Calendar of Events

One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a  “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.

Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)

Show runs Oct. 4 – Nov. 7

Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

Pumpkin Fest is a fun, family friendly and fantastic artistic event or great date night with 18 beautiful artist-designed lighted carved pumpkin displays on a newly-paved short walking trail. The event includes talented local musicians, food trucks and coffee house, games, storytelling, face painting, white squirrel scavenger hunt, games, dress ups, and the Silvermont historic mansion and second floor museum open for tours.

Admission $7 per person (ages 13 and over), $5 ages 3-12, and 2 and under free. We accept cards, cash or check with ID.

Onsite parking cost is $5 per car (cash preferred). Free parking is available offsite on nearby streets and Comporium and church parking lots 1 block away. Handicap sticker- free parking onsite.

Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

Big Game, Bright Ideas!
The Children’s Entrepreneur Market is setting up shop at the UNC-Asheville Women’s Soccer Game for a special event full of team spirit and young talent!
Come cheer on the Bulldogs and shop from kid-run businesses offering everything from handmade crafts to sweet treats and creative products. It’s the perfect blend of community, creativity, and soccer excitement!
Let’s rally behind our young entrepreneurs and student-athletes all for one unforgettable afternoon!

Pumpkin Fest is a fun, family friendly and fantastic artistic event or great date night with 18 beautiful artist-designed lighted carved pumpkin displays on a newly-paved short walking trail. The event includes talented local musicians, food trucks and coffee house, games, storytelling, face painting, white squirrel scavenger hunt, games, dress ups, and the Silvermont historic mansion and second floor museum open for tours.

Admission $7 per person (ages 13 and over), $5 ages 3-12, and 2 and under free. We accept cards, cash or check with ID.

Onsite parking cost is $5 per car (cash preferred). Free parking is available offsite on nearby streets and Comporium and church parking lots 1 block away. Handicap sticker- free parking onsite.

The Black Bear Half Marathon & 8k presented by Hunter Subaru is an exhilarating fall event that beckons both seasoned athletes and recreational runners alike. Nestled within the charm and beauty of Hendersonville, North Carolina, this race offers participants a unique opportunity to challenge their limits while immersing themselves in the splendor of the autumn season. Whether conquering the half marathon’s 13.1-mile stretch or embracing the spirited atmosphere of the 8k, participants love supportive community vibe, scenic course, and post-race festivities, including the Black Bear Fall Market!

If you’ve ever collected small, perfectly smooth pebbles and wondered what to do with them, this two-day workshop is the perfect solution! Using diamond encrusted drill bits, students will drill through these materials and then fabricate sterling silver wire and sheet to create stunning jewelry which may include pendants, earrings, rings and bracelets. Students will also learn about the soldering process, bezel and prong setting and a small amount of forging.

No experience is necessary but good eyesight or magnification is a must.

Students are asked to bring:
Small pebbles, ceramic shards, shells and sea glass if they have any (the instructor will bring some for their use as well)
Notebook and pen/pencil
Ultra fine tipped Sharpie pen
$399 plus materials
A materials list for students to purchase will be provided upon registration.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

From Oct. 4 through 12, guests enjoy short, guided nature walks that highlight Grandfather Mountain’s fall colors. The Fall Color Rambles take place daily, weather permitting, and are included in your admission ticket. The short excursions begin at 1 p.m. and typically last for 30 minutes. Rambles will start outside the entrance of the Wilson Center for Nature Discovery.

Grandfather Mountain is home to myriad species of plants and hardwood trees that range from pumpkin-colored beech trees to blood-red sourwoods and rusty red oaks. During the daily rambles, guests learn all about the mountain’s unique biodiversity and the science behind the changing of the leaves.

Participants can become familiar with tree identification, as the mountain’s talented and knowledgeable educators and interpretive park guides venture out with guests to some of the most colorful destinations on the mountain.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.