Calendar of Events

DJ ERIK MATTOX

Ages 18+ (under 18 must be accompanied by a parent)

The brilliant colors of traditional costumes and the songs and folkloric dance of Mexico by local, talented youth will fill The White Horse Black Mountain on Friday, September 8. Ballet Folklórico Raíces, a program of Raíces Emma-Erwin, a local Latine cultural arts organization, will share the stage with musician David LaMotte and the Indigenous Mä hñäkihu musical group.

Ballet Folklórico Raíces was organized just last fall by Latine teens, some of whom had been dancing with Raíces Emma Erwin programs for almost 10 years. They applied for and received grant funding to hire professional folklorico dancer, Daniel Vega Vazquez, as their instructor and creative director. He is the founder of Ballet Folklorico Asheville. Verner Learning Center in Emma provides space for their weekly and intensive rehearsals and they have performed six times in the last year including at the Hola Carolina festival in downtown Asheville.

“I think it’s something beautiful,” Yoltzin Alviter Hernandez, 16, says. She started folklorico dancing in the first grade and loves how it allows her to embrace her culture and share it with other people. “All the colors and each dance has a meaning behind it.”

David LaMotte is a big fan of Ballet Folklórico Raíces and traditional cultural art, dance and music. He proposed the event to create awareness about the youth dance group, to support their funding needs, and to have fun. He is contributing his talent to the evening–including a song in Spanish– and a portion of ticket proceeds will benefit the program. Mä hñäkihu, the namesake of a language and cultural preservation project based in Emma, is composed mostly of Hñähñu musicians who are Indigenous to the Mezquital Valley in Mexico. 

DJ JAZE & DJ ERIK MATTOX

Ages 18+ (under 18 must be accompanied by a parent)

Class cost: $150

Min students: 6

Max students: 12

Class Dates: Saturdays, July 22 – September 9 (8 weeks)

Time: 1 pm to 2 pm

Must be 18+ to attend

The last day to receive a full refund is June 22, 2023. After June 22, 2023, no refund will be issued.

Class Description:
Does tap dancing seem a little daunting? Is it something you always wanted to try but didn’t have the time to commit to months of classes at a time? Whether you are preparing for a show that has tap involved or you are just interested in a new skill for fun, this class is for you. Allison Starling will break down the basics of tap into easy to catch on to moves that build the foundation of any tap number. This 8 week class is a comprehensive basics course that you don’t want to miss!

Have You Got It Yet?
The Story of Syd Barrett and Pink Floyd
For Immediate Release: A new documentary explores the mystery of
what happened to the founder and leader of one of rock music/s most
legendary bands. A special September 11 one-night screening as part
of the Music Movie Mondays series at Grail Moviehouse will be hosted
by Asheville speaker, author, music journalist and Pink Floyd authority
Bill Kopp.
When Pink Floyd released their debut single, 1967’s “Arnold Layne,” it
marked the beginning of a momentous chapter in music. The song
showcased not only the psychedelic quality of the four-man group from
Cambridge and London, but the songwriting prowess and unique vision of the
band’s leader, Syd Barrett.
Guitarist and front man Roger Keith “Syd” Barrett was a promising artist,
creating unique songs that both captured the zeitgeist of the burgeoning
psychedelic movement and captured a particular kind of English whimsy, informed as much by poetry and fantasy as by
LSD. The band’s first album, The Piper at the Gates of Dawn featured a bounty of songs that displayed Barrett’s unique
and inimitable musical vision.
But little more than nine months after that album’s release, Barrett was gone from the group he had founded. Save for two
erratic and deeply idiosyncratic solo albums and a handful of unfinished recordings, that would be the last the world would
hear from the uniquely creative songwriter and musician. Completely leaving music behind, he went on to live a quiet life
in Cambridge, finally passing away in 2006, nearly 40 years after leaving (or being dismissed from) Pink Floyd.
What happened? Did Syd suffer a mental breakdown? Did he succumb to the effects of too many LSD trips? Did he
simply want to step out of the machinery of the music business? Or is the real story some combination of all of those
things and more? Until now, Syd’s life has been the subject of speculation and conjecture. But with the cooperation of
Barrett’s family and former band mates, director Roddy Bogawa explores the fascinating mystery that is the life and music
of Syd Barrett.
Have You Got It Yet? The Story of Syd Barrett and Pink Floyd is a new authorized documentary that digs deep into
the mystery that is Syd Barrett. As part of the Music Movie Mondays series, Grail Moviehouse in Asheville hosts a special
one-night-only showing of the film. Presented by Asheville-based speaker, author and music journalist Bill Kopp (author of
Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon) the evening will include a screening of the film
followed by an interactive discussion.

Hosted by author, speaker and music journalist Bill Kopp,
the evening will feature a screening of the film followed by
an interactive discussion. Have You Got It Yet? is the latest
in Grail Moviehouse’s popular series, Music Movie
Mondays.

“Going to the movies has always been a kind of communal experience,” says Kopp, host of
Music Movie Mondays. “Especially in this post-lockdown era, the opportunity to not only watch
a film but then to discuss it with others is something even more special. And music-related
films lend themselves remarkably well to this shared, interactive experience.”
Music Movie Mondays is sponsored by AshevilleFM. Hosted by Asheville-based author and music journalist Bill Kopp,
Grail Moviehouse presents a special screening of Have You Got It Yet? on Monday, Sep. 11 @ 7 pm. Sponsored by
AshevilleFM, the evening will feature a brief introduction. Then we’ll watch the film together; afterward, we’ll engage in a
moderated discussion.
The one-night-only screening of Have you Got It Yet? The Story of Syd Barrett and Pink Floyd is the latest in the
ongoing popular series of Music Movie Mondays at Grail Moviehouse. Every month, we’ll watch and discuss new
releases, classics and cult favorites.

DJ SPENCE & DJ CAMARO

Virgos get in free

Ages 18+ (under 18 must be accompanied by a parent)

Imagine this: it’s 2001 and you’re seeing No Doubt’s video for Hella Good for the first time. Maybe you’re sitting on a carpeted floor eating pop tarts and watching cable TV when it happens. Your aesthetic ideals have shifted since the matrix came out a couple years back and you find yourself wondering what it takes to become a badass. Quickly you determine that it has a lot to do with motorcycles, jet skis, wet looking hair and wearing black. You don’t even know about Evenescence yet but pop music is about to take some real dips into heavy riffs and darker themes. You’re for it—it makes you feel alive. Let’s run that one back, shall we?

⚡️Saturday, September 16th⚡️

☠️10pm-1am☠️

🏍️DJ Lil Meow Meow🏍️

⛓️at @littlejumbobar ⛓️

♥️$5 suggested donation♥️

Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.

Join the Community Reparations Commission, the City of Asheville, Buncombe County Government, and UNC Asheville’s Department of Education and Africana Studies program for a Community Reparations Summit.

Monday, October 2nd: Screening of Black in Asheville, followed by a Q&A with the Filmmaker, Todd Gragg. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:30 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Thursday, October 5th: Screening of The Big Payback. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:15 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Saturday, October 7th: The Community Reparations Summit program features attorney George Fatheree who helped return Bruce’s Beach, a property in Manhattan Beach (California), to the Black family who owned and lost it in the 1920s. Summit attendees will hear updates from the Community Reparations Commission’s Impact Focus Areas and in turn, provide feedback on their proposed recommendations. Attendance is limited, and registration is required. Breakfast and lunch will be provided to attendees, and parking is available at no charge. The Summit will be hosted at the Sherrill Center and Kimmel Arena, UNC Asheville Campus from 10:00 am – 3:00 pm. Doors open at 9:00 am.

Ballet Hispánico is the largest Latine/Latinx/Hispanic cultural organization in the United States and one of America’s Cultural Treasures. Through its exemplary artistry, distinguished training program, and deep-rooted community engagement, Ballet Hispánico champions and amplifies Latinx voices in the field. As it looks to the future, Ballet Hispánico is pushing the culture forward on issues of dance and Hispanic creative expression.

Join the Community Reparations Commission, the City of Asheville, Buncombe County Government, and UNC Asheville’s Department of Education and Africana Studies program for a Community Reparations Summit.

Monday, October 2nd: Screening of Black in Asheville, followed by a Q&A with the Filmmaker, Todd Gragg. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:30 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Thursday, October 5th: Screening of The Big Payback. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:15 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Saturday, October 7th: The Community Reparations Summit program features attorney George Fatheree who helped return Bruce’s Beach, a property in Manhattan Beach (California), to the Black family who owned and lost it in the 1920s. Summit attendees will hear updates from the Community Reparations Commission’s Impact Focus Areas and in turn, provide feedback on their proposed recommendations. Attendance is limited, and registration is required. Breakfast and lunch will be provided to attendees, and parking is available at no charge. The Summit will be hosted at the Sherrill Center and Kimmel Arena, UNC Asheville Campus from 10:00 am – 3:00 pm. Doors open at 9:00 am.

The International Fly Fishing Film Festival (IF4), the world’s leading fly-fishing film event, is a curated collection of stories showcasing the pursuit of wild spaces and peaceful places where fish seem most willing, the water appears in its purest form and our community connects. Proceeds from ticket sales benefit Trout Unlimited

This electrifying combination of theatre, dance, and technology brings classic tales to new light.

We begin with Aesop’s classic fable of The Tortoise and the Hare but continue the story — which finds them 10 years down the road, now with children of their own and exploring modern day distractions. Smart phones and video games create a new landscape of lost connections to life experiences. The Next Gen features Tortoise Junior and Li’l Hare in a whole new kind of race, where their adventures lead them into unexpected territory. Old Man Tortoise and Big Daddy Hare must come together despite their differences to find and save their children. What hurdles will they have to overcome to make it to the finish line?

With dazzling visuals, poignant storytelling and the creative use of music from classical to pop, this production brings this tale into a new brilliant light. Recommended for grades K-5. Connect with the artists in a post-show Q&A.

The Student Series is open to school groups, homeschoolers, community groups and families.

*This production contains lasers and strobe lights.

This electrifying combination of theatre, dance, and technology brings classic tales to new light.

We begin with Aesop’s classic fable of The Tortoise and the Hare but continue the story — which finds them 10 years down the road, now with children of their own and exploring modern day distractions. Smart phones and video games create a new landscape of lost connections to life experiences. The Next Gen features Tortoise Junior and Li’l Hare in a whole new kind of race, where their adventures lead them into unexpected territory. Old Man Tortoise and Big Daddy Hare must come together despite their differences to find and save their children. What hurdles will they have to overcome to make it to the finish line?

With dazzling visuals, poignant storytelling and the creative use of music from classical to pop, this production brings this tale into a new brilliant light. Recommended for grades K-5. Connect with the artists in a post-show Q&A.

The Student Series is open to school groups, homeschoolers, community groups and families.

*This production contains lasers and strobe lights.

Come Join us this Sunday for our Spooky Drag Brunch at Little Louie’s! We are super excited to Host Katarina Synclaire. We have Josie Glamoure, Leo Scott, & Nova Jynah.

Still from McCall’s Bauhaus Dances, Formentanz (Form Dance), photo by Debra McCall.

The Lecture and Film: Bauhaus Dances

As Master of the Theater Workshop at the Dessau Bauhaus in the 1920s, Oskar Schlemmer delivered a series of avant-garde lecture dances on the body in space, his lifelong opus. Schlemmer’s revolutionary ideas for a humanistic theater in the new technology age were transported to the US  with the arrival of Bauhauslers Josef and Anni Albers and Xanti Schawinsky, a Theater Workshop performer, to Black Mountain. Their ideas impacted the work of Robert Rauschenberg, John Cage, and Merce Cunningham at Black Mountain, who in turn disseminated Schlemmer’s emphasis on  pedestrian movement and “chance composition” to shape work of the Judson Dance Theater and New York’s downtown performance scene.

Believing Schlemmer’s Bauhaus lecture dances to be the tabula rosa of avant-garde performance art and dance of the late 1960s-70s, Debra McCall set out to East and West Germany in 1981 in search  of Schlemmer’s original notes and sketches for the dances, and to walk the stage of the then recently restored Bauhaus. She was challenged to complete these two tasks by the only surviving performer of Schlemmer’s pieces at the time, Andreas Weininger, and by Ise Gropius, Bauhaus founder Walter Gropius’s widow, who insisted McCall could only understand the architectonic nature of Schlemmer’s work by walking the stage Gropius designed for him. A series of fortuitous and occasionally harrowing events led to the premiere of her reconstructions, “Oskar Schlemmer’s 1920s  Bauhaus Dances,” at The Kitchen in New York in 1982. With the addition of more reconstructions, a second premiere occurred at New York’s Solomon R. Guggenheim Museum in conjunction with  the exhibition, “Kandinsky: Russian and Bauhaus Years 1915-1933.” Critical acclaim and sold-out houses led to tours of major museums and venues in the US, Europe, and Japan, including the first International Biennale de la Dance in Lyon, France, and a return to the original Dessau Bauhaus stage in 1994.

A narrative within a narrative, McCall will present the story of her reconstruction followed by a screening of a film of the reconstructions, premiered at New York’s Goethe House in 1987, featured  in American Dance Festival’s First International Festival of Film and Video Dance, and presently  residing at the New York Public Library for the Performing Arts at Lincoln Center.

Debra McCall is a dance historian, choreographer, Certified Movement Analyst, and performer best  known for her reconstructions of Oskar Schlemmer’s 1920s Bauhaus Dances. Recipient of  fellowships from the National Endowment for the Arts and the National Endowment for the  Humanities, she also received the Rome Prize in Design from the American Academy in Rome and a Fulbright-Nehru Professional and Academic Excellence Award for her documentation of medieval  reliefs of sacred dancers at the Thillai Nataraja Temple in Chidambaram, Tamil Nadu. McCall served  on the graduate faculties of New York University and Pratt Institute where she was Mellon Lecturer. Her Bauhaus work has been presented in a variety of venues including Performa 09, Artissima 17  Torino, and Harvard University’s “The Bauhaus and Harvard: 100 years.” She also directs  Performing Matters (www.performingmaters.org), an organization dedicated to the preservation of  endangered dance and dancers’ rights.

Watch a recording: vimeo.com/142663982

https://www.blackmountaincollege.org/film_screening/bauhaus_dances/

The World Trails Film Festival is a unique event showcasing the best short and feature films centering the stories of trails from around the globe. Join us as we bring it to UNC Asheville (premiering for the first time on the East Coast of the United States) to celebrate why trails matter.

This community-building event will support trails locally and globally by fundraising equally for two leading trail organizations, the first of which is the Southern Appalachian Wilderness Stewards, a local nonprofit equipping people to steward our wild landscapes, and the World Trails Ambassadors, a program of the World Trails Network.

Doors open at 6 pm, Program begins at 7pm and entry will be limited after 7:15 pm, during the screening. Program will include an intermission and ends at 9:30 pm.

This is a family friendly event where you can bring the whole crew to dance-it-out with DJ Virtuous at The Regeneration Station! All are welcome to attend this “Glow Dance” and support one of your local nonprofits.

Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.

Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música  del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.

About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.

This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.

Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.

In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.

Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.

Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música  del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.

About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.

This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.

Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.

In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.

Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.