Icons, the six wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is a global sensation that everyone is losing their head over! Featuring an all-woman cast and all-woman band, SIX has won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical. The New York Times says SIX “TOTALLY RULES!” (Critic’s Pick), and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!” The SIX: LIVE ON OPENING NIGHT Broadway album debuted at Number 1 on the Billboard cast album charts and surpassed 6 Million streams in its first month.
Recommended for ages 12+ (adult content).
Truly a one-of-a-kind dance theater spectacle, Heather Maloy’s ‘Cleopatra’ is the crowning jewel of Terpsicorps Theatre of Dance’s 20th Anniversary Season. Featuring a cast of critically acclaimed dancers from ballet and contemporary companies across the US and abroad, the story of history’s first sex symbol is filled with intrigue, violence, splendor, love and tragedy.
The innovative dance theater’s most lavish production to date, ‘Cleopatra’ embodies the opulence and wonder of Cleopatra’s Alexandria, a city whose riches and scientific innovations were centuries ahead of their time. Runway worthy costumes with a contemporary flair inspired by ancient Greece, Rome and Egypt, plus a two story set, multiple projection screens and the incomparable Terpsicorps dancers bring to life a true story more exciting than any piece of fiction.
Originally intending to title the work Antony & Cleopatra, Maloy’s research into the history of Egypt’s last Pharaoh introduced her to a woman much too complex, powerful and brilliant to share a title with any man. A scholar and scientist, diplomat and single mother, lover and calculating strategist… Cleopatra seduced the most powerful men in the world with her wit, intellect and sexuality. Let yourself be seduced. We dare you!
Terpsicorps Theatre of Dance has been producing cutting edge, world class dance in Asheville since 2003. Utilizing hand picked professional dancers in the summers when they are off contract from critically acclaimed dance companies, has given the dance lovers in our community the opportunity to enjoy performances of a caliber seldom seen outside of major metropolitan cities.