Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Incredible Business Networking: IBN Biz Lunch – Woodfin
4th Thursday monthly. 11:30am-1pm, The Village Porch (https://www.thevillageporch.com), 51 N. Merrimon Ave, Woodfin 28804
Meeting Leaders:
Diane Simmons, eXp Realty (https://www.dianesellsashevillehomes.com)
Joel Thum, Joel Thum CPA (https://www.thumcpa.com)
Why Attend IBN Biz Lunches?
Free To Attend, No Dues Or Fees
No Membership Required
No Attendance Requirements
No Category Restrictions
No Exclusions – All Inclusive!
Buy Food/Drink If You Wish (Optional)
All are invited to attend and promote their business, products, and services, and meet new referral contacts. Bring a big stack of business cards / flyers and invite your business contacts to attend.
Have a Door Prize? (optional) Bring one if you like.
Incredible Business Networking – Western North Carolina is Sponsored by the following fine companies that make it possible for everyone else to attend for free!:
Mr. Rooter Plumbing WNC
https://www.mrrooter.com/asheville
One Health Direct Primary Care
https://www.onehealthdpc.com
PMI Mountain & Main Property Management
https://www.ashevillepropertymanagementinc.net
Big Frog Custom T-Shirts & More
Pisgah Roofing and Restoration
The Super Signguy
Michael Freas Photography
https://michaelfreas.com
Get Lifted Auto Sales and Repair
https://www.getliftedavl.com
What does the future of brain injury care look like?
Join APEX Brain Centers, Dali Singh, LMT, CYT, and CST, Gus Vickery, MD and Erica Rawls on March 26th for our 2nd Annual Brain Injury Forum to learn about leading-edge therapies such as Low-Level Laser Therapy, Hyperbaric Oxygen Therapy, and Peptide Therapy. Also, hear more about progressive rehabilitation strategies, craniosacral therapy, advanced laboratory testing, and more.
Who You Will Be Hearing From:
Dr. Michael Trayford and Dr. Henry Zaremba (APEX Brain Centers) – Low-level laser and hyperbaric oxygen therapies for traumatic and acquired brain injury. Advanced laboratory diagnostics.
Dali Singh (Balanced Manual Therapy) – Craniosacral therapy for brain injury.
Dr. Gus Vickery (Authentic Health) – Peptide and other metabolic therapies for brain healing.
Erica Rawls (Hinds’ Feet Farm) – Day and residential programs for brain injury survivors. Unmasking Brain Injury project.
– In-person attendees must have a ticket
– Seating is limited; secure your ticket on Eventbrite
– Live stream on Facebook
– Refreshments will be provided
The Golden Girls are back in an all new show! 2024 finds Sophia out on bail, after being busted by the DEA for running a drug ring at Shady Pines. Blanche and Rose created CreakN, a thriving sex app for seniors. And Dorothy is trying to hold it all together, with help from her much younger, sex-crazed love interest who turns out to be the district attorney prosecuting Sophia. What could possibly go wrong! Relive the heartfelt hilarity of four ladies who never stopped being your friends! This new comedy is for fans 18 and older…. because they’re not the same girls from the 80’s. Produced by Murray & Peter. Get tour info at GoldenGirlsTour.com
Thursday March 27, 7:00p-9:00p, doors at 6:30p
The Orange Peel’s Comedy Basement, Pulp Lounge
103 Hilliard Ave, Downtown Asheville
Tickets: $17 (available at door or The Orange Peel website)
These shows sellout!
Hosted by Hilliary Begley from Netflix & Amazon Prime!
Cocktails available while you laugh the night away to some of the area’s best Stand Up Comics in a ridiculously fun adult environment!!
Free snacks while availability lasts! You may bring your own food in (no drinks)!
How it Works:
Comics who are on the show will do 3-5m of comedy depending on how many sign up to participate. The show’s top comics will be selected by the paid audience in an anonymous ballet after all comics perform their sets.
Audience will select their favorite top comics of the evening who will be brought back to compete in our next round, date TBA. There are 3 competition rounds and a finale 5 comic Pageant who will vie for the crown, Asheville top-comic title & cash prize.
Winner of the 2018 Tony Award for Best Play
Weaving together nearly two centuries of family history, this epic theatrical event charts the humble beginnings, outrageous successes and devastating failure of the financial institution that would ultimately bring the global economy to its knees.
Performances of The Lehman Trilogy will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.
March 13 – April 6, 2025
Wednesdays, Thursdays and Saturdays at 7:00pm (please note, the 7pm start time is earlier than for other shows)
Sundays at 2pm
Friday 3/14 and 3/21 at 7:00pm
Friday 3/18 and 4/4 at 2pm
Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.
In this bold reworking of Chekhov’s Uncle Vanya, a group of old friends, ex-lovers, estranged in-laws, and lifelong enemies gather to grapple with life’s thorniest questions—and each other. What could go wrong? Incurably lustful and lonely, hapless and hopeful, these seven souls collide and stumble their way towards a new understanding that LIFE SUCKS! Or does it?
Thursday, 3/20 at 7:30 pm (pay what you can available on 3/6)
Fridays at 7:30 pm
Saturdays at 3 pm
Sundays at 3 pm
The Grey Eagle and Worthwhile Sounds Present: East Nash Grass + Bronwyn Keith-Hynes
STANDING ROOM ONLY
Incredible Business Networking: IBN Breakfast Club – Asheville (West)
4th Friday monthly. 9am – 10am, Regina’s Westside (https://reginaswestside.com), 1400 Patton Ave, Asheville.
Meeting Leaders:
Jessica O’Connor, Pisgah Roofing and Restoration (https://pisgahroofingandrestoration.com)
Dr. Cory Noll, Edgewood Holistic Chiropractic Center (https://www.edgewoodwellness.com/)
Why Attend IBN Breakfast Club?
Free To Attend, No Dues Or Fees
No Membership Required
No Attendance Requirements
No Category Restrictions
No Exclusions – All Inclusive!
Buy Food/Drink If You Wish (Optional)
All are invited to attend and promote their business, products, and services, and meet new referral contacts. Bring a big stack of business cards / flyers and invite your business contacts to attend.
Have a Door Prize? (optional) Bring one if you like.
Incredible Business Networking – Western North Carolina is Sponsored by the following fine companies that make it possible for everyone else to attend for free!:
Mr. Rooter Plumbing WNC
https://www.mrrooter.com/asheville
One Health Direct Primary Care
https://www.onehealthdpc.com
PMI Mountain & Main Property Management
https://www.ashevillepropertymanagementinc.net
Big Frog Custom T-Shirts & More
Pisgah Roofing and Restoration
The Super Signguy
Michael Freas Photography
https://michaelfreas.com
Get Lifted Auto Sales and Repair
https://www.getliftedavl.com
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Discover the secrets to keeping your orchids thriving! In this hands-on workshop, you’ll learn the essentials of orchid care, from proper watering techniques to ideal light conditions. We’ll guide you step-by-step through repotting your orchid into a provided terracotta pot with fresh potting media. Bring your own orchid, and leave with the skills and confidence to keep it blooming beautifully! Perfect for beginners and orchid enthusiasts alike. Let’s grow together!
Terracotta pot and potting media included.
March 28, 2:00-4:00. Maximum of 20 students.
24th Asheville Orchid Festival “Orchid Arcadia”
March 28, 2025 4:00 – 7:30 p.m.
March 29 – 30, 2025 9:00 a.m. – 5:00 p.m.
Education Center
The Western North Carolina Orchid Society (WNCOS) and The North Carolina Arboretum will once again host one of Western North Carolina’s greatest annual plant shows: the 24th Asheville Orchid Festival “Orchid Arcadia” from March 28-30, 2025. This will be an American Orchid Society sanctioned judging event.
World-class orchid growers and breeders along with regional orchid societies will exhibit at the annual festival, with hundreds of orchids presented in carefully crafted displays.
Admission to the Asheville Orchid Festival is $5.00 for everyone over the age of 12 years old, and free for Western North Carolina Orchid Society members. A regular parking fee for The North Carolina Arboretum applies for all attendees with the exception of Arboretum Members.
Thousands of orchids will be for sale by vendors from Ecuador and across the United States. There will be something for all orchid lovers, and attendees should expect rare species and cutting-edge hybrids. All orchid exhibits, orchid programs, and educational lectures are included with the admission fee and children 12 and under can enter free. All admission proceeds benefit WNCOS, a registered 501(c)(3) non-profit organization, and help expand the society’s mission of “sharing the excitement and joy of cultivating orchids and promoting orchid conservation
For more information, please visit wncos.org
Join Reiki Master Teacher and Yoga Nidra Facilitator, Kate Wargo of Woven Light in a soothing Yoga Nidra (Yogic Sleep) practice guiding you into the “in-between”; that space between being awake and asleep. Within this space, a dream will be induced taking you into a state of consciousness that can bring about immense healing in your conscious, subconscious, and unconscious mind.
The cave will transform into a “Nidra Nest” with comfy reclining loungers, blankets, and bolsters to fully support you, whether sitting or lying down, for the entire experience.
During this experience, Kate will also offer Reiki to those who desire it. Reiki feels like a wonderful glowing radiance that flows through and around you. This divine energy treats the whole person including body, emotions, mind, and spirit creating many beneficial effects that include relaxation and feelings of peace, security, and well-being.
Release stuck emotions, rest, and rejuvenate!
In this bold reworking of Chekhov’s Uncle Vanya, a group of old friends, ex-lovers, estranged in-laws, and lifelong enemies gather to grapple with life’s thorniest questions—and each other. What could go wrong? Incurably lustful and lonely, hapless and hopeful, these seven souls collide and stumble their way towards a new understanding that LIFE SUCKS! Or does it?
Thursday, 3/20 at 7:30 pm (pay what you can available on 3/6)
Fridays at 7:30 pm
Saturdays at 3 pm
Sundays at 3 pm
Wortham Presents Larry & Joe.
Friday, March 28, 2025 at 8 p.m.
Born continents and cultures apart, this dynamic duo delivers a captivating fusion of Venezuelan and Appalachian folk music on harp, banjo, cuatro, fiddle, maracas and more. Venezuela-born Larry Bellorín is a legend of Llanera music, a rhythmic folk tradition from his home country. Forced to seek political asylum in North Carolina, the multi-instrumentalist met Grammy-nominated bluegrass and old-time musician Joe Troop, founder of the acclaimed “Latingrass” band Che Appalache. Together, their stories converge through a unique blend of musical traditions — demonstrating that music truly knows no borders.
LISTEN: Hear the artists perform and learn more about their unique stories — including how their destinies intertwined — in this episode of NPR’s Here & Now: wbur.fm/3X2fB6e
“Their virtuosity is jaw-dropping live … they both take great, transcendent joy in making this music together, and that kind of joy is contagious.” — Folk Alley
Born continents and cultures apart, this dynamic duo delivers a captivating fusion of Venezuelan and Appalachian folk music on harp, banjo, cuatro, fiddle, maracas and more. Venezuela-born Larry Bellorín is a legend of Llanera music, a rhythmic folk tradition from his home country. Forced to seek political asylum in North Carolina, the multi-instrumentalist met Grammy-nominated bluegrass and old-time musician Joe Troop, founder of the acclaimed “Latingrass” band Che Appalache. Together, their stories converge through a unique blend of musical traditions — demonstrating that music truly knows no borders.
LISTEN: Hear the artists perform and learn more about their unique stories — including how their destinies intertwined — in this episode of NPR’s Here & Now: wbur.fm/3X2fB6e
“Their virtuosity is jaw-dropping live … they both take great, transcendent joy in making this music together, and that kind of joy is contagious.” — Folk Alley
The Grey Eagle and Worthwhile Sounds Present: Sam Holt Band presents Remembering Mikey & Todd
STANDING ROOM ONLY
America’s Favorite 1980’s Tribute Band
Friday, March 28
Support the Western North Carolina community while watching an afternoon full of ROLLER DERBY!
This derby-filled afternoon will start with an exhibition scrimmage from our Junior league, Blue Ridge Junior Roller Derby. Then, our B-Travel-Team, the Retrogrades, will take on the Gainesville Roller Rebels. Finally, we will have our open-gender mix-up bout featuring many of our own skaters as well as skaters from all over!
Proceeds from this event will benefit families in the Haywood County area affected by Hurricane Helene.
Doors open at 1:00 PM for an afternoon full of LIVE ROLLER DERBY at SMEC!
Online or At-The-Door Tickets: $10.00
1:00 Doors Open
2:00 Juniors Exhibition Bout
3:00 Retrogrades vs. GRR
5:00 Roller n Holler mixup bout
All ages welcome, kids 11 and under are FREE. We will have a great menu of concessions, including plant-based options!
BRRD is a non-profit organization that relies on the support of our community to provide action-packed, family-friendly fun on four wheels.
The Great Smoky Mountains Railroad welcomes back the Bunny Hopper Express Easter Train, March 29 & 30! This 4 and half-hour round trip special event train departs the historic Bryson City Depot at 11:00 am and will travel through the Smoky Mountains to our picturesque layover destination for Easter-themed activities and Egg Hunt.
Passengers will be on the lookout for those train-hopping bunnies who have snuck on to take a free ride! Festivities include an Easter egg hunt with prizes, a give-away bag with activities to enjoy during the train ride, and a yummy Easter treat for our junior railroaders to enjoy at the layover. There will also be plenty of opportunities for pictures with our bunny hoppers, so do not forget your camera!
Ages 5+
Suitable for Beginners to Advanced Birders
This outing takes place at Lake Julian Park from 8:30-11:30 am. Get to know the birds of Lake Julian, one of Buncombe County’s birding hotspots! We will start with a walk along the shore of Lake Julian and ends with birding on the lake from Lake Julian’s pontoon boat. Free, Registration Required. Binoculars are available upon request but supplies are limited. Dress for the weather!
Registration opens 30 days prior to activity.
For more information email [email protected] or call 828-250-4260.
24th Asheville Orchid Festival “Orchid Arcadia”
March 28, 2025 4:00 – 7:30 p.m.
March 29 – 30, 2025 9:00 a.m. – 5:00 p.m.
Education Center
The Western North Carolina Orchid Society (WNCOS) and The North Carolina Arboretum will once again host one of Western North Carolina’s greatest annual plant shows: the 24th Asheville Orchid Festival “Orchid Arcadia” from March 28-30, 2025. This will be an American Orchid Society sanctioned judging event.
World-class orchid growers and breeders along with regional orchid societies will exhibit at the annual festival, with hundreds of orchids presented in carefully crafted displays.
Admission to the Asheville Orchid Festival is $5.00 for everyone over the age of 12 years old, and free for Western North Carolina Orchid Society members. A regular parking fee for The North Carolina Arboretum applies for all attendees with the exception of Arboretum Members.
Thousands of orchids will be for sale by vendors from Ecuador and across the United States. There will be something for all orchid lovers, and attendees should expect rare species and cutting-edge hybrids. All orchid exhibits, orchid programs, and educational lectures are included with the admission fee and children 12 and under can enter free. All admission proceeds benefit WNCOS, a registered 501(c)(3) non-profit organization, and help expand the society’s mission of “sharing the excitement and joy of cultivating orchids and promoting orchid conservation
For more information, please visit wncos
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.